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Journal articles on the topic 'Auditory spatial perception'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Recanzone, Gregg H. "Auditory Influences on Visual Temporal Rate Perception." Journal of Neurophysiology 89, no. 2 (2003): 1078–93. http://dx.doi.org/10.1152/jn.00706.2002.

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Visual stimuli are known to influence the perception of auditory stimuli in spatial tasks, giving rise to the ventriloquism effect. These influences can persist in the absence of visual input following a period of exposure to spatially disparate auditory and visual stimuli, a phenomenon termed the ventriloquism aftereffect. It has been speculated that the visual dominance over audition in spatial tasks is due to the superior spatial acuity of vision compared with audition. If that is the case, then the auditory system should dominate visual perception in a manner analogous to the ventriloquism

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2

Haas, Ellen C. "Auditory Perception." Proceedings of the Human Factors Society Annual Meeting 36, no. 3 (1992): 247. http://dx.doi.org/10.1518/107118192786751817.

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Auditory perception involves the human listener's awareness or apprehension of auditory stimuli in the environment. Auditory stimuli, which include speech communications as well as non-speech signals, occur in the presence and absence of environmental noise. Non-speech auditory signals range from simple pure tones to complex signals found in three-dimensional auditory displays. Special hearing protection device (HPD) designs, as well as additions to conventional protectors, have been developed to improve speech communication and auditory perception capabilities of those exposed to noise. The t

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Lau, Bonnie K., Tanya St. John, Annette Estes, and Stephen Dager. "Auditory processing in neurodiverse children." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A75. http://dx.doi.org/10.1121/10.0026855.

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Many neurodiverse individuals experience auditory processing differences including hyper- or hyposensitivity to sound, attraction or aversions to sound, and difficulty listening under noisy conditions. However, the origins of these auditory symptoms are not well understood. In this study, we tested 7-to-10-year-old autistic children and age and sex-matched neurotypical comparison participants. To simulate a realistic classroom situation where many people are often speaking simultaneously, we obtained neural and behavioral measures of speech perception in both quiet and noise conditions. Using

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Best, Virginia, Jorg M. Buchholz, and Tobias Weller. "Measuring auditory spatial perception in realistic environments." Journal of the Acoustical Society of America 141, no. 5 (2017): 3692. http://dx.doi.org/10.1121/1.4988040.

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5

Peng, Z. Ellen. "School-age children show poor use of spatial cues in reverberation for speech-in-speech perception." Journal of the Acoustical Society of America 151, no. 4 (2022): A169. http://dx.doi.org/10.1121/10.0011001.

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Understanding speech is particularly difficult for children when there is competing speech in the background. When the target and masker talkers are spatially separated, as compared to co-located, the access to corresponding auditory spatial cues can provide release from masking, resulting in an intelligibility gain for speech-in-speech perception. When tested in free-field environments, previous work showed that children demonstrate adult-like spatial release from masking (SRM) by 9–10 years of age. However, in indoor environments where most critical communications occur such as classrooms, r

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Koohi, Nehzat, Gilbert Thomas-Black, Paola Giunti, and Doris-Eva Bamiou. "Auditory Phenotypic Variability in Friedreich’s Ataxia Patients." Cerebellum 20, no. 4 (2021): 497–508. http://dx.doi.org/10.1007/s12311-021-01236-9.

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AbstractAuditory neural impairment is a key clinical feature of Friedreich’s Ataxia (FRDA). We aimed to characterize the phenotypical spectrum of the auditory impairment in FRDA in order to facilitate early identification and timely management of auditory impairment in FRDA patients and to explore the relationship between the severity of auditory impairment with genetic variables (the expansion size of GAA trinucleotide repeats, GAA1 and GAA2), when controlled for variables such as disease duration, severity of the disease and cognitive status. Twenty-seven patients with genetically confirmed

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Cui, Qi N., Babak Razavi, William E. O'Neill, and Gary D. Paige. "Perception of Auditory, Visual, and Egocentric Spatial Alignment Adapts Differently to Changes in Eye Position." Journal of Neurophysiology 103, no. 2 (2010): 1020–35. http://dx.doi.org/10.1152/jn.00500.2009.

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Vision and audition represent the outside world in spatial synergy that is crucial for guiding natural activities. Input conveying eye-in-head position is needed to maintain spatial congruence because the eyes move in the head while the ears remain head-fixed. Recently, we reported that the human perception of auditory space shifts with changes in eye position. In this study, we examined whether this phenomenon is 1) dependent on a visual fixation reference, 2) selective for frequency bands (high-pass and low-pass noise) related to specific auditory spatial channels, 3) matched by a shift in t

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8

Strybel, Thomas Z. "Auditory Spatial Information and Head-Coupled Display Systems." Proceedings of the Human Factors Society Annual Meeting 32, no. 2 (1988): 75. http://dx.doi.org/10.1177/154193128803200215.

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Developments of head-coupled control/display systems have focused primarily on the display of three dimensional visual information, as the visual system is the optimal sensory channel for the aquisition of spatial information in humans. The auditory system improves the efficiency of vision, however, by obtaining spatial information about relevant objects outside of the visual field of view. This auditory information can be used to direct head and eye movements. Head-coupled display systems, can also benefit from the addition of auditory spatial information, as it provides a natural method of s

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Upadhya, Sushmitha, Rohit Bhattacharyya, Ritwik Jargar, and K. Nisha Venkateswaran. "Closed-field Auditory Spatial Perception and Its Relationship to Musical Aptitude." Journal of Indian Speech Language & Hearing Association 37, no. 2 (2023): 61–65. http://dx.doi.org/10.4103/jisha.jisha_20_23.

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Introduction: Musical aptitude is the innate ability of an individual to understand, appreciate, improvise, and have a good sense of pitch and rhythm, even without undergoing formal musical training. The present study aimed to understand the effect of musical aptitude on auditory spatial perception. Method: Forty nonmusicians were subjected to a musical aptitude test Mini Profile of Music Perception Skills (Mini-PROMS) based on which they were divided into two groups. Group I included 20 nonmusicians with good musical aptitude (NM-GA) and Group II comprised 20 nonmusicians with poor musical ap

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10

Terrence, Peter I., J. Christopher Brill, and Richard D. Gilson. "Body Orientation and the Perception of Spatial Auditory and Tactile Cues." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 49, no. 17 (2005): 1663–67. http://dx.doi.org/10.1177/154193120504901735.

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This study investigated the effects of five body orientations (supine, kneeling, sitting, standing, and prone) on perception of spatial auditory and spatial tactile cues along eight equidistant points (45° separation) of the azimuth, using a within-participant design. Participants (N = 30) used a graphics tablet and stylus to indicate the perceived direction indicated by either vibrotactile stimuli applied to the abdomen, or spatial auditory stimuli presented via headphones. Response time data show responses to spatial tactile cues were significantly faster than spatial auditory cues at each b

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Strybel, Thomas Z. "Perception of Real and Simulated Motion in the Auditory Modality." Proceedings of the Human Factors Society Annual Meeting 32, no. 2 (1988): 76–80. http://dx.doi.org/10.1177/154193128803200216.

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Future head-coupled display systems will include auditory spatial information in order to direct the pilot's attention to critical events in the environment. It is anticipated that such a system will provide dynamic as well as static auditory location information. This report reviews current research in the area of auditory motion perception, particularly as it applies to the development of simulated 3–dimensional auditory space.

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12

Li, Rong, Xiangyang Zeng, Haitao Wang, and Na Li. "Study on Auditory Perception Variability Caused by Distinct Structural Parameters of the Enclosure Space." Xibei Gongye Daxue Xuebao/Journal of Northwestern Polytechnical University 36, no. 4 (2018): 671–78. http://dx.doi.org/10.1051/jnwpu/20183640671.

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The enclosure space is widespread in real life. However, from the angle on spatial hearing to study the variation of auditory perception caused by the changed structural parameters (such as volume, shape, etc) are very rare, particular in systematically research. In this paper, based on auditory scene simulation, the binaural auralization and sound field measurement techniques are used to obtain plenty of binaural signals in diverse enclosure spaces with different structural parameters. Subsequently, with the aid of the acoustic evaluation, the quantitative evaluation of spatial auditory perce

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13

Lewald, Jörg, Ingo G. Meister, Jürgen Weidemann, and Rudolf Töpper. "Involvement of the Superior Temporal Cortex and the Occipital Cortex in Spatial Hearing: Evidence from Repetitive Transcranial Magnetic Stimulation." Journal of Cognitive Neuroscience 16, no. 5 (2004): 828–38. http://dx.doi.org/10.1162/089892904970834.

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The processing of auditory spatial information in cortical areas of the human brain outside of the primary auditory cortex remains poorly understood. Here we investigated the role of the superior temporal gyrus (STG) and the occipital cortex (OC) in spatial hearing using repetitive transcranial magnetic stimulation (rTMS). The right STG is known to be of crucial importance for visual spatial awareness, and has been suggested to be involved in auditory spatial perception. We found that rTMS of the right STG induced a systematic error in the perception of interaural time differences (a primary c

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Jamal, Yaseen, Simon Lacey, Lynne Nygaard, and K. Sathian. "Interactions Between Auditory Elevation, Auditory Pitch and Visual Elevation During Multisensory Perception." Multisensory Research 30, no. 3-5 (2017): 287–306. http://dx.doi.org/10.1163/22134808-00002553.

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Cross-modal correspondences refer to associations between apparently unrelated stimulus features in different senses. For example, high and low auditory pitches are associated with high and low visual elevations, respectively. Here we examined how this crossmodal correspondence between visual elevation and auditory pitch relates to auditory elevation. We used audiovisual combinations of high- or low-frequency bursts of white noise and a visual stimulus comprising a white circle. Auditory and visual stimuli could each occur at high or low elevations. These multisensory stimuli could be congruen

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Chebat, Daniel-Robert, and Maurice Ptito. "Spatial Perception and Navigation in the Absence of Vision." Sensors 25, no. 3 (2025): 960. https://doi.org/10.3390/s25030960.

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16

Stecker, G. Christopher. "RESTARTing the stabilized auditory image: How transient sampling of binaural information supports the emergence of stable auditory scenes." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A265. http://dx.doi.org/10.1121/10.0023479.

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The perception of a spatial auditory scene involves the extraction and integration of multiple dynamic and unreliable sensory features (“cues”). Variation in each cue reflects the competing effects of multiple features of the auditory scene—e.g., relevant and irrelevant sound sources. Understanding which cue changes belong together—and to which objects—represents a fundamental challenge to the neural mechanisms of auditory scene perception. RESTART theory suggests a solution: transient, envelope-triggered sampling creates a temporally sparse representation of spatial features. Sparsity minimiz

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17

Norouzi, Hanieh, Majid Ashrafi, and Ali Mohammadzadeh. "Evaluation of dynamic spatial auditory processing in Persian-Speaking elderly with normal hearing aged 55 to 70." Scientific Journal of Rehabilitation Medicine 13, no. 6 (2025): 0. https://doi.org/10.32598/sjrm.13.6.3268.

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Background and Aims: In noisy listening environments, one of the skills that is critical for speech perception is spatial auditory processing. It is predicted that the spatial auditory processing ability of elderly people decreases due to structural and physiological changes in auditory cortex, central auditory pathways and peripheral auditory system. The aim of this study is to investigate dynamic spatial auditory processing in elderly with normal hearing. Materials and methods: This study was conducted on 35 people (16 men and 19 women) in the age range of 55 to 70 years with normal hearing

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18

Dogan, Asli Zeynep, and Arzu Gonenc Sorguc. "Sound perception in virtual environments." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 6 (2023): 2660–71. http://dx.doi.org/10.3397/in_2023_0388.

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Virtual environments have been developing and changing the understanding of a space by means design, perception and usage. This study aims to contribute to the literature on the improvement of the auditory perception and cognition of virtual spaces used for education, training, and gaming purposes. This study proposes to offer a realistic representation of soundscapes in virtual environments according to spatial qualities instead of misleading synthetic sounds by integrating acoustical simulations with the immersive environment and questioning the experience of a regular user. The study explor

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19

Phillips, Dennis P. "Auditory Gap Detection, Perceptual Channels, and Temporal Resolution in Speech Perception." Journal of the American Academy of Audiology 10, no. 06 (1999): 343–54. http://dx.doi.org/10.1055/s-0042-1748505.

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AbstractThis article overviews some recent advances in our understanding of temporal processes in auditory perception. It begins with the premise that hearing is the online perceptual elaboration of acoustic events distributed in time. It examines studies of gap detection for two reasons: first, to probe the temporal acuity of auditory perception in its own right and, second, to show how studies of gap detection have provided new insights into the processes involved in speech perception and into the architecture of auditory spatial perceptual mechanisms. The implications of these new data for

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20

Razavi, B., W. E. O'Neill, and G. D. Paige. "Auditory Spatial Perception Dynamically Realigns with Changing Eye Position." Journal of Neuroscience 27, no. 38 (2007): 10249–58. http://dx.doi.org/10.1523/jneurosci.0938-07.2007.

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21

Wüstenberg, T., G. Fesl, T. Zähle, et al. "Auditory perception of temporal-spatial order —a fMRI-study." NeuroImage 13, no. 6 (2001): 961. http://dx.doi.org/10.1016/s1053-8119(01)92301-8.

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22

Woods, Timothy M., and Gregg H. Recanzone. "Visually Induced Plasticity of Auditory Spatial Perception in Macaques." Current Biology 14, no. 17 (2004): 1559–64. http://dx.doi.org/10.1016/j.cub.2004.08.059.

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23

Xu, Haochen, Jinxiang Zhao, Changjiang Jin, Ning Zhu, and Ye Chai. "Research on the Multi-Sensory Experience Design of Interior Spaces from the Perspective of Spatial Perception: A Case Study of Suzhou Coffee Roasting Factory." Buildings 15, no. 8 (2025): 1393. https://doi.org/10.3390/buildings15081393.

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With globalization and the transformation of socio-cultural structures, the focus of spatial design has shifted from functionality to perceptual experience and atmospheric creation. This study draws on the spatial perception theory and the phenomenology of perception to examine how sensory subjects perceive and respond to the physical attributes of space. It explores key elements that shape spatial experiences, including lighting, color, spatial form, sound, material, and scent, all of which contribute to the construction of emotional ambiance and the perceptual character of interior environme

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Razvaliaeva, A. Y., and V. N. Nosulenko. "Spatial Localization of Digital Sound in Scientific Experiment and Practice." Experimental Psychology (Russia) 16, no. 2 (2023): 20–35. http://dx.doi.org/10.17759/exppsy.2023160202.

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<p style="text-align: justify;">Localization of sound in space is an important component of auditory perception, which is involved in the selection of various sound streams, the perception of speech in noise, and the organization of auditory images. Research over the past century has shown that sound localization is achieved through: differences in the intensity and time delay of sound waves arriving at different ears; spectral distortions arising from the anatomical features of the structure of the auricles, head, torso; dynamic cues (listener head movements), etc. However, some scienti

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Weeldreyer, Gabriel S., Lily M. Wang, and Z. Ellen Peng. "Perceptual consequences of reverberant environments on spatial unmasking." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A210. http://dx.doi.org/10.1121/10.0027333.

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Spatial hearing provides access to auditory spatial cues that promote speech perception in noisy listening situations. However, reverberation degrades auditory spatial cues and limits listeners’ ability to utilize these cues for segregating target speech from competing babble. Hence, spatial unmasking—an intelligibility benefit from a spatial separation between a target and masker—is reduced in reverberant environments as compared to free field. To understand the perceptual consequences of poorer spatial unmasking in reverberation, we assessed three aspects of functional spatial hearing in vir

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Yau, Jeffrey M., Pablo Celnik, Steven S. Hsiao, and John E. Desmond. "Dissociable crossmodal recruitment of visual and auditory cortex for tactile perception." Seeing and Perceiving 25 (2012): 7. http://dx.doi.org/10.1163/187847612x646307.

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Primary sensory areas previously thought to be devoted to a single modality can exhibit multisensory responses. Some have interpreted these responses as evidence for crossmodal recruitment (i.e., primary sensory processing for inputs in a non-primary modality); however, the direct contribution of this activity to perception is unclear. We tested the specific contributions of visual and auditory cortex to tactile perception in healthy adult volunteers using anodal transcranial direct current stimulation (tDCS). This form of non-invasive neuromodulation can enhance neural excitability and facili

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Xie, Bosun, and Guangzheng Yu. "Psychoacoustic Principle, Methods, and Problems with Perceived Distance Control in Spatial Audio." Applied Sciences 11, no. 23 (2021): 11242. http://dx.doi.org/10.3390/app112311242.

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One purpose of spatial audio is to create perceived virtual sources at various spatial positions in terms of direction and distance with respect to the listener. The psychoacoustic principle of spatial auditory perception is essential for creating perceived virtual sources. Currently, the technical means for recreating virtual sources in different directions of various spatial audio techniques are relatively mature. However, perceived distance control in spatial audio remains a challenging task. This article reviews the psychoacoustic principle, methods, and problems with perceived distance co

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Li, Yueying, Zimo Li, Aihui Deng, et al. "The Modulation of Exogenous Attention on Emotional Audiovisual Integration." i-Perception 12, no. 3 (2021): 204166952110187. http://dx.doi.org/10.1177/20416695211018714.

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Although emotional audiovisual integration has been investigated previously, whether emotional audiovisual integration is affected by the spatial allocation of visual attention is currently unknown. To examine this question, a variant of the exogenous spatial cueing paradigm was adopted, in which stimuli varying by facial expressions and nonverbal affective prosody were used to express six basic emotions (happiness, anger, disgust, sadness, fear, surprise) via a visual, an auditory, or an audiovisual modality. The emotional stimuli were preceded by an unpredictive cue that was used to attract

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Zheng, Haohua, Man Luo, Yihan Wang, and Yangyang Wei. "Multi-Sensory Interaction and Spatial Perception in Urban Microgreen Spaces: A Focus on Vision, Auditory, and Olfaction." Sustainability 16, no. 20 (2024): 8809. http://dx.doi.org/10.3390/su16208809.

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As important recreational spaces for urban residents, urban microgreen parks enhance the urban living environment and alleviate psychological pressure on residents. The visual, auditory, and olfactory senses are crucial forms of perception in human interaction with nature, and the sustainable perceptual design of miniature green parks under their interaction has become a recent research hotspot. This study aimed to investigate the effects of the visual, acoustic, and olfactory environments (e.g., aromatic green vegetation) on human perception in miniature green parks. Participants were evenly

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30

Pourfaraman, Mojtaba, and Mahboobe Taher. "The Effectiveness of Visual Skill-based Computer Games on Visual-auditory-spatial Perception and Reading Tracking Speed of Students With Special Learning Disabilities." Journal of Learning Disabilities 10, no. 2 (2022): 200–211. http://dx.doi.org/10.32598/jld.10.2.1.

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Objective: The aim of this study was to determine the effect of using computer games based on visual skills on visual-auditory-spatial perception and reading speed of reading students with special learning disabilities. Methods: The research method was quasi-experimental with pre-test, posttest design with a control group. The statistical population was students with learning disabilities in Joghatai city in 2017- 2018 academic year, 30 of whom were selected by purposive sampling and randomly assigned to experimental and control groups. Results: Both groups completed the Frostig Visual Percept

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Vicario, Carmelo Mario, Gaetano Rappo, Anna Maria Pepi, and Massimiliano Oliveri. "Timing Flickers across Sensory Modalities." Perception 38, no. 8 (2009): 1144–51. http://dx.doi.org/10.1068/p6362.

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In tasks requiring a comparison of the duration of a reference and a test visual cue, the spatial position of test cue is likely to be implicitly coded, providing a form of a congruency effect or introducing a response bias according to the environmental scale or its vectorial reference. The precise mechanism generating these perceptual shifts in subjective duration is not understood, although several studies suggest that spatial attentional factors may play a critical role. Here we use a duration comparison task within and across sensory modalities to examine if temporal performance is also m

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32

Shayman, Corey S., Robert J. Peterka, Frederick J. Gallun, Yonghee Oh, Nai-Yuan N. Chang, and Timothy E. Hullar. "Frequency-dependent integration of auditory and vestibular cues for self-motion perception." Journal of Neurophysiology 123, no. 3 (2020): 936–44. http://dx.doi.org/10.1152/jn.00307.2019.

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Recent evidence has shown that auditory information may be used to improve postural stability, spatial orientation, navigation, and gait, suggesting an auditory component of self-motion perception. To determine how auditory and other sensory cues integrate for self-motion perception, we measured motion perception during yaw rotations of the body and the auditory environment. Psychophysical thresholds in humans were measured over a range of frequencies (0.1–1.0 Hz) during self-rotation without spatial auditory stimuli, rotation of a sound source around a stationary listener, and self-rotation i

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Lakatos, Stephen. "Recognition of Complex Auditory-Spatial Patterns." Perception 22, no. 3 (1993): 363–74. http://dx.doi.org/10.1068/p220363.

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Two experiments were carried out to investigate the perception of complex auditory-spatial patterns. Subjects were asked to identify alphanumeric characters whose patterns could be outlined acoustically through the sequential activation of specific units in a speaker array. Signal bandwidths were varied systematically in both experiments. Signals in experiment 1 had sharp onsets and offsets; envelope shapes in experiment 2 were much more gradual. Subjects showed considerable ability in recognizing alphanumeric patterns traced with signals of varying acoustical composition. Reductions in the st

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Hunter, M., H. Linnington, J. Mitchell, et al. "351 – Evidence for impaired auditory spatial perception in people with schizophrenia and auditory hallucinations." Schizophrenia Research 98 (February 2008): 178. http://dx.doi.org/10.1016/j.schres.2007.12.418.

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Tonelli, Alessia, Luca Brayda, and Monica Gori. "Influence of vision on auditory spatial perception in sighted people." Journal of Vision 15, no. 12 (2015): 857. http://dx.doi.org/10.1167/15.12.857.

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McBride, Maranda, Phuong Tran, Kimberly A. Pollard, Tomasz Letowski, and Garnett P. McMillan. "Effects of Bone Vibrator Position on Auditory Spatial Perception Tasks." Human Factors: The Journal of the Human Factors and Ergonomics Society 57, no. 8 (2015): 1443–58. http://dx.doi.org/10.1177/0018720815596272.

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Senna, Irene, Cesare V. Parise, and Marc O. Ernst. "Modulation frequency as a cue for auditory speed perception." Proceedings of the Royal Society B: Biological Sciences 284, no. 1858 (2017): 20170673. http://dx.doi.org/10.1098/rspb.2017.0673.

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Unlike vision, the mechanisms underlying auditory motion perception are poorly understood. Here we describe an auditory motion illusion revealing a novel cue to auditory speed perception: the temporal frequency of amplitude modulation (AM-frequency), typical for rattling sounds. Naturally, corrugated objects sliding across each other generate rattling sounds whose AM-frequency tends to directly correlate with speed. We found that AM-frequency modulates auditory speed perception in a highly systematic fashion: moving sounds with higher AM-frequency are perceived as moving faster than sounds wit

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Jarollahi, Farnoush, Marzieh Amiri, Shohreh Jalaie, and Seyyed Jalal Sameni. "The effects of auditory spatial training on informational masking release in elderly listeners: a study protocol for a randomized clinical trial." F1000Research 8 (April 9, 2019): 420. http://dx.doi.org/10.12688/f1000research.18602.1.

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Background: Regarding the strong auditory spatial plasticity capability of the central auditory system and the effect of short-term and long-term rehabilitation programs in elderly people, it seems that an auditory spatial training can help this population in informational masking release and better track speech in noisy environments. The main purposes of this study are developing an informational masking measurement test and an auditory spatial training program. Protocol: This study will be conducted in two parts. Part 1: develop and determine the validity of an informational masking measurem

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Jarollahi, Farnoush, Marzieh Amiri, Shohreh Jalaie, and Seyyed Jalal Sameni. "The effects of auditory spatial training on informational masking release in elderly listeners: a study protocol for a randomized clinical trial." F1000Research 8 (July 4, 2019): 420. http://dx.doi.org/10.12688/f1000research.18602.2.

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Background: Regarding the strong auditory spatial plasticity capability of the central auditory system and the effect of short-term and long-term rehabilitation programs in elderly people, it seems that an auditory spatial training can help this population in informational masking release and better track speech in noisy environments. The main purposes of this study are developing an informational masking measurement test and an auditory spatial training program. Protocol: This study will be conducted in two parts. Part 1: develop and determine the validity of an informational masking measurem

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King, Andrew J. "Visual influences on auditory spatial learning." Philosophical Transactions of the Royal Society B: Biological Sciences 364, no. 1515 (2008): 331–39. http://dx.doi.org/10.1098/rstb.2008.0230.

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The visual and auditory systems frequently work together to facilitate the identification and localization of objects and events in the external world. Experience plays a critical role in establishing and maintaining congruent visual–auditory associations, so that the different sensory cues associated with targets that can be both seen and heard are synthesized appropriately. For stimulus location, visual information is normally more accurate and reliable and provides a reference for calibrating the perception of auditory space. During development, vision plays a key role in aligning neural re

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Filimon, Rosina Caterina. "Illusions of Auditory Reception and Paradoxes of Perception – Psychoacoustic EffectsGenerated by Sounds." ARTES. JOURNAL OF MUSICOLOGY 30, no. 29-30 (2024): 85–94. http://dx.doi.org/10.35218/ajm-2024-0005.

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Auditory illusions and perception paradoxes were discovered a few centuries ago and have continued to be identified to this day through complex analyses. Whether intentionally or accidentally, some sound illusions are present in notable works by established musicians. These brain processes are caused by the paradoxes of musical perception, which are determined by the frequency of sounds and their spatial location. The auditory presence of illusions confirms the existence of cerebral mechanisms that alter the reception and perception of sound during the decoding process. The spatial component o

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Bertonati, Giorgia, Maria Bianca Amadeo, Claudio Campus, and Monica Gori. "Auditory speed processing in sighted and blind individuals." PLOS ONE 16, no. 9 (2021): e0257676. http://dx.doi.org/10.1371/journal.pone.0257676.

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Multisensory experience is crucial for developing a coherent perception of the world. In this context, vision and audition are essential tools to scaffold spatial and temporal representations, respectively. Since speed encompasses both space and time, investigating this dimension in blindness allows deepening the relationship between sensory modalities and the two representation domains. In the present study, we hypothesized that visual deprivation influences the use of spatial and temporal cues underlying acoustic speed perception. To this end, ten early blind and ten blindfolded sighted part

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Hairston, W. D., M. T. Wallace, J. W. Vaughan, B. E. Stein, J. L. Norris, and J. A. Schirillo. "Visual Localization Ability Influences Cross-Modal Bias." Journal of Cognitive Neuroscience 15, no. 1 (2003): 20–29. http://dx.doi.org/10.1162/089892903321107792.

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The ability of a visual signal to influence the localization of an auditory target (i.e., “cross-modal bias”) was examined as a function of the spatial disparity between the two stimuli and their absolute locations in space. Three experimental issues were examined: (a) the effect of a spatially disparate visual stimulus on auditory localization judgments; (b) how the ability to localize visual, auditory, and spatially aligned multi-sensory (visual-auditory) targets is related to cross-modal bias, and (c) the relationship between the magnitude of cross-modal bias and the perception that the two

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Hong, Fangfang, Stephanie Badde, and Michael S. Landy. "Causal inference regulates audiovisual spatial recalibration via its influence on audiovisual perception." PLOS Computational Biology 17, no. 11 (2021): e1008877. http://dx.doi.org/10.1371/journal.pcbi.1008877.

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To obtain a coherent perception of the world, our senses need to be in alignment. When we encounter misaligned cues from two sensory modalities, the brain must infer which cue is faulty and recalibrate the corresponding sense. We examined whether and how the brain uses cue reliability to identify the miscalibrated sense by measuring the audiovisual ventriloquism aftereffect for stimuli of varying visual reliability. To adjust for modality-specific biases, visual stimulus locations were chosen based on perceived alignment with auditory stimulus locations for each participant. During an audiovis

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Werner, Stephan, Florian Klein, Annika Neidhardt, Ulrike Sloma, Christian Schneiderwind, and Karlheinz Brandenburg. "Creation of Auditory Augmented Reality Using a Position-Dynamic Binaural Synthesis System—Technical Components, Psychoacoustic Needs, and Perceptual Evaluation." Applied Sciences 11, no. 3 (2021): 1150. http://dx.doi.org/10.3390/app11031150.

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For a spatial audio reproduction in the context of augmented reality, a position-dynamic binaural synthesis system can be used to synthesize the ear signals for a moving listener. The goal is the fusion of the auditory perception of the virtual audio objects with the real listening environment. Such a system has several components, each of which help to enable a plausible auditory simulation. For each possible position of the listener in the room, a set of binaural room impulse responses (BRIRs) congruent with the expected auditory environment is required to avoid room divergence effects. Adeq

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Courtois, Gilles, Vincent Grimaldi, Hervé Lissek, Philippe Estoppey, and Eleftheria Georganti. "Perception of Auditory Distance in Normal-Hearing and Moderate-to-Profound Hearing-Impaired Listeners." Trends in Hearing 23 (January 2019): 233121651988761. http://dx.doi.org/10.1177/2331216519887615.

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The auditory system allows the estimation of the distance to sound-emitting objects using multiple spatial cues. In virtual acoustics over headphones, a prerequisite to render auditory distance impression is sound externalization, which denotes the perception of synthesized stimuli outside of the head. Prior studies have found that listeners with mild-to-moderate hearing loss are able to perceive auditory distance and are sensitive to externalization. However, this ability may be degraded by certain factors, such as non-linear amplification in hearing aids or the use of a remote wireless micro

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Phillips, Dennis P., Susan E. Hall, Susan E. Boehnke, and Leanna E. D. Rutherford. "Spatial Stimulus Cue Information Supplying Auditory Saltation." Perception 31, no. 7 (2002): 875–85. http://dx.doi.org/10.1068/p3293.

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Auditory saltation is a misperception of the spatial location of repetitive, transient stimuli. It arises when clicks at one location are followed in perfect temporal cadence by identical clicks at a second location. This report describes two psychophysical experiments designed to examine the sensitivity of auditory saltation to different stimulus cues for auditory spatial perception. Experiment 1 was a dichotic study in which six different six-click train stimuli were used to generate the saltation effect. Clicks lateralised by using interaural time differences and clicks lateralised by using

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Wang, Haitao, Xiangyang Zeng, Ye Lei, Shuwei Ren, and Xiaoyan Zhang. "Reform and Practice of Immersive Teaching in Environmental Acoustics." Journal of Contemporary Educational Research 5, no. 12 (2021): 32–37. http://dx.doi.org/10.26689/jcer.v5i12.2837.

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Environmental Acoustics is a professional course that educates students majoring in Acoustics. Affected by practical equipment and other factors, the teaching effect of knowledge points relevant to subjective auditory perception contained in the course is poor. Taking the course of Spatial Hearing and 3D Stereo as an example, this study develops a virtual simulation experiment system for the topic of subjective hearing perception in order to carry out the reform and practice of immersive teaching. Combined with the virtual simulation experiment project with high sense of presence, students are

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Clayton, Colton, and Yi Zhou. "Visual capture and changes in response times in multisensory localization tasks." Journal of the Acoustical Society of America 151, no. 4 (2022): A163. http://dx.doi.org/10.1121/10.0010981.

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In the real-world, environmental objects are often both seen and heard. Visual stimuli can influence the accuracy, variability, and timing of the listener’s responses to auditory targets. One well-known example of this visual influence is the Ventriloquist Illusion or visual capture of the perceived sound source location. However, less is known about how vision affects the timing of sensorimotor output driven by auditory events. We hypothesize that response time may manifest the influences of two different visual factors—stimulus features (e.g., spatial congruence) and environmental features (

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Kalashnyk, Mariya, Uriy Loshkov, Oleksandr Yakovlev, Anton Genkin, and Hanna Savchenko. "Musically-acoustic thesaurus as spatial dimension of cognitive process." Scientific Herald of Uzhhorod University Series Physics 2024, no. 55 (2024): 1421–27. http://dx.doi.org/10.54919/physics/55.2024.142af1.

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Relevance. This article explores the intricate relationship between the musically-acoustic thesaurus � encompassing both musical and extra-musical elements � and cognitive processes, emphasizing the spatial dimension of cognition within auditory experiences.Purpose. The primary aim is to dissect the structure and function of the musically-acoustic thesaurus in individual and collective cognitive domains, highlighting its role in encoding and navigating the acoustic environment and its impact on musical and emotional experiences.Methodology. Through a comprehensive analysis of the auditory acti

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