Relevant bibliographies by topics / Auspicious meaning

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Auspicious meaning'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Auspicious meaning"

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Zhang, Xinyi, and Yanjun Dong. "Research on the graphic reconstruction of traditional auspicious patterns in contemporary art design." Highlights in Art and Design 2, no. 2 (2023): 73–79. http://dx.doi.org/10.54097/hiaad.v2i2.6797.

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The "auspicious pattern" refers to the pattern of "auspiciousness" and "peace" as the expression of the concept of auspiciousness, which has evolved and become more and more diversified. "Reconstruction" is to break up the original objective structural form and construct a new objective structural form according to the design and concept of the new form, and to make a new extension of its structural meaning. Nowadays, technology has gradually broken the limitations of traditional auspicious patterns in terms of art form and symbolic language, and many excellent designers have redesigned them.
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Lu, Chang. "Packaging Design of Wuqiang New Year Pictures." Highlights in Art and Design 2, no. 2 (2023): 70–72. http://dx.doi.org/10.54097/hiaad.v2i2.6796.

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Through in-depth exploration of the twelve zodiac paintings in Wuqiang New Year paintings, this paper draws on the respective images and characteristics of the zodiac in Wuqiang New Year paintings, and combines them with traditional Chinese auspicious patterns to form a beautiful new pattern that can express wishes and auspiciousness, which is applied to packaging. Use the beautiful meaning of auspicious patterns to endow Wuqiang Zodiac New Year pictures with beautiful meanings, give better consumption positioning to Zodiac New Year pictures, seize the traditional custom that people need to ex
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Du, Xiaoxiao. "THE CULTURAL CONNOTATION OF PRAYERS AND INNOVATIVE FORMS OF FOLK PILLOW TOP." Cultural Communication and Socialization Journal 2, no. 1 (2021): 05–08. http://dx.doi.org/10.26480/ccsj.01.2021.05.08.

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As a kind of folk art, pillow top has rich cultural connotation and innovative vitality of expressions. By analyzing the auspicious symbolic elements of pillow top art and emotional expressions such as praying for wealth and fame, beauty and love, blessing and longevity, good fortune, and reproductive worship, this paper extracts the pattern and color matching elements suitable for innovative design to show the forms of expression. The theme of pillow top pattern is mostly auspicious symbols representing auspicious meaning, which is reflected in people’s daily life, that is, the emotional expr
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Rudolph, Susanne Hoeber. "Susanne Hoeber Rudolph: Remarks on Receiving the “Grain of Sand” Award." PS: Political Science & Politics 43, no. 02 (2010): 369–70. http://dx.doi.org/10.1017/s1049096510000521.

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I'm happy to be the recipient of an award recognizing the work of scholars who deploy literary and experiential resources in pursuit of meaning. And I am delighted that there is a conference-related group institutionalizing this honor. On this auspicious occasion, I thought I would offer a few remarks about my current work.
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Chen, Xiao Mei, Qing Dong, and Xiao Yang Liu. "Graphic Reconstructing and Application Research of Traditional Auspicious Pattern in the Customization for Haute Couture." Advanced Materials Research 1048 (October 2014): 341–44. http://dx.doi.org/10.4028/www.scientific.net/amr.1048.341.

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Costume pattern carries massive traditional culture and national spirit. It has important significance on people’s life and records the historical process of a nation. The topic of the paper starts from Chinese traditional auspicious pattern, summarizes the combination, layout and implied meaning of pattern through the analysis on the special shape and formal beauty; analyzes and research the cultural spirit and plastic art of traditional auspicious pattern. It makes analysis on the graphic language of traditional pattern and formal language under modern design thinking, finds new graphic lang
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Tang, Jun. "From "Six Contract Spring" to "Six Harmonies Tower": The Auspicious Significance of the Number "Six" in Traditional Chinese Culture." International Journal of Education and Humanities 17, no. 3 (2024): 62–65. https://doi.org/10.54097/r4c3ex65.

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This article explores the cultural symbolic meaning of the number "six" in the idioms "Six Contracts for Spring" and "Liuhe Tower", as well as its profound connotations in traditional Chinese culture. Firstly, by analyzing the idiom "Six Contracts for Spring", its literal and symbolic meanings are explained, emphasizing that "Liuhe" represents the six directions between heaven and earth, symbolizing the harmony and prosperity of the universe, while "Tongchun" symbolizes the revival of all things and the universal vitality. Secondly, this article analyzes the symbolic significance of Hangzhou's
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Loewe, Michael. "The Term K'an-yü and the Choice of the Moment." Early China 9, no. 1 (1985): 204–17. http://dx.doi.org/10.1017/s0362502800006362.

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The term k'an-yü, which is seen in various texts from the Huai-nan-tzu (completed by 139 B.C.) onwards, has been subject to various attempts at explanation, and it is possible that its original meaning may have become forgotten at a comparatively early stage. It will be noted below that fromnthe third or fourth century commentators were explaining k'an-yü as referring to heaven and earth, but apparently without a clear comprehension of the term. In much more recent times, k'an-yü-chia has been used as a synonym for feng-shui-chia, meaning, specifically, experts in geomancy whose aim lay in ens
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Chongwen, Qu. "Application of Chinese Traditional Edge Pattern in Modern Design." Journal of Higher Education Teaching 2, no. 2 (2025): 216–20. https://doi.org/10.62517/jhet.202515231.

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Chinese traditional edge decoration pattern is an important part of decorative art, bearing rich aesthetic value and cultural connotation. The form characteristics of traditional edge decoration patterns and the auspicious meaning characteristics contained in different periods are studied, the application carrier of traditional edge decoration patterns is analyzed, and the design key points of traditional edge ornaments in modern design are summarized, so as to achieve the integration of traditional edge decoration elements and modern design and realize the inheritance and development of tradi
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Ou, Chun. "Symbolic Meaning and Sociocultural Characteristics of Auspicious Patterns in Chinese Designs after the Chinese Economic Reform." Korean Association for Visual Culture 38 (June 30, 2021): 135–60. http://dx.doi.org/10.21299/jovc.2021.38.6.

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Keightley, David N. "Reports from the Shang: A Corroboration and Some Speculation." Early China 9, no. 1 (1985): 20–54. http://dx.doi.org/10.1017/s0362502800006283.

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Scholars trained in Taiwan tend to read the oracle-bone crack notation as shang chi, “highly auspicious”; scholars in the People's Republic read the same graphs as erh kao,“two reports.” In the first part of this article, a reexamination of the evidence, which was significantly assisted by Ho Hou-hsüan's presence at Berkeley, leads me to conclude that, contrary to what I wrote in Sources of Shang History, erh kao is the correct reading. The second part of the article considers the possible meaning of various kao crack notations, how certain strategic period II inscriptions might be punctuated
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Dissertations / Theses on the topic "Auspicious meaning"

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Yang, Wei-Hung, and 楊偉鴻. "A Discussion on the Artistic Symbolic Meaning of Lacquer of Auspicious Images." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/u34gvg.

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碩士<br>中國文化大學<br>美術學系<br>105<br>Chinese people’s daily lives and surroundings have been filled with “Auspicious images” with auspicious phrases for thousands of years. It is also the most common way that Chinese people have used to seek good fortune. This method has not changed even up until today. Praying for good fortune and places for prayers are associated to religious occasions and ceremonies. With respect to temples, their inner and outer walls are mostly decorated with wall paintings carved with auspicious images. Different temples have different sizes of wall paintings. In addition, eve
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Books on the topic "Auspicious meaning"

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Ngai, Pauline. Thousand Auspicious Meanings: Chinese Porcelain Teapots from the Sapientia Collection for the Domestic Market. Jorge Welsh Research and Publishing, 2022.

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Ngai, Pauline. Thousand Auspicious Meanings: Chinese Porcelain Teapots from the Sapientia Collection for the Domestic Market. Jorge Welsh Research and Publishing, 2022.

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Book chapters on the topic "Auspicious meaning"

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Tso, Bendi, Marnyi Gyatso, Naljor Tsering, Mark Turin, and Members of the Choné Tibetan Community. "Chémar / ཕྱེ་མར། / 切玛." In World Oral Literature Series. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0312.05.

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This chapter provides a detailed description of chémar, the auspicious offering reserved for important rituals, ceremonies, and celebrations in all Tibetan communities. The narration illustrates the shape of chémar and the elements that constitute it, along with their symbolic meanings. Furthermore, this chapter also outlines the process of building a table to hold chémar, highlighting the careful selection of materials and skills required for its assembly.
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Austin, Christopher R. "Conclusion." In Pradyumna. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190054113.003.0009.

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In this chapter, final reflections on the study are offered, which seek to articulate in comprehensive form the meaning and significance of the person of Pradyumna in Sanskrit literature. Kṛṣṇa’s son can first of all be understood as a figure produced by the cooperation and mutual shaping of three character dimensions: he is Kāmadeva, the handsome God of Love reborn; he is a controller of māyā, or magical illusions and subterfuges; and he is a double of his father Kṛṣṇa, a kind of avatāra of the avatāra. Second and more broadly, it is argued that, more than any other character of South Asian r
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Zelewski, Stephan, Adina Silvia Bruns, and Martin Kowalski. "Ontologies for Guaranteeing the Interoperability in e-Business." In Handbook of Research on E-Business Standards and Protocols. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-0146-8.ch008.

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For e-business, the computer-based processing of value-creation, especially for knowledge-intensive business processes, plays a prominent role with the help of modern information and communication techniques. At least since the further development of the classical Internet for the Semantic Web, the content-based knowledge processing and knowledge transfer have gained more importance. In this chapter it is shown that ontologies represent an auspicious instrument to ensure the interoperability of information and communication systems that have to work together on the work-sharing development of
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Prentiss, Karen Pechilis. "Pilgrimage and Praise." In The Embodiment of Bhakti. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0004.

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Abstract Pilgrimage is a prominent feature in Indian religious traditions. The pervasiveness of pilgrimage, whether ihonor of a natural site, a founder figure, or a god, has prompted many to consider it a pan-Indian phenomenon; for example, Stella Kramrisch asserts that “the sacred geography of India recognizes the whole country as a field of more than human activity. It is carried by the rivers, from the celestial region where they have their prototype and origin, down to the earth.” When traditions of pilgrimage are taken collectively, this is an accurate impression. However, even a brief re
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Liscomb, Kathlyn. "How the Giraffe Became a Qilin: Intercultural Signification in Ming Dynasty Arts." In The Zoomorphic Imagination in Chinese Art and Culture. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824846763.003.0010.

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This chapter explores meanings attributed to a giraffe given to the Yongle emperor (r. 1403–1424) in 1414 by a Muslim sultan of Bengal. Both sides understood its significance in ways mediated by their own cultural traditions and pertinent agendas. Although a Hindu nobleman was the de facto ruler of Bengal, the giraffe probably was presented in the Persian-Islamic terms favored by that kingdom at that time. In China, the exotic animal was identified as a qilin, an animal recorded in ancient texts as an auspicious sign indicating that the ruler was powerful yet fostered peace, an image useful to
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Conference papers on the topic "Auspicious meaning"

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Ou-yang, Li, and Jie Ling. "Multi-expert Cooperative Development of Painting-themed Tourist Souvenirs Based on ICCO Model." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004241.

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The museum's painting collection has gradually become a vital reference resource for developing souvenirs. This study adopts ICCO theoretical framework and studies 534 kinds of souvenirs from the official Taobao flagship store of the Forbidden City according to the ideas of import, classi-fication, comparison, and export. Adopt = Houyi collector to collect data, EXCEL to sort out data, and organize several experts to analyze painting types, techniques, and crafts. As a result, tourists' favorite painting is "A Thousand Miles of Mountains and Rivers," and their favorite souvenirs are delicate f
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