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Journal articles on the topic 'Author's myth'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Hoffman, Carlie. "Author's Myth." New England Review 44, no. 2 (2023): 60. http://dx.doi.org/10.1353/ner.2023.a901418.

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2

Danilova, N. K. "Poet, Russia, People: Myth, Propaganda Clich? or Cultural Archetype?" Art Logos – The Art of Word 1, no. 30 (2025): 178–83. https://doi.org/10.35231/25419803_2025_1_178.

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The article provides a description of the study by A. S. Sobennikov on the myths of Russian literature. Myth is interpreted here as a property of consciousness to understand and interpret reality in mythological images. The historical myth, the myth of the poet, the myth of Russia, the myth of the people and the problem of demythologization are distinguished. Attention is drawn to the events of the Battle of Kulikovo, the Patriotic War of 1812 and the Battle of Borodino, which are considered by the author as military-patriotic discourse and historical myths. The author calls for distinguishing

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3

Borunov, Artem Borisovich, and Alena Aleksandrovna Ustinovskaya. "Fictional worlds of fantasy and "magical" prose as a space for generating supertext." Litera, no. 3 (March 2024): 171–75. http://dx.doi.org/10.25136/2409-8698.2024.3.69851.

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In this paper, the author addresses the features of the supertexts based on the modern Russian novels, namely postmodern works, the genre of which can be defined as fantasy. One of the areas of research is the interpretation of the author's myth, as well as understanding the role of myth in literature. The subject of the study is an end-to-end code that unites the prosaic macrocycles of modern authors as a supertext unity. The object of the study is the macrotext as a format of a literary work in the literature of modern Russian writers. The authors consider in detail such aspects of the topic

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4

Liao, Ya. "CINEMA AS A CULTURAL INDUSTRY: MODERN MYTH-MAKING." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 88 (2023): 79–86. http://dx.doi.org/10.37313/2413-9645-2023-25-88-79-86.

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This article analyzes the possibilities of using cinema to create and disseminate myths (political, social, cultural). At the same time, the role of cinema as a cultural industry is noted, where the creation of screen reality acts as a special type of myth-making, which is evaluated not only in terms of economic effect, but, above all, as a mechanism for creating new original images of social and therapeutic value. A film work is considered as a sign ensemble, while it is determined that the level of saturation with signs and the choice of sign systems are subject to the author's intention, ac

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Sapunova, I. P. "Mythopoeical Comprehension of History in the Novels “The Abode” by Z. Prilepin and “My Children” by G. Yakhina." Russian Studies in Philology, no. 1 (September 23, 2024): 149–57. https://doi.org/10.18384/2949-5008-2025-1-149-157.

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Aim. To characterize the strategies and main forms of mythopoetic understanding of history in the novels “The Abode” by Z. Prilepin and “My Children” by G. Yakhina.Methodology. Based on the established scientific principles of comparative, mythopoetic and hermeneutic approaches to the study of fiction, research attention in the article is drawn primarily to the character level of the text as the most representative one for achieving the goal: mythologemes are associated with the images of heroes, which set the basis for the construction of the author's own neomyth.Results. The analysis establi

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Sloyan, Gerard S. "The Crucifixion of Jesus: History, Myth, Faith. Author's Response." Horizons 25, no. 1 (1998): 108–12. http://dx.doi.org/10.1017/s0360966900030814.

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7

Linnichenko, Svetlana Igorevna. "Representation of myth-creating in the form of author’s language cognition in the poem of D. Constantine “Orphic”." Philology. Issues of Theory and Practice 17, no. 7 (2024): 2341–47. http://dx.doi.org/10.30853/phil20240333.

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The purpose of the study is to identify lexical-stylistic and grammatical methods of linguistic representation of myth-creating in the poem “Orphic” by the British poet D. Constantine. The research novelty consists in the fact that the following linguistic means of expressing myth- creating as a method of artistic cognition have been established: metaphors; augmented allusion, based on cultural and historical precedents that receive new characteristics; stylistic eclecticism and impersonal myth, in which the author hints at well-known images with the help of recognizable characteristics of the

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Sharipova, D. S., S. Zh Kobzhanova, and A. B. Kenzhakulova. "INTERTEXTUALITY IN CONTEMPORARY ART OF KAZAKHSTAN IN THE ASPECT OF CULTURAL MEMORY." Bulletin of Kazakh National Women's Teacher Training University, no. 2 (July 16, 2021): 179–90. http://dx.doi.org/10.52512/2306-5079-2021-86-2-179-190.

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For the masters of modern art of Kazakhstan, along with the importance of samples of classical culture and discoveries of modernist art, Kazakh folk art is becoming a single field of tradition today. Intertextuality, constant dialogue with different layers of world and national painting and sculpture determine the search for new expressiveness in art. This article describes the role of intertextuality in the development of new forms of artistic statements, namely, as in the works of modern Kazakh sculptors (S.Bekbotayev, D.Sarbasov, Z.Kozhamkulov), jewelers (A.Mukazhanov), tapestry masters (A.

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Kolmakova, O. A. "Interpreting the Christian Category of Patience in M. Elizarov’s Novel “The Librarian”." Vestnik NSU. Series: History and Philology 21, no. 2 (2022): 118–28. http://dx.doi.org/10.25205/1818-7919-2022-21-2-118-128.

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Purpose. The aim of the article is to investigate the author's interpretation of “patience” concept, other key categories and images of Christianity in M. Elizarov’s novel “The Librarian”.Results. The plot of “The Librarian” is based on the myth “USSR, the golden age” and on the complex of Christian ideas. It is most productive to consider “The Librarian” within the framework of the myth-making tendency, when the author continues to cultivate a myth created in a fictional work in his interviews and journalism. The leading artistic task of the author is an attempt to update the Christian doctri

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Smulevitch, A. B., B. Shafran, H. Merskey, and B. Zoubok. "Slowly Progressive Schizophrenia – Myth or Clinical Reality?" British Journal of Psychiatry 155, no. 2 (1989): 166–73. http://dx.doi.org/10.1192/bjp.155.2.166.

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We have attempted to render this article into intelligible English. The original was generally somewhat cumbersome. On occasion, a more polished translation might have been attempted, but as the reader should be able to estimate the author's intent, we have avoided any possible liberties in interpretation.

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11

Berger, Verena. "Salvador Espriu und <i>Primera història d'Esther: improvisació per a titelles</i>." Zeitschrift für Katalanistik 8 (July 1, 1995): 104–17. http://dx.doi.org/10.46586/zfk.1995.104-117.

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Salvador Espriu is one of the main authors of the revival of Catalan theater after the civil war of 1936. In a climate of political and linguistic repression, he wrote Primera història d'Esther in a language that seemed doomed to death. He created one of the main linguistic monuments of modern Catalan literary history and a magnificent synthesis of the biblical myth of Esther and the history of Catalonia in Franco's Spain. The article aims to highlight the cultural and linguistic aspects of the work, relating it to Espriu's desire for universalism, and to approach the author's intentions. As i

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Հովհաննիսյան, Քրիստինե. "Քաղաքական միֆը Երկիր Նաիրի վեպում". Bulletin of Yerevan University B: Philology 15, № 3 (45) (2024): 6–24. https://doi.org/10.46991/bysu:b/2024.15.3.006.

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The political layer of Charents' novel ՛՛The Land of Nair’’ was mainly examined in literary studies in the context of the relationship with the novel's prototype characters and documentary materials. The center of the studies were the author's attitude towards the parties of the time, the Russian revolution, and Soviet Armenia. This study attempts to examine the creation of a political myth in the artistic space of Charents' novel. The concept of "political myth" has become the subject of scientific definition and research after the Second World War, but the creation of a political myth in Cha

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Мауленов, Алмасбек, та Азамат Мамыров. "А. АЛТАЙДЫҢ «ТУАЖАТ» РОМАНЫНДАҒЫ НЕОМИФОЛОГИЯЛЫҚ МОТИВТЕРДІҢ АРХЕТИПТІК НЫШАНДАРЫ". Батыс Қазақстан инновациялық-технологиялық университетінің Хабаршысы 31, № 3 (2024): 110–22. http://dx.doi.org/10.62724/202430204.

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The article deals with the archetypal symbols reflected in the ancient Kazakh myths of neo-mythological motives of A. Altai's novel «Tuazhat». In world and domestic literature, interest and the search for myth did not decrease, but increased. The prose of our national literature, which is a component of Kazakh culture, did not stand aside. No matter how much modern human society faces economic difficulties, modern domestic literature is experiencing a spiritual and cultural revival. Today's domestic literature is inspired by the ancient Kazakh archetype, and works are written that meet the req

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14

Sobieraj, Sławomir. "KOHERENCJA MITÓW ODRODZENIA NATURY, CZŁOWIEKA I OJCZYZNY W PÓŹNYCH WIERSZACH TADEUSZA MICIŃSKIEGO (HYMN, WIDZENIE POLSKI)." Conversatoria Litteraria, no. 14 (July 10, 2020): 185–99. http://dx.doi.org/10.34739/clit.2020.14.16.

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The article presents interpretations of the little-known late poetry of Tadeusz Miciński from 1914-1915, where the myth of revival occurs. It has been shown that alongside with the myths of individual and national revival found in the writer’s earlier works, there appears the rite of renewal of nature, which functions in the close connection with them in the poems Hymn/Anthem and Widzenie Polski/Vision of Poland. This is the new formula of the author's lyrics. It has been proved that the coherence of the mentioned myths is subordinated to the idea of renouncing personal happiness in favor of t

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15

Talmazan, Oleg. "Author's position and problems in Marin Mmincu’s novel ,,Dracula’s diary”." Studia Universitatis Moldaviae. Seria Ştiinţe Umanistice, no. 10(180) (April 2024): 116–20. http://dx.doi.org/10.59295/sum10(180)2023_14.

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The novel is a diary of Vlad Dracula containing childhood memories, correspondence with Pope Pius II, reflection, aphoristic statements about the world and much more. According to the plot of the novel, the diary was written in the medieval Wallachian language, but the text of the novel was created in the modern literary Italian (Tuscan) language and only 14 years later was translated into modern Romanian. Of course, the authenticity of the diary is a convention that the reader must take on faith, because the novel is not a historiographic study, one cannot insist on the correspondence of the

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16

Altanova, A. "MYTHS IN THE POETIC WORLD OF LINA KOSTENKO: PROJECTIONS OF THE AESTHETIC IDEAL." Mìžnarodnij fìlologìčnij časopis 14, no. 1 (2023): 61–72. http://dx.doi.org/10.31548/philolog14(1).2023.07.

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The article analyzes the intertextual connections of Lina Kostenko's work (in particular, her novels "Marusya Churai" and "Notes of the Ukrainian samashedshego", as well as individual poems) with world myths - ancient, biblical and literary. Such intertextuality gives rise to an artistic world where the individual and the collective, the human and the divine, the everyday-practical and the unspeakable-unexplainable, the national-historical and the eternal, the material and the spiritual, the rational and the irrational, interact. Allusive echoes of the texts of the Ukrainian poetess with the a

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17

Lenska, S. V. ""Ocean catcher. History of the Odyssey" by V. Yermolenko as a postmodernist novel." Bulletin of Luhansk Taras Shevchenko National University, no. 7 (345) (2021): 107–16. http://dx.doi.org/10.12958/2227-2844-2021-7(345)-107-116.

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The article deals with the literary analysis of Volodymyr Yermolenko's novel „The Ocean Catcher. History of Odyssey” as a sample of postmodern prose. In modern literary criticism, this is the first attempt at a scientific study of the work. Volodymyr Yermolenko is a scientist-philosopher and political scientist, author of scientific works, translator, essayist, TV presenter. „Ocean catcher. The Story of Odysseusˮ is his first experience in the field of fiction. The novel is like a continuation of the plot of Homer's „Odysseyˮ, but the writer only starts from the ancient plot and the mythical h

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18

Fokina, S. A. "NOSTALGIA IN THE AUTHOR'S MYTH OF THE IMMIGRANT POET ALEXANDRA PETROVA." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 4, no. 1 (2019): 161–66. http://dx.doi.org/10.32838/2663-6069/2019.4-1/30.

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19

Black, Nick. "The “myth” of declining health-care productivity in England – Author's reply." Lancet 380, no. 9837 (2012): 109–10. http://dx.doi.org/10.1016/s0140-6736(12)61178-7.

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20

Varyoshin, Nikita Vladimirovich. "Myth-Novel" by G. Swift: Genesis and reception of fenland mythology." Philology. Issues of Theory and Practice 17, no. 2 (2024): 641–47. http://dx.doi.org/10.30853/phil20240092.

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The aim of the proposed research is to identify the reasons for the emergence of Fenland mythology, which defines the cognitive thinking and life cycle of characters in the novel "Waterland" by G. Swift. The article raises the question of the subjective perception of Fenland myth, which may vary depending on the individual. The author offers the following typology of myth recipients for consideration: the first type of people turns stories into gossip, the second transforms the "magical land" for practical purposes, and the third secularizes the religious beliefs of the Fens. The reason why th

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Gravin, A. A. "Symbolist Conceptualization of Myth: Vyach.I. Ivanov, A.F. Losev, L.A. Gogotishvili." Solov’evskie issledovaniya, no. 3 (September 30, 2024): 99–112. http://dx.doi.org/10.17588/2076-9210.2024.3.099-112.

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This article analyzes one of the concepts of myth by Vyacheslav Ivanov, Alexei Losev and Lyudmila Gogotishvili. The object of this research is Ivanov's studies related to the theory of myth (“Excursus: The Primary Myth in the novel “the Possesse”, “Dionysus and Pradionysianism”, “Dostoevsky: Tragedy – Myth – Mysticism”, etc.), “Dialectics of Myth” and “Supplement to the Dialectics of Myth” by Losev, as well as a series of contributions by Gogotishvili, where the concept of myth is used. In order to correlate the ideas of thinkers and reveal their conceptual continuity, we used historical-philo

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Даренская, Н. А. "The transformation of mythological plots in A.I. Kuprin's short story "Psyche"." Modern Humanities Success, no. 1 (January 9, 2024): 114–20. http://dx.doi.org/10.58224/2618-7175-2024-1-114-120.

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статья посвящена реконструкции мифологических сюжетов: мифа о Пигмалионе, мифа о Психее в рассказе А.И. Куприна сквозь призму игровой поэтики. Показано, что обращение к мифам происходит путем вовлечения в интертекстуальное поле произведений древнеримских поэтов – Публия Овидия Назона (поэма «Метаморфозы») и Апулея (роман «Метаморфозы» или «Золотой осел»). В статье акцент сделан на анализе художественных приемов обработки писателем мифологических сюжетов, а также авторской игре с указанными претекстами: выявляются аллюзии, референтные мотивы, имплицитный пародийный план. Утверждается, что игра

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23

MORAN, JOE. "Don DeLillo and the Myth of the Author–Recluse." Journal of American Studies 34, no. 1 (2000): 137–52. http://dx.doi.org/10.1017/s0021875899006301.

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The subtly entrapping nature of celebrity has been a common theme of Don DeLillo's work since his third novel, Great Jones Street (1973), narrated by a twenty-six-year-old rock star, Bucky Wunderlick, who tires of fame in the middle of a national tour and goes to ground in a seedy New York bedsitter. This theme, however, finds its fullest expression in DeLillo's 1991 novel Mao II, where it is linked to a specific concern which may be closer to home for him – the paradoxical fascination with author–recluses in American celebrity culture. DeLillo, who came to reluctant terms with major league ce

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Kurjanovich, Anna V. "Slavic cosmogonic myth in Vladimir Vernadsky's picture of the world and idiostyle." Rusin, no. 68 (2022): 352–69. http://dx.doi.org/10.17223/18572685/68/19.

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The article considers the mythological and scientific picture of the world in the old Slavic cosmogonic discourse and in the creative discourse of Vladimir Vernadsky, the founder of the doctrine of the noosphere. The author analyses concepts-mythologems, which constitute the “core” of cosmogonic representations in both cases, and their lexemes-nominates in Slavic myths and Vernadsky's scientific, autobiographical, and epistolary texts. The analysis involves the linguistic and conceptual meanings of the lexical units “myth”, “cosmogony”, “human”, “universe”, “life” and their associative-derivat

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Sotnykova, Valentyna. "Biography as intertext in the lyrics of Volodymyr Bazylevsky: features of artistic interpretation." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 61–66. http://dx.doi.org/10.28925/2412-2475.2020.16.8.

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The article analyzes the poetic interpretation of biographical elements in the works of Volodymyr Bazylevsky. It is noted that the poet follows the modernist tradition to comprehend the biographies of the characters of world history and culture (real names) in order to turn them into precedent figures. The material for such literary transformations is not only real facts from biographies, but also legends and myths that exist in the space of culture. V. Bazylevsky shows interest in world history in general, but his focus is shifted to Ukrainian (Prince Svyatoslav, I. Nechuy-Levytsky, P. Kulish

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Tengan, Alexis B. "Dagara bagr: ritualising myth of social foundation." Africa 69, no. 4 (1999): 595–633. http://dx.doi.org/10.2307/1160877.

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AbstractThe article explores the ritualising processes of a myth of social foundation, the bagr myth, among the Dagara of north-west Ghana and south-west Burkina Faso. It describes how rituals form part of the daily life of the Dagara and shows how bagr rituals form a series of private and public events lasting the whole year or the bagr season. The article describes the social life in the neighbourhood within which most ritual activities take place and outlines the historical events which are possibly responsible for the creation of the bagr myth itself as a narrative text. The rest of the ar

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Kobakhidze, Temur. "Myth and European Poetic Thinking in 1920 –1940s (Considering the Methodological Aspect)." Literature of the Americas, no. 13 (2022): 148–76. http://dx.doi.org/10.22455/2541-7894-2022-13-148-176.

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The paper attempts to build an integral system of myth and determine its poetic function in the literature of the first half of the 20th century. There are a huge number of approaches to the study of myth as an unconscious symbol, but a myth becomes a literary phenomenon only when it is purposefully used by the author as part of his creative vision. Remythologization or the conscious return of literature to the original sources and archetypes in the work of W.B. Yeats, T.S. Eliot, J. Joyce, and others are part of the poetic innovation of an entire literary era. The article briefly traces the h

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MOSHNORIZ, MARIIA, IRYNA ZOZULIA, NATALIYA RYMAR, SVITLANA KARPENKO, and ALLA STADNII. "THE DUALISTIC MYTHOMODEL OF S. CHERKASENKO’S DRAMA “THE PRICE OF BLOOD”, PARTICULARLY IN ITS PHILOSOPHICAL, SPATIO-TEMPORAL CHARACTERISTICS." AD ALTA: 14/01-XXXIX. 14, no. 1 (2024): 126–30. http://dx.doi.org/10.33543/140139126130.

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The article deconstructs the poetic mytho-model of world of the drama “The Price of Blood” by S. Cherkasenko, in particular in its philosophical characteristics: reveals the artistic features of the author's dualistic model of the world, examines the reinterpretation of biblical Christological themes, motifs and images. This thematic exploration adds depth to the understanding of the drama and underscores the profound philosophical questions S. Cherkasenko raises. The analysis shows that dualistic myths are represented through the forms of binary oppositions, such as cosmological (e.g. the spa

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Western, David. "The pygmy elephant: a myth and a mystery." Pachyderm 7 (December 30, 1986): 4–5. http://dx.doi.org/10.69649/pachyderm.v7i1.632.

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The paper reviews aspects of the long held debate concerning the existence of the pgymy elephant and notes the author's own observations in the Bayanga Forest in southwestern Central African Republic during a survey in early 1986. The author suggests the persistence of the pygmy elephant myth may be the result of two factors: the tusk development of the forest elephant is more rapid than the savannah or bush elephant, and the belief that such a species exists. However, it appears that two races of elephants do exist in much of the forest areas, but that the two are the forest L. cyclotis and t

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Гейза, Дьерке. "Міфо-фольклорні витоки та образно-пластичні домінанти пейзажної творчості Володимира Микити 1970– 2010-х рр." ВІСНИК Львівської національної академії мистецтв, № 34 (9 лютого 2018): 76–88. https://doi.org/10.5281/zenodo.1170564.

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The myth-folklore origins and figurative-plastic dominants of the landscapes of the Transcarpathian painter, academician of the Academy of Arts of Ukraine, the People's Artist of Ukraine, laureate of the National Prize named after T. Shevchenko Volodymyr Mykyta (born in 1931). The author's «mytho-depictive» model of the world is analyzed in detail, based on figurative comprehension of the fundamental binary oppositions of «one's own», «another's», «close-distant», «top-bottom», «sky-earth», «life-deat

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Erwhintiana, Ifi, and Laily Fitriani. "Reflection of Religious Intolerance Myth in Video Construction “Sayyid El-Rais” Based on Barthes Perspective." Language Circle: Journal of Language and Literature 16, no. 1 (2021): 61–70. http://dx.doi.org/10.15294/lc.v16i1.29156.

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This research aims to develop denotative and connotative meanings in sayyid El-Rais' videos, as well as reveal myths based on Barthes's perspective. This research is a qualitative descriptive research. Data collection technique used observation and taking notes technique. Researchers used descriptive analysis techniques based on the Miles and Huberman model are data reduction, data presentation, and conclusions. The results showed that reading of first level in semiotics perspective produced several codes that referred to text structure including; symbolic, semantic, and hermeneutic. Denotativ

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Nashih, Abdullah Ali, Ma’bad Fathi Mu’tazza, and Kambali Kambali. "ANALISIS SEMIOTIK: MEMAHAMI NILAI MULTIKULTURALISME DALAM LIRIK LAGU “SABILULUNGAN” KARYA KOKO KOSWARA." Al-Madaris Jurnal Pendidikan dan Studi Keislaman 4, no. 2 (2024): 68–78. http://dx.doi.org/10.47887/amd.v4i2.144.

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This article examines the meaning of loneliness in the lyrics of the song "Sabilulungan" by Koko Koswara through Roland Barthes' semiotic analysis. The meanings expressed are denotation, connotation and myth. In this study, Roland Barthes' semiotic theory is used to explain the denotation, connotation and myth of the meaning of "Gotong-Royong" contained in the song's lyrics. The aim of this research is to look for multicultural values in the lyrics of the song "Sabilulungan". This research uses an interpretive qualitative method or inductive way of thinking, namely a way of thinking from the

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Hakdi, Asri Hakiki, and Muria Endah Sokowati. "Ambivalence of Gender Concept in Children's Novel: Gender Construction in "Mata di Tanah Melus" Novel by Okky Madasari." Jurnal Audiens 6, no. 2 (2025): 343–54. https://doi.org/10.18196/jas.v6i2.614.

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Children's novels are one of the communication media that has not been studied much in Indonesia compared to research related to adolescents and adults. The contents of children's books are inseparable from the author's ideology. One of them is gender ideology, which has long been constructed in society. Mata di Tanah Melus is a semi-fantasy novel published in early 2018. This study aims to see gender construction through signs in the story. This study used Roland Barthes's semiotic analysis to obtain denotative and connotative meanings. It then forms myths. The results of this study indicate

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Oates-Indruchová, Libora. "Unraveling a Tradition, or Spinning a Myth? Gender Critique in Czech Society and Culture." Slavic Review 75, no. 4 (2016): 919–43. http://dx.doi.org/10.5612/slavicreview.75.4.0919.

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The hostility that met feminist ideas and gender equality issues in east central Europe (ECE) after the demise of the Communist regimes was accompanied by a notion that feminism wasimportedto these societies after 1989. In the Czech Republic, the record of the publishing output by feminist scholars in the 1990s, however, speaks against this myth. Drawing on existing scholarship and the author's own research on cultural discourses of gender and on socialist state science policies and censorship, this article argues that there has been a long tradition of gender critique that was present in a va

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Fauzan, Fadly. "The Denotative and Connotative Meaning in Sheila on 7 Song Lyrics “Film Favorit”." SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial Dan Humaniora 6, no. 1 (2020): 9. http://dx.doi.org/10.30738/sosio.v6i1.6339.

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Song Lyrics is a person's expression about something that has been seen, heard or experienced. In expressing their experiences, the poet or composer of the song makes words and language games to create attraction and distinctiveness to the lyrics or poetry. This study aims to see the connotation, denotation, and mythology meaning contained in the object of research, namely the song ‘Film Favorit' from Sheila On 7. In this study the main theory used is the Roland Barthes semiotic theory. The method used in this study is a qualitative method with a descriptive interpretive approach. The results

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Cesaretti, Enrico. "Outplaying Kronos' Hunger: Massimo Bontemplelli's GENTE NEL TEMPO." Forum Italicum: A Journal of Italian Studies 43, no. 2 (2009): 385–404. http://dx.doi.org/10.1177/001458580904300204.

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This essay offers an interpretation of Massimo Bontempelli's “novecentista” novel, Gente nel tempo, by examining and expanding upon the implications of the “modernized” classical Greek myth of Kronos. In the light of the author's ideas on artistic creativity, history and time, this myth lies at the very core of the work and suggests that this novel, while pointing to the destructive, devouring pattern of time intended as Kronos, could also hint at a way in which an alternative, more human time (Kairos) might be salvaged and re-experienced. Bontempelli's desired “recovery of the individual” and

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Kuanysh, Alzhan. "MYTHOPOETIC FOUNDATIONS OF WORLDVIEW REFLECTIONS OF THE RELATIONSHIP "MAN AND THE WORLD" IN TRADITIONAL KAZAKH CULTURE (Ethico-Ontological Aspect)." Al-Farabi 79, no. 3 (2022): 39–50. http://dx.doi.org/10.48010/2022.3/1999-5911.04.

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The author of the article proceeds from the fact that myth is, first of all, a historically original way in understanding the unity of the relationship "Man and the World" and that mythology (mythoetics) is the oldest form of spiritual culture, the product of the collective creativity of many generations of people of the ancestral era, when civilization was just emerging and the process of initial accumulation was underway socio-cultural experience. The myth establishes a balance between the tribal collective and nature. In the myth there is no distinction between the real and the supernatural

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Lubarsky, R. V. "The Cult of the "Invincible Sun" and the Concept of Carlos Castaneda as Elements of the Secondary Reality of Victor Pelevin's Novel "The Invincible Sun"." Art Logos – The Art of Word 2, no. 27 (2024): 170–83. https://doi.org/10.35231/25419803_2024_2_170.

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The secondary artistic convention in the literature of postmodernism is reproduced using unrealistic artistic means. One of these tools is a myth. Since most of Victor Pelevin's works create a postmodern space based on the author's transformation of the mythological vision of the world of various peoples ("Batman Apollo", "Empire V", "Transhumanism Inc.", etc.), the author tends to depict a mythological secondary artistic convention. This article is devoted to the study of the occult and mythological secondary reality of the novel "The Invincible Sun". The article examines the specifics of the

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Kushnir, Iryna. "THE MYTH OF THE GOLDEN AGE IN THE NOVEL «LAND ON THE HEAVENS» BY CH. F. RAMUZ." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ Fìlologìčna 1, no. 23(91) (2024): 48–51. https://doi.org/10.25264/2519-2558-2024-23(91)-48-51.

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The peculiarities of the reflection of the myth of the golden age on the example of the novel "Land on the Heavens", which is indicative to highlight this problem in the vision by the Swiss French-speaking writer from the beginning of 20th century Ch. F. Ramuz, have been studied. The components of this myth such as the concept of "eternal peasant" and "small homeland" which are the main concepts of the author's aesthetics have been mentioned. According to the writer, the best place on Earth for a person is the land where he/she was born, that’s why his characters symbolically return after deat

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Maulenov, A. A., and N. K. Matbek. "Neomythology in works of art." Keruen 74, no. 1 (2022): 160–69. http://dx.doi.org/10.53871/2078-8134.2022.1-12.

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The article draws attention to the role of mythology in the literature of the twentieth century, particularly in postmodernism. It is asserted that the use of myth allows you to achieve various artistic goals: create images, convey relationships. It is noted that the mythological symbolism fits well into the process of formation of intertextuality as the main feature of postmodernism. The main statements are illustrated through the work of Ch. Aitmatov on the example of the novel “When the mountains are served” (“The Eternal Bride”). The writer uses mythological plot, which is transformed and

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Endang Aas Asriyani and Ade Budi Santoso. "Analisis Semiotika Pesan Moral dalam Web Series Bidadari Bermata Bening." Harmoni: Jurnal Ilmu Komunikasi dan Sosial 2, no. 4 (2024): 34–51. http://dx.doi.org/10.59581/harmoni-widyakarya.v2i4.4102.

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Film is a form of communication media used as a tool to convey messages, especially in the context of public entertainment. With the rapid development of film, web series have become increasingly popular and a topic of discussion among the public. One currently popular series is "Bidadari Bermata Bening," directed by Farid Dermawan, featuring drama, romance, and religious genres. The author's purpose in researching this movies is to explore the denotative and connotative meanings, myths, and moral messages conveyed through the series. This research utilizes qualitative research methods grounde

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Alekseeva, T. A. "The Creation of Myth: Starting the First "Great Debate" in International Relations Theory." MGIMO Review of International Relations, no. 6(45) (December 28, 2015): 30–39. http://dx.doi.org/10.24833/2071-8160-2015-6-45-30-39.

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From one textbook to another wanders the story about three (sometimes - four) Great debates, which formed the canonical history of the theory of international relations. In reality everything was much more complicated, and the theoretical richness much wider than many times repeated antinomic pairs - realism vs. idealism, traditionalism vs. modernism, rationalism vs. reflectivism The author regards the discussions between different trends of the political thought in the interwar period, which were later called the First "Great Debates", which, according to the author's view were pre-paradigmal

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Gurduz, Andrey. "Transformation of the myth of the Minotaur in “Gene” by Stel Pavlou." Revista Amazonia Investiga 10, no. 46 (2021): 290–302. http://dx.doi.org/10.34069/ai/2021.46.10.29.

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Fantasy of the XXI century becomes more attentive to the socio-political realities of our time. The resultant vector of the genre's problematic spectrum becomes a widely understood problem of memory - from generic, national civilization. The genre potential of fantasy gives the writer high opportunities, primarily mythological. Stel Pavlou interprets the issues of personal and cultural memory in an original way, touches the actual problem of the “beast” in man in the novel “Gene” - a representative work of Minotaurianism of the first decades of the XXI century. The purpose of our article is to

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Marifatkhon Boltabayeva. "The Clash Of Religious and Secular Views In Graham Greene's Works." Emergent: Journal of Educational Discoveries and Lifelong Learning (EJEDL) 4, no. 1 (2025): 8. https://doi.org/10.47134/emergent.v4i1.64.

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The purpose of this work is to identify the features of his writing strategy and ways of expressing the author's position. The object of study is the writer's novels, and the specific subject is the ways of expressing the author's position in them. For this purpose, a qualitative research strategy was chosen, which includes referencing, systematization and generalization of sources, their interpretation and critical evaluation, as well as plot analysis. The method of contextual analysis helps to consider the biographical, historical and literary context, which improves the understanding of the

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Ilya Nichiporov, Ilya. "Between Modernity and Myth: Alexey Varlamov's Novel "The Dome»." Philology & Human, no. 1 (February 27, 2022): 159–67. http://dx.doi.org/10.14258/filichel(2022)1-13.

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The article considers the artistic worldview in A. Varlamov's novel "The Dome" (1999). The author of the article clarifies the place of this novel in the writer's works, the balance of the confessional-autobiographical discourse with the mythopoetic thinking characteristic of the writer himself and the central character-the intellectual. The representation of the province and Moscow of the late Soviet and "perestroika" time is analyzed as well as the heterogeneous university environment ranging from the auditorium to the dormitory and informal youth movements. Special attention is given to the

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Kireev, N. N. "An attempt to identify intertextual connections with the Holy Scripture in the spiritual lyrics of V.D. Fedorov." Neophilology 10, no. 4 (2024): 911–19. https://doi.org/10.20310/2587-6953-2024-10-4-911-919.

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INTRODUCTION. The article examines the intertextual connections of the spiritual poetry of Vasily Dmitrievich Fedorov, with an emphasis on his poem “Parable” with fragments of the Holy Scriptures of the New and Old Testaments. The purpose of the study is to reveal the spiritual and philosophical aspects of the poet’s work, as well as to draw parallels between his work and the work of Albert Camus “The Myth of Sisyphus. Essay on the Absurd”. The relevance of the study is due to the need for modern philological science to interpret the spiritual lyrics of V.D. Fedorov in the context of patristic

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Langbour, Nadège. "Le labyrinthe comme motif métadiscursif dans la création littéraire de Christian Grenier." Cahiers ERTA, no. 38 (June 28, 2024): 9–26. http://dx.doi.org/10.4467/23538953ce.24.008.19931.

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The labyrinth motif appears regularly in Christian Grenier's novels. In diegesis, it is always linked to myth and the fates of Daedalus, Theseus and Ariadne. It is also a diegetic motif that structures the setting, organizes the characters' quest and generates suspense. But this motif is above all a metadiscursive metaphor that theorizes the author's writing. In particular, he evokes the meandering construction of police intrigues. It also represents the referential games developed by Christian Grenier: By mixing the words of other writers with his own, offers his readers the opportunity to en

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Vaganova, Nataly. "“The word is man, man is spiritual community, spiritual community is Sophia”. Gnostic myth and the construction of the author in L. P. Karsavin’s Sophia the earthly and the heavenly." St. Tikhons' University Review 111 (February 29, 2024): 46–72. http://dx.doi.org/10.15382/sturi2024111.46-72.

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«Sophia the earthly and the heavenly» was written by L.P. Karsavin during his transition from medievism to religious philosophy. The text was first published in the third issue of the almanac Sagittarius (1922). It represents a literary hoax: an «unknown» Gnostic treatise with parodic commentary «from the publisher». The basis of the work is an artistic translation of the chapters of the treatise Pistis Sophia with poetic inserts by Karsavin. The study offers an analysis of the structure of the author's self in the context of the Gnostic myth. The thematic connections of the work with the text

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Ivanov, Nikolay N. "Remizov's myth in the structure of Yaroslavl text." Verhnevolzhski Philological Bulletin 3, no. 26 (2021): 17–23. http://dx.doi.org/10.20323/2499-9679-2021-3-26-17-23.

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The purpose of the article is to consider an important scientific historical and literary issue: the place of A. M. Remizov, an outstanding representative of Russian neorealism, in the structure of the so-called Yaroslavl text. For the first time Remizov's auteur myth is inscribed into the structure of a local text, to which type the Yaroslavl text belongs. This literary phenomenon is presented in the context of studying the author's individuality along the lines common to Russian prose: the enrichment of content, the search for new narrative and artistic forms. The following objectives of the

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Sharova, Tetiana M. "AUTHOR'S LANDMARKS AND MECHANISMS OF INSCRIPTION INTO THE NORMATIVE DISCOURSE (BASED ON THE MATERIAL OF THE CREATIVITY OF KOSTY GORDIENKA)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 16(84) (2022): 81–84. http://dx.doi.org/10.25264/2519-2558-2022-16(84)-81-84.

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The scientific research examines the issue of author’s guidelines and mechanisms of inclusion in the normative discourse on the example of Kostya Gordienko’s work. The critique and the theory of literature determining the logic of constructing social realism and substantiating the specifics of social-realistic myth-making and representing the problems of the domestic literary and artistic process of the 20-80s of the twentieth century have been actualized in the work. The schematic ways of reproducing the world in stories and novels «about the commune» are characterized by the imitation / styl

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