Relevant bibliographies by topics / Austria in fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Austria in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Austria in fiction"

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Shastina, E. M., and Yu K. Kazakova. "Works of R. Edelbauer in Context of Contemporary Austrian Literature of Early 21st Century." Nauchnyi dialog 13, no. 3 (2024): 267–87. http://dx.doi.org/10.24224/2227-1295-2024-13-3-267-287.

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This study explores the novels of contemporary Austrian writer Raphaela Edelbauer (Raphaela Edelbauer, b. 1990) “The Fluid Land” (Das flüssige Land, 2019), “DAVE” (DAVE, 2021), “The Incommensurables” (Die Inkommensurablen, 2023) in the context of contemporary Austrian literature of the early third millennium. The relevance of the research is driven by the necessity to comprehend the trends in Austrian literature during an era of global changes. It is revealed that, on one hand, the author continues the traditions of Austrian literature of the second half of the 20th century, particularly on a
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Lazarus, Suleman. "‘Some Animals Are More Equal Than Others’: The Hierarchy of Citizenship in Austria." Laws 8, no. 3 (2019): 14. http://dx.doi.org/10.3390/laws8030014.

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While this article aims to explore the connections between citizenship and ‘race’, it is the first study to use fictional tools as a sociological resource in exemplifying the deviation between citizenship in principle and practice in an Austrian context. The study involves interviews with 73 Austrians from three ethnic/racial groups, which were subjected to a directed approach to qualitative content analysis and coded based on sentences from George Orwell’s fictional book, ‘Animal Farm’. By using fiction as a conceptual and analytical device, this article goes beyond the orthodox particulars o
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Bushell, Anthony. "FACTS, FICTION, AND FRICTION IN A DIFFICULT RELATIONSHIP:VIENNA AND PROVINCIAL AUSTRIA." German Life and Letters 65, no. 2 (2012): 237–52. http://dx.doi.org/10.1111/j.1468-0483.2011.01569.x.

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Akasheva, Tatiana V., Nuriya M. Rakhimova, and Alexandra D. Zharkova. "FUNCTIONAL ROLE OF GASTRONOMIC AUSTRICISMS IN A LITERARY TEXT." Sovremennye issledovaniya sotsialnykh problem 15, no. 4 (2023): 36–48. http://dx.doi.org/10.12731/2077-1770-2023-15-4-36-48.

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Background. The Austrian Reading Room Organized, which was founded on the basis of MSTU named after G.I. Nosov more than 10 years ago, has become a platform for the implementation of educational, career guidance, cultural and scientific projects, providing university students with the opportunity to read both classical and modern Austrian literature.
 However, when reading, students often experience difficulties as texts normally contain typical Austrian lexemes and expressions due to the pluricentric nature of the German language. In this regard, there is a need for a linguistic analysis
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Ragozin, German. "“The Middle Ages on Imperial service”: Czech, Hungarian and Polish historical images in works by Franz Grillparzer, 1825–1830." Slavic Almanac 2022, no. 3-4 (2022): 335–55. http://dx.doi.org/10.31168/2073-5731.2022.3-4.4.01.

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The paper deals with historical images of non-Germanic peoples living in the Austrian empire and presented in romanticist fiction. The author analyzed several narratives from the heritage of Franz Grillparzer, the Austrian writer and dramatist. He referred to images of Czech, Hungarian and Polish medieval and early modern history. The chosen dramas are “Fortune and Fall of the king Ottokar” and “A Faithful servant to his Lord”, and the novella “A monastery in Sandomir”. They had a significant role in forming the image of non-Germanic Habsburg realms medieval history for subjects of the Empire.
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Mašek, Petr. "Knihovny na zámku Konopiště." 66-1-2 66, no. 1-2 (2021): 79–86. http://dx.doi.org/10.37520/amnpsc.2021.006.

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The first library at Konopiště Castle was built by František Karel Přehořovský of Kvasejovice at the turn of the 18th century, but it was later scattered and its traces can be found in various places. After the sale of the castle in 1887, the second library, established by the counts of Wrtba, was moved to Křimice Castle. The current library was founded by the new owner of the castle, Archduke Franz Ferdinand of Austria. He had brought to Konopiště an older library created by the counts of Fünfkirchen and the counts of Stadion-Warthausen from Chlum Castle near Třeboň. He also added the library
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Miceli, Barbara, and Katarzyna Kaszorek. "Metoda analizy wizualnej dzieł Brunona Schulza w pracach Paola Caneppelego „La Repubblica dei Sogni” i „I Capelli della Cometa”." Schulz/Forum, no. 15 (September 24, 2020): 241–47. http://dx.doi.org/10.26881/sf.2020.15.15.

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The reception of the works of Bruno Schulz in Italy has been growing wider and more diversified in the last few years. Among the examples of such a reception there are two essays by Paolo Caneppele: La Repubblica dei Sogni Bruno Schulz, Cinema e Arti Figurative tra Galizia e Vienna (The Republic of Dreams: Bruno Schulz, Cinema and Figurative Arts between Galicia and Vienna, 2004) and I Capelli della Cometa. Di Esseri in Fiamme, Catastrofi Varie e Donne in Bicicletta (The Hair of the Comet. Of Beings on Fire, Various Catastrophes and Women on the Bicycle, 2008). Caneppele, whose main research i
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Rees, Kathy. "The Heinemann International Library, 1890–7." Translation and Literature 26, no. 2 (2017): 162–81. http://dx.doi.org/10.3366/tal.2017.0287.

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William Heinemann's first major publishing venture was the ‘Heinemann International Library’ edited by Edmund Gosse. This grew into a series of twenty works of fiction translated into English. Notable for introducing Victorian readers to cultures as unfamiliar as those of Austria, Bulgaria, and Poland, the series is sometimes viewed as illustrating the growing British interest in little-known European literatures. An examination of the interactions between authors, translators, publisher, and editor, together with a sample of comments by contemporary reviewers, suggests, however, that this ser
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Reynolds, Matthew. "On Judging the Oxford-Weidenfeld Translation Prize." Translation and Literature 17, no. 1 (2008): 65–69. http://dx.doi.org/10.3366/e096813610800006x.

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The Oxford-Weidenfeld Translation Prize, funded by Lord Weidenfeld and by New College, The Queen's College, and St Anne's College in Oxford, is awarded annually. It is judged by a panel of three Oxford acadamics and/or translators, plus a guest judge from the wider literary world. The 2007 shortlist consisted of modern novels from France, Austria, and Norway; the selected poems of a contemporary German poet; three volumes of the writings of a Swiss dramatist, essayist, and story-writer; and a parallel-text version of Dante. The field of eligible books published during 2006 had of course been f
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Mijić, Ana, and Michael Parzer. "Refugees’ Arriving through the Lens of Fiction: Unveiling the Ambivalences of Hegemonic Expectations." Arts 12, no. 2 (2023): 55. http://dx.doi.org/10.3390/arts12020055.

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In this article, we use fiction as a lens to study processes of refugees’ arriving in Austria. For that purpose, we draw on findings from our transdisciplinary and participatory project “The Art of Arriving—Reframing ‘Refugee Integration’” in which we have created a real-world laboratory and examined if and how the meaning-making processes involved in creating and interpreting art can foster reframing “refugee integration” concepts and provide alternative views on the arrival of refugees beyond an assimilationist lens. By inviting and accompanying artists from different cultural realms (litera
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Dissertations / Theses on the topic "Austria in fiction"

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Davidson, Elizabeth Macleod. "Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.

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Despite the recent increase in scholarship on the subject of the female experience in exile, there is still much to be done. Exile scholars now have at their disposal an abundance of broad, general overviews of the circumstances and fates of displaced women writers, but a dearth of scholarship that considers specific literary works in an individualised fashion still exists. This is especially true of those female writers who have only recently been 'rediscovered', such as the three under discussion in this thesis. This thesis explores in detail the exile writings of Veza Canetti, Anna Gmeyner,
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Pineau, Noémi. "Pensée et écriture du réel : pour une interprétation de l'oeuvre d'Ilse Aichinger de 1945 à 2006." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC032.

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Cette thèse de doctorat se donne pour objet d’analyser la notion de réalité dans l’oeuvre d’Ilse Aichinger, née en 1921 à Vienne. Cette recherche s’attache à la réflexion théorique de l’auteure sur les relations entre littérature et réalité, ainsi qu’aux différents aspects textuels de l’écriture de cette réalité. Il s’agit également de replacer la production d’Aichinger dans le contexte de la littérature d’après 1945, au sein de laquelle la réflexion sur la transmission du réel et sur la fonction cognitive de l’écrivain occupe une place essentielle. La première partie de ce travail traite de l
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Bolton, Philip Joseph. "Staat, Stadt, Subjekt : the body and the city in contemporary Austrian fiction." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5904/.

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Since the publication in 1960 of Hans Lebert’s, Die Wolfshaut, Austrian fiction has been dominated by the so-called Anti-Heimatroman or ‘critical regional novel’, which deploys the provincial setting as a key vehicle for the socially-critical representation of the Austrian nation. Such is the dominance of the Anti-Heimatroman that critics have identified a concern with regional Austria as one of the few constants of post-war Austrian writing. In the vast majority of the literature produced since the 1960s, therefore, Vienna has no role to play; the capital has occupied only a marginal position
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Helen, Maureen. "The back flats." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/851.

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This thesis comprises two interrelated sections. The first is a Piece of creative writing, a period novel, The Back 'Flats, which is set in the coastal hamlet of Greenough in Western Australia in the years 1887-1888. The twin themes of the novel are the resolution of maternal grief and Irish settlement in Western Australia. The second section is an essay concerned with the arrival of Irish people to Australia in the nineteenth century and, the influence they exerted on the culture of the developing nation, demonstrated through history and contemporary novels. The Back Flats is about a group of
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Foster, Ian. "The image of the Habsburg Army in Austrian prose fiction, 1888 to 1914." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/272628.

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Jackson, Laura McGee. "Negotiating identity : mother-daughter relationships in novels by Jutta Heinrich, Elfriede Jelinek, Waltraud Anna Mitgutsch and Helga Novak /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9932.

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Paton, Elizabeth, and n/a. "Creativity and the Dynamic System of Australian Fiction Writing." University of Canberra. Communication, 2008. http://erl.canberra.edu.au./public/adt-AUC20090825.125448.

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Given the growing interest in fiction writing in Australia, seen in the rise in the number of festivals, writers' centres, how-to books, biographies and creative writing classes, it is surprising that very little research has been done within Australia on the nature of literary creativity itself. A review of international literature on creativity from areas such as the arts, history, psychology, sociology, cultural studies, business and education shows movement away from traditional and conventional ideas of creativity that focus primarily on the individual, towards more contextual approaches
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Herbert, Elanna, and n/a. "Hannah�s Place: a neo historical fiction (Exegesis component of a creative doctoral thesis in Communication)." University of Canberra. Communication Media & Culture Studies, 2005. http://erl.canberra.edu.au./public/adt-AUC20070122.150626.

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The creative component of my doctoral thesis articulates narratives of female experience in Colonial Australia. The work re-contextualises and re-narrativises accounts of events which occurred in particular women�s lives, and which were reported in nineteenth century newspapers. The female characters within my novel are illiterate and from the lower classes. Unlike middle-class women who wrote letters and kept journals, women such as these did not and could not leave us their stories. The newspaper accounts in which their stories initially appeared reflected patriarchal (and) class ideologies,
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Dahlstrom, James. "Imagining Australia: The Struggle to Locate Australian Identity in Peter Carey’s Early Fiction." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15356.

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In this thesis, I examine in Peter Carey’s early fiction the portrayal of Australia’s struggle to imagine a unique identity for itself. Three different, but overlapping, approaches will be woven together to serve as a lens through which his work can be read. First, it will be useful to situate the work within the context of Australian history and popular culture, which suggests an obsessive search for an “authentic” Australian identity, as well as the theoretical work on the social construction of such identities. Second, I will draw upon the work of Benedict Anderson, paired with that of Phen
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Bowman, Christopher M. "Gallery of the Past: Writing Historical Fiction with 19th Century Photography in Canada and Australia." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365910.

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This thesis, consisting of a novel and dissertation, explores the writing of historical fiction, and the use of photography as research in visualising the several settings that the characters inhabit. As the novel is set in the late 19th century, the conventions of Victorian-era photography came to the forefront of the research. The story sees two fictional brothers leave their home on Vancouver Island in Canada, each traveling alone, and each with a different weight on his heart. They find themselves in towns with very real, and very documented, histories, and this is where my research into p
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Books on the topic "Austria in fiction"

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Sheehan, Sean. Austria. Marshall Cavendish Corp., 1993.

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Pons, Angel Martínez. Juan de Austria. Edhasa, 2003.

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Anthony, Evelyn. Anne of Austria. Coronet Books, 1994.

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Pollak, Susanne. Familientreffen: Eine Spurensuche : Roman. Picus, 1994.

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Powers, Tim. The drawing of the dark. Ballantine Pub. Group, 1999.

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Powers, Tim. The drawing of the dark. Subterranean Press, 2014.

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Lucila Rodríguez de Austria y Giménez de Aragón. El retrato de don Juan de Austria. Ediciones Martínez Roca, 2000.

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Canetti, Veza. Yellow Street: A novel in five scenes. P. Halban, 1990.

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1941-, Mitchell Michael, and Meinhardt Maren, eds. The Babel guide to German fiction in English translation: Austria, Germany, Switzerland. Boulevard Books, 1997.

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Bernhard, Thomas. Wittgenstein's nephew: A friendship. Quartet, 1986.

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Book chapters on the topic "Austria in fiction"

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Dorowin, Hermann. "Claudio Magris e i miti della Grande Austria." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.12.

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The vast extension of the Habsburg Empire, as well as its heterogeneous cultural and linguistic composition, were both the causes of its richness and demise. This gave way to a debate on the specific traits of Austrian literature, which in 1963 was enriched by Claudio Magris’ degree thesis, published under the title Il mito absburgico nella letteratura austriaca moderna. Starting from the assumptions of a Lukacian-style historicist critique, the book ended up offering a fascinating evocation of the cultural world of great Austria. Together with his subsequent Germanic and non-fiction works (Lo
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Berman, Jeffrey. "Austin Ratner." In Clinical Fictions. Routledge, 2025. https://doi.org/10.4324/9781003623908-14.

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Bliss, Carolyn. "Australia: the Mystique of Failure." In Patrick White’s Fiction. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18327-2_1.

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Kafi, Mohsen. "Wellington Readers' Perceptions of Translated Fiction." In Translating and Interpreting in Australia and New Zealand. Routledge, 2021. http://dx.doi.org/10.4324/9781003150770-18.

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Muratova, Nataša, and Anna Obererlacher. "Clemens J. Setz on Bursting the Reader’s Reality Bubble." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_8.

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AbstractIn our article, we explore implications that the indistinguishability of factuality and fictionality in literary works may have on an author’s credibility and their role as an authoritative figure. We do this by looking at one question and one answer in the fictional author interview in Bot – Gespräch ohne Autor (2018) by the Austrian author Clemens J. Setz. Currently, Setz is one of the most distinguished writers in the German-speaking literary scene, known for his versatile literary work and authorial staging practices. Bot plays with the public perception of the author persona Setz
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Takolander, Maria. "Magical Realism and Indigenous Survivance in Australia: The Fiction of Alexis Wright." In The Palgrave Handbook of Magical Realism in the Twenty-First Century. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39835-4_8.

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Zhang, Zifeng. "An Analysis of the Future of YA Print Fiction in Australia and America." In Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-494069-97-8_90.

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Elliott, Elizabeth J., and Carol Bower. "Fetal Alcohol Spectrum Disorder in Australia: From Fiction to Fact and to the Future." In Fetal Alcohol Spectrum Disorder. Springer US, 2022. http://dx.doi.org/10.1007/978-1-0716-2613-9_13.

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Martin, Susan K. "Good Girls Die, Bad Girls Don’t: the Uses of the Dying Virgin in Nineteenth-century Australian Fiction." In The Unknown Country: Death in Australia, Britain and the USA. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25593-1_3.

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Mills, Philip. "Introduction: Poetic Promises—Austin Meets Nietzsche." In Poetry, Performativity, and Ordinary Language Philosophy. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-78615-0_1.

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AbstractWhat can poetry bring to the philosophy of language? Little, if we believe John L. Austin’s exclusion of poetry and other so-called parasitic utterances from his consideration in How to Do Things with Words. And he is not the only one to operate such an exclusion as most contemporary (analytic) philosophers of language seem to leave poetic utterances aside (or reduce them to metaphors or fictional utterances). Contra Austin, I believe that Ordinary Language Philosophy (OLP), represented by Ludwig Wittgenstein and Stanley Cavell in addition to Austin and others, has the potential to bec
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Conference papers on the topic "Austria in fiction"

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Romanovska, Alina. "AUTOBIOGRAPHICITY AS A MECHANISM OF LITERARY CREATION: ANTONS AUSTRINS� PROSE FICTION." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.053.

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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Ibarra, José. "Beyond Repair: Architecture After Urban Crisis." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.39.

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Beyond Repair: Architecture After Urban Crisis speculates on ecological and technological concepts for architecture after the end, or for a world beyond repair. Culminating in the design of nine videos and short texts featured in an exhibition, the project studies how localized crises are part of larger global catastrophes and will have a significant impact on all Life and Nonlife on the planet in the years to come. Developed in the context of an ad¬vanced seminar, students used forensic filmic research and other time-based media to review several spatial phenomena that have changed the shape
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Reports on the topic "Austria in fiction"

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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world o
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