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Academic literature on the topic 'Author'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 June 2025

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Journal articles on the topic "Author"

Cusick, Anne. "Orderly authors and author order." Australian Occupational Therapy Journal 65, no. 6 (December 2018): 477–78. http://dx.doi.org/10.1111/1440-1630.12554.

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LYLE, W. M. "AUTHOR AUTHOR AUTHOR." Optometry and Vision Science 71, no. 5 (May 1994): 355. http://dx.doi.org/10.1097/00006324-199405000-00010.

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Revista Ciências Médicas e Biológicas, Revista Ciências Médicas e. Biológicas. "ÍNDICE DE AUTOR / AUTHOR INDEX." Revista de Ciências Médicas e Biológicas 10, no. 3 (January 1, 2011): 351. http://dx.doi.org/10.9771/cmbio.v10i3.5904.

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Lima, Max José Pimenta. "Índice de Autor / Author Index." Revista de Ciências Médicas e Biológicas 9, no. 3 (January 1, 2010): 276. http://dx.doi.org/10.9771/cmbio.v9i3.5174.

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Adler, Nancy J. "Time is the Author of Authors." Journal of Management Inquiry 10, no. 2 (June 2001): 134. http://dx.doi.org/10.1177/1056492601102013.

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Brookes, Naomi J., Roger Flanagan, Ji-shan He, Ning Liu, Qing-guo Ma, Miroslaw J. Skibniewski, Yong-fu Sun, et al. "Author Notes Provided by Corresponding Authors." Frontiers of Engineering Management 1, no. 3 (2014): 326. http://dx.doi.org/10.15302/j-fem-2014046.

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Bowen, Taylor, and Abigail Cook Dommer. "Author! Author!" Editorial Office News 13, no. 11 (December 2020): 5–6. http://dx.doi.org/10.18243/eon/2020.13.11.3.

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Bowen, Taylor, and Abigail Cook Dommer. "Author! Author!" Editorial Office News 13, no. 11 (December 2020): 5–6. http://dx.doi.org/10.18243/eon/2020.13.11.3.

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Kelly, Eamonn, Christopher Murray, Samuel Beckett, Seán Lennon, Fiona Brennan, Donald E. Morse, Brian Friel, Christina Hunt Mahony, and Sebastian Barry. "Author, Author." Books Ireland, no. 288 (2006): 223. http://dx.doi.org/10.2307/20632961.

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Barber, Benjamin R. "Author/Author." Government and Opposition 26, no. 3 (July 1, 1991): 291. http://dx.doi.org/10.1111/j.1477-7053.1991.tb01140.x.

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Dissertations / Theses on the topic "Author"

Govender, Dyalan. "The Author Figured in Film." Thesis, University of Sydney, 2009. https://hdl.handle.net/2123/23107.

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For all the critical attention paid to the author in literary theory and criticism, there has been no study of the film medium’s fascination with authors and authorship. Every year, Hollywood produces numerous films about poets, playwrights, novelists, and screenwriters. This thesis explores the narrative and cinematic potential of the author. In broad terms, it is an exercise in genre criticism, establishing the defining characteristics of films characterising authors. It is also a very specific type of genre criticism, taking a cognitivist approach that defines the author as a set of historically and socially established expectations and characteristics against which the characters in these films are measured. After establishing the phenomenological parameters and critical value of the cognitivist approach in Chapter 1,1 then take up Andrew Bennett’s outline of the author as a cultural concept, discussing its utility in dealing with films figuring authors and authorship. Chapters 3 to 8 explore a selection of the sub-genres of films containing authors, starting with characterisations of the author as a detective, then moving to films using and depicting writer’s.block, horrific characterisations of the author, characterisations of female authors, the biopic, and films characterising screenwriters in Hollywood. The work concludes with an analysis of Charlie Kaufman and Spike Jonze’s Adaptation (2002), whose broad exploration of authorship traverses more of these sub-genres than any other film, offering an opportunity to bring together the findings of Chapters 1 to 8. I focus on English language, feature length, narrative films released between 1927 and 2007. Rather than taking a chronological approach and tracing the history of the medium’s treatment of the author, I select films from various periods, identifying in them the defining characteristics of the genre. But more than this, the genre and its characteristics represent the persistent interpretive function of the author in face of the critical trend away from biographically based interpretation towards textual and semiotic analysis.

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Grgorinic, Natalija. "Recounting the Author." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1333512288.

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Kennedy, Niall. "Deleuze and the author." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/38644/.

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This thesis argues that Gilles Deleuze, as philosopher, reader, and critic, recognised the central importance of a defined authorial subjectivity, closely associated with a philosophical or intellectual project, and that his analyses of philosophy, literature, visual art and cinema were shaped and determined by his recognition of that authority. In this respect, my reading challenges those critics who find in the work of Deleuze an assault on ‘author-centric’ interpretations of texts, and more generally on the concept of a unified self, and which uphold experimentation on the part of the reader or critic rather than interpretation. I argue that Deleuze has a coherent and meaningful conception of an author as a consciousness which persists through time, learns, plans and makes projects, differentiates itself from the work of other authors, is inspired and creative, takes positions in relation to the inheritance of artistic and philosophical traditions, and which is capable of entering into collaboration with others. Through close reading of Deleuze’s texts, I demonstrate that he consistently relies on the authorial function to impose unity and coherence on the distinctive - and often remarkable - body of work of an individual theorist or practitioner. I argue that the historical, political and social situation of an author is of great importance to the analysis of a text. Finally, unlike Roland Barthes or other critics invested in the ‘death’ or displacement of the author, I argue that Deleuze considers the competing interpretations of a text advanced by the reader or spectator to be of little or no importance.

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Lee, Siyeon. "The author on the stage : Fielding's self-awareness as author and problems of authority." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/20627.

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This thesis advances a new perspective on Henry Fielding's self-awareness as author, as it appears in his writings of various genres from The Author's Farce to The Covent-Garden Journal. The principal argument is that Fielding's problematic self-awareness as author and idea of literary authority evolved through a series of ambivalent relationships with literary and political authorities of his age. At each stage of his career, Fielding found himself in tensioned relations to the Scriblerians, particularly Pope 'the great Poet', Robert Walpole 'the Great Man', and the great or 'High People' at large, including his own patrons. The 'Trade of Authoring' seemed at best a dubious alternative to attain financial (and moral) independence, and Fielding considered himself denied the aesthetic and moral authority to write serious satire by public readership, the new patrons of commercialised letters. Instead of the Fielding we are familiar with, that is, the authoritative Augustan satirist and master of comic fiction, Fielding as appears in the present thesis is essentially 'an author of a farce', by his own self-demeaning denomination, who sees in himself a 'humble servant' to either the great patrons or the paying audience, with only some Drawcansirian mock-authority at best. Chapter I offers analyses of The Author's Farce, a dramatisation of Fielding the novice playwright's ambivalence towards the great in letters and politics, and of his anti-Walpole plays in 1736-37, each in the format of a rehearsal by the 'Author', through whom Fielding converts his self-awareness as author without authority into an opposition formula to veto Walpole's political authority. Chapter II continues to discuss Fielding's peculiar infusion of his authorial concern into the anti-Walpole satire in The Champion and Jonathan Wild.

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Bulcaen, Chris. "The dialogue of an author:." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-96426.

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In Swahili Forum III Elena Bertoncini-Zubkova (1996) discussed some of the political criticisms, expressed in the form of literary motifs and imagery, that emerged in the works of the Tanzanian Swahili writer Euphrase Kezilahabi since 1978 onwards. She situates this emergent critique in the new political discoursive context where critical reviews of the Ujamaa policy could now be publicly voiced since President Nyerere himself admitted the failure of Ujamaa in his delivery Azimio la Arusha baada ya Miaka Kumi (The Arusha Declaration Ten Years Later, 1977). According to Bertoncini this admission `clear[ed] the way for critical literary works` of which Kezilahabi satirical play Kaputula la Marx (Marx`s Shorts, 1978) and his short story Mayai- Waziri wa maradhi (Eggs- Minister of Sickness, 1978) were among the first.

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Moran, Joseph Patrick. "The American author as celebrity." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283106.

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Berger, Karol. "The Text and Its Author." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36799.

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Wardak, Thomas. "Author functions, auteur fictions : understanding authorship in conglomerate Hollywood commerce, culture, and narrative." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/18293/.

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In 1990, Timothy Corrigan identified a rising trend in Hollywood film marketing wherein the director, or auteur, had become commercially galvanised as a brand icon. This thesis updates Corrigan’s treatise on the ‘commerce of auteurism’ to a specific 2017 perspective in order to dismantle the discursive mechanisms by which commodified author-brands create meaning and value in Conglomerate Hollywood’s promotional superstructure. By adopting a tripartite theoretical/industrial/textual analytical framework distinct from the humanistic and subjectivist excesses of traditional auteurism, by which conceptions of film authorship have typically been circumscribed, this thesis seeks to answer the oft-neglected question how does authorship work as it relates to the contemporary blockbuster narrative. Naturally, this necessitates a corresponding understanding of how texts work, which leads to the construction of a spectator-centric cognitive narratorial heuristic that conceptualises ‘the author’ as a hermeneutic code which may be activated when presented with sufficient ‘authorial’ signals. Of course, authorial signals do not only emanate from films but also promotional paratexts such as posters, trailers, production diaries, and home-video special features like the commentary and behind-the-scenes documentary. These paratexts—by no means arbitrary or ancillary—are instrumental in constructing pre-textual expectations and, correspondingly, textual meaning and value. Through the exploitation of Romantic and auteurist maxims art demands an artist and the director is the film artist, the commercial projection of branded authorship sanctifies the product as unique and distinguished, rendering it irresistibly attractive to a consumer irrespective of its actual value; the bet-hedging branded author functions as an a priori guarantor of quality, which is especially important for a post-recession horizontally-integrated entertainment empire for which a film can still be a failure even if it makes dozens of millions of dollars. This thesis investigates the effect and affect of commercial brand-authorship with regards to J.J. Abrams’ authorship of Star Wars: The Force Awakens—how it manifested through a variety of media; how these media were tailored to pander to the fandom; and how online audiences responded to interviews, video-blogs, and SFX reels in order to construct their own utopian presumptive visions of the film. Yet the fetishised auteur-brand carries little interpretive weight and a sole focus on paratexts tells us even less about the textuality of contemporary authorship. Concordantly, this thesis concludes with an extensive authorial reading of Interstellar, The Hobbit trilogy, and the Marvel Cinematic Universe with an eye to how they each use their ‘authors’—and for what ends. This, in turn, leads to an expansion of Gérard Genette’s hypotheses on transtextuality and the discovery of auto-centric transtextual sub-categories: autotextuality (Interstellar), intratextuality (The Hobbit), and unitextuality (Marvel). Unlike an ahistorical auteurism that myopically valorises directorial style for its own sake, this thesis finds that there are numerous ‘types’ of authorship and that ‘Nolan’, ‘Jackson’, and Marvel’s authoriality cannot be understood without a corresponding appreciation of their industrial burdens and commercial imperatives. Constituting a dialectic on ‘authorship’ versus ‘auteurism’, Author Functions, Auteur Fictions engages with a commercialised auteurism that has evolved far beyond Corrigan’s model into a much more endemic and integral socio-economic system: the author-industrial complex.

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De, Luca Vincenzo. "Applicativo web per audioguide - HooRMI Author." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18444/.

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HooRMI Author è la parte da content creator del progetto HooRMI. La dissertazione si concentra sul funzionamento HooRMI Author, ovvero di come viene permesso all'utente di produrre contenuti video basati sulla propria posizione acquisita tramite tecnologia Plus code e caricarli sul proprio canale Youtube. I contenuti risulteranno pronti per essere selezionati e fruiti dai turisti, grazie alla profonda personalizzazione dei metadati associati ad ogni clip.

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Barry, Desmond. "The escape of the imaginary author." Thesis, University of South Wales, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591056.

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This creative/critical overview of the novels A Bloody Good Friday, The Chivalry o/Crime and Cressida's Bed by Desmond Barry, and Far South by David Enrique Spellman, will examine some of the literary influences in the composition of the novels, as well as the development of the author from naive dilettante, influenced by the Beats, to heteronymous voice of the Far South Project and the creation of an imaginary author. The overview examines some of the underlying psychological and philosophical matrices out of which the novels were born and the influence of writers such as William S. Burroughs and Jorge Luis Borges. The work will trace a journey from the Aristotelian forms of the published Barry novels to the experimental multi-platform narratives of Far South. It will show how the process of learning in an academic environment influenced an involvement with Aristotelian formal strategies that in turn led to experiments with the use of chance in the production of multiplatform narratives. The exegesis points the way to new literary and creative forms through digital technologies that are widely accessible and open up innovative ways of cooperation among dancers, photographers, filmmakers, web designers, and writers, which can subvert or cooperate with existing publishing paradigms. This self-reflective narrative examination of practice-led research and creative process begins as an examination of the tensions involved in the creation of a classic Aristotelian narrative form and develops into an interrogation and illumination of the potentialities of using cooperation and chance in prose fiction and interdisciplinary multi-platform stories.

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Books on the topic "Author"

Lodge, David. Author, author. London: Secker & Warburg, 2004.

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Williamson, David. Author! Author!: Encounters with famous writers. Winnipeg, MB: Great Plains, 2000.

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Penn, Joanna. Business for authors: How to be an author entrepreneur. [S. l.]: The Creative Penn Limited, 2014.

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Crouch, Tim. The author. [London]: Oberon Books, 2009.

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Crouch, Tim. The author. [London]: Oberon Books, 2009.

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Libraries, Association of Research, ed. Author addenda. Washington, DC: Association of Research Libraries, 2009.

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Millar, Jay. Author photos. Calgary: housepress, 2001.

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Bookshop, Poetry. Author list. Hay-on-Wye via Hereford: The Poetry Bookshop, 1995.

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Peter, Sheldon, ed. Author zone. Birmingham: Peters Bookselling Services, 2000.

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Kaywell, Joan. Dear Author. New York: Penguin USA, Inc., 2009.

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Book chapters on the topic "Author"

"About the Author." In Application of Network Function Virtualization in Modern Computer Environments. Now Publishers, 2024. http://dx.doi.org/10.1561/9781638283591.author.

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Gómez-Pallete, Ignacio Borrego. "Evidence." In Materia-autore | Author-Matter, 206–7. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.23.

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"Table of Contents." In Materia-autore | Author-Matter, 5–7. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.2.

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"Back Matter." In Materia-autore | Author-Matter, 216. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.28.

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Ciorra, Pippo. "Opera anonima." In Materia-autore | Author-Matter, 42–57. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.8.

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Martino, Nicolas. "Sovversione." In Materia-autore | Author-Matter, 212–13. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.26.

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Cazzaro, Irene. "La materia si fa forma." In Materia-autore | Author-Matter, 182–85. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.19.

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Roig, Eduardo. "How Not to Be a (Modern) Author." In Materia-autore | Author-Matter, 194–203. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.21.

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Gritti, Andrea. "Retrospettiva." In Materia-autore | Author-Matter, 210–11. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.25.

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Mosco, Valerio Paolo. "La guerra del capitano Terragni." In Materia-autore | Author-Matter, 114–31. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv2z0vtrq.14.

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Conference papers on the topic "Author"

"Author/Co-author index." In Conference Record. AUTOTESTCON '96. IEEE, 1996. http://dx.doi.org/10.1109/autest.1996.547919.

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"Author/co-author index." In 1997 IEEE Autotestcon Proceedings AUTOTESTCON '97. IEEE Systems Readiness Technology Conference. Systems Readiness Supporting Global Needs and Awareness in the 21st Century. IEEE, 1997. http://dx.doi.org/10.1109/autest.1997.633538.

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"Author." In 2018 IEEE Conference on Open Systems (ICOS ). IEEE, 2018. http://dx.doi.org/10.1109/icos.2018.8632698.

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"Author." In 2017 International Conference on Electrical Engineering and Computer Science (ICECOS). IEEE, 2017. http://dx.doi.org/10.1109/icecos.2017.8167109.

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"Author." In 2018 3rd Cloudification of the Internet of Things (CIoT). IEEE, 2018. http://dx.doi.org/10.1109/ciot.2018.8627108.

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"Author." In NAFIPS 2012 - 2012 Annual Meeting of the North American Fuzzy Information Processing Society. IEEE, 2012. http://dx.doi.org/10.1109/nafips.2012.6290964.

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"Author." In 2014 IEEE International Workshop on Electromagnetics; Applications and Student Innovation (iWEM). IEEE, 2014. http://dx.doi.org/10.1109/iwem.2014.6963602.

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"Author." In 2021 18th International Multi-Conference on Systems, Signals & Devices (SSD). IEEE, 2021. http://dx.doi.org/10.1109/ssd52085.2021.9429328.

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"Author." In 2020 17th International Multi-Conference on Systems, Signals & Devices (SSD). IEEE, 2020. http://dx.doi.org/10.1109/ssd49366.2020.9364222.

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"Author." In 2014 10th International Conference on Innovations in Information Technology (INNOVATIONS). IEEE, 2014. http://dx.doi.org/10.1109/innovations.2014.6985769.

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Reports on the topic "Author"

Rasmussen, Lisa. Author Agreement. J. Murrey Atkins Library, University of North Carolina at Charlotte, May 2023. http://dx.doi.org/10.55370/nc.921.

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Wager, Elizabeth. Corresponding author requests removal of author before publication. Committee on Publication Ethics, January 2006. http://dx.doi.org/10.24318/cope.2019.2.10.

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Wager, Elizabeth. Corresponding author requests removal of author before publication. Committee on Publication Ethics, January 2006. http://dx.doi.org/10.24318/cope.2019.2.9.

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Wager, Elizabeth. Corresponding author requests addition of extra author before publication. Committee on Publication Ethics, January 2006. http://dx.doi.org/10.24318/cope.2019.2.8.

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Crocker, D. Email Author Header Field. RFC Editor, June 2021. http://dx.doi.org/10.17487/rfc9057.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks, and Andrew McBride. Author Agreement - Chinese translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, June 2023. http://dx.doi.org/10.55370/nc.930.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks, and Andrew McBride. Author Agreement - Greek translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, June 2023. http://dx.doi.org/10.55370/nc.933.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks, and Andrew McBride. Author Agreement - German translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, June 2023. http://dx.doi.org/10.55370/nc.929.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks, and Andrew McBride. Author Agreement - Portuguese translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, June 2023. http://dx.doi.org/10.55370/nc.932.

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Rasmussen, Lisa M., Holly D. Holladay-Sandidge, Elise Demeter, George C. Banks, and Andrew McBride. Author Agreement - Spanish translation. J. Murrey Atkins Library, University of North Carolina at Charlotte, June 2023. http://dx.doi.org/10.55370/nc.928.

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