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Journal articles on the topic 'Augustan'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Beltrán Fortes, José. "Augusto y “lo Augusteo” en la Arqueología española. Una revisión historiográfica durante los siglos XIX y XX." REVISTA DE HISTORIOGRAFÍA (RevHisto) 27 (November 27, 2017): 199. http://dx.doi.org/10.20318/revhisto.2017.3971.

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Resumen: El análisis de las actividades y publicaciones de contenido anticuario/ arqueológico durante los siglos XIX y XX realizadas en España lleva a la conclusión de que no hay un tratamiento especial de la figura de Augusto en el marco de la arqueología española. Ello a pesar de que la Hispania romana se estructuró en el periodo augusteo para un largo periodo de siglos, pero la historiografía española destaca otros períodos o personajes, como los de César o Trajano, por ejemplo. Más bien hay que hablar de “lo augusteo”, y esperar a momentos relativamente avanzados de la arqueología española, en concreto desde el último cuarto del siglo XX, para advertir un mayor interés por el período del principado, en el marco del desarrollo de la arqueología clásica en España y bajo la influencia de procesos foráneos.Palabras clave: Augusto, Arqueología augustea, Hispania, Historiografía arqueológica.Abstract: An analysis of Spanish archaeological and antiquary activities and publications during the 19th and 20th centuries leads to the conclusion that no special treatment was given to the public figure of Augustus by Spanish archaeology. Despite the fact that the Roman Hispania was organized in the Augustan period and lasted many centuries, Spanish historiography emphasises other periods and public personalities, such as Caesar and Trajan. Instead discussion was of the Augustan period, and not until the last quarter of the 20th century was there greater interest for the period of the Principate, in relation with the development of classical archaeology in Spain and under the influence of outside processes.Key words: Augustus, Augustan Archaeology, Hispania, Archaeological Historiography.

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2

Bogacz, Ludomir. "WYBRANE ASPEKTY PRAWNE W ‘HISTORIA AUGUSTA’." Zeszyty Prawnicze 16, no. 4 (2017): 37. http://dx.doi.org/10.21697/zp.2016.16.4.03.

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Private Law in the ‘Augustan History’SummaryThe author of Historia Augusta (The Augustan History) had some knowledge of the law. He knew, for instance, that the emperor had to issue his consent for an act of adrogation to be valid, but failed to describe its procedure correctly. He knew that the lex Fufia Caninia limited manumission to a maximum of one hundred slaves, but he did not know that this law was applicable only to testamentary manumissions.The biographer displayed his knowledge but distorted and fabricated history. However, as his acquaintance with the law was limited and pertained to the law in force at a much later period, it was wrong on the particulars in force earlier. In-depth analysis of the Historia Augusta with reference to Roman law may be helpful in telling fact from fiction in this extraordinary work.

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3

Kirkaldy, John, Maurice Craig, Agnes Bernelle, F. H. A. Aalen, Kevin Whelan, and Avril Thomas. "Augustan Capital." Books Ireland, no. 169 (1993): 135. http://dx.doi.org/10.2307/20626749.

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4

Sowerby, Robin. "Augustan Dryden." Translation and Literature 10, no. 1 (2001): 51–66. http://dx.doi.org/10.3366/tal.2001.10.1.51.

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5

Sowerby, Robin. "Augustan Dryden." Translation and Literature 10, Part_1 (2001): 51–66. http://dx.doi.org/10.3366/tal.2001.10.part_1.51.

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6

Slater, W. J. "Augustan Sports." Classical Review 49, no. 1 (1999): 194–95. http://dx.doi.org/10.1093/cr/49.1.194.

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7

GRIFFIN, DUSTIN. "Augustan Collaboration." Essays in Criticism XXXVII, no. 1 (1987): 1–10. http://dx.doi.org/10.1093/eic/xxxvii.1.1.

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8

GalInsky, Karl. "Augustan literature and Augustan ‘ideology’: An ongoing reassessment." Shagi / Steps 3, no. 4 (2017): 151–67. http://dx.doi.org/10.22394/2412-9410-2017-3-4-151-167.

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9

Freibergs, Gunar, C. Scott Littleton, and Udo Strutynski. "Indo-European Tripartition and the Ara Pacis Augustae: an Excursus in Ideological Archaeology." Numen 33, no. 1 (1986): 3–32. http://dx.doi.org/10.1163/156852786x00075.

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AbstractThe Ara Pacis Augustae or Altar of Augustan Peace, erected by the Emperor outside Rome in 9 B.C., expresses perhaps more clearly than any other monument the ideology of the Augustan Age: the peaceful union of Rome with her Empire. At the same time, in the iconography of the east and west fronts, and especially in the images on the altar table, pedestal and plinth, it contains several expressions whose structures appear consonant with the tripartite Indo-European ideology that was derived from the earliest phases of religion at Rome and elsewhere in the ancient Indo-European speaking domain by Georges Dumézil. Finally, this monument also appears to constitute a crystallized cognitive map-a visible set of reference points-in terms of which the Romans of the period could orient themselves to their contemporary circumstances, future expectations, and a past studded with subconscious echoes of their Indo-European heritage.

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10

Gross, Nicolas, and Francis Cairns. "Virgil's Augustan Epic." Classical World 84, no. 5 (1991): 428. http://dx.doi.org/10.2307/4350905.

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11

Swan, P. M., and Ronald Syme. "The Augustan Aristocracy." Phoenix 43, no. 2 (1989): 180. http://dx.doi.org/10.2307/1088222.

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12

Saller, Richard, and Ronald Syme. "The Augustan Aristocracy." American Historical Review 94, no. 2 (1989): 416. http://dx.doi.org/10.2307/1866846.

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13

Sowerby, Robin. "The Augustan Odyssey." Translation and Literature 4, no. 2 (1995): 157–82. http://dx.doi.org/10.3366/tal.1995.4.2.157.

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14

Sowerby, Robin. "The Augustan Lucan." Translation and Literature 14, no. 2 (2005): 148–78. http://dx.doi.org/10.3366/tal.2005.14.2.148.

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15

Wiltshire, Susan Ford, and Francis Cairns. "Virgil's Augustan Epic." American Journal of Philology 112, no. 4 (1991): 565. http://dx.doi.org/10.2307/294941.

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16

Sauer, Eberhard W. "Inscriptions from Alchester: Vespasian's Base of the Second Augustan Legion(?)." Britannia 36 (November 2005): 101–33. http://dx.doi.org/10.3815/000000005784016793.

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ABSTRACTExcavation at Alchester in 2003 revealed an almost complete tombstone of a veteran of the Second Augustan Legion. This provides the first known biography of any person living in pre-medieval Oxfordshire. He is arguably also the earliest legionary veteran attested in Britain. All other tombstones of legionary veterans in Britain come from the main base of their legion or a veterans' colony. Since there is nothing to suggest that Alchester ever became a colony, it must have been the main base of the legio II Augusta and thus Vespasian's base (a case supported by other indications, notably the fortress's foundation date of a.d. 43/44), unless it is the only known exception to the rule.

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17

Winn, James Anderson. "The Augustan Art of Poetry: Augustan Translation of the Classics (review)." Translation and Literature 16, no. 1 (2007): 98–104. http://dx.doi.org/10.1353/tal.2007.0013.

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18

Mack, Robert L. "The Augustan Art of Poetry: Augustan Translation of the Classics (review)." Eighteenth-Century Studies 41, no. 1 (2007): 130–33. http://dx.doi.org/10.1353/ecs.2007.0060.

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19

Griffin, Dustin, John Sitter, and Gregory G. Colomb. "Arguments of Augustan Wit." Eighteenth-Century Studies 27, no. 2 (1993): 328. http://dx.doi.org/10.2307/2739397.

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20

Winton, Calhoun, and John Sitter. "Arguments of Augustan Wit." South Atlantic Review 59, no. 2 (1994): 148. http://dx.doi.org/10.2307/3200810.

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21

Hendren, T. George. "Ovid in Augustan Tomis." Syllecta Classica 25, no. 1 (2014): 59–77. http://dx.doi.org/10.1353/syl.2014.0002.

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22

Rubini, Dennis. "Sexuality and Augustan England:." Journal of Homosexuality 16, no. 1-2 (1989): 349–81. http://dx.doi.org/10.1300/j082v16n01_17.

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23

WATSON, GEORGE. "THE AUGUSTAN CIVIL WAR." Review of English Studies XXXVI, no. 143 (1985): 321–37. http://dx.doi.org/10.1093/res/xxxvi.143.321.

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24

Gagliardi, Paola. "Adonis and Augustan Poets." Acta Antiqua Academiae Scientiarum Hungaricae 58, no. 1-4 (2018): 741–52. http://dx.doi.org/10.1556/068.2018.58.1-4.42.

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Summary Adonis presents a special case of Romans' wide interest in Eastern religions during the Augustan age: he was brought to Rome by poets, and for this reason his ‘existence’ in Latin culture was exclusively literary. His worship never had the same importance as in Hellenistic Egypt, but the pathos of this figure, and his story of love and death aroused the interest of the elegiac poets, in particular, who used his exemplum to illustrate certain τόποι of their genre and to emphasize the originality of their poetry. Through the analysis of his treatment in Propertius and in Ovid a series of reflections on elegy's nature and sense can be reconstructed in an interesting dialogue between the two poets.

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25

Castaldo, Daniela. "Musical Themes and Private Art in the Augustan Age." Greek and Roman Musical Studies 6, no. 1 (2018): 96–114. http://dx.doi.org/10.1163/22129758-12341314.

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Abstract Some musical themes represented in terra sigillata reflect the political propaganda of the Augustan regime, as in the presence of Apollo citharoedus, of Sirens and of Hercules with the Muses. This visual repertory shares many features with the Augustan poets (especially the elegists) and with other private art of the Augustan period. Arretine ware potters often included Dionysiac, symposiastic and erotic scenes in their repertory, moving well beyond Augustus’ official program. They recall formal and cultural models of the Hellenistic era.

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26

Combe, K. "ROBIN SOWERBY, The Augustan Art of Poetry: Augustan Translation of the Classics." Notes and Queries 54, no. 4 (2007): 520–21. http://dx.doi.org/10.1093/notesj/gjm229.

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27

Winn, James A. "The Augustan Art of Poetry: Augustan Translation of the Classics, by Robin Sowerby." Translation and Literature 16, no. 1 (2007): 98–104. http://dx.doi.org/10.3366/tal.2007.0013.

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28

Walker, Robert G. "The Augustan Art of Poetry: Augustan Translation of the Classics by Robin Sowerby." Scriblerian and the Kit-Cats 42, no. 1 (2009): 59–61. http://dx.doi.org/10.1353/scb.2009.0040.

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29

Thorsen, Thea Selliaas. "Plastic accommodations of female agency: Vergil, Horace and Antipater of Thessalonica." Nordlit, no. 33 (November 16, 2014): 159. http://dx.doi.org/10.7557/13.3179.

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By taking statues in the Portico of Pompey as a point of departure, the present investigation centres on the less known poet Antipater of Thessalonica, who composed epigrams in Greek in Augustan Rome, as well as the famous Augustan poets Horace and Vergil. Representations of male figures in the object position that go back to Homer will be important as a contrast to representations of female agency in Augustan Rome. As will be shown, Antipater, Horace and Vergil highlight female agency in subject as well as object positions that resonate with a number of the female figures in the Pompeian Portico, thus contributing to a richer understanding of how women may be represented in ancient art forms.

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30

Kampen, Natalie Boymel, and Karl Galinsky. "Augustan Culture: An Interpretive Introduction." American Journal of Archaeology 101, no. 3 (1997): 610. http://dx.doi.org/10.2307/507128.

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31

Evans, Harry B., and J. Bert Lott. "The Neighborhoods of Augustan Rome." Classical World 99, no. 4 (2006): 464. http://dx.doi.org/10.2307/4353082.

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32

Rose, Charles Brian. "The Parthians in Augustan Rome." American Journal of Archaeology 109, no. 1 (2005): 21–75. http://dx.doi.org/10.3764/aja.109.1.21.

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33

Deogsu Kim. "Augustan Census and Civium Capita." Journal of Classical Studies ll, no. 39 (2014): 115–42. http://dx.doi.org/10.20975/jcskor.2014..39.115.

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34

Woods, Leigh, Constance Clark, and Harold M. Weber. "Three Augustan Women Play-Wrights." Theatre Journal 40, no. 1 (1988): 127. http://dx.doi.org/10.2307/3207805.

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35

White, Peter. "Julius Caesar in Augustan Rome." Phoenix 42, no. 4 (1988): 334. http://dx.doi.org/10.2307/1088658.

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36

Sowerby, Robin. "The Augustan Æneis: Virgil Enlightened?" Translation and Literature 11, no. 2 (2002): 237–69. http://dx.doi.org/10.3366/tal.2002.11.2.237.

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37

Hanlon, Aaron R. "Perlocutionary Verse in Augustan England." Modern Philology 114, no. 3 (2017): 657–79. http://dx.doi.org/10.1086/688066.

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38

Burrow, C. "Book Reviews-An Augustan Wyatt." English 36, no. 155 (1987): 148–58. http://dx.doi.org/10.1093/english/36.155.148.

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39

Ross,, David O. "Virgil's Augustan Epic. Francis Cairns." Classical Philology 86, no. 1 (1991): 76–81. http://dx.doi.org/10.1086/367236.

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40

Harris, Tim. "The Augustan House of Commons." Parliamentary History 23, no. 3 (2008): 375–85. http://dx.doi.org/10.1111/j.1750-0206.2004.tb00508.x.

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41

Hamilton, Charles D. "Augustan Culture: An Interpretive Introduction." History: Reviews of New Books 26, no. 1 (1997): 36–37. http://dx.doi.org/10.1080/03612759.1997.10525320.

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42

Edgecombe, Rodney Stenning. "Keats, Hazlitt, and Augustan Poetry." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 16, no. 4 (2003): 41–47. http://dx.doi.org/10.1080/08957690309598479.

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43

Lauer, Ilion. "Augustan Rhetoric: The Declining Orator." Advances in the History of Rhetoric 6, no. 1 (2003): 27–42. http://dx.doi.org/10.1080/15362426.2001.10500534.

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44

ROXAS-VILLANUEVA, RANZIVELLE MARIANNE, MAELORI KRISTA NAMBATAC, and GIOVANNI TAPANG. "CHARACTERIZING ENGLISH POETIC STYLE USING COMPLEX NETWORKS." International Journal of Modern Physics C 23, no. 02 (2012): 1250009. http://dx.doi.org/10.1142/s012918311250009x.

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Complex networks have been proven useful in characterizing written texts. Here, we use networks to probe if there exist a similarity within, and difference across, era as reflected within the poem's structure. In literary history, boundary lines are set to distinguish the change in writing styles through time. We obtain the network parameters and motif frequencies of 845 poems published from 1522 to 1931 and relate this to the writing of the Elizabethan, 17th Century, Augustan, Romantic and Victorian eras. Analysis of the different network parameters shows a significant difference of the Augustan era (1667–1780) with the rest. The network parameters and the convex hull and centroids of the motif frequencies reflect the adjectival sequence pattern of the poems of the Augustan era.

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45

Mitchell, Keith. "ACROSTICS AND TELESTICHS IN AUGUSTAN POETRY: OVID'S EDGY AND SUBVERSIVE SIDESWIPES." Cambridge Classical Journal 66 (September 2, 2020): 165–81. http://dx.doi.org/10.1017/s1750270520000068.

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This article considers acrotelestich wordplay in the major poets of the Augustan period, with particular reference to Ovid, and analyses its main types and characteristics. The article's final section seeks to demonstrate that Ovid invented a new category, that of political acrostics and telestichs, unique to him and uniquely suited to his own experience of Augustan terror and of the need for literary subterfuge and plausible deniability.

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46

Fantham, Elaine. "Rewriting and Rereading the Fasti: Augustus, Ovid and Recent Classical Scholarship." Antichthon 29 (1995): 42–59. http://dx.doi.org/10.1017/s0066477400000939.

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May I begin by thanking you sincerely for inviting me to give this Todd Memorial Lecture? I am sensible of the honour, not only in memory of the pioneer Australian Latinist whose name it bears, but in view of the roll-call of Classical scholars who have spoken before me. I am particularly conscious of my own debt to two predecessors here, the unforgettable Sir Ronald Syme and my former teacher Gordon Williams, who from their different viewpoints have had a considerable influence on present day approaches to Augustan—and some would say un-Augustan—poetry.I shall be talking today about two kinds of fasti or calendar, the public, inscribed, fasti of Augustan Rome, and the poetic Fasti of Ovid, the last great poet of the age of Augustus. But I should first introduce both calendar and calendar poem, before moving on to discuss the interpretative battle which has recently developed over Ovid's complex but fascinating work.

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47

Wyke, Maria. "The elegiac woman at Rome." Proceedings of the Cambridge Philological Society 33 (1987): 153–78. http://dx.doi.org/10.1017/s0068673500004971.

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How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the conventions which surround a particular practice of writing. I propose in this paper, therefore, to explore the place of the elegiac woman in the literary landscape of Augustan Rome through an examination of the interplay of her cultural and generic determinants. The phrase ‘the elegiac woman’ which appears in the title of this paper should make clear at the outset that my concern will be not with the realities of women's lives in Augustan society but with a poetic genre of the female.

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48

Dyson, Stephen L., Diane Favro, and Catharine Edwards. "The Urban Image of Augustan Rome." American Journal of Archaeology 102, no. 1 (1998): 208. http://dx.doi.org/10.2307/506162.

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49

Wilkins, Ann Thomas, and Diane Favro. "The Urban Image of Augustan Rome." Classical World 92, no. 2 (1998): 180. http://dx.doi.org/10.2307/4352260.

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50

Deogsu Kim. "The Succession in the Augustan Principate." Journal of Classical Studies ll, no. 20 (2007): 113–45. http://dx.doi.org/10.20975/jcskor.2007..20.113.

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