Relevant bibliographies by topics / Australian Poet

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Australian Poet'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Australian Poet"

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Haft, Adele J. "Imagining Space and Time in Kenneth Slessor’s “Dutch Seacoast” and Joan Blaeu’s Town Atlas of The Netherlands: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Three." Cartographic Perspectives, no. 74 (January 3, 2014): 29–54. http://dx.doi.org/10.14714/cp74.1199.

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“Dutch Seacoast” by the acclaimed Australian poet Kenneth Slessor (1901–1971) is thecenterpiece of The Atlas the five-poem sequence opening his 1932 collection Cuckooz Contrey. Like the other four poems, “Dutch Seacoast” pays tribute to cartography’s “Golden Age,” Toonneel der Steden van de vereenighde Nederlanden being the poem’s epigraph and the title that Joan Blaeu gave to one of two volumes comprising his Town Atlas of the Netherlands (1649). While focusing on Blaeu’s exquisitely ordered map of Amsterdam, Slessor suggests that he is gazing at the map described by his poem and invites us to consider how poets and cartographers represent space and time.An intensely visual poet, Slessor was also attracted to lyrical descriptions of objects: his inspiration for “Dutch Seacoast” was a particularly poetic, but sparsely illustrated, catalogue of maps and atlases. After reprinting the poem and describing its reception, my paper traces the birth of “Dutch Seacoast” (and The Atlas generally) in Slessor’s poetry notebook, the evolution of the poem’s placement within the sequence, and the complex relationships between the poem, the catalogue, and Blaeu’s spectacular atlas. Comparing Blaeu’s idealistic view of Amsterdam with that city’s dominance during the Dutch“Golden Century,” Slessor’s darker obsessions with the poem’s ending, and his “other countries of the mind” with his native Australia, we come to understand why “Dutch Seacoast” remained for the self-deprecating poet one of his eight “least unsuccessful” poems.
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Furaih, Ameer Chasib. "A Poetics of De-colonial Resistance: A Study in Selected Poems by Evelyn Araluen Cor." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 439–56. http://dx.doi.org/10.37648/ijrssh.v12i02.029.

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First Nations peoples in Australia, as in many other colonized countries, were forced to acquired English soon after the arrival of the colonists in their country during the second half of the 18th century. In response to their land dispossession, Indigenous Australian poets adopted and adapted the language and literary forms of colonists to write a politicized literature that tackles fundamental subjects such as land rights, civil, and human rights, to name but a few. Their literary response can be traced back to the early 1800s, and it had continued through the 20th century. One example is the poem “The Stolen Generation” (1985) by Justin Leiber, which has since been considered a motto for the struggle of Aboriginal peoples against obligatory removal of children from Aboriginal families.This paper aims at examining 21th century politicized literary response of Aboriginal poets. It sheds lights on the poetry of Evelyn Araluen as a telling paradigm of decolonial poetics, demonstrating her role in the political struggle of her peoples. Analysing representative poems by the poet, including “decolonial poetics (avant gubba)” and “Runner-up: Learning Bundjalung on Tharawal,” the paper examines the interdisciplinary nature of her poetry, and demonstrates how the poet transgresses the boundaries between poetry and politics, so as to be utilized as an effective tool of political resistance.
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Sheridan, Dominic P. G. "The demotic tongue of mateship in Australian Great War literature: The vernacular humourist." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/4 (December 28, 2018): 27–45. http://dx.doi.org/10.26881/bp.2018.4.02.

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This paper looks at the demotic tongue of mateship in Australian Great War Literature as a theme of cognition and understanding in the literary texts and texts of culture. The language, like the Australian, was filled with character and a sense of the larrikin. It seemed irreverent at times, even rude in some circles, but it was much more than its immediate sound or inference; it was the natural verbal essence of the Australian mind – honest, loyal, dutiful and humorous. These characteristics are cornerstones of Australian mateship, a type of friendship that would be there beyond the bitter end, rival the love of a woman and even the protection of one’s own life. For some Australians, poetry was merely an extension of this language, as language was merely an extension of friendship. The aim of this paper is to demonstrate the Australian use of humour and language in the setting of Great War poetry. It looks at the demotic tongue of mateship, specifically what is known as the Great Australian Adjective (bloody), along with several other examples of vernacular language, in Australian Great War Literature, and considers this by referring to the common language of the Australian poet from the time. It will consider the notion that Australian writers of the Great War era may have been misunderstood as a result of their language, leading to critical mistakes about a poem’s literary worth, a poet’s seriousness as a poet and a nation’s literary value.
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Varatharajan, Prithvi. "A Political Radio Poetics: Ouyang Yu’s Poetry and its Adaptation on ABC Radio National’s Poetica." Cultural Studies Review 23, no. 2 (2017): 18–34. http://dx.doi.org/10.5130/csr.v23i2.5050.

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‘Ouyang Yu’ was an episode that aired on ABC Radio National’s 'Poetica', a weekly program broadcast across Australia from 1997 to 2014. The episode featured readings of poetry by the contemporary Chinese-Australian poet Ouyang Yu, read by the poet and by the actor Brant Eustace. These readings were embedded in rich soundscapes, and framed by interviews with the poet on the thematic contexts for the poems. In this article I treat ‘Ouyang Yu’ as an adaptation of Ouyang’s work, in Linda Hutcheon’s sense of the term. I examine how Ouyang’s poetry has been adapted for a national audience, and pay particular attention to how contemporary political discourses of nationhood have influenced the episode’s adaptations. For Poetica existed within an institution—the ABC—whose culture had a bearing on its programming, and the ABC was in turn influenced by, and sought to influence, the wider social and political culture in Australia.
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Wolny, Ryszard W. "“Dinner by the River” and “Driving to the Airport”: Andrew Taylor’s Polish Ash Poems and Jacques Derrida’s Cinder." Australia, no. 28/3 (January 15, 2019): 125–32. http://dx.doi.org/10.7311/0860-5734.28.3.11.

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Andrew Taylor (b. 1940), one of the most eminent living Australian poets, has had a lasting relationship with Poland and Opole in particular. As a result of one of his several visits to Opole, he wrote two poems, “Dinner by the River,” which was later included in the volume edited by Peter Rose The Best Australian Poems 2008 (Melbourne: Black Inc., 2008), and “Driving to the Airport,” which appeared in The Unhaunting (London: Salt, 2009). Both poems were originally included in the volume Australia: Identity, Memory and Destiny (ed. Wolny and Nicieja, Opole 2008). The aim of this paper is, therefore, to explore the image of Poland, and the Odra River in particular, the Australian poet has created, alongside the memories of the past his visit to Poland evoked. The elements that unite the Polish poems are the ones connected with coal, soot, fi re, ashes, embers and what Jacques Derrida called cendre (cinder) in one of his most important books, Feu la cendre [Cinders] (Minneapolis, London 2014).
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Furaih, Ameer Chasib. "‘Let no one say the past is dead’: History wars and the poetry of Oodgeroo Noonuccal and Sonia Sanchez." Queensland Review 25, no. 1 (2018): 163–76. http://dx.doi.org/10.1017/qre.2018.14.

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AbstractThe histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poets deterritorialise the English language and English poetry and exploit their own poetries as counter-histories to record milestone events in the history of their peoples. It will also highlight the importance of these accounts in this ‘history war’. It examines selected poems from Oodgeroo's My People: A Kath Walker Collection and Sanchez's Home Coming and We A BaddDDD People to demonstrate that similarities in their poetic themes are the result of a common awareness of a global movement of black resistance. This shared awareness is significant despite the fact that the poets have different ethnicities and little direct literary impact upon each other.
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Maver, Igor. "The Contested Charm of Dunciad Minor by A. D. Hope." Acta Neophilologica 55, no. 1-2 (2022): 49–60. http://dx.doi.org/10.4312/an.55.1-2.49-60.

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How literature is made from literature, what kind of procédés are used in expressing or covering a text with the fabric of quotations in it, how a meta-text regulates the reception of the original text and to what degree it is part of the latter, how a palimpsestic superscription unveils the reading and the understanding of tradition? All these questions pertaining to intertextuality (e. g. citations, allusions, parody, literary travesty, pastiche, etc) are addressed in the article. This is not done purely theoretically, but is applied in the examination of literary affiliations between two poets and their satirical works, the English Augustan poet of the 18th century Alexander Pope and a major twentieth-century Australian Augustan poet A. D. Hope.
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Haft, Adele. "John Ogilby, Post-Roads, and the “Unmapped Savanna of Dumb Shades”: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Two." Cartographic Perspectives, no. 72 (June 1, 2012): 27–66. http://dx.doi.org/10.14714/cp72.424.

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Written by the acclaimed Australian poet Kenneth Slessor, “Post-roads” is the second poem of his sequence The Atlas and of his collection Cuckooz Contrey (1932), in which it debuted. Like the other four Atlas poems, “Post-roads” begins with a quote from a prominent seventeenth-century map-maker; in this case, John Ogilby (1600–1676)—the celebrated British publisher, surveyor, and cartographer. Slessor not only transformed Ogilby’s work (and portrait) into poetic images, but made Ogilby’s “tireless ghost” the central character of his poem. This article, part of the first full-scale examination of Slessor’s ambitious but poorly understood sequence, begins by reproducing the poem and tracing the poem’s development in Slessor’s poetry notebook. To reconstruct his creative process, it details the poet’s debt to the ephemeral catalogue of atlases and maps in which he discovered his title, epigraph, central character, and a possible source for the colorfully named coaches and carriages that conveyed passengers not only throughout London and Britain beginning in the early seventeenth century, but also throughout Australia from around 1800 to 1920. After comparing poet and cartographer, we consider the poem’s relationship to two of Ogilby’s atlases: the monumental Britannia (1675) and the posthumous, if far more accessible Traveller’s Guide (1699, 1712). Both reveal how Ogilby—even from the grave—helped passengers like the poem’s “yawning Fares” trace their routes. Finally, after offering reasons for Slessor’s choice of “Guildford” out of all the place-names along the roads through England and Wales, and proposing literary inspirations for “Post-roads,” the paper returns to Slessor’s hero/artist.
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Brewster, A. "Brokering cross-racial feminism: Reading indigenous Australian poet Lisa Bellear." Feminist Theory 8, no. 2 (2007): 209–21. http://dx.doi.org/10.1177/1464700107078143.

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Laffin, Josephine. "‘A Saint for all Australians’?" Studies in Church History 47 (2011): 403–14. http://dx.doi.org/10.1017/s042420840000111x.

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On 17 October 2010 Mary MacKillop became the first Australian citizen to be officially canonized by the Roman Catholic Church. This event generated a similar outpouring of patriotic enthusiasm to that which greeted Mary’s beatification in 1995. The title of this paper is borrowed from a newspaper article of 1985 by the poet, publisher and self-described ‘implacable agnostic’, Max Harris, a fervent supporter of Mary’s canonization. Saints are the only relatives that you can choose, commented Bishop Ambrose of Milan in the fourth century, and taking this ancient aphorism rather more literally than St Ambrose intended, Dame Edna Everage has claimed descent from a branch of the MacKillop family tree. As Dame Edna’s creator, comedian and satirist Barry Humphries, is a shrewd observer of Australian culture, Mary MacKillop’s triumph as a saint for all Australians seems assured — but what does this reveal about the meaning of sainthood in contemporary Australian society? This paper will trace some important stages in devotion to saints in Australian history before returning to Mary Helen MacKillop, her status as a national icon, and the threads of change and continuity which can be discerned in her cult.
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Dissertations / Theses on the topic "Australian Poet"

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Taaffe, Benjamin James Stewart Douglas. "Douglas Stewart poet, editor, man of letters /." Connect to full text, 1995. http://hdl.handle.net/2123/5765.

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Thesis (Ph. D.)--University of Sydney, 1996.<br>Title from title screen (viewed December 9, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 1996; thesis submitted 1995. Includes bibliographical references. Also available in print form.
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McCuaig, Nicole M. "Transmitting the Impulse: The Creative Treatment of Ronald McCuaig's Poetry and Actuality." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/404460.

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The object of this research is to expand the practice of archiveology, a term coined by Joel Katz in 1991 and theorised more recently by Catherine Russell to describe the process of reusing found archival footage in expository documentary to “produce new modes of thinking about the past” (2018, 47). This research will experiment with poetry as a source of archive, adding to the more commonly deployed materials such as film, still photographs, or letters used in documentary production. The intention of the work is to illuminate the literary career of the Australian poet Ronald McCuaig (1908–1993), who was also my grandfather. Ronald McCuaig was described by Australian author Geoffrey Dutton as “Australia’s first modern poet” (1986, 49), and was widely respected for his literary contribution, which spanned from the 1930s to the 1990s. In recent years, however, his work and career had begun to fade from view. As an established documentary filmmaker, I have completed a significant practice-based study, experimenting with production methods for multiplatform outcomes. The rich archive collection that emerged throughout the study led me to question how it is possible to do justice to literature through my usual documentary practice. I have initiated a hermeneutical experiment, re-versioning McCuaig’s literary work—predominantly poetry—through the methodologies of archiveology and videopoetry. Over the past ten years, audience screening options and spaces have changed dramatically, providing opportunities to develop work that provides for a multifaceted viewing experience, adding online spaces to traditional cinema or television viewing. These options provide an opportunity to experiment with archiveological practices for new viewing artefacts such as videopoems. I aim to demonstrate the impact of Ronald McCuaig’s original work and its potential to provide powerful social commentary, still of relevance in 2020, using Walter Benjamin’s ‘dialectical image’ as a conceptual framework. The outcome of poetry from the 1930s, reimagined into videopoetry with companion documentary sequences, results in a synthesis and an unusual and expanded outcome for a documentary filmmaker: a gallery exhibition. Rather than a single screening event, the exhibition includes multiple screening spaces, a material culture collection, furniture installations, an exhibition publication, digitised original anthologies, and an online space. The combination of these outputs and proposed future endeavours provides audiences with a more visceral connection to the poet, his life and work.<br>Thesis (Professional Doctorate)<br>Doctor of Visual Arts (DVA)<br>Queensland College of Art<br>Arts, Education and Law<br>Full Text
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Steggall, Stephany. "John Blight and community : an Australian poet corresponding and conversing in the community of writers, the community of the natural world and the community of the public sphere /." St. Lucia, Qld, 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16497.pdf.

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Deas, Megan Elizabeth. "Imagining Australia: Community, participation and the 'Australian Way of Life' in the photography of the Australian Women's Weekly, 1945-1956." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/148424.

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While the cultural history and practices of press photography in Australia have gained scholarly attention in recent years, the contribution of other forms of photography published in magazines—including editorial, advertising and readers’ photographs—to burgeoning concepts of nationhood has been largely overlooked. This thesis examines the role of photography in visualising a post-war ‘imagined community’ in a study of The Australian Women’s Weekly magazine, the highest-circulating weekly publication in the country, between the end of the Second World War in 1945 and the introduction of television in 1956. In its examination of these photographs, the thesis asks: What narratives of national identity were evident in the photographs? What subject matter and framing techniques were frequently employed to construct a national photographic language? And what does this reveal about the values the Weekly’s publisher and editors attached to being Australian? I argue that the Weekly was not passively depicting or reflecting a national community and its ‘Way of Life’, but that it actively constructed an Australian identity through the thousands of photographs it published, while simultaneously instructing its readers what good citizenship looked like—and how to perform their belonging to the nation. Visual analysis of over 200 photographs highlights the predominant narratives during the period, including an emphasis on the practice of family photography to reinforce ideals of urban, family life as centred within the modern home. Representations of immigration and Aboriginal Australians, the repetition of photographs of families participating in community events, and a valorisation of the rural worker’s relationship with the land were intertwined with the concepts of ordinariness and of the ‘Australian Way of Life’. These core ideals were deployed to enable multiple and potentially oppositional narratives to coexist on the pages of the magazine. Analysis of a series of readers’ colour travel photographs published in the later years of the study foregrounds the Weekly’s encouragement of its readers as collaborators by providing them with an opportunity to demonstrate their performance of national identity. The magazine thus became a platform through which readers contributed to the visual narrative of Australianness, via the medium of photography as a form of participatory citizenship. The thesis foregrounds the implementation of a high-speed printing press in 1950 as a turning point at which readers saw a significant increase in the publication of colour photographs of native flora and fauna, and specifically photographs of ordinary Australians within the landscape. I argue that Alice Jackson and Esme Fenston, the Weekly’s editors during the period of study, positioned it as the mediator of knowledge about Australia, and constructed a relationship with readers based on notions of intimacy and authority. Situated within the multidisciplinary field of visual culture, and drawing from photography studies, visual anthropology, cultural history and media studies, the thesis highlights the cultural work of photography in the process of imaging, and imagining, post-war Australia.
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O'Brien, Kenneth John. "The lived experience of PTSD for children of Australian Vietnam veterans in Australia." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/49060/1/Kenneth_O%27Brien_Thesis.pdf.

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There is a growing area of scholarship that attests to the importance of understanding the impact of Post Traumatic Stress Disorder (PTSD) on the military family (Cozza, Chun, & Polo, 2005; Peach, 2005; Riggs, 2009; Siebler, 2003). Recent research highlights the critical role that the family plays in mitigating the effects of this condition for its members (Chase-Lansdale, Wakschlag, & Brooks-Gunn, 1995; Fiese, Foley, & Spagnola, 2006; Hetherington & Blechman, 1996; Pinkerton & Dolan, 2007; Seedat, Niehaus, & Stein, 2001; Serbin & Karp, 2003; Walsh, 2003), society (Jenson & Fraser, 2006; Seedat, Kaminer, Lockhat, & Stein, 2000; Wood & Geismar, 1989) and the next generation (Davidson & Mellor, 2001; Ender, 2006; Weber, 2005; Westerink & Giarratano, 1999). However, little is understood about the way people who grew up in Australlian military families affected by PTSD describe their experiences and what the implications are for their participation in family life. This study addressed the following research questions: (1) ‘How does a child of a Vietnam veteran understand and describe the experience of PTSD in the family?’ and (2) ‘What are the implications of this understanding on their current participation in family life?’ These questions were addressed through a qualitative analysis of focus-group data collected from adults with a Vietnam veteran parent with PTSD. The key rationale for a qualitative approach was to develop an understanding of these questions in a way which was as faithful as possible to the way they talked about their past and present family experiences. A number of experiential themes common to participants were identified through the data analysis. Participants’ experiences linked together to form a central theme of control, which revealed the overarching narrative of ‘It’s all about control and the fear of losing it’, that responds to the first research queston. The second research question led to a deeper analysis of the ‘control experiences’ to identify the ways in which participants responded to and managed these problematic aspects of family life, and the implications for their current sense of participation in family life. These responses can be understood through the overarching narrative of: ‘Soldier on despite the differences’ which assists them to optimise the impact of control and develop strategies required to maintain a semblance of personal normality and a normal family life. This intensive research has led to the development of theoretical propositions about this group’s experiences and responses that can be tested further in subsequent research to assist families and their members who may be experiencing the intergenerational impacts of psychological trauma acquired from military service.
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Meehan, Joel. "Port regulation in Australia." Thesis, Meehan, Joel (2012) Port regulation in Australia. Honours thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/11788/.

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As an island nation, Australia is heavily dependent on its ports. Ports are essential infrastructure, acting as a gateway connecting domestic and international markets. However, the resources boom has highlighted significant bottlenecks in the supply chain. Port regulation has at times been criticised for impeding port development and investment. There are concerns that the level of investment in port infrastructure in Australia is insufficient to sustain the increase in trade we will see in the future. It therefore seems an appropriate time to review port regulation in Australia. This paper seeks to analyse the existing port regulatory framework against a theoretical backdrop. By considering the theories of competition, equilibrium, market failure and regulation, it is hoped an assessment of the current regime can be made.
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Lewarn, S. B. "Port waterfront redevelopment strategies in Australia." Thesis, Cardiff University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437224.

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Pereira, Aline Storto. "Literatura e debate pós-colonial em A história do bando de Kelly, de Peter Carey /." São José do Rio Preto : [s.n.], 2006. http://hdl.handle.net/11449/99112.

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Orientador: Giséle Manganelli Fernandes<br>Banca: Laura Patricia Zuntini de Izarra<br>Banca: Peter James Harris<br>Resumo: O escritor australiano Peter Carey promove, em seu romance True History of the Kelly Gang, cuja primeira publicação ocorreu em 2000, a reinterpretação de um período histórico e também de um personagem da época, que se tornou uma figura forte na cultura australiana. A tradução desta obra foi publicada no Brasil em 2002 com o título A história do bando de Kelly. Esta dissertação tem como objetivo analisar os efeitos que o estabelecimento de uma colônia penal causou na cultura e na literatura australianas, e a utilização do texto literário - sobretudo esta obra de Carey - como espaço de debate sobre a identidade nacional e de questionamentos ou respostas à antiga metrópole. Para tanto, este trabalho traça, em primeiro lugar, um panorama da história da Austrália, até a época em que viveu Ned Kelly, um fora-dalei que se tornou herói popular e ícone nacional, e do desenvolvimento da literatura no país. Em segundo lugar, são analisados alguns aspectos deste romance, entre os quais a crítica ao sistema colonial britânico, a oposição centro-margem representada pelo conflito entre as autoridades e o bando de Kelly, e o uso da variante australiana do inglês. Desta forma, procuramos mostrar que, neste romance, parte da história da Austrália - em especial o período colonial e o sistema de degredo, cuja influência ainda se faz sentir nos dias de hoje - são problematizados e colocados em discussão.<br>Abstract: The Australian writer Peter Carey reinterprets, in his novel True History of the Kelly Gang, whose first publication took place in 2000, a historical period and also a character of that time who has become a strong figure in Australian culture. The translation of this book was published in Brazil in 2002, with the title A história do bando de Kelly. This Master's Degree Thesis has the objective of analyzing the effects that the settlement of a penal colony had on Australian culture and literature, and the use of literary texts - especially this work by Carey - as a space for debate on national identity and for questioning or striking back at the former centre. In order to do so, this work firstly presents a panorama of Australian history, up to the time Ned Kelly, an outlaw who became a popular hero and a national icon, lived, and a survey of the development of Australian literature. Then, some aspects of this novel are analyzed, such as the critique of the British colonial system, the opposition centre-margin represented by the conflict between the authorities and the Kelly gang, and the use of the Australian variant of English. Thus, it is possible to show that, in this novel, part of Australian history - particularly the colonial period and the transportation period, whose influence can still be felt nowadays - is questioned, discussed and reevaluated.<br>Mestre
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Abjorensen, Norman, and norman abjorensen@anu edu au. "Leadership in the Liberal Party: Bolte, Askin and the Post-War Ascendancy." The Australian National University. Faculty of Arts, 2005. http://thesis.anu.edu.au./public/adt-ANU20070320.122842.

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The formation of the Liberal Party of Australia in the mid-1940s heralded a new effort to stem the tide of government regulation that had grown with Labor Party rule in the latter years of World War II and immediately after. It was not until 1949 that the party gained office at Federal level, beginning what was to be a record unbroken term of 23 years, but its efforts faltered at State level in Victoria, where the party was divided, and in New South Wales, where Labor was seemingly entrenched. The fortunes were reversed with the rise to leadership of men who bore a different stamp to their predecessors, and were in many ways atypical Liberals: Henry Bolte in Victoria and Robin Askin in New South Wales. Bolte, a farmer, and Askin, a bank officer, had served as non-commissioned officers in World War II and rose to lead parties whose members who had served in the war were predominantly of the officer class. In each case, their man management skills put an end to division and destabilisation in their parties, and they went on to serve record terms as Liberal leaders in their respective States, Bolte 1955-72 and Askin 1965-75. Neither was ever challenged in their leadership and each chose the time and nature of his departure from politics, a rarity among Australian political leaders. Their careers are traced here in the context of the Liberal revival and the heightened expectations of the post-war years when the Liberal Party reached an ascendancy, governing for a brief time in 1969-70 in all Australian States as well as the Commonwealth. Their leadership is also examined in the broader context of leadership in the Liberal Party, and also in the ways in which the new party sought to engage with and appeal to a wider range of voters than had traditionally been attracted to the non-Labor parties.
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Kelareva, Elena. "Improving efficiency at Australia's largest port." Thesis, https://www.youtube.com/watch?v=g5QrpKwaGCM&index=13&list=PL8rZPGPMzfuK7yVuY31rWGFkHM_DF1ItU, 2013. http://hdl.handle.net/1885/13948.

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Books on the topic "Australian Poet"

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The poet who forgot. University of Western Australia Press, 2008.

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Banjo Paterson: Poet by accident. Allen & Unwin, 1993.

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Rouse, Robert A. The water carrier: A mosaic of the poet, Brabazon. DEESH Books, 1998.

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W.J. Turner: Poet and music critic. Smythe, 1990.

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Poet of the colours: The life of John Shaw Neilson. Allen & Unwin, 1988.

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Luers, Margaret. Laureate of labor: A biography of J.K. McDougall, socialist and poet. Banyan Press, 1987.

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(Firm), Hordern House. Australian colonial poets. Hordern House, 1993.

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Modern Australian poets. Sydney University Press in association with Oxford University Press, 1994.

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Ryan, Tracy. New poets: Fremantle poets. Fremantle Press, 2010.

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Rama, R. P. Dialogues with Australian poets. Writers Workshop., 1993.

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Book chapters on the topic "Australian Poet"

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Merivirta, Raita. "Colonialism, Race, and White Innocence in Finnish Children’s Literature: Anni Swan’s 1920s’ Serial “Uutisasukkaana Austraaliassa”." In Cambridge Imperial and Post-Colonial Studies. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80610-1_7.

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AbstractThis chapter focuses on colonialism, race, and White innocence in Finnish 1920s’ children’s literature, arguing that children’s literature was an influential channel through which colonial discourse and public colonial imagination were created, consumed, and circulated in Finland in the late nineteenth and early twentieth century. As an example of such literature, Merivirta examines the Finnish children’s author Anni Swan’s serial “Uutisasukkaana Austraaliassa” (“Living as Settlers in Australia”, 1926). The serial depicts a Finnish settler family’s life in Queensland, focusing on their encounters with First Nations people. The chapter explores how colonialism and race in the Australian context are depicted and racial and cultural hierarchies constructed in Swan’s text. The chapter shows that Swan’s text circulates a number of common European and American colonial tropes and portrays Finnish settler colonialism in Australia as innocent and noncolonial.
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Alam, Quamrul, and Robert Grose. "Australia Post." In Regional Businesses in a Changing Global Economy. Routledge, 2022. http://dx.doi.org/10.4324/9781003256717-8.

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Williams, Margaret. "Australia." In Post-Colonial English Drama. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22436-4_2.

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Halcroft, Megan, Robert Spooner-Hart, and Lig Anne Dollin. "Australian Stingless Bees." In Pot-Honey. Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-4960-7_3.

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Hamilton, Emma. "“Australia. What Fresh Hell Is This?”: Conceptualizing the Australian Western in The Proposition." In The Post-2000 Film Western. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137531285_8.

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Lynch, Gordon. "‘If We Were Untrammelled by Precedent…’: Pursuing Gradual Reform in Child Migration, 1954–1961." In UK Child Migration to Australia, 1945-1970. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69728-0_7.

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AbstractThis chapter examines how British child migration policy became caught up in the political sensitivities of post-war assisted migration. By 1950, officials in the Commonwealth Relations Office were becoming increasingly doubtful about the strategic and economic value of assisted migration, but also concerned about adverse political reaction in Australia to any scaling back of this work. An agreement was reached between the Commonwealth Relations and Home Office in 1954 to continue child migration on the basis of encouraging gradual reform of standards in Australia. In 1956, a UK Government Fact-Finding Mission in 1956 recommended more urgent controls over child migration, but this was rejected by an inter-departmental review in view of these wider political sensitivities. Despite introducing more limited monitoring, British policy-makers struggled to reconcile their knowledge of failings in some Australian institutions with the political challenge of trying to address these in the absence of co-operation from the Australian Government.
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Quinlan, Michael. "Unions and Immigrants: The Post Second World War Experience." In Australian Unions. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-11088-9_10.

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Moran, Anthony. "Post-Multicultural Australia? Cosmopolitanism Critique and the Future of Australian Multiculturalism." In The Public Life of Australian Multiculturalism. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45126-8_7.

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Paul, Erik. "Post-Democracy." In Australia as US Client State. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137469359_7.

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Alizadeh, Ali. "Poets, Truths, and Australia." In New Directions in Contemporary Australian Poetry. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76287-2_17.

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Conference papers on the topic "Australian Poet"

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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections - his drawing of the City of Adelaide plan (1950) and his commission for art at Jorn Utzon's Sydney Opera House (1958). The paper also considers the ways that Le Corbusier’s work underwent translation into Australian architecture and urbanism in the mid to late 20th century through the influence his work exerted on others, identifying further possibilities for research on the topic. Keywords: Le Corbusier; post-war architecture; international modernism; Australian architecture, 20th century architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.752
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Brooker, Jennifer, and Daniel Vincent. "The Australian Veterans' Scholarship Program (AVSP) Through a Career Construction Paradigm." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.4380.

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In Australia, 6000 military personnel leave the military each year, of whom at least 30% become unemployed and 19% experience underemployment, figures five times higher than the national average (Australian Government 2020). Believed to be one of life's most intense transitions, veterans find it difficult to align their military skills and knowledge to the civilian labour market upon leaving military service (Cable, Cathcart and Almond 2021; AVEC 2020). // Providing authentic opportunities that allow veterans to gain meaningful employment upon (re)entering civilian life raises their capability to incorporate accrued military skills, knowledge, and expertise. Despite acknowledging that higher education is a valuable transition pathway, Australia has no permanently federally funded post-service higher education benefit supporting veterans to improve their civilian employment prospects. Since World War II, American GIs have accessed a higher education scholarship program (tuition fees, an annual book allowance, monthly housing stipend) (Defense 2019). A similar offering is available in Canada, the UK, and Israel. // We are proposing that the AVSP would be the first comprehensive, in-depth study investigating the ongoing academic success of Australia's modern veterans as they study higher and vocational education. It consists of four distinct components: // Scholarships: transitioning/separated veterans apply for one of four higher education scholarship options (under/postgraduate): 100% tuition fees waived // $750/fortnight living stipend for the degree duration // 50/50 tuition/living stipend // Industry-focused scholarships. // Research: LAS Consulting, Open Door, Flinders University, over seven years, will follow the scholarship recipients to identify which scholarship option is the most relevant/beneficial for Australian veterans. The analysis of the resultant quantitative and qualitative data will demonstrate that providing federal financial support to student veterans studying higher education options: Improves the psychosocial and economic outcomes for veterans // Reduces the need for financial and medical support of participants // Reduces the national unemployed and underemployed statistics for veterans // Provides a positive return of investment (ROI) to the funder // May increase Australian Defence Force (ADF) recruitment and retention rates // Career Construction: LAS Consulting will sit, listen, guide, and help build an emotional connection around purpose, identity, education and employment opportunities back into society. So, the veteran can move forward, crystalise a life worth living, and find their authentic self, which is led by their values in the civilian world. // Mentoring: Each participant receives a mentor throughout their academic journey.
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MacLane, Duncan T. "The Cogito Project: Design and Development of an International C-Class Catamaran and Her Successful Challenge to Regain the Little America's Cup." In SNAME 13th Chesapeake Sailing Yacht Symposium. SNAME, 1997. http://dx.doi.org/10.5957/csys-1997-009.

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In January 1996, Cogito, the U.S. challenger, defeated the Australian defender, Yellow Pages Edge, by the score of 4-0 in the twenty-second running of the International Catamaran Challenge Trophy. This brought the trophy better known as the Little America's Cup, back to the United States after an eleven year stay in Australia. The Cogito project was three years in length and encompassed the design/construction phase, initial sailing and tuning at her home the Bristol Yacht Club in Bristol, Rhode Island, and the final training and competition at the race venue, McCrae Yacht Club on Port Philip Bay south of Melbourne, Australia. This paper will cover all phases of the project from the design through the racing.
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Carter, Nanette. "The Sleepout." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3999pm4i5.

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Going to bed each night in a sleepout—a converted verandah, balcony or small free-standing structure was, for most of the 20th century, an everyday Australian experience, since homes across the nation whether urban, suburban, or rural, commonly included a space of this kind. The sleepout was a liminal space that was rarely a formal part of a home’s interior, although it was often used as a semi-permanent sleeping quarter. Initially a response to the discomfort experienced during hot weather in 19th century bedrooms and encouraged by the early 20th century enthusiasm for the perceived benefits of sleeping in fresh air, the sleepout became a convenient cover for the inadequate supply of housing in Australian cities and towns and provided a face-saving measure for struggling rural families. Acceptance of this solution to over-crowding was so deep and so widespread that the Commonwealth Government built freestanding sleepouts in the gardens of suburban homes across Australia during the crisis of World War II to house essential war workers. Rather than disappearing at the war’s end, these were sold to homeowners and occupied throughout the acute post-war housing shortage of the 1940s and 1950s, then used into the 1970s as a space for children to play and teenagers to gain some privacy. This paper explores this common feature of Australian 20th century homes, a regional tradition which has not, until recently, been the subject of academic study. Exploring the attitudes, values and policies that led to the sleepout’s introduction, proliferation and disappearance, it explains that despite its ubiquity in the first three-quarters of the 20th century, the sleepout slipped from Australia’s national consciousness during a relatively brief period of housing surplus beginning in the 1970s. As the supply of affordable housing has declined in the 21st century, the free-standing sleepout or studio has re-emerged, housing teenagers of low-income families.
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Smith-Briggs, Jane, Dave Wells, Tommy Green, Andy Baker, Martin Kelly, and Richard Cummings. "The Australian National Radioactive Waste Repository: Environmental Impact Statement and Radiological Risk Assessment." In ASME 2003 9th International Conference on Radioactive Waste Management and Environmental Remediation. ASMEDC, 2003. http://dx.doi.org/10.1115/icem2003-4865.

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The Environmental Impact Statement (EIS) for the proposed Australian National Repository for low and short-lived intermediate level radioactive waste was submitted to Environment Australia for approval in the summer of 2002 and has subsequently undergone a consultancy phase with comments sought from all relevant stakeholders. The consultancy period is now closed and responses to the comments have been prepared. This paper describes some of the issues relevant to determining the radiological risk associated with the repository to meet the requirements of the EIS. These include a brief description of the three proposed sites, a description of the proposed trench design, an analysis of the radioactive waste inventory, the proposed approach to developing waste acceptance criteria (WAC) and the approach taken to determine radiological risks during the post-institutional control phase. The three potential sites for the repository are located near the Australian Department of Defence site at Woomera, South Australia. One site is inside the Defense site and two are located nearby, but outside of the site perimeter. All have very similar, but not identical, topographical, geological and hydrogeological characteristics. A very simple trench design has been proposed 15 m deep and with 5 m of cover. One possible variant may be the construction of deeper borehole type vaults to dispose of the more active radioactive sources. A breakdown of the current and predicted future inventory will be presented. The current wastes are dominated in terms of volume by some contaminated soils, resulting from experiments to extract U and Th, and by the operational wastes from the HIFAR research reactor at ANSTO. A significant proportion of the radionuclide inventory is associated with small volumes of sources held by industry, medical, research and defence organisations. The proposed WAC will be described. These are based on the current Australian guidelines and best international practice. The preliminary radiological risk assessment considered the post-institutional control phase in detail with some 12 scenarios being assessed. These include the impact of potential climate change in the region. The results from the risk assessment will be presented and discussed. The assessment work is continuing and will support the license application for construction and operation of the site. Please note that this is not the final assessment for the licence application.
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Tantala, Steve. "Stakeholder Consultation and Environmental Implications for the Offshore Petroleum Industry: An Australian Perspective (Portuguese)." In SPE International Conference on Health, Safety, and Environment in Oil and Gas Exploration and Production. Society of Petroleum Engineers, 2004. http://dx.doi.org/10.2118/86618-port.

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Peterseim, Juergen H., Amir Tadros, Udo Hellwig, and Stuart White. "Integrated Solar Combined Cycle Plants Using Solar Towers With Thermal Storage to Increase Plant Performance." In ASME 2013 Power Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/power2013-98121.

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In Australia both natural gas and an excellent solar irradiance are abundant energy sources and its combination is one option to implement concentrating solar power (CSP) systems in Australia’s traditionally low cost electricity market. The recently introduced carbon pricing mechanism in Australia is likely to steer investment towards combined cycle gas turbine (CCGT) plants. This will also lead to further plants being built in high solar irradiance areas where CSP could provide valuable peak capacity. Hybridisation would enable more competitive power generation than standalone CSP systems as hybrid plants share equipment, such as steam turbine and condenser, therewith lowering the specific investment. This paper investigates the novel hybridization of CCGT and solar tower systems to increase the efficiency of integrated solar combined cycle (ISCC). Currently, all ISCC plants use parabolic trough systems with thermal oil as this technology is most mature. However, increases in plant efficiency, simpler solar tower integration as well as further synergies of solar tower ISCC systems, such as joint use of tower as CCGT stack, are likely to enhance the economic viability of new ISCC plants. In addition to a technical concept description this paper outlines the ideal sites for ISCC plants in Australia and presents a 200MWe ISCC case study with 3h molten salt thermal storage for the conversion of the Port Hedland open cycle gas turbine (OCGT) facility in Western Australia into a solar tower ISCC plant.
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Pham, Lam, Ekambaram Palaneeswaran, and Rodney Stewart. "Role of Maintenance in Reducing Building Vulnerability to Extreme Events." In IABSE Symposium, Guimarães 2019: Towards a Resilient Built Environment Risk and Asset Management. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/guimaraes.2019.1452.

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&lt;p&gt;The paper is to assess contribution of maintenance toward reducing building vulnerability to extreme weather events such as high wind, wild fire and flood. The aims are to gather technical knowledge to develop policy recommendations and guidelines for practice in Australia. Reducing building vulnerability to extreme events is one way of improving building resilience that is partly under the control of the building owners/occupiers. The performance of buildings will decease overtime without effective maintenance and their vulnerabilities to extreme events will increase. What are the opportunities to reduce building vulnerability via maintenance is the key question. Lack of consideration for maintenance during the design phase and lack of proper as-built documentation at completion of construction are the two main deficiencies of the Australian building system. The paper reviews the impacts of weather events in Australia. Losses due to storms, cyclones, wildfires and floods accounted for 96% to total losses due to disasters. Emerging risks for Australia are due to climate change, changes to construction practice and the introduction of new construction products without appropriate control. Maintenance activities currently carried out in Australia include (i) maintenance of essential safety measures, (ii) maintenance for habitability and&lt;/p&gt;&lt;p&gt;(iii) preventive maintenance for extreme events. Maintenance is considered as a post-construction activity and a responsibility for States and Territories governments. Opportunities for reducing building vulnerability vary with the types of events. For storms and cyclones, water penetration remains a recurring and costly issue. For floods, the opportunities for the owners/occupiers are mainly in preparation of the buildings before the floods and subsequent clean up and repairs. For wildfires, the main opportunity is in reducing the risk of ignition due to embers action with appropriate maintenance measures for the buildings and surrounding areas. The main recommendation of the research is to establish a building maintenance manual for each building with prescribed information including (i) as-built construction details relevant to maintenance, (ii) required preventive maintenance checklist.&lt;/p&gt;
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Carpenter, William F. "Post Production Editing for Today and Tomorrow." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001137.

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Claridge, Garry. "Applied Metadata Management Systems for Post-Production." In SMPTE Australia Conference. IEEE, 1999. http://dx.doi.org/10.5594/m001212.

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Reports on the topic "Australian Poet"

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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world order (Big Finance). Australia now illustrates what the post-political ‘new normal’ of a high-tech enabled bio-security state actually looks like. It may even be that the liberal democratic state is now little more than a legal fiction in Australia. This did not happen over-night, but Australia has been sliding in this direction for the past three decades. The paper outlines that slide and shows how the final bump down (covid) has now positioned Australia as a world leader among post-political bio-security states.
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Australia’s disadvantaged students excel in post-COVID test. Monash University, 2023. http://dx.doi.org/10.54377/b07d-d301.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Bridgewater - 1914. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014068.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Forest Tasmania - 1914. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014093.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Waratah Tasmania - 1914. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014190.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Smithton Tasmania - 1914. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014170.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Pontville Tasmania - late 1913. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014152.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Westbury Tasmania - late 1913. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014193.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Avoca Tasmania - late 1913. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014056.

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Premises - Commonwealth Bank of Australia - Post Office Agencies - Copping Tasmania - late 1913. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-014077.

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