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Journal articles on the topic 'Austrian Dramatists'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Maftuna, Karshiboeva. "LITERATURE OF REUNIFIED GERMANY." International Journal Of Literature And Languages 03, no. 03 (2023): 14–16. http://dx.doi.org/10.37547/ijll/volume03issue03-04.

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Germany is home to many famous composers, writers, poets, dramatists, philosophers and artists. German (Germanic) culture has been known since the 5th century. BC NS. German culture also includes the culture of Austria and Switzerland, which are politically independent from Germany but inhabited by Germans and belong to this culture.

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2

Ragozin, German. "“The Middle Ages on Imperial service”: Czech, Hungarian and Polish historical images in works by Franz Grillparzer, 1825–1830." Slavic Almanac 2022, no. 3-4 (2022): 335–55. http://dx.doi.org/10.31168/2073-5731.2022.3-4.4.01.

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The paper deals with historical images of non-Germanic peoples living in the Austrian empire and presented in romanticist fiction. The author analyzed several narratives from the heritage of Franz Grillparzer, the Austrian writer and dramatist. He referred to images of Czech, Hungarian and Polish medieval and early modern history. The chosen dramas are “Fortune and Fall of the king Ottokar” and “A Faithful servant to his Lord”, and the novella “A monastery in Sandomir”. They had a significant role in forming the image of non-Germanic Habsburg realms medieval history for subjects of the Empire.

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3

Thusgård, Esben. "Dramatisk teologi – en introduktion af Raymund Schwager." Dansk Teologisk Tidsskrift 72, no. 1 (2009): 18–33. http://dx.doi.org/10.7146/dtt.v72i1.106448.

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This article introduces the Swiss/Austrian catholic theologian Raymund Schwager (1935-2004) to a Danish audience. It is argued that Schwager’s dramatic theology offers a coherent model for interpreting the paradoxes in Christian faith. How can God be described as both constructive and deconstructive, as both merciful and full of anger? Combining Hans Urs von Balthasar’s conception of drama and René Girard’s theory of mimetic desire and scapegoating, Schwager formulates a theology, where the vertical aspects of reconciliation do not overshadow the horizontal aspects, and viceversa. The action o

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4

Wolny, Ryszard W. "Australian Modernist Theatre and Patrick White’s the Ham Funeral (1961 [1947])." European Journal of Multidisciplinary Studies 4, no. 4 (2017): 105. http://dx.doi.org/10.26417/ejms.v4i4.p105-109.

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For a considerable period of time, literary Modernism has been mainly associated with the study of the novel and poetry rather than drama perhaps due to New Criticism’s emphasis on the text and disregard of performance. This profound anti-theatrical thrust of Modernism has to be, most certainly, re-examined and reassessed, particularly within the context of Australian literature and, more specifically, Australian theatre. That Australian modernist theatre has been inconspicuous on the world stage seems to be an obvious and undisputable statement of facts. Yet, with Patrick White, English-born

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5

Rosenberg, Tiina. "Upp till camp, systrar! Om motstånd och teater." Tidskrift för genusvetenskap 17, no. 3-4 (2022): 4–18. http://dx.doi.org/10.55870/tgv.v17i3-4.4696.

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This essay takes as its starting point the theatre's great, hut seldom fully realized, subversive potential, and introduces four possible feminist strategies of resistance. These strategies have been chosen because they combine distance with irony as well as an antirealistic distance-creating stance. The first strategy concerns gender mobility such as crossdressing female to male and the flirtation between women, the second is camp, exemplified by Sue-Ellen Case s concept lesbian camp. The t h i r d strategy is brutality f o u n d in the Austrian dramatist Elf r i e d e J e l i n e k s feminis

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6

Jurak, Mirko. "William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love." Acta Neophilologica 42, no. 1-2 (2009): 3–34. http://dx.doi.org/10.4312/an.42.1-2.3-34.

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One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of th

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7

Page, Tony. "Friedrich Halm’s Earliest Extant, Melodramatic Novelle, St. Sylvesterabend: An Austrian Dramatist’s Hidden Beginnings as a Narrative Fiction Writer." Manusya: Journal of Humanities 23, no. 2 (2020): 224–52. http://dx.doi.org/10.1163/26659077-02302005.

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To date there has been no scholarly exploration of the genesis and nature of Friedrich Halm’s earliest extant Novelle, St. Sylvesterabend (New Year’s Eve). The present research article attempts to fill that gap by determining the contested date of the story’s origin, establishing it as 1823. Furthermore, the article examines the tale’s simplicity of style, which is distinct from Halm’s later Kleist-influenced narratives. Furthermore, it analyzes the novel’s structural principle of parallels and contrasts, and its themes of monomania, secularised religiosity, and Christian caritas. The article

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8

Pohrebennyk, V. F. "IVAN KARPENKO-KARYY’S CREATIVITY IN IVAN FRANKO SCIENTYFIC PERCEPTION." Literary Studies, no. 60 (2021): 186–99. http://dx.doi.org/10.17721/2520-6346.60.186-199.

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The article investigates the Ivan Franko’s historical-literature and theatrical publications, dedicated to the life and creativity of famous Ukrainian dramatist Ivan Karpenko-Karyy (Ivan Tobilevych, 1845–1907). It is covered in chronological order how the understanding of the poetics of the writers’ drama developed in accordance with their vision and perception by I. Franko. The content of his reviewes, articles, etc. reveales I. Karpenko-Karyy’s individual contribution to the dynamics of the system of genres, the improvement of personosphere and technical means of dramatic modeling of reality

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9

Stockwell, Peter. "Schema Poetics and Speculative Cosmology." Language and Literature: International Journal of Stylistics 12, no. 3 (2003): 252–71. http://dx.doi.org/10.1177/09639470030123005.

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Speculative cosmology is a sub-genre of science fiction that particularly focuses on the difficulties for the deployment of existing knowledge in reading. This article assesses the usefulness of competing models of world-monitoring in order to arrive at a usable framework for discussing the particular issues in science fictional reading. It is suggested that schema theory, while containing many flaws in general, nevertheless offers an appropriate degree of delicacy for the exploration of sf. Schema poetics - the application of the theory to the literary context - is used to discuss speculative

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10

VARNEY, DENISE. "White-out: Theatre as an Agent of Border Patrol." Theatre Research International 28, no. 3 (2003): 326–38. http://dx.doi.org/10.1017/s0307883303001160.

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In Australia in 2001, there was a marked escalation of debates about nation, national identity and national borders in tandem with a right-wing turn in national politics. Within the cultural context of debate about national identity, popular theatre became an unwitting ally of neo-conservative forces. Within popular theatre culture, the neo-conservative trend is naturalized as the view of the Anglo-Celtic-European mainstream or core culture that also embraces and depoliticizes feminist debates about home and family. Elizabeth Coleman's 2001 play This Way Up assists in the production of an inwa

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11

Barsukova, Olga. "Genre and style peculiarities of “The Sound of Music” musical by R. Rodgers." PHILHARMONICA. International Music Journal, no. 4 (April 2020): 54–69. http://dx.doi.org/10.7256/2453-613x.2020.4.32910.

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The research subject is the musical by the composer Richard Rodgers and the book writer Oscar Hammerstein II &ldquo;The Sound of Music&rdquo; - one of the bright examples of classic Broadway musicals. The author describes the main genre and style and dramatic peculiarities of the musical and attempts to solve the following research tasks: to analyze the narrative and genre components of the piece, the intonation complexes of the main characters and the most significant groups of characters and vocal techniques, and to trace back the influence of Austrian national genres on the music fa

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12

Reynolds, Matthew. "On Judging the Oxford-Weidenfeld Translation Prize." Translation and Literature 17, no. 1 (2008): 65–69. http://dx.doi.org/10.3366/e096813610800006x.

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The Oxford-Weidenfeld Translation Prize, funded by Lord Weidenfeld and by New College, The Queen's College, and St Anne's College in Oxford, is awarded annually. It is judged by a panel of three Oxford acadamics and/or translators, plus a guest judge from the wider literary world. The 2007 shortlist consisted of modern novels from France, Austria, and Norway; the selected poems of a contemporary German poet; three volumes of the writings of a Swiss dramatist, essayist, and story-writer; and a parallel-text version of Dante. The field of eligible books published during 2006 had of course been f

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13

Lange, Bernd-Peter. "Chess and Freedom1." Board Game Studies Journal 18, no. 1 (2024): 61–73. http://dx.doi.org/10.2478/bgs-2024-0003.

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Abstract The tension between the game of chess as strictly regulated by rules and the idea of freedom can be traced in three radidal examples separated by media and different periods of the twentieth century. The first emphatic employment of the concept of freedom is in the title of a chess journal issued by the Communist opposition of the central German working-class chess organization at the end of the Weimar Republic. In the journal Frei Schach! the radical subsection of “Red Sports Unity” asserts its claim for supremacy, demanding revolutionary goals in the class struggle. But this journal

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14

Fotheringham, Richard. "The Great War and popular modernism: Pat Hanna's Louis XI." Queensland Review 23, no. 2 (2016): 133–42. http://dx.doi.org/10.1017/qre.2016.25.

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AbstractPat Hanna's Famous Diggers, a professional vaudeville theatre troupe comprising ex-Great War Anzac soldiers (initially, mainly New Zealanders, as Hanna was himself) played for nearly two years (1923–24) at the old Cremorne Theatre in Brisbane. One item Hanna premiered at the Cremorne was Louis XI, a short (ten-minute) comic sketch he wrote himself. Modernism in the inter-war years, given its usual location within avant-garde aesthetics, high culture, internationalism and radical politics, is not — with the notable exception of Brecht's cabaret work in the 1920s — usually associated wit

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15

Gaidash, Anna, and Svitlana Kadubovska. "Old age representations in Constanze Dennig’s dystopia “Exstasy Rave”." Studia Philologica 2, no. 15 (2020): 70–76. http://dx.doi.org/10.28925/2311-2425.2021.159.

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The paper tackles the representations of old age in Constanze Dennig's dystopia "Exstasy Rave". Modern theatrical tendencies and the role of drama as a mouthpiece of social ideas, in particular in matters of aging and old age, are related; ageist stereotypes in the text of Constanze Dennig are analyzed; problem-semantic aspects of corporeality are studied; the possibilities of author's remodeling of discriminatory stereotypes of old age are inferred. The challenges presented by the Austrian woman playwright in her drama allow us to attribute her work to the post-dramatic theater, which in Lehm

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16

Kirsch, John A. W., Mark S. Springer, and François-Joseph Lapointe. "DNA-hybridisation Studies of Marsupials and their Implications for Metatherian Classification." Australian Journal of Zoology 45, no. 3 (1997): 211. http://dx.doi.org/10.1071/zo96030.

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We review past DNA-hybridisation studies of marsupials and present a reanalysis of the data, utilising results from our and additional studies to formulate and rationalise a new classification of Marsupialia. In the reanalysis, 13 individual DNA-hybridisation matrices, many lacking some pairwise comparisons, were sutured in stages to provide the basis for generating a tree of 101 marsupials plus an outgroup eutherian; a fourteenth matrix provided data for a tree including eight additional eutherians and a monotreme. Validation was achieved by jackknifing on taxa for each matrix as well as on t

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17

Iveson, Kurt. "‘Making space public’ through occupation: The Aboriginal Tent Embassy, Canberra." Environment and Planning A: Economy and Space 49, no. 3 (2016): 537–54. http://dx.doi.org/10.1177/0308518x16682496.

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Through the actions of activists involved in the Arab Spring uprisings, European anti-austerity movements and the Occupy and Umbrella movements among others, long-term occupations of public space have re-entered the repertoire of insurgent social movements to spectacular effect. These events have dramatised the challenges and limits of occupation as a spatial strategy for ‘making space public’. This paper seeks to make a contribution to the critical geographical literatures on occupation and public space, through analysis of the Aboriginal Tent Embassy – a politically motivated occupation of a

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18

Logayah, Dina Siti, Regina Putri Rahmawati, Daine Zahra Hindami, and Bella Rizky Mustikasari. "Krisis Energi Uni Eropa: Tantangan dan Peluang dalam Menghadapi Pasokan Energi yang Terbatas." Hasanuddin Journal of International Affairs 3, no. 2 (2023): 102–10. http://dx.doi.org/10.31947/hjirs.v3i2.27052.

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The energy crisis is one of the biggest challenges facing the world today. In recent decades, energy demand has increased dramatically due to global population growth, industrial developments, and increasing living standards. The conflict between Russia and Ukraine started in 2014 when Russia annexed the Sevastopol region of Ukraine. This conflict was neglected for years until it finally reached its peak in 2022. This conflict became one of the factors in the energy crisis that occurred in Europe. Several countries in Europe have declared an energy crisis. Some of these European countries incl

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19

Jordan, Richard. "Reframing Humanist Tragedy in The Tiniest Thing." CounterText 8, no. 3 (2022): 413–34. http://dx.doi.org/10.3366/count.2022.0282.

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Tragedy is defined by Aristotle as a self-fulfilling prophecy, inciting fear and pity in an audience through a hero’s error of judgement, or hamartia. Anthropocentric climate change may likewise be viewed in similar terms, born out of the limitations of the humanist paradigm. Yet in an age of climate catastrophe, how might theatre represent this reality without reinforcing the same humanist logic of privileging human suffering? As a playwright, I have long grappled with how best to dramatise climate change: a phenomenon that seems beyond the scope of human-centred drama. At the same time, the

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20

Nihalani, Paroo. "Communication." ITL - International Journal of Applied Linguistics 79-80 (January 1, 1988): 61–75. http://dx.doi.org/10.1075/itl.79-80.03nih.

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Abstract The widespread use of the Daniel Jones’s English Pronouncing Dictionary in the commonwealth countries seems to imply that British Received Pronunciation (BRP) is the model of English prescribed for the learners of English in these countries. To my mind, this form of pronunciation represents an unrealistic objective and one that is perhaps undesirable. I consider RP as the ‘normative model’ that limits itself to the consideration of communicative intentions attributed to the speaker only. I should like to argue in favour of a communicative model which goes by the measure of success wit

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21

Allatson, Paul. "Editor's welcome, PORTAL, Vol. 4, No. 1, January 2007." PORTAL Journal of Multidisciplinary International Studies 4, no. 1 (2007). http://dx.doi.org/10.5130/portal.v4i1.432.

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PORTAL Journal of Multidisciplinary International Studies enters its fourth year with the journal’s first special Chinese-language issue. Organised under the rubric of ‘The Revival of Chinese Cultural Nationalism,’ the issue has been guest edited by Dr Yingjie Guo of the Institute for International Studies, University of Technology Sydney, and features the work of scholars based in China and Australia. As Guo says in his introductory essay to the special issue, debates over cultural nationalism in China have been on the rise since the events in Tiananmen Square on June 4, 1989; indeed, the pos

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22

Harthum, Birgit, Helmut Schrom-Feiertag, and Robert Wenighofer. "Triage Subsurface – Unter Tage Training für medizinische Ersthelfer in der virtuellen Welt." BHM Berg- und Hüttenmännische Monatshefte, December 15, 2023. http://dx.doi.org/10.1007/s00501-023-01410-y.

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ZusammenfassungGroßschadenslagen mit einem Massenanfall von Verletzten sind schon per se für Einsatzkräfte herausfordernd. Findet so eine Situation in einer Umgebung wie einem Tunnel statt, steigt die Komplexität dramatisch. Der Zugang ist schwieriger, die Bergung komplizierter, die Sicht oftmals beeinträchtigt und die Umgebung fordert die Gesundheit der Rettungskräfte zusätzlich durch Rauchentwicklung oder Kontamination durch chemische Stoffe. Koordination und (Zeit)-Management der Situation ist also unter Tage ein noch wichtigerer Faktor als sonst. Das Europäische Forschungsprojekt MED1stMR

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23

Salter, Colin. "Our Cows and Whales." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1410.

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IntroductionIn 2011, Four Corners — the flagship current affairs program of the Australian national broadcaster, ABC (Australian Broadcasting Corporation) — aired an investigative report on the conditions in Indonesian slaughterhouses. Central to the report was a focus on how Australian cows were being killed for human consumption. Moral outrage ensued. The Federal Government responded with a temporary ban on the live export of cattle to Indonesia. In 2010 the Australian Government initiated legal action in the International Court of Justice (ICJ) opposing Japanese whaling in the Southern Ocea

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24

Collins-Gearing, Brooke. "Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema." M/C Journal 13, no. 4 (2010). http://dx.doi.org/10.5204/mcj.252.

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It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. Not only in town, where the headlines for the newspapers every second day is about ‘the problem,’ ‘the teenager problem of kids wandering the streets’ and ‘why don’t we send them back to their communities’ and that sort of stuff. Then there’s the other side of it. Elders in Aboriginal communities have been taught that kids who sniff get brain damage, so as soon as they see a kid sniffing they think ‘well they’re rubbi

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25

West, Patrick. "Regionalism, Well-Being, and Domestic Violence in Tony Birch’s “The Red House”." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1526.

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Introduction: The Creative Arts and Regional Well-BeingThe relationship between regionalism, well-being, and the creative arts has enjoined significant attention from community activists, commercial entrepreneurs, policy analysts, artists, and researchers over recent years (Australia Council for the Arts, “Living Culture”; Australia Council for the Arts, “The Arts in Regional Australia;” Drummond, Keane, and West; Elg; Warren, and West; Woodward, Bremner, and Cahalan). Underpinning most of the activity and research in this area is the understanding (occasionally bordering on an un-critical pre

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26

Burgess, Jean, Joy McEntee, and Emma Nelms. "How to Pick a Fight." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2131.

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In a post September 11 era “the fight”, as a cultural construct, could hardly be more pertinent. We are seemingly forever poised on the edge of controversial U.S. led attacks on wayward Middle Eastern states and unexamined oppositions between the concepts of ‘good’ and ‘evil’ are evoked as valid justifications for battle. Our leaders muster us into wars of vigilance and national cohesion against unseen, unknown and uncomprehended terrorists hiding where communists once lurked under our beds. The articles in this issue examine fights in terms of media strategies and cultural divides in a range

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27

Parsemain, Ava Laure. "Crocodile Tears? Authenticity in Televisual Pedagogy." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.931.

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This article explores the role of authenticity in televisual teaching and learning based on a case study of Who Do You Think You Are?, a documentary series in which celebrities go on a journey to retrace their family tree. Originally broadcast by the British Broadcasting Corporation, this series has been adapted in eighteen countries, including Australia. The Australian version is produced locally and has been airing on the public channel Special Broadcasting Service (SBS) since 2008. According to its producers, Who Do You Think You Are? teaches history and promotes multiculturalism:We like ma

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28

Piatti-Farnell, Lorna, and Lloyd Carpenter. "Intersections of History, Media, and Culture." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1323.

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For many, the very idea of ‘history’ calls into question narratives of the past, distant and disconnected from our contemporary moment, and out of tune with the media-centred world of our post-2000 popular culture. This approach to history, however, is based on profound misconceptions, and does not take into account the fact that the present is history: we experience our historical moment via multiple and multi-faceted media practices, from using social media to watching movies, from watching television to consuming food. The past is, in turn, never far removed from our contemporary and everyd

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Kay, Louise, Silke Brandsen, Carmen Jacques, Francesca Stocco, and Lorenzo Giuseppe Zaffaroni. "Children’s Digital and Non-Digital Play Practices with Cozmo, the Toy Robot." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2943.

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Introduction This article reports on the emerging findings from a study undertaken as part of an international research collaboration (Australia, Belgium, Italy, UK; DP180103922) exploring the benefits and risks of the Internet of Toys (IoToys). IoToys builds upon technological innovations such as smartphone apps that remotely control home-based objects, and wearable technologies that measure sleep patterns and exercise regimes (Holloway and Green). Mascheroni and Holloway summarise the features of IoToys as entities that users can program, with human-toy interactivity, and which have network

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30

Nolan, Huw, and Jo Coghlan. "Mutating a Better Man." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3170.

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Introduction Michael Gracey's Better Man (2024) presents an innovative biographical representation of British pop star Robbie Williams through a radical visual strategy—depicting its subject as a CGI primate rather than through a human actor. Filmed in Australia and partially funded by the Australian Government, the film follows a relatively standard biopic narrative tracing Williams’s trajectory from his Stoke-on-Trent childhood through his tumultuous Take That tenure to solo stardom, mapping his struggles with addiction, familial relationships, and mental health crises. What distinguishes Be

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Starrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.49.

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Despite numerous critics describing him as an auteur (i.e. a film-maker who ‘does’ everything and fulfils every production role [Bordwell and Thompson 37] and/or with a signature “world-view” detectable in his/her work [Caughie 10]), Rolf de Heer appears to have declined primary authorship of Dance Me to My Song (1997), his seventh in an oeuvre of twelve feature films. Indeed, the opening credits do not mention his name at all: it is only with the closing credits that the audience learns de Heer has directed the film. Rather, as the film commences, the viewer is informed by the titles that it

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32

West, Patrick Leslie. "“Glossary Islands” as Sites of the “Abroad” in Post-Colonial Literature: Towards a New Methodology for Language and Knowledge Relations in Keri Hulme’s The Bone People and Melissa Lucashenko’s Mullumbimby." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1150.

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Reviewing Melissa Lucashenko’s Mullumbimby (2013), Eve Vincent notes that it shares with Keri Hulme’s The Bone People (1984) one significant feature: “a glossary of Indigenous words.” Working with various forms of the term “abroad”, this article surveys the debate The Bone People ignited around the relative merits of such a glossary in texts written predominantly in English, the colonizing language. At stake here is the development of a post-colonial community that incorporates Indigenous identity and otherness (Maori or Aboriginal) with the historical legacy of the English/Indigenous-language

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33

Krause, Till. "From Niche Narrative to Audio Blockbusters." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3031.

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Introduction For the past ten years, a transformative trend has emerged in the consumption of journalistic content, diverging significantly from its traditional engagement pathways. This evolution is characterised by the allure of serial journalistic podcasts such as Serial, which have seamlessly integrated narrative techniques typically reserved for fiction into journalistic storytelling (Kulkarni et al.). These podcasts have leveraged episodic structures, suspenseful build-ups, and dramatic climaxes to foster a level of engagement akin to fiction's grip on audiences. This shift towards addic

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34

Gao, Xiang. "A ‘Uniform’ for All States?" M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2962.

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Introduction Daffodil Day, usually held in spring, raises funds for cancer awareness and research using this symbol of hope. On that day, people who donate money to this good cause are usually given a yellow daffodil pin to wear. When I lived in Auckland, New Zealand, on the last Friday in August most people walking around the city centre proudly wore a cheerful yellow flower. So many people generously participated in this initiative that one almost felt obliged to join the cause in order to wear the ‘uniform’ – the daffodil pin – as everyone else did on that day. To donate and to wear a daffo

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35

Nichols, L. Dugan. "Generational Detectives." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3136.

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Introduction This article examines American Conspiracy: The Octopus Murders (2024), a four-part documentary released on Netflix. Directed by Zachary Treitz, the documentary follows young photojournalist Christian Hansen as he tries to solve the mysterious death of Danny Casolaro. In 1991, Casolaro was found deceased in a hotel room while tracking officials in the CIA and former Reagan White House. He had planned to write an explosive book about what he termed “The Octopus”, an octuplet of overlapping conspiracies that transpired in the 1980s. At the time, local officials ruled Casolaro’s death

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