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Relevant bibliographies by topics / Aulock

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Academic literature on the topic 'Aulock'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Aulock"

1

Awianowicz, Bartosz. "An Unknown Coin of Castor of Galatia and a Possible New Dating of Deiotarus’ Coins with a Monogram of His Name." Notae Numismaticae - Numismatic Notes, no. 18 (2023): 49–56. https://doi.org/10.52800/ajst.1.18.a3.

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The paper presents a hitherto unpublished bronze small Galatian coin with the Greek monogram of the name Castor on the reverse (gen. KAΣΤOPOΣ), typologically very close to the small bronzes (denomination C according to Hoover’s division) of King Deiotarus of Galatia HGC 7, 776 = SNG von Aulock 6101; SNG France 3, 2332. It seems more likely that the coin published here was struck for Castor, grandson of Deiotarus, who became king of Galatia (and Paphlagonia) after the death of his grandfather in 40 BC, than for Castor Tancondarius, tetrarch of Tectosages in 63/2–43 BC, son-in-law of Deiotarus a

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Terzḗs, Chrḗstos, and Stefan Hagel. "Two Auloi from Megara." Greek and Roman Musical Studies 10, no. 1 (2022): 15–77. http://dx.doi.org/10.1163/22129758-bja10040.

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Abstract Two aulos pairs (Δ1965 and Δ1964), unearthed in 1980 and 2005 respectively at Megara (Attica), are exhibited in the city’s Archaeological Museum. Both are associated with metal sliding keys (resembling the keys on the well-known Pergamon aulos model), either mounted on the pipes (Δ1964) or displayed next to them (Δ1965). The present paper describes the parts, proposes a meaningful re-assemblage of the bone sections, and gives a detailed account of the sliding mechanism, which is here for the first time attested on finds of actual musical instruments, including an entirely new technolo

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Nautiyal, Tashi, Jiji J. Pulikkotil, Manish Kumar, and Nuggehalli M. Ravindra. "Obituary: Sushil Auluck." Emerging Materials Research 10, no. 1 (2021): 136. http://dx.doi.org/10.1680/jemmr.2021.10.1.136.

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Elder, Ken. "AULOTS." ANZTLA EJournal, no. 21 (April 2, 2019): 22–24. http://dx.doi.org/10.31046/anztla.v0i21.930.

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Përzhita, Luan. "Aulona." Iliria 36, no. 1 (2012): 489–93. http://dx.doi.org/10.3406/iliri.2012.2417.

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Arns, Hans. "The new AULOTS." ANZTLA EJournal, no. 11 (March 21, 2019): 6–8. http://dx.doi.org/10.31046/anztla.v0i11.833.

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Nawarecki, Aleksander. "Aulos." Konteksty. Polska Sztuka Ludowa 348, no. 1 (2025): 70–77. https://doi.org/10.36744/k.3691.

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Artykuł poświęcony jest aulosowi, zapomnianemu starogreckiemu instrumentowi dętemu. Jego przenikliwy dźwięk mógł wywoływać trans, dlatego wykorzystywany był zarówno do wyrażania radości jak pasyjnej grozy. W mitologii kojarzony z pojedynkiem Apolla i Marsjasza, czemu poświęcony został słynny wiersz Zbigniewa Herberta. Starcie lirnika i aulety, ważne dla kultury europejskiej, interpretować można zarówno w kontekście biblijnym jak sztuki nowoczesnej (van Gogh). Autor eseju zwraca uwagę na intrygujące podobieństwo gry na podwójnej piszczałce i dwu saksofonach, stosowane w muzyce jazzowej i rockow

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BUREAUX, JULIEN. "Partitions of large unbalanced bipartites." Mathematical Proceedings of the Cambridge Philosophical Society 157, no. 3 (2014): 469–87. http://dx.doi.org/10.1017/s0305004114000449.

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AbstractWe compute the asymptotic behaviour of the number of partitions of large vectors (n1, n2) of ℤ+2 in the critical regime n1 ≍ √n2 and in the subcritical regime n1 = o(√n2). This work completes the results established in the fifties by Auluck, Nanda and Wright.

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Brioni (first book editor), Simone, Ribka Sibhatu (second book author), and Giovanna Bellesia (review author). "Somalitalia: Quattro Vie per Mogadiscio. Somalitalia: Four Roads to Mogadishu; Aulò!Aulò!Aulò! Poesie di nostalgia, d’esilio e d’amore. Aulò!Aulò!Aulò! Poems of Nostalgia, Exile and Love." Quaderni d'italianistica 35, no. 2 (2015): 298–300. http://dx.doi.org/10.33137/q.i..v35i2.23636.

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Moore, Timothy J. "Stinging Auloi." Greek and Roman Musical Studies 5, no. 2 (2017): 178–90. http://dx.doi.org/10.1163/22129758-12341299.

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When Dikaiopolis calls theauletaiaccompanying the Theban who comes to trade with him wasps (Ach. 864), he responds in part to a buzz-like sound produced by theirauloi. Contributing to the instruments’ buzzing may have been dissonance caused by so many pipes played at once, the pipes’ material (bone), and a playing technique that placed emphasis on the lowest notes. The instruments’ music is out of place because the scene is in iambic trimeters, which were almost always performed without accompaniment. Dikaiopolis also calls theauletaiwasps because their arrival reminds him of the Spartan army,

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Dissertations / Theses on the topic "Aulock"

1

Aulich, Juliane [Verfasser]. "Entzündungsmarker und ihre Verbindung mit verschiedenen Diabetestypen und -langzeitkomplikationen bei Jugendlichen / Juliane Aulich." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1234984539/34.

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Almer, Gabriel [Verfasser]. "Calvinista Aulico-Politicus : Konfession und Herrschaft in Brandenburg-Preußen (ca. 1660-1740) / Gabriel Almer." Berlin : Freie Universität Berlin, 2016. http://d-nb.info/1094662976/34.

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Rocchi, Stefano <1980&gt. "Saggio di commento ad Aulo Gellio, Notti Attiche 17.1-3." Doctoral thesis, Università Ca' Foscari Venezia, 2009. http://hdl.handle.net/10579/227.

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Leary, Robert. "Women on the Mountain: Exploring the Dionysiac Mysteries." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1282940703.

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Frias, Amanda Gretter [UNESP]. "Caracterização de isolados de Fusarium oxysporum f.sp . lactucae obtidos de campos de produção comercial no Estado de São P aulo e avaliação de genótipos de alface." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/110957.

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Made available in DSpace on 2014-12-02T11:16:47Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-09-05Bitstream added on 2014-12-02T11:21:37Z : No. of bitstreams: 1 000800061.pdf: 1547565 bytes, checksum: 2df2d2d64d204de432cc47eb081a5653 (MD5)<br>A murcha de fusário, causada pelo fungo de solo Fusarium oxysporum f.sp. lactucae é uma das doenças mais severas que ataca m a cultura da alface em todo o mundo. Em 2011, foram encontrados em uma plantação de alface n os município s de Capão Bonito e Campin as n o estado de São Paulo, sintomas característicos do ataque do patógeno. Plantas sin

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Frias, Amanda Gretter 1990. "Caracterização de isolados de Fusarium oxysporum f.sp . lactucae obtidos de campos de produção comercial no Estado de São P aulo e avaliação de genótipos de alface /." Botucatu :, 2014. http://hdl.handle.net/11449/110957.

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Orientador: Marcelo Agenor Pavan<br>Coorientador: Denise Nozaki<br>Banca: Rumy Goto<br>Banca: Romulo Fujito Kobori<br>Resumo: A murcha de fusário, causada pelo fungo de solo Fusarium oxysporum f.sp. lactucae é uma das doenças mais severas que ataca m a cultura da alface em todo o mundo. Em 2011, foram encontrados em uma plantação de alface n os município s de Capão Bonito e Campin as n o estado de São Paulo, sintomas característicos do ataque do patógeno. Plantas sintomáticas foram coletadas para identificação do patógeno. O s exame s em microscóp io óptico revel aram a presença de macroconídi

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Bargagna, Agnese. "Ammien Marcellin et l'humanisme : tradition et réception des Res gestae dès témoins manuscrit du XVe siècle aux premières éditions imprimées." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL091.

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La Thèse présente une enquête sur deux aspects fondamentaux de la quaestio ammianea, notamment la tradition et la réception des Res gestae pendant la Renaissance à partir dès témoins manuscrits du XVe siècle jusqu’aux premières éditions imprimées. Dans une première partie, chaque codex est décrit de manière détaillée et, dans le même temps, une analyse complète de ses marginalia est donnée, puisqu’il s’agit d’éléments qui indiquent la consultation des Res gestae par un lecteur. On s’efforce précisément d’identifier ce lecteur, on étudie les caractéristiques utiles à son identification et la dé

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Aulock, Sonja von [Verfasser]. "Mechanisms of endogenous and therapeutic immune modulation by G-CSF / vorgelegt von Sonja von Aulock." 2002. http://d-nb.info/965907430/34.

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Simone, Caleb. "Enchanted Bodies: Reframing the Culture of Greek Aulos Performance." Thesis, 2020. https://doi.org/10.7916/d8-gbs6-4g39.

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The double-pipe reed woodwind known as the aulos was the most pervasive instrument in ancient Greek life. Despite recent attention to affect and the senses and advancements in ancient musicology, there remains no comprehensive study of this cultural phenomenon. Bringing the burgeoning field of sound studies to bear on the diverse range of evidence, this dissertation offers the first cultural history of aulos performance, focusing on a crucial period of its activity spanning the sixth through fourth centuries BCE. I propose an interpretive model that works across textual and material sources to

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Hrodková, Markéta. "Sociální práce a sociokulturní animace v aulách třetího věku v Santiagu de Compostela." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-287641.

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Resumé Název práce: Sociální práce a sociokulturní animace v Aulách třetího věku v Santiagu de Compostela Jméno a příjmení diplomanta: Markéta Hrodková Studijní obor: Sociální práce Jméno vedoucího práce: Mgr. Hana Pazlarová Jméno konzultanta práce: Mgr. Jiří Vinopal Jméno oponenta práce: PhDr. Eva Stehlíková Tato vypracovaná diplomová práce se zabývá Aulami třetího věku v Santiagu de Compostela. Problematika seniorů byla vybrána záměrně, protože se domnívám, že tato tématika bude stále více aktuální, vzhledem k fenoménu stárnutí populace. V teoretické části je popsán a vysvětlen demografický

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Books on the topic "Aulock"

1

Marchelie, rik. Aulos. Productions d'Oz, 2003.

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Ulrike, Lehmann, Vonderau-Museum, Haus der Stadtgeschichte (Offenbach am Main), Kunsthalle Giessen, and Institut für Moderne Kunst Nürnberg., eds. Herbert Aulich: Retrospektive : Arbeiten aus 5 Jahrzehnten. Verlag für moderne Kunst, 2006.

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Manuela, Crecentini, ed. La Provincia e l'impero: Linguaggi d'arte tra "aulico" e "volgare". Electa, 1989.

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Simone, Caleb. Enchanted Bodies: Reframing the Culture of Greek Aulos Performance. [publisher not identified], 2020.

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5

Kininē, Ephē I. Hē arnēsē parachōrēsēs adeias ekmetalleusēs aulōn agathōn sto diakaio tou eleutherou antagōnismou. Ekdoseis Ant. N. Sakkoula, 2004.

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6

Romano, Benedetto. La critica letteraria in Aulo Cellio. Loescher, 1991.

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7

Marchante-Aragón, Lucas A. Performing the king divine: The early modern Spanish aulic festival. Edition Reichenberger, 2017.

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8

Calais-Auloy, Jean. Etudes de droit de la consommation: Liber amicorum Jean Calais-Auloy. Dalloz, 2004.

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9

1938-, T︠S︡apko Vladimir, ed. Govori︠a︡shchie volny: Dokumental'noe povestvovanie o zatoplennykh Krasnodarskim vodokhranilishchem aulov i poselkov. Adygeĭskoe respublikanskoe knizhnoe izdatelʹstvo, 2005.

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10

Tristano, Caterina. La biblioteca di un umanista calabrese : Aulo Giano Parrasio. Vecchiarelli editore, 1988.

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Book chapters on the topic "Aulock"

1

Kadzik, Dominik. "The Gentlemen at Arms (aulici) of King Stephen Báthory." In Courtiers and Court Life in Poland, 1386–1795. Brepols Publishers, 2024. https://doi.org/10.1484/m.ece-eb.5.143109.

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Morelli, Laura. "I ritratti di uomini illustri degli Uffizi dipinti da Carlo Ventura Sacconi, Giovanni Pietro Pollini e Giovanni Berti." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.13.

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Documentary investigations conducted at the Florence State Archives contributed to shed light on eighteenth-century efforts to develop the collection of the Uomini Illustri portraits, exhibited along the walls of the Uffizi Gallery. While the original body of works had been commissioned by granduke Cosimo I to Cristofano di Papi dell’Altissimo, who had copied the series held by Paolo Giovio in his villa in Como, the Florentine collection was later enriched by a massive supply of portraits between 1719 and 1733. The desire to complete the Uffizi ‘gioviana’ series was probably due to Anna Maria

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Brill, Sara. "MIS-AULOGY:." In Hearing, Sound, and the Auditory in Ancient Greece. Indiana University Press, 2022. http://dx.doi.org/10.2307/j.ctv2kcwp49.15.

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"AULOS." In Albatross. University of Pittsburgh Press, 2017. http://dx.doi.org/10.2307/j.ctvthhdc3.44.

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"aulos, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1049361665.

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"(a) The aulos." In Music in Ancient Greece and Rome. Routledge, 2002. http://dx.doi.org/10.4324/9780203042847-8.

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Gänsicke, Susanne, and Stefan Hagel. "The Auloi from Meroë:." In Artistry in Bronze. J. Paul Getty Trust, The, 2017. http://dx.doi.org/10.2307/jj.6142256.55.

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"aulic, adj. & n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/5480080582.

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Sider, David. "Pyrwias Leading the Dance." In Antichistica. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-548-3/006.

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Winkelbauer, Thomas. "The General War Commissariat: A Neglected Pivot of the Habsburg Fiscal-Military State." In The Habsburg Monarchy as a Fiscal-Military State. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267349.003.0006.

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This chapter deals with the development of the General War Commissariat from its establishment in the 1640s to the reforms of government and military between the 1740s and 1760s, discussing its position within the administrative structure of the Habsburg Monarchy. Responsible for the economy of the imperial armies in the broadest sense, the Commissariat’s activities were not restricted to Vienna and the imperial court, where its bureaucratic centre was located, but extended over large parts of the Habsburg Monarchy, including the kingdom of Hungary. The Commissariat’s history was long characte

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Conference papers on the topic "Aulock"

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Hernández Navarro, Elena Vicenta, Lizette Elena Leiva Suero, Lizette Elena Leiva Suero, and María Narcisa Cedeño Zamora. "Indicators of academic excellence from the aulic component." In 1er Congreso Universal de las Ciencias y la Investigación Medwave 2022;. Medwave Estudios Limitada, 2022. http://dx.doi.org/10.5867/medwave.2022.s2.uta046.

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Bellia, Angela. "The virtual reconstruction of an ancient musical instrument: The aulos of Selinus." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413833.

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Martelli, Tatiana, Fabiola Colone, and Roberta Cardinali. "Eco-friendly dual-band AULOS® passive radar for air and maritime surveillance applications." In 2018 IEEE International Conference on Environmental Engineering (EE). IEEE, 2018. http://dx.doi.org/10.1109/ee1.2018.8385267.

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Martelli, Tatiana, Roberta Cardinali, and Fabiola Colone. "Detection performance assessment of the FM-based AULOS® Passive Radar for air surveillance applications." In 2018 19th International Radar Symposium (IRS). IEEE, 2018. http://dx.doi.org/10.23919/irs.2018.8448025.

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Reports on the topic "Aulock"

1

Hagel, Stefan. Reconstructing the Auloi from Queen Amanishakheto’s Pyramid. Verlag der Österreichischen Akademie der Wissenschaften, 2023. http://dx.doi.org/10.1553/oeai_ambh_1.

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Aus dem Grab der kuschitischen Königin Amanischacheto wurde im Jahr 1921 eine Sammlung stark zerstörter gedoppelter Rohrblattinstrumente (Auloi) geborgen, die sich bisher jedem Rekonstruktionsversuch widersetzt haben. Auf der Grundlage jüngster Erkenntnisse zur antiken Musik im Allgemeinen und dem Aulos im Besonderen wird hier eine neue Methode vorgestellt, die die Wiederherstellung der Instrumente mit einem hohen Wahrscheinlichkeitsgrad erlaubt. Auf dem Weg dahin müssen einige Hypothesen zugunsten eines tieferen Verständnisses der Herstellung und Verwendung des Aulos aufgegeben werden. Eines

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Sutkowska, Olga. Der Pergamon-Aulos. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/oeai_ambh_2.

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Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/oeai_ambh_3.

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Starting from data on the ‘Paestum’ or ‘Poseidonia’ aulos established by Paul andBarbara Reichlin-Moser and Stelios Psaroudakēs, the ‘Pydna’ aulos, and comparable finds ofearly, mainly six-hole one-hole-shift, doublepipe fragments, possible musical interpretations ofthis important instrument type of the early Classical Period are considered. Probable pitchesand intervals are assessed by means of well-tested software and confirmed experimentally;the required double reeds of a much longer type than known from later periods are shownto be substantiated by iconographic and literary testimony. The

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