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Relevant bibliographies by topics / Australian drawing / Dissertations / Theses

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Dissertations / Theses on the topic 'Australian drawing'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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Consult the top 26 dissertations / theses for your research on the topic 'Australian drawing.'

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1

Williamson, Naomi, and naomiruthwilliamson@mac com. "The Drawn Subject: Meaning and the Moving Drawing." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.

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Using the vehicle of hand drawn animation, this is an ongoing reflection of instances that repeat themselves to a point beyond the humorous and back. The Myth of Sisyphus 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back on its own weight. They had thought with some reason that there was no more dreadful punishment than futile and hopeless labour.' Albert Camus- The Myth of Sisyphus By observing and illustrating assiduous daily gestures and events our absurd hero is revealed: this protagonist, be it

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2

Robertson, Jasmine. "Drawing us in: The Australian Experience of Butoh and Body Weather." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15645.

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Butoh or butoh–inspired dance has become increasingly popular in Australia over the last 20 years. In my thesis I aspire to understand the attraction of butoh within an Australian context. I am interested in investigating the conversion moment. I want to understand how dancers and non-dancers came to engage with and pursue the foreign form in this country, which, before the 1980s, had no relevance or obvious place in the Australian dance scene. While the thesis touches on the obvious conceptions of butoh’s attraction (exoticism, orientalism and primitivism), it also offers a way of looking at

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3

Blake, Kate M. "Drawing All the Way: The Confluence of Performance, Cultural Authority, and Colonial Encounters in the Painting of Rover Thomas." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371721339.

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4

Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

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5

Hall, Gregory Wayne. "Room to Relate in Centrelink? Attempts to Engage Supportively by Drawing on Guidance from Social Workers." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/365361.

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Contact with the Australian social security and human service provider Centrelink offers opportunities for vital support, both financial and social. However, it can also invoke significant challenges, particularly where people struggle to relate and to make their voices heard. Centrelink has been criticised extensively as beset by machine-like bureaucratic processes, stigmatising ‘participation’ expectations, intrusive compliance interactions and a customer service framework inadequate for the serious needs of people seeking assistance. There has been extensive research attention to constri

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6

Coppard, Sally A. "The dance between cosmography and chorography : mapping Australia." Thesis, View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/40258.

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This thesis proposes that maps contain much more than just a depiction of physical space. Focusing on a selection of maps of ‘Australia’, the following attributes are found in some of these maps: myth and imagination, memory, power and the evolution of a people’s relationship with a place. Each attribute is the centrepiece of a separate chapter. The investigation undertaken here begins before ‘Australia’ was a known, named and mapped identity, at least as far as Europe was concerned, and continues up to the present day. It moves from maps of the imagined, the unknown and the theoretical, the

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7

Coppard, Sally A. "The dance between cosmography and chorography mapping Australia /." View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/40258.

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Thesis (Ph.D.)--University of Western Sydney, 2005.<br>A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.

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8

Sefer, Ibrahim. "Newly arrived children's art / story book 2004." [Adelaide]: Migrant Health Service, 2004. http://www.health.sa.gov.au/library/Portals/0/drawings-and-dreams-newly-arrived-childrens-art-story-book.pdf.

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This project was funded by the Department for Families and Communities A collaboration between Ibrahim Sefer, newly arrived boys and girls aged between 4 and 14 years from Culturally and Linguistically Diverse Backgrounds and the Migrant Health Service (Adelaide Central Community Health Service).

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9

Favaro, Paola Built Environment Faculty of Built Environment UNSW. "Drawn to Canberra: the architectural language of Enrico Taglietti." Awarded by:University of New South Wales. Built Environment, 2009. http://handle.unsw.edu.au/1959.4/43421.

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The limited attention paid by architectural historians to the influence of continental European migrant architects on Australian architecture has been noted in recent architecture literature. This study offers a close analysis of the life and work of Canberra architect Enrico Taglietti, who migrated to Australia from Italy in 1955. His work demonstrates a 'highly personal style' offering more depth and playfulness of form and content than the work of his contemporaries. Taglietti designed a broad range of private and public buildings in Canberra, his adopted 'invisible city', including Dickso

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10

Bennett, Rick 1963. "Drawing on the virtual collective : exploring online collaborative creativity." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/6433.

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11

Knezevic, Nina. "Interpreting the autobiographical archive." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.

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12

Whelan, Jane. "Teaching visual arts through distance education : an evaluation of the program Anyone can draw." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1997. https://ro.ecu.edu.au/theses/908.

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The problem under investigation is concerned with the teaching of drawing through distance education. Traditionally drawing has occupied a central position in visual art teaching and learning and is still regarded as a significant area of visual arts education. In the visual arts curriculum of Western Australia, drawing, which is included in the broader term visual inquiry, is regarded as the foundation for studio practice. It is therefore appropriate to include drawing as part of every visual arts teaching program. The correspondence mode of teaching, which has a text-base, is a more formal s

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13

Clifford, Sally Margaret. "Why have you drawn a wolf so badly? : community arts in healthcare." Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/35893/1/35893_Clifford_1997.pdf.

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Community arts is often criticised for its tendency to be more about welfare than art. This thesis investigates this claim through the environment of a growing number of arts projects taking place in healthcare settings. Healthcare settings inherently deal with the field of welfare. This research has recognised that many of these projects are participation-based community arts projects. I have termed these projects arts-inhealth and they form the case studies of this research. Arts-in-health is not art therapy. Arts-in-health is a community arts-based approach to artmaking which enables peo

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14

McKay, Duncan Robert. "Drawn from artists’ lives: An empirical study of the situation and realisation of professional visual art practices in the Western Australian Field of cultural production." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/2006.

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This thesis presents the findings of empirical research on the working lives of visual artists living and working in Western Australia. No detailed studies of this kind have previously been undertaken in a Western Australian context, though a series of national, economically framed studies have surveyed Australian artists working in a variety of art forms about their working lives on five occasions since the early 1980s. Collectively the reports published from these five studies make up the most comprehensive picture of artists’ economic activity that has been available to policymakers and oth

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15

Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr

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16

Dibden, Julie Ann. "Drawing in the land : rock-art in the upper Nepean, Sydney basin, New South Wales : Vol.1 & 2." Phd thesis, 2011. http://hdl.handle.net/1885/150760.

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The Upper Nepean River catchment in the Sydney Basin has a rich repertoire of visual imagery - rock-art, and a variety of other types of marks on stone. This thesis examines the diversity and spatial distribution across the land of these rock markings and change over time. The theoretical focus is on materiality, practice and performance. In previous research conducted in the Sydney Basin, rock-art located in shelters has been considered, at least implicitly, to be functionally equivalent across both space and time. The research in this thesis, by comparison, has been developed to explore both

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17

Frederick, Ursula. "Drawing in differences : changing social contexts of rock art production in Watarrka (Kings Canyon) National Park, Central Australia." Master's thesis, 1997. http://hdl.handle.net/1885/150334.

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18

Laffan, Julian Simon. "Honours studio report." Master's thesis, 2004. http://hdl.handle.net/1885/155928.

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19

Burness, Heather. "Sub-thesis." Master's thesis, 2004. http://hdl.handle.net/1885/156300.

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20

Burness, Heather. "Studio report." Master's thesis, 2004. http://hdl.handle.net/1885/156302.

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21

Haylock, Christine. "Rapid Creek, Darwin, Australia: recollecting place." 2011. http://hdl.handle.net/1993/4972.

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Recollecting Place is the product of an experiential approach to Landscape Architecture. It is at once the re-telling of a place that is expected to be quite foreign to the reader as well as an examination of the method by which landscape architects assume truth of a place. As professionals, we develop a method by which we examine a site, re-tell its truth and then alter it somehow. Recollecting Place is the story of how the teller’s connections with the place in questions offer a version of the truth that can inform the design in a way that is different, and arguably more appropriate than if

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22

Coppard, Sally A., University of Western Sydney, and of Arts Education and Social Sciences College. "The dance between cosmography and chorography : mapping Australia." 2005. http://handle.uws.edu.au:8081/1959.7/40258.

Full text

Abstract:

This thesis proposes that maps contain much more than just a depiction of physical space. Focusing on a selection of maps of ‘Australia’, the following attributes are found in some of these maps: myth and imagination, memory, power and the evolution of a people’s relationship with a place. Each attribute is the centrepiece of a separate chapter. The investigation undertaken here begins before ‘Australia’ was a known, named and mapped identity, at least as far as Europe was concerned, and continues up to the present day. It moves from maps of the imagined, the unknown and the theoretical, the

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23

Arbon, Janelle Lea. "Warning, patrons ahead! A development assessment framework for public space for landscape architects drawing on lessons from the Festival City of Adelaide, Australia." Thesis, 2021. https://hdl.handle.net/2440/136405.

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A deceptively simple and benign sign placed in a public park states, ‘Warning: You may find event equipment and patrons on the pathway’ (Figure T-2). The sign hints at the complexity and contradictions of public space and poses a curious question that continues to gain currency in multidisciplinary discourse: How public is public space? This thesis poses a further question by asking, Do temporary events pose a threat to public space? To answer both questions, the thesis draws on the historic trajectory of urban public space, culminating in an extensive appraisal of 20th century forms and progr

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24

Merrifield, Katherine. "A critical evaluation of the drawings, paintings and lithographs of George French Angas (1822-1886) with special reference to The Kafirs Illustrated." Thesis, 2001. http://hdl.handle.net/10321/2806.

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25

Ellmoos, Niels Neilsen. "The entropic landscape : exploring the intersection between digital media, large-scale drawings and sculpture in response to the cultural landscape of Zeehan, Tasmania, Australia." Thesis, 2006. https://eprints.utas.edu.au/19841/1/whole_EllmoosNielsNeilsen2007_thesis.pdf.

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This research is an investigation into a visual language as my response and reading of the narrative related to a sense of place in an altered landscape: a space where humans have carved their autobiography into the earth. Robert Smithson, in the 1960s characterised regions like these as the edges of post-industrialism or Nonspaces. They also exist as communities, holding onto an identity forged by their definitive history and cultural influences. Incorporated in the research is the exploration of ordinary or everyday landscapes within the context of Cultural Landscape studies. In focu

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26

Schultz, Helga. "A legal discussion of the development of family law mediation in South African law, with comparisons drawn mainly with the Australian family law system." Thesis, 2011. http://hdl.handle.net/10413/6396.

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