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Books on the topic 'Auditory-visual speech perception'

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1

Alan, Slater, ed. Perceptual development: Visual, auditory, and speech perception in infancy. Hove, UK: Psychology Press, 1999.

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2

Alan, Slater, ed. Perceptual development: Visual, auditory, and speech perception in infancy. East Sussex, UK: Psychology Press, 1998.

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3

1944-, Campbell Ruth, Dodd Barbara, and Burnham D. K, eds. Hearing by eye II: Advances in the psychology of speechreading and auditory-visual speech. Hove, East Sussex, UK: Psychology Press, 1998.

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4

Massaro, Dominic W. Speech perception by ear and eye: A paradigm for psychological inquiry. Hillsdale, N.J: Erlbaum Associates, 1987.

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5

Slater, Alan. Perceptual Development: Visual, Auditory and Speech Perception in Infancy. Taylor & Francis Group, 2020.

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6

Slater, Alan. Perceptual Development: Visual, Auditory and Speech Perception in Infancy. Taylor & Francis Group, 2020.

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7

Slater, Alan. Perceptual Development: Visual, Auditory and Speech Perception in Infancy. Taylor & Francis Group, 2020.

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8

Slater, Alan. Perceptual Development: Visual, Auditory and Speech Perception in Infancy. Taylor & Francis Group, 2020.

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9

Burnham, Douglas, and Ruth Campbell *G Away*. Hearing Eye II: The Psychology of Speechreading and Auditory-Visual Speech. Taylor & Francis Group, 2015.

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10

Dodd, B. J., Douglas Burnham, and Ruth Campbell *G Away*. Hearing Eye II: The Psychology of Speechreading and Auditory-Visual Speech. Taylor & Francis Group, 2013.

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11

Dodd, B. J., Douglas Burnham, and Ruth Campbell *G Away*. Hearing Eye II: The Psychology of Speechreading and Auditory-Visual Speech. Taylor & Francis Group, 2013.

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12

Dodd, B. J., Douglas Burnham, and Ruth Campbell *G Away*. Hearing Eye II: The Psychology of Speechreading and Auditory-Visual Speech. Taylor & Francis Group, 2013.

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13

Dodd, B. J., Douglas Burnham, and Ruth Campbell *G Away*. Hearing Eye II: The Psychology of Speechreading and Auditory-Visual Speech. Taylor & Francis Group, 2013.

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14

Leech, Stuart Matthew. The effect on audiovisual speech perception of auditory and visual source seperation. 2003.

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15

Slater, Alan M. Perceptual Development: Visual, Auditory and Speech Perception in Infancy (Studies of Developmental Psychology Series). Psychology Press, 1999.

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16

Slater, Alan M. Perceptual Development: Visual, Auditory and Speech Perception in Infancy (Studies in Developmental Psychology Series). Psychology Press, 1998.

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17

Simpson, Jeffry A., and Dominic W. Massaro. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2016.

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18

Massaro, Dominic W. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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19

Massaro, Dominic W. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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20

Simpson, Jeffry A., and Dominic W. Massaro. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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21

Simpson, Jeffry A., and Dominic W. Massaro. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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22

Massaro, Dominic W. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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23

Massaro, Dominic W. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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24

Simpson, Jeffry A., and Dominic W. Massaro. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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25

Simpson, Jeffry A., and Dominic W. Massaro. Speech Perception by Ear and Eye: A Paradigm for Psychological Inquiry. Taylor & Francis Group, 2014.

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26

elhariry, yasser, ed. Sounds Senses. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856882.001.0001.

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Abstract:
Sounds Senses is about what happens to the francophone postcolonial condition when sound is taken as a point of departure for engaging cultural production. Offering a synthetic overview of sound studies, it dismantles the retinal paradigms and oculocentrism of francophone postcolonial studies. By shifting the sensory hermeneutics of perception from the visual, the textual, and the graphemic to the sonic, the auditory, and the phonemic, the book places cultural production that privileges or otherwise exaggerates æstheticized sensorial experiences at the forefront of francophone postcolonialism. In the process, it introduces two primary theoretical thrusts—the unheard and the unintegrated—to the project of analyzing, extending, and rejuvenating francophone postcolonial studies. The book reevaluates francophone culture in relation to sound and the experience of sound, situating it along the fluid axes of paralingual utterance, audio-vision, voice, and narrative speakers. Through a range of case studies focusing on parafrancophonics, poetry, world music, cinema, the graphic novel, popular speech phenomenæ, and the poetics and politics of transcolonial identification, Sounds Senses demonstrates how francophone postcolonial culture is satiated with a glut of unexplored sonic significance.
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