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Books on the topic 'Auditory spatial perception'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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1

H, Gilkey Robert, and Anderson Timothy R, eds. Binaural and spatial hearing in real and virtual environments. Lawrence Erlbaum Associates, 1997.

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2

Principles And Applications Of Spatial Hearing. World Scientific Publishing Company, 2011.

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3

Suzuki, Yoiti, Douglas Brungart, and Kazuhiro Iida. Principles and Applications of Spatial Hearing. World Scientific Publishing Co Pte Ltd, 2011.

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4

Spatial hearing: The psychophysics of human sound localization. MIT Press, 1997.

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5

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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6

Anderson, Timothy R., and Robert H. Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2015.

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7

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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8

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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9

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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10

Parnas, Josef, and Annick Urfer-Parnas. The ontology and epistemology of symptoms: The case of auditory verbal hallucinations in schizophrenia. Edited by Kenneth S. Kendler and Josef Parnas. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780198796022.003.0026.

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We present a phenomenological account of auditory verbal hallucinations (AVH) in schizophrenia. We examine the mode of articulation of AVH, their spatial and temporal characteristics, and their relation to self-alienation, reflecting an emergence of otherness (alterity) in the midst of the patient’s self. This process of self-alienation is associated with the emergence of a different reality, a new ontological framework, which obeys other rules of causality and time. Patient becomes psychotic not because they cannot distinguish AVH from mundane perception, but because they are in touch with an
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11

McLachlan, Neil M. Timbre, Pitch, and Music. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935345.013.44.

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The perception of a sound’s timbre and pitch may be related to the more basic auditory function of sound recognition. Timbre may be related to the sensory experience (or memory) by which we recognize the source or meaning of a sound, while pitch may involve the recognition and mapping of timbres along a cognitive spatial dimension. Musical dissonance may then result from failure of sound recognition mechanisms, resulting in poor integration of pitch information and heightened arousal in musicians. Neurobiological models of auditory processing that include cortico-ponto-cerebellar and limbic pa
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12

Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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13

Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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14

Berenbaum, Sheri A. Gonadal Hormones and Sex Differences in Behavior: A Special Issue of Developmental Neuropsychology. Taylor & Francis Group, 2014.

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15

Gonadal Hormones and Sex Differences in Behavior: A Special Issue of developmental Neuropsychology. Lawrence Erlbaum, 1998.

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