Academic literature on the topic 'Austen, Jane, 1775-1817. Northanger Abbey'

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Dissertations / Theses on the topic "Austen, Jane, 1775-1817. Northanger Abbey"

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Huang, Cherry. "Jane Austen's attitudes towards the 'masculine' and 'feminine' Gothic in Northanger Abbey (1818)." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586642.

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Moring, Meg Montgomery 1961. "Death and the Concept of Woman's Value in the Novels of Jane Austen." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278475/.

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Jane Austen sprinkles deaths throughout her novels as plot devices and character indicators, but she does not tackle death directly. Yet death pervades her novels, in a subtle yet brutal way, in the lives of her female characters. Austen reveals that death was the definition and the destiny of women; it was the driving force behind the social and economic constructs that ruled the eighteenth-century woman's life, manifested in language, literature, religion, art, and even in a woman's doubts about herself. In Northanger Abbey Catherine Morland discovers that women, like female characters in
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Tessier, Marie-Hélène. "A comparative study of feminisms in the writings of Jane Austen and Mary Wollstonecraft." Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/24138.

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Les romans de Jane Austen sont souvent perçus comme étant une narration parfaite de la vie domestique au dix-neuvième siècle. La plupart des intrigues sont centrées autour de quelques familles et d'une héroïne qui, à la fin du roman, est récompensée à travers son mariage avec l'homme de son choix (qui s'avère souvent riche et muni d'une bonne position sociale). Puisque les romans d'Austen se terminent généralement par un mariage conventionnel et apparaissent d'une envergure limitée, les analyses des thèmes féministes sous-jacents ne sont pas apparues avant le vingtième siècle. Plusieurs études
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4

Louro, Ana Sofia Felisberto Estanco. "Visões romanescas : a paródia ao romance gótico em Northanger Abbey de Jane Austin." Master's thesis, 2019. http://hdl.handle.net/10451/44230.

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A presente dissertação analisa a paródia ao romance gótico na obra literária Northanger Abbey (1818), de Jane Austen (1775-1817). Neste âmbito, será proposta a hipótese de que a paródia ao romance gótico não constitui o cerne da obra, não procurando depreciar ou invalidar o género. Igualmente, considerar-se-á o que a autora designa por “visões romanescas” (NA 228) e o seu papel na construção e desconstrução da paródia. Desta forma, num primeiro momento apresenta-se uma contextualização que procura ilustrar a função e a reputação do romance (novel) na época em questão, expor os fatores q
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Books on the topic "Austen, Jane, 1775-1817. Northanger Abbey"

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Northanger Abbey. Pearson Education, Limited, 2013.

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Book chapters on the topic "Austen, Jane, 1775-1817. Northanger Abbey"

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Ehrenfeld, David. "Jane Austen and the World of the Community." In Swimming Lessons. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195148527.003.0041.

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For two weeks now, I have wallowed in sinful luxury, rereading the six completed Jane Austen novels (especially my favorite parts), basking in the warmth and wit of her collected letters, eagerly absorbing the details of her life from her best biographies, and attentively following the arguments of her leading literary critics. I also saw the recent movie versions of Sense and Sensibility and Persuasion, falling in love with Emma Thompson and Amanda Root in quick succession, and finished off my orgy with viewings of the BBC videos of Sense and Sensibility, Emma, Mansfield Park, Northanger Abbey, and Pride and Prejudice. Throughout—at least when I could remember to pay attention—I had two questions in mind. What does Jane Austen have to say about people, communities, and nature? And what is the cause of her resurgent popularity? Perhaps, I allowed myself to think, the questions are related. Answering the questions proved not so simple, but I did have fun trying. Sam and I read Aunt Jane’s letter, dated 8 Jan. 1817, to her nine-year-old niece Cassy, beginning: . . . Ym raed Yssac I hsiw uoy a yppah wen raey. Ruoy xis snisuoc emac ereh yadretsey, dna dah hcae a eceip fo ekac . . . . . . I read the amusingly mordant comments she could write about her neighbors, such as the one in her letter of 3July 1813 to her brother Francis, mentioning the “respectable, worthy, clever, agreable Mr Tho. Leigh, who has just closed a good life at the age of 79, & must have died the possesser of one of the finest Estates in England & of more worthless Nephews and Neices [sic] than any other private Man in the United Kingdoms.” I read the last chapters of Pride and Prejudice, Emma, and Persuasion each three times. I read once again about Catherine Morland’s cruel expulsion from Northanger Abbey, and about the ill-omened trip of Fanny Price, the Bertram sisters, and the Crawfords to the Rushworth estate, Sotherton, with its seductive, if too regularly planted, wilderness. And again I was privileged to accompany Emma Woodhouse, Miss Bates, Frank Churchill, and Mr. Knightly on the tension-charged picnic to Box Hill, surely one of the highest peaks in English literature.
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