Relevant bibliographies by topics / Austrian Dramatists

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Austrian Dramatists'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Austrian Dramatists"

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Maftuna, Karshiboeva. "LITERATURE OF REUNIFIED GERMANY." International Journal Of Literature And Languages 03, no. 03 (2023): 14–16. http://dx.doi.org/10.37547/ijll/volume03issue03-04.

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Germany is home to many famous composers, writers, poets, dramatists, philosophers and artists. German (Germanic) culture has been known since the 5th century. BC NS. German culture also includes the culture of Austria and Switzerland, which are politically independent from Germany but inhabited by Germans and belong to this culture.
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Ragozin, German. "“The Middle Ages on Imperial service”: Czech, Hungarian and Polish historical images in works by Franz Grillparzer, 1825–1830." Slavic Almanac 2022, no. 3-4 (2022): 335–55. http://dx.doi.org/10.31168/2073-5731.2022.3-4.4.01.

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The paper deals with historical images of non-Germanic peoples living in the Austrian empire and presented in romanticist fiction. The author analyzed several narratives from the heritage of Franz Grillparzer, the Austrian writer and dramatist. He referred to images of Czech, Hungarian and Polish medieval and early modern history. The chosen dramas are “Fortune and Fall of the king Ottokar” and “A Faithful servant to his Lord”, and the novella “A monastery in Sandomir”. They had a significant role in forming the image of non-Germanic Habsburg realms medieval history for subjects of the Empire.
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Thusgård, Esben. "Dramatisk teologi – en introduktion af Raymund Schwager." Dansk Teologisk Tidsskrift 72, no. 1 (2009): 18–33. http://dx.doi.org/10.7146/dtt.v72i1.106448.

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This article introduces the Swiss/Austrian catholic theologian Raymund Schwager (1935-2004) to a Danish audience. It is argued that Schwager’s dramatic theology offers a coherent model for interpreting the paradoxes in Christian faith. How can God be described as both constructive and deconstructive, as both merciful and full of anger? Combining Hans Urs von Balthasar’s conception of drama and René Girard’s theory of mimetic desire and scapegoating, Schwager formulates a theology, where the vertical aspects of reconciliation do not overshadow the horizontal aspects, and viceversa. The action o
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Wolny, Ryszard W. "Australian Modernist Theatre and Patrick White’s the Ham Funeral (1961 [1947])." European Journal of Multidisciplinary Studies 4, no. 4 (2017): 105. http://dx.doi.org/10.26417/ejms.v4i4.p105-109.

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For a considerable period of time, literary Modernism has been mainly associated with the study of the novel and poetry rather than drama perhaps due to New Criticism’s emphasis on the text and disregard of performance. This profound anti-theatrical thrust of Modernism has to be, most certainly, re-examined and reassessed, particularly within the context of Australian literature and, more specifically, Australian theatre. That Australian modernist theatre has been inconspicuous on the world stage seems to be an obvious and undisputable statement of facts. Yet, with Patrick White, English-born
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Rosenberg, Tiina. "Upp till camp, systrar! Om motstånd och teater." Tidskrift för genusvetenskap 17, no. 3-4 (2022): 4–18. http://dx.doi.org/10.55870/tgv.v17i3-4.4696.

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This essay takes as its starting point the theatre's great, hut seldom fully realized, subversive potential, and introduces four possible feminist strategies of resistance. These strategies have been chosen because they combine distance with irony as well as an antirealistic distance-creating stance. The first strategy concerns gender mobility such as crossdressing female to male and the flirtation between women, the second is camp, exemplified by Sue-Ellen Case s concept lesbian camp. The t h i r d strategy is brutality f o u n d in the Austrian dramatist Elf r i e d e J e l i n e k s feminis
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Jurak, Mirko. "William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love." Acta Neophilologica 42, no. 1-2 (2009): 3–34. http://dx.doi.org/10.4312/an.42.1-2.3-34.

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One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of th
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Page, Tony. "Friedrich Halm’s Earliest Extant, Melodramatic Novelle, St. Sylvesterabend: An Austrian Dramatist’s Hidden Beginnings as a Narrative Fiction Writer." Manusya: Journal of Humanities 23, no. 2 (2020): 224–52. http://dx.doi.org/10.1163/26659077-02302005.

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To date there has been no scholarly exploration of the genesis and nature of Friedrich Halm’s earliest extant Novelle, St. Sylvesterabend (New Year’s Eve). The present research article attempts to fill that gap by determining the contested date of the story’s origin, establishing it as 1823. Furthermore, the article examines the tale’s simplicity of style, which is distinct from Halm’s later Kleist-influenced narratives. Furthermore, it analyzes the novel’s structural principle of parallels and contrasts, and its themes of monomania, secularised religiosity, and Christian caritas. The article
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Pohrebennyk, V. F. "IVAN KARPENKO-KARYY’S CREATIVITY IN IVAN FRANKO SCIENTYFIC PERCEPTION." Literary Studies, no. 60 (2021): 186–99. http://dx.doi.org/10.17721/2520-6346.60.186-199.

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The article investigates the Ivan Franko’s historical-literature and theatrical publications, dedicated to the life and creativity of famous Ukrainian dramatist Ivan Karpenko-Karyy (Ivan Tobilevych, 1845–1907). It is covered in chronological order how the understanding of the poetics of the writers’ drama developed in accordance with their vision and perception by I. Franko. The content of his reviewes, articles, etc. reveales I. Karpenko-Karyy’s individual contribution to the dynamics of the system of genres, the improvement of personosphere and technical means of dramatic modeling of reality
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Stockwell, Peter. "Schema Poetics and Speculative Cosmology." Language and Literature: International Journal of Stylistics 12, no. 3 (2003): 252–71. http://dx.doi.org/10.1177/09639470030123005.

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Speculative cosmology is a sub-genre of science fiction that particularly focuses on the difficulties for the deployment of existing knowledge in reading. This article assesses the usefulness of competing models of world-monitoring in order to arrive at a usable framework for discussing the particular issues in science fictional reading. It is suggested that schema theory, while containing many flaws in general, nevertheless offers an appropriate degree of delicacy for the exploration of sf. Schema poetics - the application of the theory to the literary context - is used to discuss speculative
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VARNEY, DENISE. "White-out: Theatre as an Agent of Border Patrol." Theatre Research International 28, no. 3 (2003): 326–38. http://dx.doi.org/10.1017/s0307883303001160.

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In Australia in 2001, there was a marked escalation of debates about nation, national identity and national borders in tandem with a right-wing turn in national politics. Within the cultural context of debate about national identity, popular theatre became an unwitting ally of neo-conservative forces. Within popular theatre culture, the neo-conservative trend is naturalized as the view of the Anglo-Celtic-European mainstream or core culture that also embraces and depoliticizes feminist debates about home and family. Elizabeth Coleman's 2001 play This Way Up assists in the production of an inwa
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Dissertations / Theses on the topic "Austrian Dramatists"

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Putalivo, Patrizia. "Metastasio as dramatist : the example of Demetrius." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59383.

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The thesis examines the reception and importance of Pietro Metastasio's dramatic work in Vienna and other major German centres and concentrates on the German dramatic versions of Demetrius. The first chapter discusses the eighteenth-century reception of Metastasio's Demetrius as opera and as drama in Vienna and across Germany, considers the Viennese dramatic performances of other well-known metastasian dramas and argues that Metastasio's works had their own independent literary validity before serving the music. The second chapter, which examines the publication history of both Metastasio's in
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Books on the topic "Austrian Dramatists"

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Wagner, Renate. Ferdinand Raimund: Eine Biographie. Kremayr & Scheriau, 1985.

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Wagner, Renate. Ferdinand Raimund: Ein Biographie. Kremayr & Scheriau, 1985.

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Gerstinger, Heinz. Der Dramatiker Hans Krendlesberger. Wagner, 1988.

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Cersowsky, Peter. Johann Nestroy, oder, Nix als philosophische Mussenzen: Eine Einführung. W. Fink, 1992.

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Erhard, Buschbeck. Ersehnte Weite: "Die Dampftramway" und andere Salzburger Erinnerungen. Otto Müller, 2000.

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Walter, Obermaier, Historisches Museum der Stadt Wien., and Wiener Stadt und Landesbibliothek, eds. Die Welt steht auf kein Fall mehr lang: Johann Nestroy zum 200. Geburtstag. Historisches Museum, 2001.

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7

Österreichisches P.E.N. Zentrum. Franz-Theodor-Csokor-Symposion: Mittwoch, 2. November 1994, Donnerstag, 3. November 1994. Österreichisches P.E.N.-Zentrum, 1995.

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Österreichisches P.E.N.-Zentrum. Franz-Theodor-Csokor-Symposion: Mittwoch, 2. November 1994, Donnerstag, 3. November 1994. Österreichisches P.E.N.-Zentrum, 1995.

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9

Nestroy, Johann. Nestroy für Minuten: "das ist klassisch". Insel Verlag, 1985.

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10

Heide, Stockinger, ed. Oskar Zemme. OÖ. Landesregierung, 2002.

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Book chapters on the topic "Austrian Dramatists"

1

Grehan, Helena, Belinda Smaill, and Michael J. Ostwald. "Creatively Reimagining Place and Community in a World of Extreme Weather." In Arts, Research, Innovation and Society. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56114-6_14.

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AbstractThis chapter explores connections between place, community and narrative in the context of a world beset by extreme weather events. Drawing on insights and readings from three disciplines—theatre studies, screen studies and architecture—the chapter constructs a rich picture of the ways these fields contribute to definitions of place and can potentially enhance disaster preparedness and recovery activities. Edward S. Casey’s theories of place and community provide a connecting thread throughout the chapter, along with his ideas about selfhood, “implacement” and the environment as a sour
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2

Bithell, Jethro. "The Neo-Romantic and Austrian Dramatists." In Modern German Literature 1880–1950. Routledge, 2020. http://dx.doi.org/10.4324/9781003010494-9.

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Cole, Emma. "Tom Holloway’s Love Me Tender." In Postdramatic Tragedies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198817680.003.0004.

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Australian dramatist Tom Holloway’s adaptations of ancient tragedy reflect both the way that dramatists can structure scripts with an ‘open dramaturgy’ that provides directors with the opportunity to realize text through postdramatic strategies, and the way that the classics can be used to investigate the Australian psyche. The 2010 première production of Love Me Tender, Holloway’s Iphigenia at Aulis reinvention, situated the tragedy in an Australian bushfire season, and reinvented it in the form of unattributed lines on a page. The absence of characters is a postdramatic strategy, and in perf
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Pyrah, Robert. "Heimat on Stage: Karl Schönherr, A Dramatist for all Regimes, 1918–1939." In The Burgtheater and Austrian Identity. Routledge, 2017. http://dx.doi.org/10.4324/9781351196116-3.

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"DRAMATIS PERSONAE." In Angus & Robertson and the British Trade in Australian Books, 1930–1970. Anthem Press, 2012. http://dx.doi.org/10.2307/j.ctt1gxpd0h.3.

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Cornwall, Mark. "The Habsburg Monarchy." In What is a Nation? Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199295753.003.0010.

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Abstract It is a truism that the Habsburg Monarchy seriously mismanaged the celebrated ‘nationality principle’ of the nineteenth century, or, to put it more bluntly, modern nationalism was ‘the chief factor in the dissolution of the Habsburg Empire’. As early as 1830, the Austrian dramatist Franz Grillparzer had summed up the various national ‘provinces’ of the Monarchy as ‘horses absurdly harnessed together [. . . who] will scatter in all directions as soon as the advancing spirit of the times will weaken and break the bonds’.²
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Pynsent, Robert B. "The Literary Representation of the Czechoslovak ‘Legions’ in Russia." In Czechoslovakia in a Nationalist and Fascist Europe, 1918–1948. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263914.003.0005.

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This chapter focuses on the role of the legionaries in creating the state of Czechoslovakia. It shows how the legionaries and their activities, while often romanticised, dramatised and vulgarised, were awkwardly harnessed to the needs of the new establishment. They could be cast in the mould of earlier Czech heroics, especially those of the Hussite warriors; they regularly served as avengers of the great defeat on the White Mountain in 1620. Yet their deeds proved hard to reconcile with the peaceable and democratic traditions which many Czechs also prided themselves upon. The legionaries, espe
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