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Books on the topic 'Author and authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

The author. New York : Routledge, 2005.

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Author. PowerKids Press, 2015.

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3

American Mathematical Society. AMS author handbook. American Mathematical Society, 1994.

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4

Schulz, Charles M. Snoopy, the world's greatest author. Golden Book, 1988.

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5

Lodge, David. Author, author. Secker & Warburg, 2004.

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6

Author, author. Viking, 2004.

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7

Penn, Joanna. Business for authors: How to be an author entrepreneur. The Creative Penn Limited, 2014.

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8

Evanovich, Janet. Janet Evanovich's how I write: Secrets of a bestselling author. St. Martin's Griffin, 2006.

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9

Reed, Kennette. From idea to author: How to become successfully published. KRA Publications, 2008.

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10

Everyone's an author. W.W. Norton and Co., 2012.

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11

Elkhadem, Saad. Creative writing: Practical advice for the aspiring author. York Press, 1999.

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12

Broekel, Ray. I can be an author. Childrens Press, 1986.

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13

Bly, Robert W. Getting your book published: Inside secrets of a successful author. Roblin Press, 1997.

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14

J.K. Rowling, author. Ferguson, 2005.

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15

Parish, James Robert. Stephen King: Author. Ferguson, 2005.

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16

Priscilla's letter: Finding the author of the Epistle to the Hebrews. Christian Universities Press, 1997.

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17

The empty cage: Inquiry into the mysterious disappearance of the author. Cornell University Press, 2005.

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18

Priscilla's letter: Finding the author of the Epistle to the Hebrews. Lost Coast Press, 2000.

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19

Borden, Louise. The day Eddie met the author. Margaret K. McElderry Books, 2001.

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20

Schulz, Charles M. Snoopy, the world's greatest author. Merrigold Press, 1988.

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21

Munsey, Terence. How to: Be a published author. Munsey Music, 2000.

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22

Sheen, Barbara. Stephenie Meyer: Twilight saga author. KidHaven Press, 2010.

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23

The selling of an author: A marketing guide for writers to increase book sales. White Mane Books, 2005.

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24

Peterson-Hilleque, Victoria. J.K. Rowling, extraordinary author. ABDO Pub. Company, 2010.

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25

J.K. Rowling, extraordinary author. ABDO Pub. Company, 2010.

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26

Kate DiCamillo: Newbery medal-winning author. Britannica Educational Publishing in association with Rosen Educational Services, 2016.

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27

Katz, Christina. Get known before the book deal: Use your personal strengths to grow an author platform. Writer's Digest Books, 2008.

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28

Steiner, Felix. Representations of Authorship. The concept and subject of the author in academic texts. Walter de Gruyter – Max Niemeyer Verlag, 2009. http://dx.doi.org/10.1515/9783484971059.

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29

Parker-Rock, Michelle. Bruce Coville: An author kids love. Enslow Publishers, 2006.

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30

Sid Fleischman: An author kids love. Enslow Publishers, 2009.

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31

Ford, Carin T. Dr. Seuss: Best-loved author. Enslow Publishers, 2003.

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32

Stephenie Meyer: Twilight saga author. KidHaven Press, 2010.

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33

Everyone's an author with readings. W.W. Norton and Co., 2012.

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34

Comrades in ink: How to work with a co-author to make your book a reality. Summerland Press, 1999.

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35

1950-, Bingham Mindy, and Stryker Sandy, eds. Is there a book inside you?: How to successfully author a book alone or through collaboration. Para Pub., 1985.

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36

Fondling your muse: a book of infallible advice from a published author to a writerly aspirant. Writer's Digest Books, 2005.

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37

Poynter, Dan. Is there a book inside you?: How to successfully author a book alone or through collaboration. Para Pub., 1985.

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38

The art of the author interview: And interviewing creative people. University Press of New England, 2005.

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39

Molloy, Terence. Eve Garnett--artist, illustrator, author: A memoir. Book Guild, 2002.

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40

Author. Checkmark Books, 2008.

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41

Garside, Peter. Authorship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.003.0002.

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This chapter examines authorship from 1750 to 1820. Out of 3,374 novels first published from 1770–1819, some 2,045 were published without the name of an author on the title page. Moreover, an overwhelming majority of over 80 per cent of new titles were published anonymously, making this the norm for the genre over those years. Novels carrying the author's name on the title page come more fully into view with the 1790s, actually outnumbering anonymous and pseudonymous titles in the 1800s. However, the resilience of anonymity is again apparent in the 1810s, when unattributed titles once more outnumber those with names on the title page, albeit narrowly so. The chapter then offers an overview of issues relating to output and popularity, anonymity and pseudonymity, gender distribution, and author dealings vis-à-vis publishers, seen as far as is possible from within the period itself.

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42

Boes, Tobias, Rebecca Braun, and Emily Spiers, eds. World Authorship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198819653.001.0001.

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Booksellers, authors, and academics have been talking about world literature since Goethe made the term fashionable in the early nineteenth century. Yet amidst all the talk of books that ‘circulate’ and literature as a kind of ‘universal property’ that can function as a ‘window on the world’, how do we account for the people who live in real places, and who write, translate, market, and read the texts that travel on these global journeys? This handbook breaks new ground by showing how to bring together the real-world contexts of authorship with the literary worlds of fiction through the concept of the world author. ‘World authorship’ is a practical update on Michel Foucault’s ‘author function’ that significantly expands the network of people and practices involved with literature and is at the same time more grounded in the study of actual literary texts. The concept is set out in detail in a rigorous introduction followed by twenty-five keyword chapters that cover all core aspects of world authorship, from ‘Beginnings’ to ‘Voice’, and have been written by professionals who work right across the sector. In its entirety, the handbook illuminates how literature is made and shared in different parts of the world and at different times of world history. At the heart of all contributions, however, is one key question: where is the human element in world literature? Established authors, translators, publishers, prize judges, and festival coordinators as well as academics from a range of different disciplinary backgrounds collectively give us the answer.

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43

Books, Tab, ed. TAB author guide. TAB Books, 1990.

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44

Author 101 Bestselling Nonfiction: The Insider's Guide to Making Reality Sell (Author 101). Adams Media Corporation, 2006.

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45

Li, Wai-Yee. Concepts of Authorship. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.24.

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What are the words and phrases used to designate authorship in classical Chinese literature? What are the anecdotes and stories told to emblematize or dramatize the contexts and meanings of authorship? How does the attribution to or the invention of an author define or control the meanings of a text? How do markers of authorial presence function in a text? How does genre shape authorial voice? How do anonymous texts generate authors? How do images of authors (as distinct from historical actors) produce texts? Many scholars believe that authorship becomes increasingly individualistic and self-conscious for the period covered by this volume. How valid is this historical trajectory? In exploring these questions, this chapter examines notions of orality, textual authority, textual transmission, patronage, commentary, editorial labor, forgery, anonymity, originality, imitation, and collective authorship.

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46

Lester, Helen. Author: A True Story. Houghton Mifflin Harcourt Publishing Company, 2002.

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47

Author, Reader, Book: Medieval Authorship in Theory and Practice. University of Toronto Press, 2012.

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48

Authorship Contested: Cultural Challenges to the Authentic Autonomous Author. Taylor & Francis Group, 2015.

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49

Authorship Contested: Cultural Challenges to the Authentic, Autonomous Author. Taylor & Francis Group, 2017.

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50

Everyone's an Author. Norton & Company, Incorporated, W. W., 2016.

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