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Books on the topic 'Author's Copyright'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Maya, Marco Proaño. Author's right: A universal right. [s.n.], 1993.

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2

Loewenstein, Joseph. The author's due: Printing and the prehistory of copyright. University of Chicago Press, 2002.

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3

Pierre, Sirinelli, and France. Ministère de la culture et de la francophonie., eds. New technologies, author's right, and neighbouring rights. Ministère de la culture et de la francophonie, 1995.

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4

Diego, Corapi, ed. Il diritto d'autore di fronte alle nuove tecnologie =: Author's right in front of new technologies. Edizioni scientifiche italiane, 1994.

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5

Lee, Robert E. A copyright guide for authors. Kent Press, 1995.

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6

Rose, Mark. Authors and owners: The invention of copyright. Harvard University Press, 1993.

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7

Brad, Sherman, and Strowel Alain, eds. Of authors and origins: Essays on copyright law. Clarendon Press, 1994.

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8

Sen, Sukanya. Where's the author? Magic Lantern Foundation, 2010.

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9

Bentley, Harry C. Bibliography of works on accounting by American authors. Martino Pub., 2005.

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10

Libraries, Association of Research, ed. Author addenda. Association of Research Libraries, 2009.

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11

Frédéric, Pollaud-Dulian, and Queen Mary and Westfield College (University of London). I.P. Unit., eds. The Internet and authors' rights. Sweet & Maxwell, 1999.

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12

Congress, European Writers'. Authors' rights: Handbook of the European Writers' Congress, EWC. EWC, 1995.

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13

Centre for Economic Development and Administration., ed. Review of copyright in Nepal. Centre for Economic development and Administration, Tribhuvan University, 1998.

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14

Institute, Intellectual Property, ed. Audiovisual authors - the lost tribe?: A CLIP seminar report. Intellectual Property Institute, 1996.

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15

Crawford, Tad. Business & legal forms for authors & self-publishers. Allworth Press, 1990.

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16

Montefiore, Joshua. The law of copyright: Being a compendium of acts of parliament and adjudged cases, relative to authors, publishers, printers, artists, musical composers, print-sellers. Lawbook Exchange, 2009.

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17

Sterling, J. A. L. Copyright law in the United Kingdom and the rights of performers, authors, and composers in Europe. Legal Books, 1987.

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18

Evans-Walls, Tonya M. Literary law guide for authors: Copyright, trademark, and contracts in plain language. FYOS Entertainment, 2003.

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19

Evans-Walls, Tonya M. Literary law guide for authors: Copyright, trademark, and contracts in plain language. 2nd ed. FYOS Entertainment, 2005.

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20

Kirsch, Jonathan. Kirsch's handbook of publishing law: For authors, publishers, editors, and agents. Acrobat Books, 1995.

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21

Hans-Peter, Hillig, ed. Urheber- und Verlagsrecht: Urheberrechtsgesetz, Verlagsgesetz, Recht der urheberrechtlichen Verwertungsgesellschaften, Internationales Urheberrecht : Textausgabe mit einer ausführlichen Einführung und einem Sachverzeichnis. Dt. Taschenbuch-Verl., 2008.

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22

(West), Germany. Urheber- und Verlagsrecht: Urheberrechtsgesetz, Verlagsgesetz, Recht der urheberrechtlichen Verwertungsgesellschaften, internationales Urheberrecht : Textausgabe mit einer ausführlichen Einführung und einem Sachverzeichnis. 4th ed. Deutscher Taschenbuch Verlag, 1987.

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23

(West), Germany. Urheber- und Verlagsrecht: Urheberrechtsgesetz, Verlagsgesetz, Recht der urheberrechtlichen Verwertungsgesellschaften, internationales Urheberrecht : Textausgabe mit einer ausführlichen Einführung und einem Sachverzeichnis. 2nd ed. Deutscher Taschenbuch Verlag, 1985.

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24

Hans-Peter, Hillig, ed. Urheber- und Verlagsrecht: Urheberrechtsgesetz, Verlagsgesetz, Recht der urheberrechtlichen Verwertungsgesellschaften, Internationales Urheberrecht : Textausgabe mit einer ausführlichen Einführung und einem Sachverzeichnis. Dt. Taschenbuch-Verl., 2008.

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25

Crawford, Tad. Business and legal forms for authors and self-publishers. 3rd ed. Allworth Press, 2004.

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26

Eve, Martin, Ernesto Priego, and James Baker, eds. Guide to Creative Commons for Humanities and Social Science Monograph Authors. JISC Collections, 2013.

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27

Sterling, J. A. L. World copyright law: Protection of authors' works, performances, phonograms, films, video, broadcasts, and published editions in national, international, and regional law. 2nd ed. Sweet & Maxwell, 2003.

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28

Library of Congress. Copyright Office, ed. The benefits of copyright registration in the United States: Why foreign authors should register their works with the U.S. Copyright Office. The Office, 1993.

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29

Oman, Ralph. The benefits of copyright registration in the United States: Why foreign authors should register their works with the U.S. Copyright Office. The Office, 1993.

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30

Killough, H. P. The beginning creator's copyright manual: A practical guide for authors, poets, composers, programmers, playwrights, artists, and photographers, in ordinary language. Harlo, 1988.

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31

Society, of Composers Authors and Music Publishers of Canada. SOCAN facts: A guide for composers, authors and music publishers. SOCAN, 1990.

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32

Vanhees, Hendrik. Een juridische analyse van de grondslagen, inhoud en draagwijdte van auteursrechtelijke exploitatiecontracten. Maklu, 1993.

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33

Richard, Hahn. Rechtsfragen im Verlag: Urheberrecht, Verlagsrecht & Co. De Gruyter, 2013.

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34

Wilhelm, Nordemann, Nordemann Axel, Nordemann Jan Bernd, Germany, and Germany, eds. Urheberrecht: Kommentar zum Urheberrechtsgesetz, Verlagsgesetz, Urheberrechtswahrnehmungsgesetz. Kohlhammer, 2008.

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35

Kozak, Ellen M. Every writer's guide to copyright and publishing law. 3rd ed. H. Holt, 2004.

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36

Kozak, Ellen M. Every writer's guide to copyright and publishing law. 2nd ed. Henry Holt and Company, 1996.

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37

Hassan, Kamal Halili, and Kamal Halili Hassan. Penulis dan undang-undang. Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1990.

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38

Jezioro, Julian. Zawarcie umowy i formowanie stosunku wydawniczego w świetle ustawy o prawie autorskim z 1952 roku. Wydawn. Uniwersytetu Wrocławskiego, 1994.

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39

L, Carpenter M. C., ed. Copyright law in the United Kingdom and the rights of performers, authors and composers in Europe. Legal Books, 1986.

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40

Understanding Copyright: Author's Edition. Tranquility Press, 2019.

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41

Understanding Copyright: Author's Edition. Tranquility Press, 2019.

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42

Author's Guide to a Copyright Transfer Form. Skyhorse Publishing Company, Incorporated, 2012.

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43

Loewenstein, Joseph. Author's Due: Printing and the Prehistory of Copyright. University of Chicago Press, 2010.

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44

Loewenstein, Joseph. Author's Due: Printing and the Prehistory of Copyright. University of Chicago Press, 2014.

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45

The author's due: Printing and the prehistory of copyright. University of Chicago Press, 2002.

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46

Lea, Gary, Facon Pollaud-Dulain, Andre Facon, Yves Gaubiac, and Ysole Gendreau. The Internet and Author's Rights (Perspectives on Intellectual Property). Sweet & Maxwell, 1999.

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47

Kirsch, Jonathan. Kirsch's Handbook of Publishing Law: For Author'S, Publishers, Editors and Agents. Acrobat Books, 1994.

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48

Birkhold, Matthew H. Characters Before Copyright. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831976.001.0001.

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How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author’s character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fiction—literary works written by readers who appropriate preexisting characters invented by other authors—and reconstru

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49

American authors and British pirates. American Copyright League, 1986.

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50

Ray, Sumantra (Shumone), Sue Fitzpatrick, Rajna Golubic, Susan Fisher, and Sarah Gibbings, eds. Authorship. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199608478.003.0026.

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This chapter begins with a definition of authorship and provides the The Proposed Rapid Review Checklist for Authors (the 5Ds: design, data collection, data analysis, discussion of findings, the ability to define the paper and its message) which may be useful in judging whether authorship should be considered. The authorship model proposed by the International Committee of Medical Journal Editors (ICMJE) is also outlined. The chapter also discusses different forms of inappropriate authorship models (ghost authorship, guest/honorary authorship, anonymous authorship) and presents intellectual pr

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