Relevant bibliographies by topics / Australian embroidery

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Australian embroidery'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Australian embroidery"

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Pikalova, Valentyna. "IMPLEMENTATION OF STEAM CONCEPT IN PREPARATION OF PRE-SERVICE MATHEMATICS TEACHERS." OPEN EDUCATIONAL E-ENVIRONMENT OF MODERN UNIVERSITY, no. 9 (2020): 95–103. http://dx.doi.org/10.28925/2414-0325.2020.9.8.

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The article considers the current problem of improving the education system, namely the application of the concept of STEAM as an innovative approach, which is today the subject of mass interest of both researchers and teachers-practitioners. Thanks to STEAM-education, teachers have the opportunity to develop students in several subject areas - computer science, physics, technology, engineering, art and mathematics. The necessity of introducing the concept of STEAM-education into the system of training pre-service teachers, which continues the implementation of STEM ideas, caused by the transi
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Kargól, Marta. "Restoring the Memory of the Forgotten Dutch Embroidery Designer Nellie van Rijsoort." Costume 55, no. 1 (March 2021): 74–96. http://dx.doi.org/10.3366/cost.2021.0183.

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In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into
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Gervase Clarence-Smith, William. "Middle Eastern Migrants in the Philippines: Entrepreneurs and Cultural Brokers." Asian Journal of Social Science 32, no. 3 (2004): 425–57. http://dx.doi.org/10.1163/1568531043584827.

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AbstractThe Philippines deviated from the usual Southeast Asian pattern of Hadhrami Arab dominance among Middle Easterners. Despite the influence of Muslim Arabs in the Islamic southwest, the predominant community initially consisted of Armenians, and then of immigrants from Ottoman Syria from the 1880s. Coming via Latin America, the United States, or Asian entrepôts, most of these "Syrians" were Christians from modern Lebanon. They, however, included substantial Muslim Druze and Oriental Jewish minorities, and some came from Syria proper, Palestine, and even further a field. They formed the l
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Ospishcheva-Pavlyshyn, Mariia. "Image of Ukraine in the Works of Western Artists (Kyiv Murals)." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 59–64. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235128.

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The article addresses the classification of Kyiv murals of the early 21st century, made by foreign artists (USA, Canada, France, United Kingdom, Belgium, Australia, Spain, Portugal, Argentina, Brazil, Costa Rica, South Africa, etc.). The image of Ukraine in the work of these artists, who got to know Ukraine forcedly, episodically, and inevitably scarcely, isthe image of the Other on the territory of this Other. As a result, “others” (foreign artists) overcome their own otherness and enter into cultural dialogue with other culture and the city, the notable part of which their murals become. Alo
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Adams, Jillian Elaine. "Australian Women Writers Abroad." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1151.

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At a time when a trip abroad was out of the reach of most women, even if they could not make the journey, Australian women could imagine “abroad” just by reading popular women’s magazines such as Woman (later Woman’s Day and Home then Woman’s Day) and The Australian Women’s Weekly, and journals, such as The Progressive Woman and The Housewife. Increasingly in the post-war period, these magazines and journals contained advertisements for holidaying abroad, recipes for international foods and articles on overseas fashions. It was not unusual for local manufacturers, to use the lure of travel and
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (June 1, 2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (October 26, 2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri
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Cantrell, Kate Elizabeth. "Ladies on the Loose: Contemporary Female Travel as a "Promiscuous" Excursion." M/C Journal 14, no. 3 (June 27, 2011). http://dx.doi.org/10.5204/mcj.375.

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In Victorian times, when female travel narratives were read as excursions rather than expeditions, it was common for women authors to preface their travels with an apology. “What this book wants,” begins Mary Kingsley’s Travels in West Africa, “is not a simple preface but an apology, and a very brilliant and convincing one at that” (4). This tendency of the woman writer to depreciate her travel with an acknowledgment of its presumptuousness crafted her apology essentially as an admission of guilt. “Where I have offered my opinions,” Isabella Bird writes in The Englishwoman in America, “I have
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Hunt, Rosanna, and Michelle Phillipov. ""Nanna Style": The Countercultural Politics of Retro Femininities." M/C Journal 17, no. 6 (October 8, 2014). http://dx.doi.org/10.5204/mcj.901.

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Over the past two decades in the West, practices of ethical consumption have become increasingly visible within mainstream consumer culture (Lewis and Potter). While they manifest in a variety of forms, such practices are frequently articulated to politics of anti-consumerism, environmentalism, and sustainable consumption through which lifestyle choices are conceived as methods for investing in—and articulating—ethical and social concerns. Such practices are typically understood as both a reflection of the increasing global influence of neoliberal, consumer-oriented modes of citizenship and a
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Stewart, Jonathan. "If I Had Possession over Judgment Day: Augmenting Robert Johnson." M/C Journal 16, no. 6 (December 16, 2013). http://dx.doi.org/10.5204/mcj.715.

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augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dictionary 107) Almost everything associated with Robert Johnson has been subject to some form of augmentation. His talent as a musician and songwriter has been embroidered by myth-making. Johnson’s few remaining artefacts—his photographic images, his grave site, other physical records of his existence—have attained the status of reliquary. Even the integrity of his forty-two surviving recordings is now challenged by audi
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Dissertations / Theses on the topic "Australian embroidery"

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Wood, Susan, and s2000093@student rmit edu au. "Creative embroidery in New South Wales, 1960 - 1975." RMIT University. Architecture and Design, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070206.160246.

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In the years between 1960 and 1975 in NSW there emerged a loosely connected network of women interested in modern or creative embroidery. The Embroiderers' Guild of NSW served as a focus for many of these women, providing opportunities for them to exhibit their work, and to engage in embroidery education as teachers or as learners. Others worked independently, exhibited in commercial galleries and endeavoured to establish reputations as professional artists. Some of these women were trained artists and wanted embroidery to be seen as 'art'; others were enthusiastic amateurs, engaged in embroid
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Haylock, Christine. "Rapid Creek, Darwin, Australia: recollecting place." 2011. http://hdl.handle.net/1993/4972.

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Recollecting Place is the product of an experiential approach to Landscape Architecture. It is at once the re-telling of a place that is expected to be quite foreign to the reader as well as an examination of the method by which landscape architects assume truth of a place. As professionals, we develop a method by which we examine a site, re-tell its truth and then alter it somehow. Recollecting Place is the story of how the teller’s connections with the place in questions offer a version of the truth that can inform the design in a way that is different, and arguably more appropriate than if
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Books on the topic "Australian embroidery"

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Townsend, Marilyn. Australian creative machine embroidery. Port Melbourne, Vic: Lothian Books, 1991.

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2

Pullen, Martha Campbell. The Australian blouse. Huntsville, AL: Martha Pullen Co., 1998.

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3

Australian themes in machine embroidery: More than 20 unique designs to make and wear. Port Melbourne, Vic: Lothian, 1993.

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4

Fletcher, Marion. Needlework in Australia: A history of the development of embroidery. Melbourne: Oxford University Press, 1989.

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Douglas, Meg. Australian Embroidery Design. Viking, 1988.

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Kirkham, Jenni. Australian Needlepoint Designs. Kangaroo Press, 1994.

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Ann-Marie, Bakewell, and Sanders Jennifer, eds. Australian heritage needlework. Port Melbourne, Vic: Lothian, 1993.

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8

Townsend, Marilyn. Australian Themes in Machine Embroidery: More Than 20 Unique Designs to Make and Wear (Lothian Australian Craft Series). Lothian Books, 1994.

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9

Bauer, Margie. The Best of Australian Smocking & Embroidery. Edited by Margie Bauer. Austrailian Smocking & Embroidery, 1990.

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10

Dibbs, Kristen. Machine Embroidery: Inspirations from Australian Artists. Sally Milner Publishing, 2006.

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