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Journal articles on the topic 'Author's stylistics'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Hafiz Muhmmad Abdul Qudoos and Hafiz Ghulam Murtaza. "Style, Stylistics And Stylistic Criticism: Basic Discussions." Dareecha-e-Tahqeeq 3, no. 4 (2023): 95–104. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.88.

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In society, the word criticism has always been considered a negative attitude in literature, its meaning is different. Interpretation and explanation of any work of art is not criticism. Just as Urdu literature has developed a lot, criticism has also introduced new trends, one of the branches of linguistics is stylistics. The word style is not new in literature. Writing style for it. Words like language and statement are taken as synonyms. Stylistic criticism is objective and analytical. In which the phonetics of the author's style of writing. Semantic. Syntactic and lexical reviewIt is taken

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Lubis, Ezra Rumatha, Agit Seprina Tarigan, Anisyah S. Simangunsong, Mariyanti Ambarita, and Rahmadsyah Rangkuti. "Forensic Stylistic Analysis of Jakarta Man’s Suicide Note." Journal of Applied Linguistics 4, no. 1 (2024): 59–70. http://dx.doi.org/10.52622/joal.v4i1.239.

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Forensic stylistics, a crucial tool in crime-solving, analyzes linguistic features to reveal authorship, truthfulness, and narrative structure. This study applied forensic stylistic analysis to a Jakarta man's suicide note, employing Prokofyeva's theory. The analysis revealed insights into the author's psychological state and motivations, echoing findings by Maulida et al. Key elements examined include clear reasoning, emotional expressions, and the presence of positive, negative, and cognitive emotions. The note's structure, grammar, punctuation, cultural context, and vocabulary choices offer

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BERBERYAN, VALTER. "THE PROBLEM OF CLASSIFICATION OF STYLES IN THE ARMENIAN STYLIST STUDIES (FROM THE 1950S TO THE PRESENT DAY)." Scientific bulletin 2, no. 45 (2023): 85–100. http://dx.doi.org/10.24234/scientific.v2i45.95.

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Stylistics was formed in modern times. The first concepts of stylistic phenomena were formed in Greece. Questions and problems of style were addressed by Socrates, Aristotle, Plato, Democritus and others from the ancient world thinkers. The ideas of Greek and Roman thinkers, having traveled a long way, have not lost their relevance and value. All this has been written about in the works of various Armenian and foreign linguists.In the article, we have studied the works written about phonetic stylistics of the Armenian language, the provisions in various researches. Reference was made to the di

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Dreshpak, V., та I. Avramenko. "СТИЛІСТИКА ЛОКАЛЬНОГО ПОЛІТИЧНОГО ДИСКУРСУ В СОЦІАЛЬНІЙ МЕРЕЖІ (НА ПРИКЛАДІ СТОРІНОК ДНІПРОВСЬКИХ ПОЛІТИКІВ У МЕРЕЖІ ФЕЙСБУК)". State and Regions. Series: Social Communications, № 3(47) (11 листопада 2021): 100. http://dx.doi.org/10.32840/cpu2219-8741/2021.3(47).13.

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<p><strong><em>The study objective </em></strong><em>is to identify the linguistic and stylistic features of modern political discourse in social networks at the local level and the most common stylistic devices of various authors.</em></p><p><strong><em>Research methodology. </em></strong><em>The key research methods are discourse analysis and stylistic analysis of texts. The empirical basis of the study were publications for the period from November 2020 to October 2021 on the personal Facebook pages of Dnipr

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Fadli, Zaki Ainul, and Dewi Kusmiati. "Gaya Bahasa Pada Lirik Lagu Spirits Of The Sea Karya Kenshi Yonezu." KIRYOKU 4, no. 1 (2020): 1–6. http://dx.doi.org/10.14710/kiryoku.v4i1.1-6.

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(Title: Stylistics on Song Lyrics Spirits of the Sea by Kenshi Yonezu) Lyrics of the song are an outpouring of the author's personal feelings and contain various meanings based on the style of language used. The style of language in a literary work is known as the 'stylistics'. In this regard, this research trying to find out the stylistic elements (language style) contained in the lyrics of Spirits of the Sea by Kenshi Yonezu. The theory used is the style theory by Gorys Keraf. In conducting this research, the author uses qualitative methods. Data processing techniques used are literature rev

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Lebedeva, E. A. "Stylistics of American film reviews." Verba Northwest Linguistic Journal, no. 4 (2024): 33–47. https://doi.org/10.34680/verba-2024-4(14)-33-47.

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The paper aims to analyze the evaluative lexical and stylistic means of the English language used by reviewers to represent evaluation in American film reviews, and determines their role in text directive implementation. Evaluations are the result of understanding the film from the perspective of its compliance with the reviewer's own scale of values, and the reviewer decides what methods of expressing evaluativeness to use. During the analysis of linguistic means it was revealed that popular means of stylistic marking, through which evaluations are actualized, are epithets, metaphors, compari

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Kristiana, Ayu, Heru S. P. Saputra, and Sri Mariati. "NOVEL SIRKUS POHON KARYA ANDREA HIRATA: KAJIAN STILISTIKA." SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik 20, no. 2 (2019): 89. http://dx.doi.org/10.19184/semiotika.v20i2.11888.

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The goal of this study is revealing the stylistic elements found in the novel entitled Sirkus Pohon by Andrea Hirata, preceding by describing the relationship between structural elements. The research method is a qualitative method with descriptive analysis based on structural theoretical concepts and stylistics. The results of the study shows that the structural elements in the novel Sirkus Pohon have a relationship between one to other element namely title, theme, character, conflict, and setting. All these five elements form the wholeness of the story. In the field of stylistics, the aesthe

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Ali, Aram Omer, Awat Hassan Wali, Dilan Salam Hamafaraj, Kanyaw Bakr Abdulla, Srwa Tahir Ali, and Shabaz Abdalla. "Style and Stylistics in Literary Research: An Analysis Using the Examples of Goran and Dylan." Journal of Linguistics and Social Sciences 2, no. 1 (2024): 27. http://dx.doi.org/10.24042/jlss.v2i1.20143.

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Stylistics, originally confined to literary criticism, evolved into an independent discipline with the expansion of linguistics. Beyond literature, style extends to the distinctive markers of individuals in public life, encompassing appearance, behavior, and content. Societies exhibit diverse cultural patterns and interpersonal dynamics. This paper delves into the exploration of stylistics, focusing on its manifestation in literary articles where writers convey emotions and thoughts, influenced by various principles. The study introduces style concepts, terminology, and methodologies, examinin

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Shulzhenko, M. Yu. "THE LANGUAGE GAME AND ITS FUNCTIONS IN ARTISTIC DISCOURSE." Vestnik Bishkek state university af K Karasaev 3, no. 69 (2024): 338–45. https://doi.org/10.35254/bsu/2024.69.52.

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This article examines language play in artistic discourse, viewed in modern linguistics as a deliberate breach of language norms, to achieve aesthetic and emotional effects. It identifies various functions of language play such as comic, language-creative, expressive, and indulgent. An analysis of different classifications and approaches shows that language play is an effective tool for crafting complex artistic works, enabling authors to express ideas uniquely and encourage active interpretation. It also explores the pragmatic potential of language play to shape an author's style. The finding

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Mohamed, Zahraa Adnan, and Eman Adil Jaafar. "Foregrounding Nature's Role: A Functionalist Ecostylistic Study of The Hungry Tide." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 03 (2023): 23–34. http://dx.doi.org/10.37648/ijrssh.v13i03.003.

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The study of language and ecology is a recent topic in linguistic studies. The current study investigates language patterns that are employed to describe the powerful role of nature. The main aims of this study are: to conduct an ecostylistic analysis of some selected extracts from Amitav Ghosh's novel, The Hungry Tide, by using a functional technique to examine the type of agency and transitivity processes that are presented in these extracts. Furthermore, it aims at highlighting the ecological linguistic traits in the data. The eclectic method is based on Systemic Functional Grammar (SFG) an

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КУЧИЕВА, Л. А. "EXPERIENCE OF STYLISTIC AND SYNTACTIC ANALYSIS OF THE POETIC WORKS OF K.L. KHETAGUROV." Kavkaz-forum, no. 18(25) (June 18, 2024): 21–36. http://dx.doi.org/10.46698/vnc.2024.25.18.001.

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В статье актуализируется стилистический аспект синтаксиса текста, представляемый в качестве ядерной части комплексного разбора художественного произведения. Он определяется как стилистико-синтаксический анализ и обосновывается стилистическим характером синтаксиса текста. В этом смысле он рассматривается как непосредственный объект стилистики, а сама стилистика как наука в том числе и о функционировании единиц текста, вплоть до него самого. Анализ представляется на едином функциональном критерии для синтаксических средств, участвующих в построении текста, по формуле «что? – для чего? – как?». Е

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Osochkin, Alexandr, Xenia Piotrowska, and Vladimir Fomin Fomin. "Automatic Identification of Authors’ Stylistics and Gender on the Basis of the Corpus of Russian Fiction Using Extended Set-theoretic Model with Collocation Extraction." Glottometrics, no. 50 (May 1, 2021): 76–89. http://dx.doi.org/10.53482/2021_50_389.

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We present a novel quantitative approach for classification of authors' stylistics and gender differences based on extraction of word collocation. The proposed algorithm attenuates previously described issues of text processing using the vector models. We demonstrate the approach by analyzing a corpus of Russian prose. We discuss different approaches for classification and identification of the author's style implemented by currently-available software solutions and libraries of morphological analysis, methods of parameterization, indexing of texts, artificial intelligence algorithms and knowl

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Kuznetsova, O. N. "SYMBOLISM AND THE PAINTING OF S. A. ZHUK." Topical Issues of Culture, Art, Education 4, no. 38 (2023): 25–35. http://dx.doi.org/10.32340/2949-2912-2023-4-25-35.

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This article is devoted to the work of the artist S.A. Zhuk, which is considered from the point of view of his artistic stylistic features and his worldview dominants. For this purpose, an art-historical analysis and comparative analysis of some of his pictorial works are carried out, considered from the standpoint of the artistic "language" of forms, as well as from the side of the "canonical" philosophical meanings established in the art of symbolism. During the analysis and upon its completion, conclusions are formulated that the stylistics of the artist's painting, to a greater extent, ten

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Knyazeva, Natal'ya Vladimirovna. "Occasional complex words in the journalism of V. Nabokov." Litera, no. 4 (April 2023): 170–79. http://dx.doi.org/10.25136/2409-8698.2023.4.40433.

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The object of the study is the individual author's complex lexemes of V. Nabokov. The source of the language material is the author's journalistic works, which, due to the specifics of the genre, contain a large number of occasional formations of various kinds, including word-formation derivatives. Composite words are considered as a manifestation of the phenomenon of language play in the author's text, on the one hand, and as the implementation of V. Nabokov's "game style" in journalistic texts, on the other. A wide range of philological research methods were used for the objective analysis o

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CHERNYAVSKA, MARIANNA, SONG MEIXUAN, and PENG RUI. "WAYS OF FORMING PERFORMING STYLISTICS IN THE HISTORICAL DYNAMICS OF CHINESE PIANO ART." AD ALTA: Journal of Interdisciplinary Research 13, no. 2 (2023): 207–11. http://dx.doi.org/10.33543/j.130235.207211.

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The article is devoted to the understanding of the problems faced by the performer of the works of Chinese composers. The lack of performance analysis of such works complicates their understanding and full implementation on stage. The purpose of this study is to identify the universal mechanism of piano interpretation of program pieces by Chinese composers, which functions in the entire variety of author's styles. At the same time, the issue of performance stylistics of piano works by Chinese composers appears in all its problem complexity: from understanding the figurative sphere, issues of p

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Rahman, Fathu. "The Constraints of Foreign Learners in Reading English Literary Works: A Case Study at Hasanuddin University." Journal of Arts and Humanities 7, no. 2 (2018): 01. http://dx.doi.org/10.18533/journal.v7i2.1327.

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<p>The objective of this research was to map out and seek solutions to the problems faced by students of English as a foreign language in reading literary works. Conducted at the Department of English and Literature, Faculty of Cultural Sciences at Hasanuddin University, the study took place over one semester. The research respondents were Indonesian postgraduate students taking the English Stylistics and Literary Appreciation course. The aims were: 1) to map out the language constraints of learners in reading English literary works, and 2) carry out troubleshooting to minimize the const

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Kotyurova, M. P., and E. A. Bazhenova. "Speech Systemicity of Scientific Texts: Conceptual Development (On Centenary of M. N. Kozhina's Birth)." Nauchnyi dialog 14, no. 5 (2025): 144–61. https://doi.org/10.24224/2227-1295-2025-14-5-144-161.

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This article is dedicated to one of the most significant concepts in functional stylistics — speech systemicity. Introduced into scholarly discourse by M. N. Kozhina, this concept elucidates the linguistic specificity of functional styles. The objective of the article is to examine the scientific text as a speech system that is determined by the epistemic situation. It is asserted that the epistemic situation represents a unity of ontological, methodological, and axiological components of scientific knowledge. The binary properties of the speech system within scientific texts are described: in

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Maryanchik, Victoria. "Implicit Meanings of the Discourse of Fiction: Linguistic-And-Stylistic Analysis of the Story by I.A. Bunin “The Murderess”." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (August 2021): 109–19. http://dx.doi.org/10.15688/jvolsu2.2021.3.10.

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The theme of the work is the mechanisms of implicit meanings verbalization infiction. The aim is to analyze stylistic convergence in the story of I.A. Bunin "The murderess" as an explication of subtext. The main methods are the following: denotative, chronotopic, stylistic, narrative, conceptual analysis. The main results identify stylistic mechanisms that provide an appropriate interpretation of the literary text. It is revealed that the stylistic convergence includes colorative gradation, parcelling, semantic-syntactic verbalization of perceptual concept, semantic-stylistic actualization of

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Androsova, D. V. "INTERPRETATIONS G. GOULD AND V. DEVETCI O F A CONCERT № 24 C-MOLL W. MOZART AS AN EMBODIMENT STYLE ALTERNATIVES O F THE AUTHOR'S TEXT." Educational Dimension 18, no. 1 (2007): 3–15. http://dx.doi.org/10.31812/educdim.5905.

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Clause is devoted to a substantiation of internal logic talented and deeply of various versions of performance Gould and Devetci, proceeding from given of stylistics Mozart of epoch of connection of bases Viennese classicism with updated aspiration to a barocco heritage I.S. Bach and it o f the sons, is especial as I.C. Bach.

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Darchuk, Nataliia, Oksana Zuban, and Victor Sorokin. "ON STYLISTIC DIFFERENTIATION IN UKRAINIAN POETIC SPEECH BASED ON THE SYNTACTIC STRUCTURE OF SENTENCES." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 35 (2024): 5–10. http://dx.doi.org/10.17721/1728-2659.2024.35.01.

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Background. The article is devoted to the stylistic differentiation of syntactic structures of Ukrainian-language poetic texts of the Ukrainian language corpus. The goal is to study the idiostyle on models of syntactic structures, graphically presented in the form of dependency trees, with the establishment of parameters for characterizing the author's style. The properties of the linear structure of 7,752 Ukrainian-language sentences in the verse style were studied. An "averaged" dependency graph was built for each author as a generalization of the syntactic parameters of dependency trees. Me

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(Ph. D.) ,, Prof Qasim Obayes Al-Azzawi, and Assist Lecturer Maryam Abdul Kadhim Mahdi Duraa’y. "A COGNITIVE STYLISTIC STUDY OF EPITHET SYSTEM IN COLSON WHITEHEAD’S FANTASY." American Journal of Social Science and Education Innovations 06, no. 05 (2024): 83–92. http://dx.doi.org/10.37547/tajssei/volume06issue05-07.

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Attempts by cognitive stylists to explain readers' comprehension of literary texts face a significant challenge in bridging the author's and reader's worlds. Attempting to clarify the conceptual space that links the different discourse realms to the author-reader levels of interpretation is something that Werth (1999) does. This method offers a fresh perspective on how we think about writing and reading. When it comes to interpreting literature using language models, cognitive stylistics goes farther than conventional stylistic accounting. It examines reading experiences, both comparable and d

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Nikolaev, S. G. "Flexible syncretic nature of tropes. Review of G.G. Khazagerov's monograph "Four perspectives on the trope" (Moscow, Flinta publ., 2022, 280 p.)." Communication studies 10, no. 2 (2023): 405–12. http://dx.doi.org/10.24147/2413-6182.2023.10(2).405-412.

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The review focuses on the monograph "Four Perspectives on the Trope" by Rostov scholar G.G. Khazagerov (2022). However, it aims not to retell the content of the book but rather describes the impressions, reader's reflections echoing the author's ideas of the trope as a complex, changeable, flexible phenomenon, or resulting from the general logic of the author's reasoning. The four perspectives on the tropes shared and analyzed in detail by G.G. Khazagerov, are antique, or classical; "school", or academic; cognitive, or linguopsychological (late 20th - early 21st century); social and ecological

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COULIBALY, Daouda. "Analyse stylistique et pragmatique de l’éloquence épidictique dans Ici commence ici de Sony Labou Tansi." ALTRALANG Journal 6, no. 2 (2024): 80–90. https://doi.org/10.52919/altralang.v6i2.466.

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ABSTRACT: Stylistics reveals a unique vision of the world through the author's use of the possibilities offered by language in literary texts. Since the end of the 20th century, it has reconnected with rhetoric (ethos, pathos, logos) and pragmatics to align with poststructuralist theories. Epideictic discourse aims at praise or blame through amplification and elevated style. This article demonstrates that the interaction of stylistics and pragmatics effectively deciphers the discursive phenomena through which Sony Labou Tansi celebrates the action of the poet. RÉSUMÉ : La stylistique révèle la

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Medvednikova, Tatiana. "THE DRAMATURGY OF THE SONATA CYCLE BY L. VAN BEETHOVEN (on the example Sonata № 3 С-dur оp. 2)". Музикознавча думка Дніпропетровщини, № 18 (13 листопада 2020): 84–92. http://dx.doi.org/10.33287/222019.

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The purpose of the article is to analyze and develop stylistic features of L. Beethoven's sonata cycle for a more accurate reproduction of the play's dramaturgy. The following research methods are used in the work the next. There are historical and cultural approach (research and analysis of works dedicated to L. Beethoven's creative heritage); method of comparative style analysis and general system-structural approach (comparing the problem of the era and its development); the traditional method of source studies as a historical discipline (the work is based on existing sources). Scientific n

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Filimonova, A. P., Zh D. Rapisheva, and N. V. Kozlovskaya. "Book concept in Dystopia: to the Question of Genre Determination." Bulletin of the Karaganda university Philology series 4, no. 108 (2022): 24–32. http://dx.doi.org/10.31489/2022ph4/24-32.

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Artistic conceptology is one of the promising directions in modern stylistics of artistic speech. It is concerned with the specifics of concepts verbalization in literary texts as components of the author's linguistic world picture. This article raises the issue of generic specifics of the book concept determined by the type of the literary text. The authors reveal the peculiar features of the concept under study in the framework of dystopia that can be considered as typical for the genre. The findings of the paper are based on the study of the most representative, suggestive texts of classica

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Petrova, Anastasiya Dmitrievna. "Peculiarities of Translation of Non-Standard Syntax in French Prose of the 20th Century." Litera, no. 6 (June 2025): 77–89. https://doi.org/10.25136/2409-8698.2025.6.74519.

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The subject of the research is the translation of syntactically non-standard prose of 20th-century French literature into Russian. The object of analysis is syntactic deviation as an expressive means and its transformation in the translation process. The author examines in detail such aspects as the strategy of translating syntactic deviations, their adaptation or preservation depending on the stylistic guidelines of the original text, as well as the degree of translation normativity in the context of intercultural communication. Particular attention is paid to the influence of genre specifici

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Yodgorova, Muqaddas Faxriddin qizi, and Moxirux Muzaffarovna Xoshimxo'jayeva. "STYLISTIC PECULIARITIES OF TRANSLATION BASED ON ROBIN SHARMA'S "THE 5 AM CLUB"." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1203–4. https://doi.org/10.5281/zenodo.15512075.

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This article examines the stylistic features of translation using Robin Sharma’s The 5 AM Club as a case study. It analyzes how metaphors, idioms, and tone are conveyed in translation, highlighting the challenges of preserving the author's motivational style. The study emphasizes the translator’s role in maintaining the original’s emotional and rhetorical impact.

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Гавриков, Д. С., and Н. В. Абрамова. "The Architectonic Features of Multi-Storey Residential Complexes in Moscow." Экономика и предпринимательство, no. 12(137) (May 3, 2022): 630–37. http://dx.doi.org/10.34925/eip.2021.137.12.120.

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В настоящей статье анализируются последствия строительного бума, связанного с массовым строительством в Москве многоэтажных жилых комплексов в отношении их архитектоники: от морфологии отдельных зданий до планировки территории. Выявлены архитектонические недостатки современных московских морфологического, антропометрического, эстетического, эколого-архитектурного, стилистического, ансамблестроительного, функционального, экономического характера. Выделены два типа стилистики жилых комплексов Москвы, приведена периодизация в истории архитектуры московских жилых комплексов. В статье приведены рез

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Abood, Hadher Hussein. "Systemic Functional Linguistics to stylistics Analysis of Beloved novel by Toni Morrison." JOURNAL OF LANGUAGE STUDIES 8, no. 11 (2024): 319–43. https://doi.org/10.25130/lang.8.11.20.

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This paper examines the stylistic effects of nominalization, a form of ideational grammatical metaphor (IGM), in Toni Morrison's novel Beloved. It employs Systemic Functional Linguistics (SFL) by Halliday and Matthiessen as the analytical framework. The aims are to identify the types of processes, participant roles, and circumstances used in the story based on the transitivity system, and to connect the author's choice of these elements to her personal experiences and the message she conveys about slavery and racism in America. The methodology involves analyzing the first chapter of Beloved to

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Ситникова, Инна Анатольевна, та Галина Ивановна Модина. "Дух дуэнде в эстетической теории Ф.Г. Лорки и его воплощение в «Андалузской трилогии»". Дальневосточный филологический журнал, № 3 (5 вересня 2024): 53–64. http://dx.doi.org/10.24866/2949-2580/2024-3/53-64.

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The article is devoted to the aesthetic views of Federico Garcia Lorca, the peculiarities of his perception of art and the creative process. The concept of duende is considered as a phenomenon of Spanish culture, correlated with the folk art of flamenco and cante jondo. The significance of duende in Lorca's aesthetics is revealed. The reflection of the author's aesthetic conception and the role of duende as the basis of the expressive beginning in the plays "Blood Wedding", "Yerma" and "The House of Bernarda Alba" are traced. The significance of flamenco and cante jondo stylistics in the embod

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Hadžizukić, Dijana, and Vedad Spahić. "Mostar in Jasmina Musabegović's Novels." Društvene i humanističke studije (Online) 9, no. 1(25) (2024): 35–56. http://dx.doi.org/10.51558/2490-3647.2024.9.1.35.

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This paper presents the thematologic interpretation of three novels written by Jasmina Musabegović, Skretnice, Most, and Žene, glasovi, highlighting Mostar as the author's continuous motif. The theoretical starting points are the acquisitions of the post-structural spatial turn, constructivism, women's writing, cultural memory, semiotics of space, ‘hybrid phenomenology’, and stylistics. Such an inclusivist inter-method approach dispelled formalist prejudices according to thematology, providing arguments for the representation of Mostar within the Foucaultian category of heterotopia. The interp

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Shevchenko, Larysa, and Dmytro Dergach. "COOKING SHOW genre in the stylistic paradigm of modern slavic mass media." Current issues of Ukrainian linguistics: theory and practice, no. 47 (2023): 32–49. http://dx.doi.org/10.17721/apultp.2023.47.32-49.

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The article touches upon the problem of media communication dynamics, synchronized with its language nature, functions and genre system. The author's argumentation is based on the analysis of the show genre that realize the functional potential of literary language in entertainment and cognition. Its communication invariant – the cooking show genre – has been interpreted using the methods of media linguistic episteme and research paradigm. From the point of view of functional stylistics, the architectonics and creolization means of the cooking show in its various invariants were analyzed. It i

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Наконечная, Н. А., and О. В. Ефимова. "Communicative stylistics of the text in the methodology of teaching literature in the study of V.M. Shukshin's stories." Management of Education, no. 12(58) (December 15, 2022): 91–99. http://dx.doi.org/10.25726/e4189-3319-1567-c.

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В статье рассматриваются методические возможности коммуникативной стилистики на примере изучения рассказов В.М. Шукшина. Определяются аспекты включения функционально-прагматического, комплексного подхода к изучению литературного произведения. Определяется, как личность писателя проявляет свою субъектность через литературное произведение, которое является в первую очередь результатом мыслительной и речевой деятельности. Обосновывается эффективность обращения к тексту художественного произведения на уроках литературы как к речевому событию. Выявляются особенности автора-адресата, диалоговой спец

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Reznichenko, Evgenia, and Polina Stepanova. "The singing culture of the Holy Trinity Seraphim-Diveevsky monastery of the late 19th — 1st quarter of the 20th century (according to the memoirs of contemporaries)." St. Tikhons' University Review. Series V. Christian Art 49 (March 31, 2023): 121–41. http://dx.doi.org/10.15382/sturv202349.121-141.

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The article presents the experience of scientific reconstruction of fragments of the liturgical and singing life of the Holy Trinity Seraphim-Diveevsky Monastery from the late 1880s until the closure of the monastery (1927). The context is, on the one hand, historical data, on the other hand, materials related to the prehistory of the formation of Diveev's own singing culture. The main source base was the memories of pilgrims and residents of the monastery. Memoir literature is practically the only thing that allows us to judge the singing culture of Diveyev of the pre-revolutionary period and

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Radomska, V., and Alina Kostiuk. "IMAGE AND FONT COMPOSITION IN GRAPHIC IDENTIFICATION OF PACKAGING." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 1 (2022): 144–52. http://dx.doi.org/10.23939/sa2022.01.144.

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The article highlights the topical problems of searching for new methods of using font and image elements in project design methodology of compositional integrity of graphic identification development for packaging of consumer goods. Research purpose of the article is to outline and investigate the methods of reflecting identification of packaging with the help of author's unique image and font composition. We have analyzed and determined the role of author's unique creative thinking in ensuring the expedient synthesis of shape formation and optimal convenience, stylistic relevance, and market

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Tsuhorka, Oleksandr. "Modern Ukrainian Icon Painting Trends." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 228–33. https://doi.org/10.31866/2410-1176.40.2019.172708.

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The purpose of the article is to determine the prospects for the development of Ukrainian icon painting of the 21st century in the context of the revival of national sacred art. Methodology of the research. The historical-comparative method was used to study the dynamics of development of the Ukrainian Baroque style; the method of stylistic art history analysis - to determine the features of technical and technological methods and pictorial stylistics in the works of modern Ukrainian icon painters; the typological and system-structural methods - to identify the individual style features of bar

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Komarnitskyi, Yaroslav. "Tenor timbre images in the Giacomo Puccini’s operas: the experience of systematisation." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 138 (December 22, 2023): 126–36. http://dx.doi.org/10.31318/2522-4190.2023.138.294802.

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The relevance of the article. An essential requirement for a musician-performer of any specialty is a deep understanding of the stylistics of the works performed, based on an analysis of the artistic and figurative foundations of the musical language. For opera singers, an important factor of professional level is knowledge of the basics of opera drama, the style of the era, possession of appropriate means of vocal expressiveness. Addressing the chosen topic determines the relevance and scientific novelty of the issues of this article, in which arias for tenor in the operas of Giacomo Puccini

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Teterina, N. I. "B. V. ASAFYEV'S UNPUBLISHED NOTES IN THE MARGINS OF M. P. MUSORGSKY'S ORCHESTRAL SCORE FOR "BORIS GODUNOV"." Arts education and science 1, no. 3 (2021): 110–17. http://dx.doi.org/10.36871/hon.202103014.

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This article is devoted to the initial stage in the history of studying M. P. Musorgsky's orchestral style. The first researchers who gain access to the composer's autograph of the orchestral score were B. V. Asafyev and P. A. Lamm. The musicians edited the score of the opera "Boris Godunov" for the premiere, which took place at the State Academic Opera and Ballet Theatre on February 16, 1928, when after a half-century interval, the author's original orchestration was performed. Two short, but fundamentally important articles by B. V. Asafyev, as well as his notes in the margins of the handwri

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Holikova, Nataliia. "CONCEPTUALIZATION OF THE LOCAL SPACE OF KYIV IN THE LANGUAGE OF ARTISTIC PROSE OF THE 20TH CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 267–70. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-267-270.

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The article examines the linguistic features of the conceptualization of the local space of the “Kyiv” mindset in the language of artistic prose by two outstanding Ukrainian writers of the 20th century. – V. Pidmohylnyi and P. Zahrebelnyi. Emphasis is placed on the fact that the local-spatial constant of the linguistic-cultural concept of the proper name “Kyiv”, reflected in the artistic discourses of artists, captures many urban and natural objects, which partially reflect the extremely complex topographical and coordinate grid of the real city. The system of urbanonyms, which represent the s

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Ostapenko, S. A., and O. Yu Krytskyi. "INTERLINGUAL PLAY OF WORDS AND ITS REPRODUCTION IN TRANSLATION." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (26) (June 30, 2023): 41–49. http://dx.doi.org/10.33274/2079-4835-2023-26-1-41-49.

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Objective. The objective of the article is to study the influence of interlingual word play on fiction translation, to provide practical recommendations and strategies for this stylistic device rendering in he process of translation; to expand the understanding of the complexities and peculiarities of language game elements transfer, which will help preserve the original meaning and emotional impact of the text. Methods. The main scientific results are obtained with the help of such methods as the analysis and generalization of scientific and educational and methodological literature on the pr

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Koshemchuk, T. A. "Logic and Stylistics of Irritation in Critical Studies: E. K. Herzyk and her Christian Worldview in One of the Modern Reflections." Concept: philosophy, religion, culture 8, no. 3 (2024): 140–55. http://dx.doi.org/10.24833/2541-8831-2024-3-31-140-155.

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The article is devoted to clarifying the logic and stylistics of the negativistic feeling, which is often the driving force behind critical research – irritation which can dictate a presupposed conclusion about the quality of work, the author's personality, and their position or worldview. Irritated criticism is characterized by simplifying and coarsening stylistics, including up to the level of direct insults. Such an approach blurs the criteria for accurate reading and blocks access to understanding. This problem is a special case in the general problem of the understanding of literary text

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Цуй, Шо. "BRIGHT SHENG'S CREATIVE CAREER IN THE CONTEXT OF MODERN CHINESE MUSIC DEVELOPMENT." Music Journal of Northern Europe, no. 3(27) (April 8, 2024): 61–77. http://dx.doi.org/10.61908/2413-0486.2021.27.3.61-77.

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Автор размышляет о творчестве китайского композитора Брайта Шенга, чьё становление испытало на себе непосредственное влияние китайской истории, в том числе эпохи культурной революции. Исследуется процесс освоения китайским композитором стилистики современной европейской музыки, рассматриваются проблема поиска Шенгом индивидуального авторского стиля и сочетание в его творчестве основ китайской национальной идентичности с европейской техникой композиции. The author reflects on the work of the Chinese composer Bright Sheng, whose creative development was directly influenced by Chinese history, in

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Газимаева, Х. А., та А. К. Мурадова. "Стилистические особенности художественного перевода произведений современной американской литературы: экспериментальное исследование восприятия студентами". Management of Education 14, № 9-2 (2024): 47–55. https://doi.org/10.25726/c9448-7976-7737-v.

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Данное исследование посвящено анализу стилистических особенностей перевода современной американской прозы на русский язык и их восприятия студенческой аудиторией. Цель работы – выявить ключевые стилистические трансформации при переводе, определить их влияние на читательскую рецепцию и оценить адекватность передачи авторского замысла. Материалом послужили фрагменты из произведений Д. Тартт, Дж. Франзена, Г. Флинн и их переводы, выполненные ведущими российскими переводчиками. Методология включает сравнительно-стилистический и переводоведческий анализ, психолингвистический эксперимент (семантичес

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Belyaeva, Tatyana Nikolaevna. "The Role of Folklore in the Formation of the Genre of the Satirical Novel (based on the Material of the Mari Literature of the First Third of the XX Century)." Litera, no. 12 (December 2022): 66–74. http://dx.doi.org/10.25136/2409-8698.2022.12.39402.

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This article examines the problem of folklore and literature based on the material of the Mari national literature of the first third of the twentieth century. The subject of the study is the role of folklore traditions in the formation of the genre of the satirical novel. The influence of folklore images-characters, genres of oral folk art (fairy tale, proverb, saying, etc.), their poetics and stylistics on the process of formation of Mari national literature, on the birth of the first Mari satirical novel – N. V. Ignatiev's novel "Savik" is shown. In such a scientific and theoretical aspect,

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Krylova-Grek, Yuliya. "THE NEW APPROACH TO TEACHING OF MEDIA EDUCATION FOCUSING ON PSYCHOLINGUISTICS." Visnyk Taras Shevchenko National University of Kyiv. Pedagogy, no. 2 (8) (2018): 39–42. http://dx.doi.org/10.17721/2415-3699.2018.8.10.

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The article considers a new approach in the field of media education that based on applying psycholinguistics for text analysis. The author's course “Psycholinguistic Basics of Media Literacy” is aimed at the development of analytical skills for understanding media content, critical and logical thinking. Moreover, the course gives comprehension of the basics of the psycholinguistic analysis of the text messages. The goals of the course shall include as follows: 1) development of analytical skills, 2) development of skills of psycholinguistic analysis of the text, 3) development of ability of u

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Cherkasova, I. P., and A. S. Cherkasova. "Crystallization of axiological dominants time and soulmate in R. Bach's novel “The bridge across forever”." Key Issues of Contemporary Linguistics, no. 4 (May 11, 2023): 102–15. https://doi.org/10.18384/2949-5075-2023-4-102-115.

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Aim. To study the crystallization of axiological dominants in fictional discourse.Methodology. Discourse is considered as a complex structural and semantic formation, an axiological system that includes specific functions. The basis of the discourse is a system of concepts. The concept is a set of meanings representing an axiological category important in the space of fictional discourse, acting as an axiological dominant. Methods of analysis include contextual and linguistichermeneutic analysis, as well as the technique of meaning crystallization.Results. The article analyzes contexts in thei

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Чирков, В. Ф. "Georgy Kichigin: “issues of human” and the portrait genre in contemporary art." Iskusstvo Evrazii [The Art of Eurasia], no. 3(30) (September 30, 2023): 166–93. http://dx.doi.org/10.46748/arteuras.2023.03.012.

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На примере портретного жанра, изображения человека в структуре картины Г.П. Кичигина делается попытка описать «проблемы человека» в искусстве и обществе. Автор статьи выделяет в творчестве живописца жанры камерного портрета, автопортрета, социального и метафорического портрета, изображения человека в структуре картины. Для раскрытия темы затрагиваются вопросы особенностей стилистики авторского метода, изобразительных и выразительных средств. The article attempts to describe “human issues” in art and society by the example of the portrait genre and the image of a person in the structure of a pa

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Bolotnova, Nina. "The Category of Media Text Converse as a Reflection of the Author’s Idiostyle." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (June 2021): 16–25. http://dx.doi.org/10.15688/jvolsu2.2021.2.2.

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Dynamically altering reality stimulates the use of new means and ways of communication in the process of textual activity. Peculiarities of present-day media communication (polycode, polydiscursiveness, intertextuality, interactivity, openness, etc.) and anthropocentrism of the modern linguistic paradigm determine the dialogue between the author and the addressee based on the text, which requires special study. The identification of the means and ways of expressing the category of media text dialogicity in the aspect of idiostyle is carried out on the basis of the analysis of the texts regulat

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Maksymyuk, Marta. "Stylistics of proper names of the “onomastic periphery” of the Ukrainian postmodern text (based on the novel “Defilade in Moscow” by V. Kozhelyanko)." Current issues of social sciences and history of medicine, no. 3 (31) (March 7, 2022): 6–11. http://dx.doi.org/10.24061/2411-6181.3.2021.283.

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The purpose of the research is to examine the stylistics of proper names of the “onomastic periphery” in the Ukrainian postmodern text. Research methods - induction, deduction, descriptive, contextual-interpretive and component analysis. Scientific novelty. In modern linguistics, the potentialities of the names of proper prose texts of famous Ukrainian writers have not yet been sufficiently studied. Therefore, in our opinion, the study of proper names in literary texts requires special attention, and a thorough analysis of literary and artistic anthroponyms, toponyms and other classes of onyms

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Puchko-Kolesnyk, Mykola. "THE CULTURAL TRADITION AS A STYLISTIC FACTOR IN THE CHORAL MUSIC OF YU. ISHCHENKO." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(63) (June 26, 2024): 21–36. http://dx.doi.org/10.31318/2414-052x.2(63).2024.310282.

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The author investigated the choral work by Yuriy Ishchenko in the context of the cultural processes of Ukrainian composers' creativity of the second half of the 20th - beginning of the 21st centuries. The research has proposed subject-content levels of studying the individual author's creative dialogue of the composer with the traditions of Ukrainian and European musical culture. It was found that the choral works of Yuriy Ishchenko are built according to traditional principles, but at the same time they carry new ideas and meanings. The dialogical nature of the composer's creative consciousne

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