Relevant bibliographies by topics / Australian wit and humor, Pictorial

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Australian wit and humor, Pictorial'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Australian wit and humor, Pictorial"

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West, Patrick Leslie, and Cher Coad. "Drawing the Line: Chinese Calligraphy, Cultural Materialisms and the "Remixing of Remix"." M/C Journal 16, no. 4 (August 11, 2013). http://dx.doi.org/10.5204/mcj.675.

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Western notions of authors’ Intellectual Property Rights (IPRs), as expressed within copyright law, maintain a potentially fraught relationship with a range of philosophical and theoretical positions on writing and authorship that have developed within contemporary Western thinking. For Roland Barthes, authorship is compromised, de-identified and multiplied by the very nature of writing: ‘Writing is that neutral, composite, oblique space where our subject slips away, the negative where all identity is lost, starting with the very identity of the body writing’ (142). Gilles Deleuze and Félix Gu
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Dissertations / Theses on the topic "Australian wit and humor, Pictorial"

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Foster, John E. "A critical, social and stylistic study of Australian children's comics /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.

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Herek, Ann Marie. "The effects of perceived sexism on funniness ratings of cartoons." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/451607.

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Humor-evoking events frequently contain aggressive elements. Sex differences have been found for the effects of aggressive content on perceived funniness, (Wilson & Molleston, 1981; Terry & Ertle, 1974; Groch, 1974; Felker & Hunter, 1970) but the findings are not consistent. Sexism is sometimes perceived as a more subtle form of aggression. Sex differences have also been found for the way sexism affects funniness ratings, (Chapman & Gadfield, 1976; Priest & Wilhelm, 1974) but again the findings are inconsistent. The primary purpose of the present study was to determine the relationship between
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Verster, F. P. (Francois Philippus). "'n Kultuurhistoriese ontleding van pikturale humor, met besondere verwysing na die werk van T.O. Honiball." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53521.

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Thesis (PhD)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: There are vanous definitions of the concept humour, each depending on the perception thereof. Such perceptions are influenced by shared experiences, culture, milieu and individual creativity. Pictorial humour is divided into various sub genres such as the caricature, cartoon and comic strip. Each one of these sub genres portrays an individual process of development, both locally and globally. The work of TO Honiball forms part of this tradition. His artistic personality and sense of humour is unmistakably portrayed in his
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Odumosu, Temi-Tope. "Roaming beggars, errant servants and sable mistresses : some African characters from English satirical prints (1769-1819)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610347.

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Pereira, Renan Rivaben [UNESP]. "Semana Ilustrada, o Moleque e o Dr. Semana: imprensa, cidade e humor no Rio de Janeiro do 2º Reinado." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127692.

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Made available in DSpace on 2015-09-17T15:25:00Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-01-28. Added 1 bitstream(s) on 2015-09-17T15:46:51Z : No. of bitstreams: 1 000847388.pdf: 11210049 bytes, checksum: 853346e779ec5f9a7cc4ffd4e2d909a6 (MD5)<br>A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor
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Pereira, Renan Rivaben. "Semana Ilustrada, o Moleque e o Dr. Semana : imprensa, cidade e humor no Rio de Janeiro do 2º Reinado /." Assis, 2015. http://hdl.handle.net/11449/127692.

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Orientador: Tania Regina de Luca<br>Banca: Silvia Maria Azevedo<br>Banca: Laura Moutinho Nery<br>Resumo: A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor branco circulavam livremente pelas ruas, abordavam os rumos da política imperial, as apresentações artísticas dos teatros e denunciavam as condições precárias d
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McGuire, Kathleen Diane. "The transatlantic Paddy the making of a transnational Irish identity in nineteenth-century America /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3359906.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Title from first page of PDF file (viewed February 9, 2010). Includes bibliographical references (p. 339-346). Issued in print and online. Available via ProQuest Digital Dissertations.
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Pinto, Henriques Luís Nuno. "Ilustração. Imagem da Modernidade em Portugal = Ilustración. Imagen de la modernidad en Portugal." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/299802.

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Este trabalho investiga a relação entre a imagem ilustrada e a experiência da modernidade. Nas margens da arte da gravura e de uma nova matriz industrial, a imagem ilustrada torna visível um espectro social abrangente e participa na formação de novos sujeitos da política e da esfera pública. É também uma forma atravessada por impulsos contraditórios — pelo humor e pelo pendor científico; pela visão atomizada e pela produção de séries que procuram recodificar a sociedade. A investigação de imagens recreativas e instrutivas, retratos fisiológicos e carica­turas, publicadas sobretudo na imprensa
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Menegotto, Roberto Rossi. ""Qua comando mi" : a estereotipação do colono italiano no universo de Radicci, do cartunista Iotti." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3189.

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A presente dissertação investiga a construção do estereótipo do colono italiano nos quadrinhos de Radicci, de Carlos Henrique Iotti, com vistas a contribuir para os estudos sobre a identidade regional da Serra Gaúcha. A análise é feita a partir da seleção de três categorias na série de histórias em quadrinhos: a construção dos personagens, a representação dos espaços em que se situam as narrativas e o conflito identitário existente entre os protagonistas. Para tanto, busca-se estabelecer relações com o contexto histórico, social e cultural da Região de Colonização Italiana no Rio Grande do Sul
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Nuñez, Guimerà Cristina. "Estudio comparado de los periódicos satíricos ilustrados Simplicissimus–Strix." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672143.

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La tesis que presento realiza un trabajo comparativo entre dos periódicos ilustrados europeos de carácter satírico-humorístico que se fundaron a finales del siglo XIX. Se trata del semanario alemán Simplicissimus y del sueco Strix. El trabajo comienza con el estudio y análisis de los periódicos satíricos ilustrados europeos precursores de los que son objeto de este trabajo: La Caricature, Le Charivari, Gil Blas Illustré, Le Rire, L’Assiette au Beurre, Punch, Fliegende Blätter, Kladderadatsch y Söndags-Nisse. Tiene el objetivo de encontrar un modelo en su contenido, en su tendencia o en la obra
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Books on the topic "Australian wit and humor, Pictorial"

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Strange creature. Camberwell, Vic: Viking, 2003.

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You and me: A collection of recent pictures, verses, fables, aphorisms, and songs. Ringwood, Vic: Penguin Books, 1995.

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Phillip, Adams, ed. Kookaburra: New humour and satire. Ringwood, Vic., Australia: Penguin Books, 1996.

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Goatperson and other tales. Ringwood, Vic: Penguin Books, 1999.

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Horacek, Judy. Lost in space. St Leonards, NSW, Australia: Allen & Unwin, 1998.

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Great housewives of art revisited. New York: Penguin Books, 1992.

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Spooner, John. Bodies and souls: Caricatures, drawings, and prints with quotes chosen by the artist. South Melbourne: Sun Books, 1989.

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I'm so sorry little man, I thought you were a hand-puppet: 250 cartoons. Crows Nest, NSW, Australia: Allen & Unwin, 2002.

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Hartigan, Paul. The public service unzipped: Memoirs of a mandarin. Melbourne, Vic: Text Pub. Co., 1995.

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Lindesay, Vane. Drawing from life: A history of the Australian Black and White Artists' Club. [Australia]: State Library of New South Wales Press, 1994.

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Book chapters on the topic "Australian wit and humor, Pictorial"

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Lent, John A., and John A. Lent. "China." In Asian Political Cartoons, 15–25. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0002.

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This chapter is an exploration of Chinese political cartoons. Visual humor through caricature, satire and parody, and wit and playfulness has a long, rich history in dynastic China. Modern cartooning—usually meaning coming from the West—entered China at the juncture of the nineteenth and twentieth centuries through cartoon/humor magazines, pictorial magazines, newspapers, and lianhuanhua (palm-size narrative picture books). Major catalysts for this transformation were the growing dissatisfaction with the Qing Dynasty and increased contact with the outside world. In addition to the history of political cartoons in China, the chapter also explores contemporary government regulation and censorship of cartoons and comics. It also explores the state of cartooning under the Xi Jinping presidency. The chapter concludes with some remarks on the differences between political and news cartoonists.
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Dissertations / Theses Books
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