Relevant bibliographies by topics / Audisme

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Audisme'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Audisme"

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Lane, Harlan. "L’oppression dans les relations entre les professionnels entendants et les sourds de culture." Le dossier : la surdité 6, no. 1 (January 22, 2008): 41–56. http://dx.doi.org/10.7202/301195ar.

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Résumé Des similitudes frappantes entre les traits de caractère attribués aux Africains par les colonisateurs européens et ceux qui sont attribués aux sourds par les experts entendants amènent à formuler l'hypothèse que cette description de la « psychologie des sourds » reflète non pas tant les caractéristiques des sourds que les convictions intéressées des spécialistes entendants qui la produisent. L'« audisme » désigne la façon qu'ont les entendants de décrire la communauté sourde et d'exercer leur autorité sur elle. Les effets débilitants des pratiques oppressives de l'institution audiste sont exposés et une esquisse de redistribution du pouvoir est présentée.
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Eckert, Richard Clark, and Amy June Rowley. "Audism." Humanity & Society 37, no. 2 (April 18, 2013): 101–30. http://dx.doi.org/10.1177/0160597613481731.

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Mashadi, Ahmad. "Audible." ISSUE 7 (2018): 51–80. http://dx.doi.org/10.33671/ahm.

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Wilson, Jaime A. B., and Samuel R. Atcherson. "Audism and Its Implications for Audiology." Perspectives of the ASHA Special Interest Groups 2, no. 8 (January 2017): 18–28. http://dx.doi.org/10.1044/persp2.sig8.18.

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Purpose Two healthcare providers with hearing loss, one neuropsychologist, and one audiologist, explore the concept of audism and its implications within the field of audiology. Method Literature review and frank contemplation. Results The present investigation found no peer-reviewed literature on the topic of audism within the audiology discipline. Awareness of audism and its manifestations have implications for helping audiologists and other hearing healthcare professionals to improve patient satisfaction and treatment compliance. Conclusions Audism is the notion that one is superior based on one's ability to hear or to behave in the manner of one who hears. Strong consideration should be given to including language and cultural studies of the Deaf community within audiology graduate training curriculums. Suggestions for overcoming audism—whether intentional or unintentional—are provided along with research recommendations.
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Monda, T. X., Miller Puckette, and Trevor Wishart. "Audible Design." Computer Music Journal 20, no. 1 (1996): 108. http://dx.doi.org/10.2307/3681279.

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Williamson, Aaron. "Audible WITHIN." Performance Research 4, no. 3 (January 1999): 51–59. http://dx.doi.org/10.1080/13528165.1999.10871693.

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Birringer, Johannes. "Audible Scenography." Performance Research 18, no. 3 (June 2013): 192–93. http://dx.doi.org/10.1080/13528165.2013.818336.

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Bauman, H.-D. L. "Audism: Exploring the Metaphysics of Oppression." Journal of Deaf Studies and Deaf Education 9, no. 2 (April 1, 2004): 239–46. http://dx.doi.org/10.1093/deafed/enh025.

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Ding Chang-Lin and Zhao Xiao-Peng. "Audible sound metamaterial." Acta Physica Sinica 58, no. 9 (2009): 6351. http://dx.doi.org/10.7498/aps.58.6351.

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Zhang, Baile. "Audible Landau levels." Nature Physics 15, no. 4 (March 5, 2019): 307–8. http://dx.doi.org/10.1038/s41567-019-0479-7.

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Dissertations / Theses on the topic "Audisme"

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Mills, Patrick M. "A.U.R.A.L. Audible Ultrasonic Realistic Artificial Larynx| An Audible Ultrasound Electrolarynx." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3667832.

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Every year, many thousands of people worldwide lose the ability to speak due to receiving a laryngectomy, typically for treatment of cancer. At some point in their recovery, most will use an electrolarynx to recover their ability to speak. Typical electrolarynxes utilize a piston to strike a disc pressed to the patient's neck which delivers a pressure wave into the soft tissue. This pressure wave mechanically couples with the vocal tract and generates the fundamental frequency necessary for creating vowels without which speech is not possible.

Commonly available electrolarynxes suffer from poor frequency control due to the nonlinear character of their impulse driver. They also create a great deal of "self-noise" which is distracting to listeners and makes using voice communication systems difficult.

We propose a novel electrolarynx implementation which utilizes two interfering ultrasonic waves to generate a fundamental frequency in the vocal tract required for speech restoration. The device is light weight, compact, inexpensive, and offers excellent control of all aspects of the output waveform. In addition, as the primary waveforms are above human hearing, there is little "self-noise" that can be heard by listeners and most communications devices filter such noise as part of their standard digitization process.

This device offers the potential to greatly improve the lives of those who have lost their voices and must rely on technology to allow them to communicate in the most efficient manner.

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Škulienė, Jelena. "Tekstas, įprasmintas audimu." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_155347-78479.

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Šiuolaikiniame pasaulyje bei mene akcentuojamas kokybiškas rezultatas, gaunamas per trumpą laiko tarpą. Audimas rankomis (pvz., rankinėmis staklėmis, ant vertikalaus rėmo) – imlus laikui procesas, vis labiau tolstantis nuo kasdienės šiuolaikinių tekstilės menininkų praktikos. Nors tekstas yra populiari meno forma, austą tekstą galima sutikti retai. Šis meninis tyrimas analizuoja audimo ir teksto sinkretiškumą. Bandoma atsakyti į klausimus: kokias reikšmes šioje sąjungoje galima įžvelgti, kokia prasmė jai gali būti suteikiama. Austas tekstas, kaip tyrimo objektas, virto pagalba kalbėti apie tekstilės menininko tapatybę šiuolaikiniame mene. Tekstilės autorius, pasirenkantis kurti darbą audimo pagalba, atsiduria tradicijos ir šiuolaikines aplinkos sankirtoje. Tyrimo šaltiniais tapo interviu su austo teksto kūrėjais Lietuvoje, o taip pat literatūra, meno publicistika, straipsniai periodiniuose leidiniuose, kiti duomenys, leidžiantys įžvelgti naujų austo teksto reikšmių. Tyrimo tikslas buvo atskleisti bei surinkti galimas reikšmes, žyminčias ryšį tarp audimo ir teksto. Visos tyrimo metu surinktos reikšmės: priešprieša; laikas, laikinumas, ilgaamžiškumas; pabėgimas, atsiribojimas, išsigelbėjimas, sustojimas; meditacija, įsijautimas; istorija, tradicija; lyta; patvarumas, tvirtumas, tikrumas; komunikacija, intymumas, priminimas; sakralumas, religija; politika, ekonomika; kančia, sunkumas, sudėtingumas, sunkus darbas, meistrystė; tapatybė; prabanga. Visas šias reikšmes galima taikyti... [toliau žr. visą tekstą]
Contemporary world and art emphasise a high-quality result produced within a short period of time. Manual weaving (e.g. by handloom machine or on a vertical loom) is a time-consuming process which is broadly becoming an obsolete practice amongst contemporary textile artists. Although text is a popular form of art, woven text is very rare. This study intends to analyse the syncretic association between weaving and text. The following questions are raised: what are the meanings of this association and what purpose can be derived from it. Woven text, as the study object, has become an assisting instrument in the discussion of a textile artist in contemporary art. A textile artist, who decides to create art by means of weaving, finds himself standing at the crossroads of tradition and contemporary environment. The following study sources were used: interviews with Lithuanian woven text creators, as well as literature, art journalism, articles in periodic publications, and other data which allow finding new meanings of woven text. The objective of the study is to assemble the possible meanings which define the relationship between weaving and text. Meanings found in the study were the following: opposition; time, transience, longevity; escape, isolation, salvation, halt; meditation, empathy; history, tradition; tactility/touch; durability, strength, genuineness; communication, intimacy, reminiscence; sacredness, religion; politics, economics; suffering, complexity, hard work... [to full text]
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Švedaitė, Lina. "Audimo technologijos informacinė sistema." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080811_151021-02252.

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Temos aktualumas. Inovacijos audinių projektavime yra aktualios tiek privačioms, tiek ir valstybinėms įmonėms, kadangi jos visos kasdieninėje veikloje susiduria su naujų technologijų ir medžiagų taikymo galimybių įvairove, finansavimo šaltinių trūkumu, profesionalių audimo specialistų parengimo ir jų adaptavimosi įmonėse problemomis. Audinių gamybos procesas orientuojamas į naujas technologijas, gamybinių ir vadybinių galimybių paiešką ir jų panaudojimą. Tai reiškia, kad siekiant patenkinti vartotojo poreikius nebūtinai reikia kurti kažką radikaliai naujo; pritaikymą naujiems pasiūlymams galima rasti kasdieninėje audimo įmonių veikloje ir naujame požiūryje į specialistų paruošimą, jų kvalifikacijos kėlimą. Temos aktualumas siejamas su audimo technologinių veiklos procesų modernizavimu, kuris turi padėti kompiuterizuoti kasdieninius audimo technologo darbus, suteikiant galimybę juos atlikti efektyviau, kokybiškiau ir sparčiau bei patenkinti esamus poreikius. Tiriama problema – kaip galima būtų palengvinti audimo technologo darbą kompiuterizuojant audimo technologinius skaičiavimus, pateikiant išsamią ir aiškią informaciją klientams bei darbuotojams apie atliktas paslaugas. Ši problema optimaliausiai išsprendžiama sukuriant naują informacinę sistemą, kuri atitinka keliamus reikalavimus bei patenkina informacinius poreikius. Darbo objektas – audimo fabriko veikla. Siekiant užsibrėžto tikslo, yra sprendžiami tokie uždaviniai: - Išanalizuoti audimo fabriko veiklą, aplinką ir... [toliau žr. visą tekstą]
The aim of the work – to project and implement weaving technology enterprise service information system. The main tasks are to analyze the activities, environment and structure of the weaving technology enterprise, to perform the analysis of internal and external information streams of the enterprise, to form the requirements for the new system and its functions after evaluating the defects of the current system, to compare the created IS with the already existing software packs, to project and establish weaving technology enterprise service information system, to test its operation using real data and to provide the instructions for a user of the system. The methods used in the work are the following: general identification method, comparison, deduction, designing, analysis of alternatives, analysis of documents, synthesis, generalization, conversation methods, observation. Obtained results: a new weaving technology enterprise service system was created. It computerizes technologist‘s work, helps to perform it faster and easier, provides clear and structured information in accordance with the requirements. After analyzing of the activities, functions, environment of the enterprise, the structure of the organization, and after analyzing of the processes that require IS and of the current features that do not meet the requirements of the user, a new information system was designed using the MS Visio 2000 pack. MS Access was chosen for the implementation of the system. The... [to full text]
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Alvarez, Guillermo, and Kristoffer Ramstrand. "Soundscaping - An audible interpretation of literature." Thesis, Linköpings universitet, Institutionen för teknik och naturvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-93482.

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Detta examensarbete är en studie i hur känslor kan förmedlas med hjälp av ljud och har som syfte att öka förståelsen kring känslopåverkan i samband med ljud, samt i detta fall kopplingen mellan ljud och visuella verk. Undersökningen kan användas i utbildningssyfte för musikproducenter, ljudläggare och konstnärer. Problemformulering: Hur kan specifika ljudmiljöer utformas för att frammana bestämda känslor hos en lyssnare? För att ta reda på vilka känslor vi skulle försöka förmedla med våra ljudmiljöer genomförde vi en kvalitativ textanalys på varje text som vi tolkade med hjälp av ljud. Vi har också genomfört ett antal kvalitativa intervjuer för att ta reda på hur våra produktioner uppfattas av personer som lyssnar på dem. Teoridelen är uppdelad i tre kategorier och inleds med soundscaping som tar upp vad ett ljudlandskap är, samt hur lyssnarens bakgrund kan förändra uppfattningen av ett ljudlandskap. Sedan kommer perceptionsdelen som tar upp hur människan uppfattar, och vad som associeras med olika ljud. Teoridelen avslutas med att gå igenom kategorin filmljud, där ljudläggningsmetoder från filmbranschen presenteras. Resultatet av undersökningen var att ljudmiljöer kan utformas på flera olika sätt beroende på den känslomässiga reaktion som man är ute efter. Genom intervjuerna fick vi även bekräftat att naturljuden har en tydlig association till olika känslor, ljudet av vind liknas vid kyla, fiskmåsars skrikande förde lätt tankarna till havet. I samtliga produktioner som skapades, lyckades det förmedlas en liknande känslostämning till majoriteten av de personer som intervjuades. Slutligen sker en sammanfattande diskussion kring det sätt som produktionerna lyckas förstärka känslorna hos de intervjuade personerna samt vad som kan utvecklas i samband med vidare forskning i ämnet.
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Oliver, Morris Bernard. "Audible pedestrian signals: a feasibility study." Thesis, Virginia Tech, 1989. http://hdl.handle.net/10919/44130.

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This report represents a concentrated effort that determines the feasibility of audible pedestrian signals. These signals are devices which give auditory cues to help the visually impaired cross safely at difficult intersections. Surveys were sent out to over 100 organizations, audible signal manufacturers, and cities who have knowledge of the devices, and responses were analyzed. The devices were found to be feasible but only at certain complex and confusing intersections. Twelve criteria for the installation of the devices were developed as were twelve criteria for the operation of the devices. Buzzers, constant tones, bird calls, and voice signals were examined by obtaining information from traffic engineers who had experience with each sound. It was determined that intermittent tones were the most effective for human localization. For the most widely used devices, cost data were developed for the products, installation, and maintenance. A partial listing of the U.S. and foreign cities which have the devices was compiled along with a partial listing of audible signal manufacturers. The problems the visually impaired face as well as their suggested solutions are listed. Topics for further study include the use of hand-held devices which activate sound signals at intersections and the development of tone schemes for 4-leg and multi-leg intersections which are not north south and east-west. An additional topic for future study is the development of tone schemes for traffic circles.
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Zaborowski, Rafal. "Audible audiences : engaging with music in Japan." Thesis, London School of Economics and Political Science (University of London), 2015. http://etheses.lse.ac.uk/3219/.

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In this thesis I aim to uncover the nature, quality and implications of audience engagement with popular music in everyday life. Specifically, I look at two post-war generations in modern Japan and analyse their listening practices and interpretations of music encounters. To investigate this, a mixed-method approach is used based on focus group and individual interviews, questionnaires, participant observation and expert interviews with industry representatives – 100 study participants overall. Emerging patterns and themes are identified through qualitative thematic analysis. In two case studies – of idol groups and vocaloid music - I focus on how audiences, especially fans, and producers interact, with a close bond emerging over a process of cultural co-evolution of production and reception. Then, I position this map of engagements within the experiences of two Japanese cohorts, “the lost” and “the relaxed”. I argue that their generational experiences and localities guide the frames through which they interpret music. I argue that listening to music is a complex social practice whose significance has been undervalued in audience research. Audiences make music choices and engage with musical texts according to specific modes and routines which should be analysed together. Following the legacy of literary and television audience studies, I propose an account of music listening in terms of a spectrum of audience engagements linked to texts, contexts, performances and authorship. The concepts of proximity (cultural proximity and the proximity between performers and audiences) inform the analysis of the circuit of culture, offering new insight into modes of engagement and production processes. Japan, home of the Walkman and karaoke, emerges from the analysis as not only the land of technological innovations in music, but also as a culture with wider implications for media and audience research.
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Larsson, Eva, and Eric Johansson. "Stigmatisering av äldre döva : i äldreomsorgen." Thesis, Högskolan Väst, Avdelningen för socialt arbete och socialpedagogik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-15309.

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Syftet med studien är att uppmärksamma äldre döva. Genom kvalitativa undersökningar belysa äldre dövas tankar och farhågor om att åldras och eventuellt vara i behov av äldreomsorg, utifrån perspektiven social konstruktion och stigmatisering. Studiens fem informanter var, en från biståndsenheten, en äldrevägledare samt tre äldre döva personer för att få ett brett perspektiv på problemområdet. För att skapa det empiriska materialet användes semistrukturerade intervjuguider. Empirin har analyserats med meningskategorisering i programmet Nvivo-12 för att få fram relevanta och trovärdiga resultat. Inom tidigare forskning var det svårt att finna artiklar som tar upp ämnet äldre döva, vilket understryker behovet av ytterligare forskning kring ämnet. Vi har i vårt resultat kunnat urskilja att det finns en diskriminering av äldre döva i processen kring äldreomsorg. Vi fann också att hörande, som inte har någon dövkunskap, som kommer i kontakt med döva konstruerar egna uppfattningar om dövas livsvillkor, utifrån okunskap och samhällsnormer. Resultat av studien visar också att det finns möjligheter till förbättring där vissa städer efter påtryckningar av dövrörelsen har öppnat äldreomsorg för döva samt medborgarkontor
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Blom, Peter. "Magneto-sensitive rubber in the audible frequency range." Doctoral thesis, Stockholm : Royal Institute of Technology, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4024.

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Martins, Mariana Zaparolli. "Audible Images: síntese de imagens controladas por áudio." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-01042008-010011/.

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Neste trabalho é apresentada a biblioteca AIM, uma biblioteca de objetos Pd que combina ferramentas de análise de áudio e síntese de imagens para a geração de acompanhamentos visuais para uma entrada musical. O usuário estabelece conexões que determinam como os parâmetros musicais afetam a síntese de objetos gráficos, e controla estas conexões em tempo-real durante a performance. A biblioteca combina um protocolo de comunicação para intercâmbio de parâmetros musicais e visuais com uma interface fácil de usar, tornando-a acessível a usuários sem experiência em programação de computadores. Suas áreas possíveis de aplicação incluem a musicalização infantil e a indústria de entretenimento.
This thesis describes the AIM library, a Pd object library which combines audio analysis and image synthesis tools for generating visual accompaniments to musical input data. The user establishes connections that determine how musical parameters affect the synthesis of graphical objects, and controls these connections in real-time during performance. The library combines a straightforward communication protocol for exchanging musical and visual parameters with an easy-to-use interface that makes it accessible for users with no computer programming experience. Its potential applications areas include children\'s musical education and the entertainment industry.
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Eley, Craig. "Making silence audible: sound, nature, technology, 1890-1970." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/6568.

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This dissertation examines the commercially released nature records that were produced by naturalists, scientists, recording engineers, teachers, musicians, and hobbyists from the 1890s through the 1970s. Though some of the general concepts about natural sound have remained remarkably consistent over time, their specific definitions and implementations are marked by moments of contestation and change. Early recorded natural sound practices were often both musical and narrative, relying on human intermediaries to set the scene and explain the sounds. Later developments in microphones and recorders allowed humans greater access to natural sounds, but they also increased the levels of detachment between those sounds and their sources, resulting in nature sounds being understood, measured, and visualized in abstract and mathematical ways. Concurrent with these technological developments was a cultural shift away from nature sounds as a way to understand large-scale environmental and scientific issues, shared experiences, and actual physical spaces, toward the use of nature sounds to facilitate a personal and psychological relationship with a generalized idea of "the natural world." These issues were not simply the province of a small group of specialists, or mere background noise to larger cultural issues. Debates about natural sounds were often debates about "nature" itself, touching on fundamental questions of race, class, gender, science, technology, and environmental politics in American culture.
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Books on the topic "Audisme"

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Pradhan, Pabitra Kumar. Audible silence. Cuttack, Orissa: Toshali Books, 1992.

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M, Rubin David. The audible Macintosh. San Francisco: SYBEX, 1992.

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Tim, Tully, ed. The audible PC. San Francisco, CA: SYBEX, 1993.

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Mattern, Joanne. Audie Murphy. Hockessin, Delaware: Mitchell Lane Publishers, 2016.

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White, David. An audible approach to silence. Palos Hills, Ill: Whitestone Press, 1991.

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Robbins, Dylon Lamar. Audible Geographies in Latin America. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10558-7.

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Parliament, Great Britain. Audible Motor Vehicle Alarms Bill. London: Stationery Office, 2005.

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Governments, San Diego Association of. Evaluation of audible pedestrian traffic signals. San Diego, Calif. (1200 3rd Ave., Suite 524, Security Pacific Plaza, San Diego 92101): San Diego Association of Governments, 1988.

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Krikunov, A. V. Zakon ob audite v deĭstvii. 2nd ed. Moskva: Izd-vo "AiN", 2002.

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Audible signs: Essays from a musical ground. New York: Continuum, 2010.

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Book chapters on the topic "Audisme"

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Weik, Martin H. "audible alarm." In Computer Science and Communications Dictionary, 76. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_1011.

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Paulus, Alexander, Michael Czaplik, Frederik Hirsch, Philipp Meisen, Tobias Meisen, and Sabina Jeschke. "AUDIME: Augmented Disaster Medicine." In Automation, Communication and Cybernetics in Science and Engineering 2015/2016, 637–44. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42620-4_47.

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Luke, Allan. "Foreword." In Audible Difference, vii—x. Bristol, Blue Ridge Summit: Multilingual Matters, 2003. http://dx.doi.org/10.21832/9781853596438-001.

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Bishop, Owen. "Audible Output." In Electronics: A First Course, 193–94. Elsevier, 2011. http://dx.doi.org/10.1016/b978-1-85617-695-8.00046-4.

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Brindley, Keith. "Audible intensity." In Newnes Radio and Electronics Engineer's Pocket Book, 297. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-434-90187-6.50127-5.

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O'Callaghan, Casey. "Audible Qualities." In Sounds, 72–90. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780199215928.003.0006.

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"Audible Sound." In Encyclopedia of Database Systems, 146. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-39940-9_2070.

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"Audible output." In Electronics: A First Course, 194. Routledge, 2007. http://dx.doi.org/10.4324/9780080477527-58.

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"BECOMING AUDIBLE:." In Becoming Audible, 10–35. Penn State University Press, 2020. http://dx.doi.org/10.5325/j.ctv1c5csfk.5.

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"Audible output." In Electronics - A First Course, 170. Routledge, 2002. http://dx.doi.org/10.4324/9780080574714-41.

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Conference papers on the topic "Audisme"

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Paulus, Alexander, Philipp Meisen, Tobias Meisen, Sabina Jeschke, Michael Czaplik, and Frederik Hirsch. "AUDIME: Augmented disaster medicine." In 2015 17th International Conference on E-health Networking, Application & Services (HealthCom). IEEE, 2015. http://dx.doi.org/10.1109/healthcom.2015.7454522.

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Huang, Haikun, Michael Solah, Dingzeyu Li, and Lap-Fai Yu. "Audible Panorama." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290605.3300851.

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Cliffe, Laurence, James Mansell, Joanne Cormac, Chris Greenhalgh, and Adrian Hazzard. "The Audible Artefact." In AM'19: Audio Mostly. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3356590.3356617.

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Albers, Michael C., and Eric Bergman. "The audible web." In Conference companion. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/223355.223693.

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Young, Emma, Alan Marsden, and Paul Coulton. "Making the Invisible Audible." In AM'19: Audio Mostly. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3356590.3356610.

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Kusunoki, Fusako, Ikuko Eguchi Yairi, and Takuichi Nlshimura. "Multi-Audible table for collaborative work." In the 2004 ACM SIGCHI International Conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1067343.1067351.

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Abegunawardana, Sidath, Upul Sonnadara, J. A. P. Bodhika, Mahendra Fernando, Sankha Nanayakkara, and Vernon Cooray. "Audible Frequency Analysis of Ground Flashes." In 2018 34th International Conference on Lightning Protection (ICLP). IEEE, 2018. http://dx.doi.org/10.1109/iclp.2018.8503403.

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Nishida, Tsutomu, and Bunji Hagiwara. "Sound Quality of Audible Warning Devices." In Noise & Vibration Conference & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1993. http://dx.doi.org/10.4271/931346.

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Freeman, Euan, Graham Wilson, Stephen Brewster, Gabriel Baud-Bovy, Charlotte Magnusson, and Hector Caltenco. "Audible Beacons and Wearables in Schools." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3025453.3025518.

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Masoudi, Ali, Mohammad Belal, and Trevor P. Newson. "Distributed optical fibre audible frequency sensor." In OFS2014 23rd International Conference on Optical Fiber Sensors, edited by José M. López-Higuera, Julian D. C. Jones, Manuel López-Amo, and José L. Santos. SPIE, 2014. http://dx.doi.org/10.1117/12.2058484.

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Reports on the topic "Audisme"

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Ohsuga, Mieko, Hideo Shimonomura, Haruo Noma, Kiyoshi Kogure, and Yoshitaka Nakajima. Physiological Measurement of Drivers Using NAM (Non-Audible Murmur) Microphones. Warrendale, PA: SAE International, May 2005. http://dx.doi.org/10.4271/2005-08-0308.

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Sarvaiya, Niral, and Vijay Kothari. Audible sound in form of music can influence microbial growth, metabolism, and antibiotic susceptibility. Cold Spring Harbor Laboratory, March 2016. http://dx.doi.org/10.1101/044776.

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Jacko, Robert. Blind Pedestrians and Their Ability to Navigate Indiana Intersections - A Review of the Technology Available for Audible Signals. West Lafayette, IN: Purdue University, 2006. http://dx.doi.org/10.5703/1288284313409.

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Job, Jacob. Mesa Verde National Park: Acoustic monitoring report. National Park Service, July 2021. http://dx.doi.org/10.36967/nrr-2286703.

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Abstract:
In 2015, the Natural Sounds and Night Skies Division (NSNSD) received a request to collect baseline acoustical data at Mesa Verde National Park (MEVE). Between July and August 2015, as well as February and March 2016, three acoustical monitoring systems were deployed throughout the park, however one site (MEVE002) stopped recording after a couple days during the summer due to wildlife interference. The goal of the study was to establish a baseline soundscape inventory of backcountry and frontcountry sites within the park. This inventory will be used to establish indicators and thresholds of soundscape quality that will support the park and NSNSD in developing a comprehensive approach to protecting the acoustic environment through soundscape management planning. Additionally, results of this study will help the park identify major sources of noise within the park, as well as provide a baseline understanding of the acoustical environment as a whole for use in potential future comparative studies. In this deployment, sound pressure level (SPL) was measured continuously every second by a calibrated sound level meter. Other equipment included an anemometer to collect wind speed and a digital audio recorder collecting continuous recordings to document sound sources. In this document, “sound pressure level” refers to broadband (12.5 Hz–20 kHz), A-weighted, 1-second time averaged sound level (LAeq, 1s), and hereafter referred to as “sound level.” Sound levels are measured on a logarithmic scale relative to the reference sound pressure for atmospheric sources, 20 μPa. The logarithmic scale is a useful way to express the wide range of sound pressures perceived by the human ear. Sound levels are reported in decibels (dB). A-weighting is applied to sound levels in order to account for the response of the human ear (Harris, 1998). To approximate human hearing sensitivity, A-weighting discounts sounds below 1 kHz and above 6 kHz. Trained technicians calculated time audible metrics after monitoring was complete. See Methods section for protocol details, equipment specifications, and metric calculations. Median existing (LA50) and natural ambient (LAnat) metrics are also reported for daytime (7:00–19:00) and nighttime (19:00–7:00). Prominent noise sources at the two backcountry sites (MEVE001 and MEVE002) included vehicles and aircraft, while building and vehicle predominated at the frontcountry site (MEVE003). Table 1 displays time audible values for each of these noise sources during the monitoring period, as well as ambient sound levels. In determining the current conditions of an acoustical environment, it is informative to examine how often sound levels exceed certain values. Table 2 reports the percent of time that measured levels at the three monitoring locations were above four key values.
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