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Dissertations / Theses on the topic 'Author's Copyright'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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1

Raimond, Sébastien. "La qualification des contrats d'auteur." Thesis, Paris Est, 2008. http://www.theses.fr/2008PEST2005/document.

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La qualification du contrat au regard du droit d’auteur met en exergue un renversement de la logique présidant habituellement à la construction des catégories contractuelles : les divers contrats nommés et, au-delà, tous les contrats d’auteur, sont moins définis par égard à leurs effets, à savoir le transfert de droit et les obligations qui en sont la contrepartie, que par référence à leur environnement. En effet, alors que l’effet translatif est commun à tout contrat d’auteur, sa qualification dépend avant tout de son environnement « matériel », c’est-à-dire du type d’oeuvre de l’esprit ou de
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2

Jakubíček, Petr. "Hudební dílo a jeho právní ochrana - aktuální otázky." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-18426.

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The thesis deals with contemporary author's law which is effective in Czech republic in relation to a piece of music and its legal protection. The goal of first chapters is to outline the crucial statutes concerning subjects as authors, executive artists and recording producers. A great deal of the thesis concerns with internet music piracy which results from a mass file-sharing. It also includes an evalution of current author's law and its efficiency in today's information society.
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3

Sanigová, Jana. "Autorské právo v profesi výkonného umělce." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-75119.

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The authors' rights nowadays concern every individual. They significantly influence the performing artists, who use authors' works to make their living. This thesis analyses the specific impact of the Czech legal regulations on the professional musicians, describes the competences of the collecting societies, refers to the difficulties due to differences in the legal regulations on the international scale and defines musical theme as a new term in the legal context. The thesis proves the advantage of potential use of this term in both Czech and international courts practise.
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4

Boisson, Alexis. "La licence de droit d'auteur." Thesis, Montpellier 1, 2011. http://www.theses.fr/2011MON10063.

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Le droit d'auteur – dont l'identité reste controversée – n'échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en œuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l'originalité de l'ensemble des contrats de la matière. Or, la spécificité n'est sur ce point qu'apparente. De l'édition littéraire aux contrats de l'audiovisuel et aux œuvres diffusées sur les réseaux, l'analyse démontre que si l'auteur peut "céder" son œuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu'elle
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5

Ahmad, Zaidi Adruce Shahren Mueller Milton Mueller. "Academic authors' perception on copyright protection /." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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6

Ahmad, Zaidi Adruce Shahren Mueller Milton. "Academic authors' perception on copyright protection." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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7

Makeen, Fouad Makeen. "From communication in public to communication to the public : an examination of the author's rights of broadcasting, cabling, and the making available of works to the public under the copyright laws of the USA, the UK, and France." Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392285.

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8

Graça, Orlanda Gisela. "La déconstruction du droit d'auteur sous prétexte de technologie numérique." Thesis, Poitiers, 2012. http://www.theses.fr/2012POIT3009.

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L'avènement des technologies numériques, notamment des réseaux numériques, a servi de prétexte pour introduire dans le droit d'auteur des réformes qui mènent à une mutation profonde de ce droit. Un précédent a été créé par l'inclusion des logiciels et des bases de données électroniques dans son champ de protection ; ce sont de créations strictement fonctionnelles, qui ne devraient pas appartenir à la catégorie « oeuvre de l'esprit ». Cela ne pouvait qu'engendrer une distorsion du critère de l'originalité. En outre, la nature de ces objets imposera d'adapter le régime juridique ainsi que les rè
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9

Amador, José Maria da Rocha Machado. "A gestão do património artístico em Portugal, no século XX-do regime jurídico à realidade prática." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29586.

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10

Boisson, Alexis. "La licence de droit d'auteur." Electronic Thesis or Diss., Montpellier 1, 2011. http://www.theses.fr/2011MON10063.

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Le droit d'auteur – dont l'identité reste controversée – n'échappe pas à la discussion quant à la nature et au régime des contrats qui le mettent en œuvre. D'une terminologie légale ancrée dans une certaine tradition, mais hasardeuse, on infère l'originalité de l'ensemble des contrats de la matière. Or, la spécificité n'est sur ce point qu'apparente. De l'édition littéraire aux contrats de l'audiovisuel et aux œuvres diffusées sur les réseaux, l'analyse démontre que si l'auteur peut "céder" son œuvre – ce que dit la loi – il peut aussi la louer, c'est-à-dire en concéder la licence – ce qu'elle
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11

Salajko, Victoria Marie. "Stationers, Authors, and the Creation of Copyright: Copyright and the British Book Trade During the Seventeenth and Eighteenth Centuries." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144952.

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12

D'Agostino, Giuseppina. "Towards a balanced copyright treatment of freelance authors in the digital era." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413530.

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13

Al-Sharieh, Saleh. "A Roadmap for Assimilating Authors’ and Users’ Human Rights into International Copyright Law." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31359.

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This thesis argues that international copyright law should play a stronger role in the implementation of authors’ and users’ international human rights. In international human rights law, authors’ and users’ human rights are two sides of the same coin: both derive from human dignity and contribute to the development of the human personality. Authors have a set of moral and material interests that entitle them, as a minimum, to an adequate standard of living, to be (or not to be) associated with their intellectual works, and to object to any distortion or mutilation of those works. These entitl
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14

Alvarez, Amezquita David F. "Towards the protection of authors' moral and material interests through copyright laws : a comparative study." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/52552/.

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This thesis argues that the interaction between copyright and human rights must be understood in the pitch of protecting an author’s moral and material interests. The implications of such an understanding has been analysed in three interrelated areas. One is the justification of copyright through different theories and how this can be connected to the principles of a modern conception of natural law. This has demonstrated that copyright responds to principles based on democracy, freedom of expression and equal rights of participation in the life of society. By protecting the author, society fi
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15

Yang, Liyuan. "From Analogue to Digital: Reconsidering Copyright And The Exclusive Rights of Authors In An Era Of Technological Change." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27348.

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After the First Industrial Revolution, a series of technologies challenged copyright law and pushed the law to accommodate, expand, and develop. Compared with analogue technologies, digital technologies present an even greater challenge to copyright law, which is under pressure to adapt to the rapid changes in the technologies. When digital technology was in its infancy, analogue copyright law was extended to the digital realm and became known as digital copyright law. ‘Digital copyright law’, however, is no more than a tailoring, tinkering and twisting of analogue copyright law, which fits po
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16

Bednarz, Tobias. "Diversity in online music : a European Union debate on cultural diversity and the collective management of authors' rights." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/33294.

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facilitated the licensing of music to the benefits of right holders and commercial users alike. In the online realm, however, the rationale of the collective administration of copyright has been challenged and its functioning re-configured. At a moment in time where the Internet has made the cross-border distribution of recorded music easier than ever, right holders are yet to find licensing solutions appropriate for multi- territorial online uses. This, in turn, slows down the uptake of legal online music services and prevents the realisation of the Digital Single Market, pursued within the E
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17

Kostova, Nevena Borislavova. "Creators' organisations as actors in copyright policy : mapping the complexity of stakeholder behaviour, dynamics and differences." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25837.

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A basic tenet and challenge of copyright law is the need to balance the interests of a range of stakeholders, from authors and performers to publishers, producers, broadcasters, intermediaries, service providers and the general public. To ensure that this balancing act takes place, policymakers involve organisations representing these stakeholders in the development of policy and the drafting of legislation in several ways, including through meetings, public consultations, and stakeholder dialogues. However, the process by which stakeholders steer the course and substance of copyright law and
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18

Díaz, Noci Javier. "Copyright and news reporting: a comparative research study on the authors' rights of media companies, journalists and audiences." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398785.

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WE EXAMINE IN THIS PHD DISSERTATION, from a comparative, empiri-cal and functionalist approach, the legal aspects related to the protection given by the intellectual property system to the production and dissemi-nation of news, whoever its author is: companies, journalists, users. We propose first a historical and legal examination of the diachronic evolu-tion of the business of news, the social creation of reporters as authors, and the collective work as a legal category especially applicable to some journalistic products. Second, we examine the many rights involved in the protection of copyr
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19

Shi, Xiaoxiang. "Towards a relational theory of copyright law." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41761/1/Xiaoxiang_Shi_Thesis.pdf.

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This research provides a systematic and theoretical analysis of the digital challenges to the established exclusive regime of the economic rights enjoyed by authors (and related rightholders) under the law of copyright. Accordingly, this research has developed a relational theory of authorship and a relational approach to copyright, contending that the regulatory emphasis of copyright law should focus on the facilitation of the dynamic relations between the culture, the creators, the future creators, the users and the public, rather than the allocation of resources in a static world. In this n
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20

Hammad, Hayssam Mohammed Saber Abdallah. "Ownership and authorship in copyright law : a proposal to re-categorise works and a digital implementation." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/17636.

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The thesis argues that there is a pressure on the authorship concept since the emergence of collections of facts, anthologies, and adaptations of pre-existing works. These works were the reason that Judges offered various interpretations to authorship and originality, as some Judges lessened the requirement of originality to obtain copyrightability for these works and some raised it. This led to make the protection granted by copyright law to intellectual works vague and uncertain. This became apparent in conflicts in courts decisions on copyright subsistence in works. This subsequently led to
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21

Pavis, Mathilde Goizane Alice. "The author-performer divide in intellectual property law : a comparative analysis of the American, Australian, British and French legal frameworks." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23692.

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Western intellectual property frameworks have at least one feature in common: performers are less protected than authors. This situation knows many justifications, although all but one have been dismissed by the literature: performers are simply less creative than authors. As a result, the legal protection covering their work has been proportionally reduced compared to that of their authorial peers. This thesis investigates this phenomenon that it calls the 'author-performer divide'. It uncovers the culturally-rooted principles and legal reasoning that policy-makers and judges of Australia, Fr
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22

Schönherr, Franciska. "The construction of an EU copyright law : towards a balanced legal and institutional framework." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAA018.

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Les défis de la construction du droit d’auteur au niveau de l’UE sont d’abord définis sous l'angle du cadre institutionnel dans lequel ce processus dynamique se déroule (I). La deuxième partie est une perspective : elle décrit comment la construction du droit d’auteur de l’Union européenne pourrait être poursuivie, tant en termes de « forme » (c'est-à-dire en ce qui concerne le choix des instruments juridiques et la relation avec les droits d'auteur nationaux), qu’en termes de contenus (II). Les deux parties principales mettent en évidence des facettes différentes du cadre « institutionnel » e
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23

Solórzano, Solórzano Raúl. "Regarding the moral right of the authors to the integrity of their work: reflections about the damage done to the murals in the Centre of Lima." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/115773.

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Based on the recent damage done to the murals in the Centre of Lima, this article analyzes the conflict that can occur between the moral right of authors to the integrity of their work and the property rights of the holders of the support containing the intellectual creation. Criteria are provided to analyze conflicts in which murals are involved. Finally, the infringement of moral right of integrity is discussed.<br>Sobre la base del reciente daño efectuado a los murales en el Centro de Lima, a través del presente artículo se analiza el conflicto que puede producirse entre el derecho moral de
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24

Dore, Giulia. "Plagiarism as an axiom of legal similarity: a critical and interdisciplinary study of the Italian author'€™s right and the UK copyright systems on the moral right of attribution." Doctoral thesis, Università degli studi di Trento, 2015. https://hdl.handle.net/11572/367627.

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Plagiarism may have accompanied acts of creation, either endorsing or contradicting them. Esteemed as a general rule of literature or censured as literary larceny, it embodies the disavowal of authorship in the intellectual works of others and thus breaches their right to be acknowledged as authors, while also feasibly deceiving the public and, in any case, contradicting the universal rule of creative imitation. Historically entangled with the concepts of counterfeiting and piracy, it only later reached an autonomous collocation as a violation of the moral right of attribution. Placed in the b
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25

Phillips, Michael. "The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23289.

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With new technology come new possibilities for the creation of artistic works. The invention of sound recording at end of the nineteenth century enabled musical performances to be “written” in the same manner as traditional, printed literature. The status of records as a form of writing and, moreover, as the material for further writing is demonstrated in the work of two hip hop artists, DJ Shadow and Cut Chemist, who assemble new, heteroglossic texts out of a wide array of sampled records. Two concerts, Product Placement (2004) and The Hard Sell (2008) – both of which have been memorialized o
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26

Pacouret, Jérôme. "Qu'est-ce qu'un auteur de cinéma ? : copyright, droit d'auteur et division du travail (années 1900-2010)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH084/document.

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Pourquoi les films de cinéma sont-ils souvent attribués à des auteurs alors même que leurs génériques énumèrent des dizaines de noms propres et de noms de métiers ? A la suite de Michel Foucault et de sa définition de la « fonction-auteur » comme forme d’appropriation des discours, cette thèse étudie la genèse et l’existence des auteurs de films au prisme des luttes de définition de leurs droits de propriété. Plutôt que de considérer les auteurs de cinéma comme ceux qui « font » les films ou comme une fiction occultant le caractère collectif de leur fabrication, elle montre que les auteurs son
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27

Atkinson, Benedict. "Ownership causes social inequality. To reduce social inequality, reduce or diffuse ownership: An analysis with particular application to the copyright system." Thesis, Australian Catholic University, 2015. https://acuresearchbank.acu.edu.au/download/0c042cb0a8b2204d0e982df401871dbf98f7b0642ed32c650bb58743428e5752/4165658/201500_Benedict_ATKINSON_LAW_PHD_AS_AMENDED.pdf.

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Humans contest for control or ownership. Contest is to a considerable extent inescapable because conceptually a large part of most grammars involve possession and appropriation. Language creates antithesis (‘mine, yours’) that results in conflict. The result of conflict is possession and dispossession, which results in ownership, which is expressed in property and property systems. This dissertation focuses on the exclusionary effect of property systems. Property confers the power to exclude and the aggregate of legal exclusions, which constitutes a property system, objectively or instrumental
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28

Dore, Giulia. "Plagiarism as an axiom of legal similarity: a critical and interdisciplinary study of the Italian author'€™s right and the UK copyright systems on the moral right of attribution." Doctoral thesis, University of Trento, 2015. http://eprints-phd.biblio.unitn.it/1437/1/A.A._2013-2014_PhD_thesis_Dore_Giulia_Plagiarism_as_an_axiom_of_legal_similarity.pdf.

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Plagiarism may have accompanied acts of creation, either endorsing or contradicting them. Esteemed as a general rule of literature or censured as literary larceny, it embodies the disavowal of authorship in the intellectual works of others and thus breaches their right to be acknowledged as authors, while also feasibly deceiving the public and, in any case, contradicting the universal rule of creative imitation. Historically entangled with the concepts of counterfeiting and piracy, it only later reached an autonomous collocation as a violation of the moral right of attribution. Placed in the b
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29

Holmedal, Samuel. "Förslag till reform av den upphovsrättsliga skyddstiden : En argumentsorienterad studie över skyddstidens längd." Thesis, Uppsala universitet, Juridiska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-248067.

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30

Banelis, Paulius. "Creative Commons licencijų teisiniai aspektai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20080206_110435-73217.

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Aštuntajame XX a. dešimtmetyje išplitus skaitmeninėms technologijoms ir didžiajai daliai žmogaus gyvenimo persikėlus į skaitmeninę erdvę, autorių teisių įstatymai ėmė nebeatitikti susiklosčiusios situacijos ir nepagrįstai riboti informacijos sklaidą bei prieinamumą internete. Siekiant padėti autoriams ir kūrinių naudotojams išspręsti šias problemas bei skaitmeninėje erdvėje sukurti protingą ir lanksčią autorių teisių apsaugos sistemą, 2001 m. buvo įkurta Creative Commons organizacija, 2002 m. pasiūliusi visuomenei autorių teisių suteikimo sutartis – Creative Commons licencijas. Šios skaitmenin
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31

Fleutiaux, Johann. "Pour une réforme du statut de la copie privée en droit d’auteur." Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020045.

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La faculté de copie privée, admise depuis longtemps et figurant à l’article L. 122-5 du Code de la propriété intellectuelle, est présentée par la doctrine majoritaire comme une exception au droit d’auteur. Elle permet à une personne de dupliquer une œuvre pour son usage personnel sans avoir à demander l’accord préalable de l’auteur et s’illustre dans deux cas : la copie pour son usage personnel faite par le propriétaire d’un exemplaire, laquelle est facile à admettre ; et celle faite par un tiers, notamment un emprunteur de l’exemplaire, laquelle s’impose aussi. On observe que la copie privée,
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32

Ramos, Carolina Tinoco. "Contributo mínimo em direito de autor: o mínimo grau criativo necessário para que uma obra seja protegida; contornos e tratamento jurídico no direito internacional e no direito brasileiro." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2005.

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O presente trabalho faz uma análise, sob o aspecto do direito internacional e do direito brasileiro, do instituto do contributo mínimo em direito de autor, a qual pouquíssima atenção foi dada pela doutrina e jurisprudência brasileiras. Trata-se da análise do mínimo grau criativo que uma criação deve possuir para ensejar proteção por direito de autor esse é o sentido que damos à expressão contributo mínimo.Devido ao caráter internacional do direito de autor, fazemos a análise sob esse aspecto, passando por um pouco da história em âmbito global e tratando de que modo esse instituto é previsto e
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Torres, Padrosa Víctor. "Contribution to an Architecture for Multimedia Information Management and Protection Based on Open Standards." Doctoral thesis, Universitat Pompeu Fabra, 2008. http://hdl.handle.net/10803/7547.

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El principal objetivo de éste proyecto de investigación es la definición de una arquitectura que permita la protección y gestión de los derechos digitales en un entorno de gestión de contenido multimedia, siguiendo estándares abiertos siempre que sea posible. A fin de conseguir dicho objetivo, se analizarán y considerarán múltiples estándares e iniciativas relacionados.<br/>En primer lugar se aborda la definición de una arquitectura preliminar basada en MPEG-21 que permite la protección y gestión de los derechos digitales (DRM) aplicables a contenido multimedia. Más adelante, se presenta una a
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Sleiman, Cristina Moraes. "Incubadora de talentos: uma proposta de ambiente colaborativo para desenvolvimento de software educacional com foco na sustentabilidade dos colaboradores." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/3/3142/tde-12112008-123205/.

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Nascemos em uma sociedade analógica e passamos rapidamente para uma sociedade digital, onde a convivência ganha novas formas e a demanda profissional exige cada vez mais experiência. Nesta nova sociedade, o software se torna cada vez mais necessário, uma vez que se trata de uma programação necessária para o funcionamento da maioria das ferramentas hoje disponibilizadas. Surgem então, movimentos onde desenvolvedores trocam conhecimento e compartilham seus trabalhos por meio de comunidades virtuais. As comunidades atuais que se mostram voltadas ao idealismo do software livre, não se mostram preo
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Leonardi, Fernanda Stinchi Pascale. "Tutela civil da voz." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2131/tde-08072011-134359/.

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O objetivo do estudo é demonstrar a possibilidade e a necessidade de proteção jurídica da voz. Para tanto, o estudo analisa se a voz de uma pessoa é única e se conseguimos diferenciar uma pessoa de outra com base em sua voz, enfocando, principalmente, a dublagem de obras audiovisuais, o uso (ou imitação) da voz de celebridades para fins humorísticos, em campanhas publicitárias, institucionais ou políticas, sem autorização ou para fins diversos e/ou após o período autorizado, bem como a divulgação de entrevistas de pessoas comuns sem que a voz do entrevistado seja descaracterizada e o uso da vo
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36

Groffe, Julie. "La bonne foi en droit d'auteur." Thesis, Paris 11, 2014. http://www.theses.fr/2014PA111016.

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La bonne foi, notion floue teintée de morale et issue du droit commun, a vocation à intervenir dans toutes les branches du droit. A ce titre, elle trouve naturellement à s’appliquer en droit d’auteur, c’est-à-dire au sein du droit qui organise la protection des rapports entre l’auteur et l’œuvre de l’esprit qu’il a créée, en reconnaissant à ce dernier des droits patrimoniaux et des droits extrapatrimoniaux. Notion duale, la bonne foi s’entend tantôt comme la croyance erronée dans une situation – c’est là la dimension subjective –, tantôt comme l’exigence de loyauté dans le comportement, ce qui
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Ego, Audrey. "Les droit fondamentaux de l'auteur et l'environnement numérique : l'exemple de l'oeuvre pédégogique numérique." Thesis, Lille 2, 2015. http://www.theses.fr/2015LIL20021.

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La thèse porte sur l'étude des droits fondamentaux de l'auteur dans l'environnement numérique. Si l'auteur d'une oeuvre de l'esprit dispose d'une protection juridique accrue grâce à l'octroi de prérogatives morales et patrimoniales, il est indispensable de lui reconnaître avant tout une large liberté de création. L'objectif de cette recherche est donc d'étudier comment les droits fondamentaux saisissent l'auteur dan sle cadre de notre société d'information, d'échange et de communication. Ce propos porte un regard particulier sur l'application des règles du droit d'auteur dans le contaxte de la
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Billion, Arnaud. "La production de l’intelligence artificielle comme objet du droit d’auteur." Electronic Thesis or Diss., Lyon 3, 2023. https://scd-resnum.univ-lyon3.fr/in/theses/2023_in_billion_a.pdf.

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Les systèmes dits d’intelligence artificielle peuvent obtenir des produits dont on se demande s’ils sont éligibles au droit d’auteur. Face à cette question, le juriste intellectualiste ne peut se contenter d’un modèle grossier de son droit, ni se satisfaire d’une approximative revendication. Il est alors invité à considérer la production artificielle de manière réaliste, dans ses caractères sériels et divergents. Ceci éloigne la possibilité d’une appréciation erronée des faits : il n’y a pas, le plus souvent, un produit créé par un utilisateur de l’IA. La production artificielle, ce sont avant
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Wang, Silvia, and 王幸瑜. "The Review of the Wikipedia's GNU Free Documentation License from the Author's Perspective under Taiwan Copyright Law." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/85785472460314439672.

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Valeková, Darina. "Smluvní právo autorské." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307852.

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Author's Contract Law The aim of the thesis is to analyze legal regulation of license agreements within the legal branch of "droit d"auteur", or "author"s right". The main object of interest is typified license agreement, which serves as a standard contractual type to exercise authors" economic rights to their works. Recently issued Czech Civil Code shall become applicable on January 1, 2014. Unlike the currently applicable Civil Code, which leaves the regulation of license agreements to special acts, the new code includes provisions which regulate license agreements for the whole area of inte
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Cittová, Gabriela. "Autorskoprávní ochrana v hudebním průmyslu." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306059.

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In this work, the copyright protection in the music industry is discussed. I am focusing in particular on the description of copyright, rights related to copyright, collective management and protection of these rights. In the beginning, I mention the national, international and European sources of copyright and I am explaining the concepts of copyright, copyright work (including musical and processed work of art), and authoring. Furthermore, I explore the copyright law in terms of its origin, content and restrictions. Copyright is based on the quasidual concept, which simply means that we dist
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Moller, Allison. "The case for open access publishing, with special reference to open access journals and their prospects in South Africa." Thesis, 2006. http://eprints.rclis.org/7297/1/MollerThesis.pdf.

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Open access publishing is an initiative that aims to provide universal, unrestricted free access to full-text scholarly materials via the Internet. This presents a radically different approach to the dissemination of research articles that has traditionally been controlled by the publishing enterprise that regulates access by means of subscriptions and licences fees levied on users, predominantly academic libraries. In presenting the case for open access publishing, the thesis explores the contemporary research environment, changing modes of knowledge production, the problems associated with t
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Rosa, Flavia-Goulart-Mota-Garcia. "Pasta do professor: o uso de cópias nas universidades de Salvador." Thesis, 2006. http://eprints.rclis.org/14296/1/_Disserta%C3%A7%C3%A3o.pdf.

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This exploratory survey is aimed at analyzing the university students’ widespread practice of photocopying the supporting academic material the sources of which are suggested by their teachers and made available in the so-called “Teachers’ Files” in the four fully constituted public (UFBA and UNEB) and private(UCSAL and UNIFACS) universities in Salvador (Bahia, Brazil). Because the courses of Business Administration start their term in the first semester and have both the same profile and the highest number of students enrolled in all four universities, their 21 teachers of the first-term disc
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Wegschmiedová, Markéta. "Osobnostní práva autorská." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-380261.

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Moral rights in copyright Abstract This thesis, after a brief introduction to the issue of copyright, defines the basic concepts relating to author's moral rights and its nature. It provides an insight into the issue from various different points of view, focusing on the natural nature of moral rights and the natural nature of an author's work, that is reflected in the copyright legislation. The thesis also offers a comparison of two major legal systems of copyright - the authors' right system and the copyright system, which demonstrate the key institutes and characterize both legal cultures t
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De, Beer Jennifer A. "Open Access scholarly communication in South Africa : a role for National Information Policy in the National System of Innovation." Thesis, 2005. http://eprints.rclis.org/5898/1/DeBeerJenniferThesisMPhil2004.pdf.

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South African science shows a decline in its global competitiveness in that its scholarly publication rate has not kept pace with that of other countries, both developed and developing. This, together with a decline in publication rate especially among junior South African scholars, suggests a structural problem in the South African national system of innovation. A declining publication rate indicates a problem of knowledge diffusion for South Africa, and hints at a possible knowledge generation problem. This thesis limits itself to the dynamics of knowledge diffusion with specific reference t
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Zanni, Andrea. "Collaboratory Digital Libraries for Humanities in the Italian context." Thesis, 2010. http://eprints.rclis.org/15839/1/Thesis%20Finale.pdf.

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The study investigates the approach to collaboration in Humanities, within the Italian context, to test the possibility of collaborative digital library for scholars. The research hypothesis is that collaboration can foster innovation and scienti c development: therefore, within Humanities, digital libraries can be the collaborative laboratory for research. Thus, understanding perception of scholars towards collaboration, especially online, and comprehending if wiki systems could be the framework of collaboration were the objectives of the study. A qualitative approach has been adopted, using
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Hrdlička, Daniel. "Píseň jako autorské dílo a ochrana práv jejích autorů." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-446900.

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Song as an author's work and protection of its authors This diploma thesis deals with songs. Each of us listens to them on a daily basis, whether we turn on the radio or Internet TV, go shopping to the mall or directly to the live concert. All the songs have something in common - they are an author's work and we could never listen to them without their authors, who have certain rights for writing lyrics or composing music. The aim of the diploma thesis is to describe what might interest each author of the song. In addition to copyright theory, the author analyzes the song as a separate type of
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De, Robbio Antonella. "La tutela giuridica delle banche nel diritto d'autore e nei diritti connessi." Thesis, 1999. http://eprints.rclis.org/4012/1/dbthesis.pdf.

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Final thesis discussed on the Course for Library Manager (January – June 1999), organized by University of Padua, Accademic Library. All the thesis had been collected in a book edited by Maria Antonia Romeo.
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Döllinger, Katharina. "Das Pflichtexemplar in Österreich : ein Abriss der Vergangenheit und ein Ausblick in die Zukunft." Thesis, 2006. http://eprints.rclis.org/7725/1/AC05369638.pdf.

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Delivering a copy of every publication released in Austria to the national library has a long tradition. The earliest mention of so called legal deposit dates back to the 17th century. However, since the numbers of electronic publications continuously have increased, many problems have occurred. The aim of this thesis is to outline the development of legal deposit and to analyse the challenges which publishers and libraries are confronted with today. Some possible strategies with regard to electronic publications are also outlined. The thesis starts with a theoretical part which illustrates th
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Villegas-Tovar, Ricardo. "Information Services in Libraries for Printed and Digital Materials: Selected Legal Issues." Thesis, 2008. http://eprints.rclis.org/15160/1/VersionFinal.pdf.

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Outline 1. - Information services in libraries for printed & digital materials 2. - Document Delivery Services: Digital Materials 2.1. - Electronic document delivery 2.2. - The role of Reproduction Rights Organizations and DDS 3. - Library copying for the user: Printed Materials 3.1.- Printed document delivery 3.2. - Reserve room 4. - Library copying for library uses: Printed Materials 5. - Information access and copyright: Current situation in Mexico
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