Academic literature on the topic 'Australian Gothic Literature'

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Journal articles on the topic "Australian Gothic Literature"

1

Ramakrishna, Devarakonda. "The Australian Gothic and Edgar Allan Poe." Edgar Allan Poe Review 9, no. 1 (2008): 49–54. http://dx.doi.org/10.2307/41506282.

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2

Kral, Françoise. "Postcolonial Gothic as Gothic Sub-version?: A Study of Black Australian Fiction." Gothic Studies 10, no. 2 (2008): 110–20. http://dx.doi.org/10.7227/gs.10.2.9.

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3

Green, Stephanie. "The condition of recognition: Gothic intimations in Andrew McGahan's The White Earth." Queensland Review 23, no. 1 (2016): 84–94. http://dx.doi.org/10.1017/qre.2016.9.

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AbstractThis article discusses the evocation of the Gothic as a narrative interrogation of the intersections between place, identity and power in Andrew McGahan's The White Earth (2004). The novel deploys common techniques of Gothic literary fiction to create a sense of disassociation from the grip of a European colonial sensibility. It achieves this in various ways, including by representing its central architectural figure of colonial dominance, Kuran House, as an emblem of aristocratic pastoral decline, then by invoking intimations of an ancient supernatural presence which intercedes in the
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4

Barnes, Anne. "Mapping the Landscape with Sound: Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema." Critical Arts 31, no. 5 (2017): 156–70. http://dx.doi.org/10.1080/02560046.2017.1386702.

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5

Jeffery, Ella. "“Impossible to Keep”: Home Renovation and the Australian Suburban Gothic in Sonya Hartnett’s Golden Boys." Critique: Studies in Contemporary Fiction 61, no. 5 (2020): 577–88. http://dx.doi.org/10.1080/00111619.2020.1758612.

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6

Wisker, Gina. "Australian and New Zealand Women’s Supernatural and Gothic Stories 1880–1924: Rosa Praed and Dulcie Deamer." Women's Writing 29, no. 2 (2022): 295–318. http://dx.doi.org/10.1080/09699082.2022.2050517.

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7

Anae, Nicole. "Gothic Secret Histories and Representing Australian Colonial Deaths at Sea: The Case of Captain Charles Wright Harris and the Wreck of the SS Admella (1859)." Journal of Victorian Culture 25, no. 4 (2020): 512–36. http://dx.doi.org/10.1093/jvcult/vcz061.

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Abstract Extant ephemera documenting the wreck of the SS Admella off the South Australian coast on 6 August 1859 offers a compelling story of real-life maritime calamity characterized by death and extraordinary heroism. The much less written about account, however, is the story lying in between ‘official accounts’ of the wreck, and those that emerged in the contemporary reports of the day, including a body of verse termed ‘Admella poetry’. Verse forms and telegraphic reports of the wreck appear to be at odds with other witness statements, and official records have corrupted details from either
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8

Craven, Allison. "A Happy and Instructive Haunting: Revising the Child, the Gothic and the Australian Cinema Revival in Storm Boy (2019) and Picnic at Hanging Rock (2018)." Journal of Australian Studies 45, no. 1 (2021): 46–60. http://dx.doi.org/10.1080/14443058.2021.1876138.

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9

Sawers, Naarah. "‘You molded me like clay’: David Almond’s Sexualised Monsters." Papers: Explorations into Children's Literature 18, no. 1 (2008): 20–29. http://dx.doi.org/10.21153/pecl2008vol18no1art1179.

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 Monsters and the Gothic fiction that creates them are therefore technologies, narrative technologies that produce the perfect figure for negative identity. Monsters have to be everything the human is not and, in producing the negative of the human, these novels make way for the invention of human as white, male, middle-class, and heterosexual. (Halberstam, 1995, p.22).
 Something unusual is happening in some of the most well-regarded, contemporary British children’s fiction. David Almond and Neil Gaiman are investing their stories with a seemingly contemporary feminis
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10

Wolff, Mark. "In search of a Tropical Gothic in Australian visual arts." eTropic: electronic journal of studies in the tropics 18, no. 1 (2019). http://dx.doi.org/10.25120/etropic.18.1.2019.3691.

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The field of Gothic Studies concentrates almost exclusively on literature, cinema and popular culture. While Gothic themes in the visual arts of the Romantic period are well documented, and there is sporadic discussion about the re-emergence of the Gothic in contemporary visual arts, there is little to be found that addresses the Gothic in northern or tropical Australia. A broad review of largely European visual arts in tropical Australia reveals that Gothic themes and motifs tend to centre on aspects of the landscape. During Australia’s early colonial period, the northern landscape is portray
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