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Journal articles on the topic 'Auditory perception'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Deny Nitalia Mindrawati, Grahita Chandrarin, and Harianto Respati. "The Determinant Of Auditor Career Survivability Adopting The Blockchain Technology." Brilliant International Journal Of Management And Tourism 4, no. 1 (2024): 151–73. http://dx.doi.org/10.55606/bijmt.v4i1.2758.

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This empirical study examined the influence of the auditor perspective on the supportive factors of blockchain technology adoption and the implication on auditory career survivability. The current research population consisted of all auditors in Indonesia, 6.034 individuals. The researchers used the Slovin formula to take 375 respondents. The researchers analyzed the obtained data with a validity test, reliability test, and path analysis. The results found the perception of the auditor about the positive and significant influencing factors toward the blockchain technology adoption and survivab

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2

Haas, Ellen C. "Auditory Perception." Proceedings of the Human Factors Society Annual Meeting 36, no. 3 (1992): 247. http://dx.doi.org/10.1518/107118192786751817.

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Auditory perception involves the human listener's awareness or apprehension of auditory stimuli in the environment. Auditory stimuli, which include speech communications as well as non-speech signals, occur in the presence and absence of environmental noise. Non-speech auditory signals range from simple pure tones to complex signals found in three-dimensional auditory displays. Special hearing protection device (HPD) designs, as well as additions to conventional protectors, have been developed to improve speech communication and auditory perception capabilities of those exposed to noise. The t

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3

PURWINS, HENDRIK, BENJAMIN BLANKERTZ, and KLAUS OBERMAYER. "Computing auditory perception." Organised Sound 5, no. 3 (2000): 159–71. http://dx.doi.org/10.1017/s1355771800005069.

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In this paper the ingredients of computing auditory perception are reviewed. On the basic level there is neurophysiology, which is abstracted to artificial neural nets (ANNs) and enhanced by statistics to machine learning. There are high-level cognitive models derived from psychoacoustics (especially Gestalt principles). The gap between neuroscience and psychoacoustics has to be filled by numerics, statistics and heuristics. Computerised auditory models have a broad and diverse range of applications: hearing aids and implants, compression in audio codices, automated music analysis, music compo

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4

NITIDARA, Ni Putu Amanda, Joko SARWONO, and S. SUPRIJANTO. "Exploring cross-modal perception: audio, visual, and thermal responses to changes in audio-visual Stimuli within virtual urban parks." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 9 (2024): 2648–56. http://dx.doi.org/10.3397/in_2024_3215.

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Human perception is an essential factor in soundscape. Humans are multisensory beings, and thus, their perceptions are influenced by various multisensorial experiences. Our perception of a soundscape is not solely influenced by the sound in itself but also by various non-auditory factors. This research examines how visual factors, other than auditory, influence people's perceptions in public open spaces. An experiment was conducted using audio and visual stimuli. Three setups were compared: audio-only, visual-only, and combined audio-visual stimuli to observe differences in the respondent's pe

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5

Kiela, Douwe, and Stephen Clark. "Learning Neural Audio Embeddings for Grounding Semantics in Auditory Perception." Journal of Artificial Intelligence Research 60 (December 26, 2017): 1003–30. http://dx.doi.org/10.1613/jair.5665.

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Multi-modal semantics, which aims to ground semantic representations in perception, has relied on feature norms or raw image data for perceptual input. In this paper we examine grounding semantic representations in raw auditory data, using standard evaluations for multi-modal semantics. After having shown the quality of such auditorily grounded representations, we show how they can be applied to tasks where auditory perception is relevant, including two unsupervised categorization experiments, and provide further analysis. We find that features transfered from deep neural networks outperform b

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6

Waterlot, Muriel. "Welke aanpak voor de Nederlandse vertaling van Poolse auditieve verba sentiendi?" Neerlandica Wratislaviensia 33 (November 17, 2022): 139–49. http://dx.doi.org/10.19195/0860-0716.33.10.

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When translating verbs from auditory perception, the translator often limits himself to a semantic and syntactic analysis of the predicates in a sentence. However, there is also an enunciative dimension (i.e. the relationship between the speaker and the subject of auditory perception) to be taken into account. Linguists divide the verbs of auditory perception into two groups according to cognitive criteria: verbs of passive and active perception. In Polish, many auditory perception verbs have a prefi x. In this article, we analyse how Polish passive auditory perception verbs and active auditor

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7

Zahorik, Pavel. "Auditory/visual distance perception." Journal of the Acoustical Society of America 137, no. 4 (2015): 2374. http://dx.doi.org/10.1121/1.4920626.

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8

Merchel, Sebastian, and M. Ercan Altinsoy. "Auditory-tactile music perception." Journal of the Acoustical Society of America 133, no. 5 (2013): 3256. http://dx.doi.org/10.1121/1.4805254.

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9

Hirsh, Ira J. "Timing in auditory perception." Journal of the Acoustical Society of America 81, S1 (1987): S90. http://dx.doi.org/10.1121/1.2024468.

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10

Hirsh, Ira J., and Charles S. Watson. "AUDITORY PSYCHOPHYSICS AND PERCEPTION." Annual Review of Psychology 47, no. 1 (1996): 461–84. http://dx.doi.org/10.1146/annurev.psych.47.1.461.

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11

Specht, Karsten, C. Paul Stracke, and Jürgen Reul. "Laterality of auditory perception." NeuroImage 13, no. 6 (2001): 942. http://dx.doi.org/10.1016/s1053-8119(01)92284-0.

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12

Munkong, Rungsun, and Biing-Hwang Juang. "Auditory perception and cognition." IEEE Signal Processing Magazine 25, no. 3 (2008): 98–117. http://dx.doi.org/10.1109/msp.2008.918418.

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13

Recanzone, Gregg H. "Perception of auditory signals." Annals of the New York Academy of Sciences 1224, no. 1 (2011): 96–108. http://dx.doi.org/10.1111/j.1749-6632.2010.05920.x.

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14

Sloos, Marjoleine, and Denis McKeown. "Bias in Auditory Perception." i-Perception 6, no. 5 (2015): 204166951560715. http://dx.doi.org/10.1177/2041669515607153.

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15

Blauert, Jens, and Jonas Braasch. "Auditory perception in rooms." Journal of the Acoustical Society of America 141, no. 5 (2017): 3498. http://dx.doi.org/10.1121/1.4987317.

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16

Povel, D. J. "Auditory perception and speech." Acta Psychologica 75, no. 2 (1990): 176–77. http://dx.doi.org/10.1016/0001-6918(90)90091-s.

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17

Lotto, Andrew, and Lori Holt. "Psychology of auditory perception." Wiley Interdisciplinary Reviews: Cognitive Science 2, no. 5 (2010): 479–89. http://dx.doi.org/10.1002/wcs.123.

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18

Bernard, Corentin, Richard Kronland-Martinet, Madeline Fery, Sølvi Ystad, and Etienne Thoret. "Tactile perception of auditory roughness." JASA Express Letters 2, no. 12 (2022): 123201. http://dx.doi.org/10.1121/10.0016603.

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Auditory roughness resulting from fast temporal beatings is often studied by summing two pure tones with close frequencies. Interestingly, the tactile counterpart of auditory roughness can be provided through touch with vibrotactile actuators. However, whether auditory roughness could also be perceived through touch and whether it exhibits similar characteristics are unclear. Here, auditory roughness perception and its tactile counterpart were evaluated using pairs of pure tone stimuli. Results revealed similar roughness curves in both modalities, suggesting similar sensory processing. This st

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19

Crommett, Lexi E., Alexis Pérez-Bellido, and Jeffrey M. Yau. "Auditory adaptation improves tactile frequency perception." Journal of Neurophysiology 117, no. 3 (2017): 1352–62. http://dx.doi.org/10.1152/jn.00783.2016.

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Our ability to process temporal frequency information by touch underlies our capacity to perceive and discriminate surface textures. Auditory signals, which also provide extensive temporal frequency information, can systematically alter the perception of vibrations on the hand. How auditory signals shape tactile processing is unclear; perceptual interactions between contemporaneous sounds and vibrations are consistent with multiple neural mechanisms. Here we used a crossmodal adaptation paradigm, which separated auditory and tactile stimulation in time, to test the hypothesis that tactile freq

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20

Pudov, V. I., and O. V. Zontova. "Hearing perception by cochlear implantation." Сенсорные системы 37, no. 4 (2023): 320–29. http://dx.doi.org/10.31857/s0235009223040066.

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Cochlear implantation is a unique development in the field of prosthetics of human sensory systems. Due to the electrical stimulation of the auditory nerve, auditory sensations close to natural occur. Despite significant progress in the engineering design of cochlear implants (CI), the quality of auditory perception when used is significantly limited. CI users experience the greatest difficulties in communication tasks such as understanding speech in noise or in multi-talkers environment. There are many factors, both technical and physiological, to reduce speech intelligibility in CI users. Sp

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21

Storms, Russell L., and Michael J. Zyda. "Interactions in Perceived Quality of Auditory-Visual Displays." Presence: Teleoperators and Virtual Environments 9, no. 6 (2000): 557–80. http://dx.doi.org/10.1162/105474600300040385.

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The quality of realism in virtual environments (VEs) is typically considered to be a function of visual and audio fidelity mutually exclusive of each other. However, the VE participant, being human, is multimodal by nature. Therefore, in order to validate more accurately the levels of auditory and visual fidelity that are required in a virtual environment, a better understanding is needed of the intersensory or crossmodal effects between the auditory and visual sense modalities. To identify whether any pertinent auditory-visual cross-modal perception phenomena exist, 108 subjects participated

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22

de Boer, J. N., M. M. J. Linszen, J. de Vries, et al. "Auditory hallucinations, top-down processing and language perception: a general population study." Psychological Medicine 49, no. 16 (2019): 2772–80. http://dx.doi.org/10.1017/s003329171800380x.

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AbstractBackgroundStudies investigating the underlying mechanisms of hallucinations in patients with schizophrenia suggest that an imbalance in top-down expectations v. bottom-up processing underlies these errors in perception. This study evaluates this hypothesis by testing if individuals drawn from the general population who have had auditory hallucinations (AH) have more misperceptions in auditory language perception than those who have never hallucinated.MethodsWe used an online survey to determine the presence of hallucinations. Participants filled out the Questionnaire for Psychotic Expe

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23

ERDENER, DOĞU, and DENIS BURNHAM. "Auditory–visual speech perception in three- and four-year-olds and its relationship to perceptual attunement and receptive vocabulary." Journal of Child Language 45, no. 2 (2017): 273–89. http://dx.doi.org/10.1017/s0305000917000174.

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AbstractDespite the body of research on auditory–visual speech perception in infants and schoolchildren, development in the early childhood period remains relatively uncharted. In this study, English-speaking children between three and four years of age were investigated for: (i) the development of visual speech perception – lip-reading and visual influence in auditory–visual integration; (ii) the development of auditory speech perception and native language perceptual attunement; and (iii) the relationship between these and a language skill relevant at this age, receptive vocabulary. Visual s

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Kaga, Makiko, Kaori Kon, Akira Uno, Toshihiro Horiguchi, Hitoshi Yoneyama, and Masumi Inagaki. "Auditory perception in auditory neuropathy: Clinical similarity with auditory verbal agnosia." Brain and Development 24, no. 3 (2002): 197–202. http://dx.doi.org/10.1016/s0387-7604(02)00027-x.

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25

Leman, Marc. "A Model of Retroactive Tone-Center Perception." Music Perception 12, no. 4 (1995): 439–71. http://dx.doi.org/10.2307/40285676.

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In this paper, a model for tone-center perception is developed. It is based on an auditory model and principles of schema dynamics such as self-organization and association. The auditory module simulates virtual-pitch perception by transforming musical signals into auditory images. The schema- based module involves data-driven long-term learning for the self-organization of a schema for tone-center perception. The focus of this paper is on a retroactive process (called perceptual interpretation) by which the sense of tone center is adjusted according to a reconsideration of preceding perceptio

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26

Takeshima, Yasuhiro, and Jiro Gyoba. "Changing Pitch of Sounds Alters Perceived Visual Motion Trajectory." Multisensory Research 26, no. 4 (2013): 317–32. http://dx.doi.org/10.1163/22134808-00002422.

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Several studies have examined the effects of auditory stimuli on visual perception. In studies of cross-modal correspondences, auditory pitch has been shown to modulate visual motion perception. In particular, low-reliability visual motion stimuli tend to be affected by metaphorically or physically congruent or incongruent sounds. In the present study, we examined the modulatory effects of auditory pitch on visual perception of motion trajectory for visual inputs of varying reliability. Our results indicated that an auditory pitch implying the illusory motion toward the outside of the visual f

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27

Piwek, Lukasz, Karin Petrini, and Frank E. Pollick. "Auditory signal dominates visual in the perception of emotional social interactions." Seeing and Perceiving 25 (2012): 112. http://dx.doi.org/10.1163/187847612x647450.

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Multimodal perception of emotions has been typically examined using displays of a solitary character (e.g., the face–voice and/or body–sound of one actor). We extend investigation to more complex, dyadic point-light displays combined with speech. A motion and voice capture system was used to record twenty actors interacting in couples with happy, angry and neutral emotional expressions. The obtained stimuli were validated in a pilot study and used in the present study to investigate multimodal perception of emotional social interactions. Participants were required to categorize happy and angry

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28

Williams, Jamal, Yuri Markov, Natalia Tiurina, and Viola Stoermer. "Auditory Context Alters Visual Perception." Journal of Vision 21, no. 9 (2021): 2796. http://dx.doi.org/10.1167/jov.21.9.2796.

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29

Ottaviani, Laura, and Davide Rocchesso. "Auditory perception of 3D size." ACM Transactions on Applied Perception 1, no. 2 (2004): 118–29. http://dx.doi.org/10.1145/1024083.1024086.

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30

McDermott, Josh H., Michael Schemitsch, and Eero P. Simoncelli. "Summary statistics in auditory perception." Nature Neuroscience 16, no. 4 (2013): 493–98. http://dx.doi.org/10.1038/nn.3347.

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31

Long, Glenis R. "Otoacoustic emissions and auditory perception." Journal of the Acoustical Society of America 91, no. 4 (1992): 2408–9. http://dx.doi.org/10.1121/1.403251.

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32

Moore, Brian C. J. "Comparative Studies of Auditory Perception." Contemporary Psychology: A Journal of Reviews 36, no. 4 (1991): 314–15. http://dx.doi.org/10.1037/029630.

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33

Schmuckler, Mark A., and David L. Gilden. "Auditory perception of fractal contours." Journal of Experimental Psychology: Human Perception and Performance 19, no. 3 (1993): 641–60. http://dx.doi.org/10.1037/0096-1523.19.3.641.

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34

Repp, Bruno H., and Günther Knoblich. "Action Can Affect Auditory Perception." Psychological Science 18, no. 1 (2007): 6–7. http://dx.doi.org/10.1111/j.1467-9280.2007.01839.x.

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35

Carlile, Simon, and Johahn Leung. "The Perception of Auditory Motion." Trends in Hearing 20 (April 19, 2016): 233121651664425. http://dx.doi.org/10.1177/2331216516644254.

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36

Pollmann, Stefan, and Marianne Maertens. "Perception modulates auditory cortex activation." NeuroReport 17, no. 17 (2006): 1779–82. http://dx.doi.org/10.1097/wnr.0b013e3280107a98.

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37

Griffiths, Timothy D., Virginia Penhune, Isabelle Peretz, Jenny L. Dean, Roy D. Patterson, and Gary G. R. Green. "Frontal processing and auditory perception." NeuroReport 11, no. 5 (2000): 919–22. http://dx.doi.org/10.1097/00001756-200004070-00004.

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38

Houben, Mark, Luuk Franssen, Dik Hermes, Armin Kohlrausch, and Berry Eggen. "Auditory perception of rolling balls." Journal of the Acoustical Society of America 105, no. 2 (1999): 980. http://dx.doi.org/10.1121/1.425353.

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39

Sandvad, Jesper. "Auditory perception of reverberant surroundings." Journal of the Acoustical Society of America 105, no. 2 (1999): 1193. http://dx.doi.org/10.1121/1.425625.

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40

Hariri, M. A., M. J. Connolly, M. V. Lakshmi, and S. Lafner. "Auditory Perception in Stroke Patients." Age and Ageing 22, suppl 3 (1993): P23—P24. http://dx.doi.org/10.1093/ageing/22.suppl_3.p23-d.

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41

Binder, Jeffrey. "FUNCTIONAL IMAGING OF AUDITORY PERCEPTION." Journal of Clinical Neurophysiology 13, no. 4 (1996): 351. http://dx.doi.org/10.1097/00004691-199607000-00029.

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42

Ortega, L., E. Guzman-Martinez, M. Grabowecky, and S. Suzuki. "Auditory dominance in time perception." Journal of Vision 9, no. 8 (2010): 1086. http://dx.doi.org/10.1167/9.8.1086.

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43

Viveiros, Carla Mherlyn, Liliane Desgualdo Pereira, and Gianna Mastroianni Kirsztajn. "Auditory Perception in Alport’s Syndrome." Brazilian Journal of Otorhinolaryngology 72, no. 6 (2006): 811–16. http://dx.doi.org/10.1016/s1808-8694(15)31049-1.

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44

Russell, Michael K. "Auditory Perception of Unimpeded Passage." Ecological Psychology 11, no. 2 (1999): 175–88. http://dx.doi.org/10.1207/s15326969eco1102_3.

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45

JELICIC, MARKO, and BENNO BONKE. "Auditory Perception During General Anesthesia." Southern Medical Journal 82, no. 10 (1989): 1220–23. http://dx.doi.org/10.1097/00007611-198910000-00005.

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46

Binder, Jeffrey. "Functional imaging of auditory perception." Electroencephalography and Clinical Neurophysiology 102, no. 1 (1997): P5. http://dx.doi.org/10.1016/s0013-4694(97)86221-9.

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47

Lebedev, V. G., and N. G. Zagoruiko. "Auditory perception and speech recognition." Speech Communication 4, no. 1-3 (1985): 97–103. http://dx.doi.org/10.1016/0167-6393(85)90038-x.

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48

Alam, Iftekhar, and Ashok Ghatol. "High resolution auditory perception system." Journal of the Acoustical Society of America 117, no. 4 (2005): 2483–84. http://dx.doi.org/10.1121/1.4787736.

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49

Nazimek, J. M., M. D. Hunter, and P. W. R. Woodruff. "Auditory hallucinations: Expectation–perception model." Medical Hypotheses 78, no. 6 (2012): 802–10. http://dx.doi.org/10.1016/j.mehy.2012.03.014.

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50

Bronkhorst, Adelbert W., and Tammo Houtgast. "Auditory distance perception in rooms." Nature 397, no. 6719 (1999): 517–20. http://dx.doi.org/10.1038/17374.

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