Relevant bibliographies by topics / Auguste Baillayre

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Academic literature on the topic 'Auguste Baillayre'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Auguste Baillayre"

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Stavilă, Tudor. "Auguste Baillayre – director şi fondator al colecţiilor de artă basarabeană." Akademos 2 (August 9, 2019): 161–66. https://doi.org/10.5281/zenodo.3364383.

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The beginning of the 20th century was one of the most contradictory and controversial periods of modern European art, which spread artistic values all the way to peripheries, including Basarabia. To be sure, the new styles and trends were not promoted by some mechanical transfers of ideas and concepts, but rather by specific people. Such a person in Basarabia was Auguste Baillayre, whose work and influence left a mark on the main stages of evolution of the national art between the wars. The artist was born on May 1, 1879 in Besiers, a community in the Pyrenees on the b
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STAVILĂ, Tudor. "A brief history of the Fine Arts in Bessarabia in the 20th century." Dialogica 2 (August 15, 2020): 40–49. https://doi.org/10.5281/zenodo.3978018.

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The beautiful arts of Bessarabia are little known in the cultural environment of the Republic of Molodva. Ignored in the Soviet period and the loss of the works of many Bessarabian plastic artists constituted a void over the creation and existence of these creators. Only through the donations of Auguste Baillayre and his heirs from Bucharest in 1961 and 2006 (over 400 works) can we talk today about the phenomenon of Bessarabian arts in the context of its interference with European art.
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3

Stavila, Tudor. "The themes of works of Bessarabian painters between 1888-1917." Arta 30, no. 1 (2021): 24–32. http://dx.doi.org/10.52603/arta.2021.30-1.03.

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The themes and subjects approached by the plastic artists, in a certain period of time, in a certain geographical space, including the names of the works, indirectly reflect the existing tendencies in the respective epoch. These moments are indisputable, regardless of the evolutions of art in various cultural environments, in the centers of international art or on its peripheries, objectively reflecting the styles and priorities of the time. Thus, realism operates with certain terms that define the options of the current, different from those of impressionism, expressionism, etc. The Bessarabi
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Books on the topic "Auguste Baillayre"

1

1879-1961, Baillayre Auguste, ed. Auguste Baillayre. Arc, 2004.

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Conference papers on the topic "Auguste Baillayre"

1

Stăvilă, Tudor. "Scenographic art in interwar Bessarabia." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.01.

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Th e history of scenographic art in the Republic of Moldova coincides with the appearance of the National Th eater founded in Chisinau in 1921. Testimonies in this regard are the works of Bessarabian artists that are preserved in the collections of the National Museum of Art of Moldova. An impetus for the emergence of modern Bessarabian scenography was the Russian emigrant Georges Pojedaeff , who appeared in Chisinau in 1920 and befriended. Auguste Baillayre, who organized the personal exhibition of the scenographer at the School of Fine Arts on the borders of 1920-1921. Th anks to Auguste Bai
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2

Malcoci, Vitalie. "Scenographic art from Moldova - beginnings and evolutions." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.03.

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Th e end of the XIX century intensifi es the theatrical life in Bessarabia, a fact that leads to the improvement of staging methods and plastic and decorative solutions of the stage space. Th is gains even greater revival towards the middle of the XX century, being oft en mentioned by critics in the press of the time, who describe the decorations and the costumes in the staged performances. A new phase in the decorative-theatrical art of Bessarabia begins with the appearance of the great personalities who contributed to the creation and development of the Bessarabian Romanian scenography. Th i
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