Relevant bibliographies by topics / Author and publishers

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Author and publishers'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Author and publishers"

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Byl, Lauren. "Author Addendum Conundrum: Reconciling Author Use of Addenda With Publisher Acceptance." Partnership: The Canadian Journal of Library and Information Practice and Research 16, no. 2 (2022): 1–35. http://dx.doi.org/10.21083/partnership.v16i2.6187.

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The purpose of this paper is simultaneously to investigate researcher use and awareness of author addenda (e.g., the Scholarly Publishing and Academic Resources Coalition [SPARC] author addendum) and publisher awareness and acceptance of the same. Researchers at U15 Group of Canadian Research Universities institutions were targeted, and a survey was sent to faculty, graduate, and postdoctoral associations to share with their members. Following a low response rate, the survey was sent to a listserv of copyright librarians in Canada with a message that encouraged them to share it with researchers at their institutions. Eighty-one researchers responded to the survey. Eighty-six percent of researchers (n = 70) indicated that they were unaware of author addenda. Researchers were asked to identify how often they negotiate their publishing agreements, and of those who answered the question, 84.2% (n = 64) responded that they never negotiate. Thirteen publishers or publishing organizations were contacted and asked if they would participate in phone interviews about copyright practices and author addenda. Two large multinational publishers agreed to participate. Both publishers indicated that very few authors attempt to negotiate their agreements and that of those who choose to negotiate, even fewer use addenda. Both indicated that they do not accept the SPARC author addendum. This study’s small sample sizes mean that more information needs to be collected before firm conclusions can be drawn. Based on the responses from the two large publishers, the best way to help Tri-Agency-funded researchers may be for libraries and the Tri-Agency to negotiate with publishers for funder-based exceptions.
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Sorooshian, Shahryar. "New Money-Making Tactic by Predatory Publishers." Publications 8, no. 1 (2019): 2. http://dx.doi.org/10.3390/publications8010002.

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This letter is an inquiry into the money-making by predatory publishers. The author discusses new tactics adopted by a few unprofessional publishers to abuse their authors’ trust and make money. To overcome the publication misconduct, the author closes this letter with an alarm for the scientific community to be aware of the new tactics that predatory publishers are using.
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Mock, Rodney P., Arline Savage, and Mark G. Simkin. "The Ethics of Indemnity Clauses in Academic Publication Contracts." Issues in Accounting Education 25, no. 2 (2010): 267–78. http://dx.doi.org/10.2308/iace.2010.25.2.267.

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ABSTRACT: Publishers ask authors to sign publication agreements with “indemnity clauses” to defend themselves from third-party lawsuits. When academics sign such agreements, who is liable if a third party sues the publisher—the author, the author’s university, the author’s faculty union, or only the publisher? This article uses a stakeholder approach to analyze the ethical implications that indemnity clauses have in academia on authors, publishers, universities, and unions. The article concludes that indemnification clauses are most advantageous to the publishers and universities involved, while the authors and unions are most disadvantaged by such provisions.
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Teixeira da Silva, Jaime A. "Are Mandatory Institutional Emails for Manuscript Submission an Unfair and Discriminatory Policy?" Journal of Interdisciplinary Medicine 6, no. 4 (2021): 189–91. http://dx.doi.org/10.2478/jim-2021-0039.

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Abstract With increasing cases of fraud in submission, peer review, and publication processes, some by authors with fake identities and who use concocted emails, including the use of web-based emails, editors and publishers are looking for ways to try and stem the tide of fraud. In some journals, editors and publishers mistakenly believe that this might be possible by implementing a policy that mandates submitting authors to have an institutional email. However, this may be discriminatory at various levels, the most obvious of which is unfairness, i.e., no right to “entry” to a journal based exclusively on the type of email used, even more so when the submitting author is not fake. Such policies might, very ironically, even violate stated journal or publisher policies on discrimination and inclusivity. Editors and publishers that employ such tactics, as a way to attempt to reduce fraudulent submissions, need to rethink this potentially discriminatory strategy. In a publishing world that is becoming increasingly litigious, it would not be surprising if legal action would one day be taken against a journal or publisher by a valid author using a web-based email such as @gmail.com, @yahoo.com, or @163.com, but who may have been unfairly barred entry to that journal based on such a policy. Two real case examples are provided, Tumor Biology, a struggling journal published by IOS Press, and Journal of Business Ethics, a journal published by Springer Nature.
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Ramdarshan Bold, Melanie. "The return of the social author." Convergence: The International Journal of Research into New Media Technologies 24, no. 2 (2016): 117–36. http://dx.doi.org/10.1177/1354856516654459.

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The rise in self-publishing, digital folk culture and social media participation, have revolutionized reading and writing practices. Readers can directly contact their favourite authors, and publishers, through social media and become authors, and publishers, themselves. One of the outcomes of digital reading and writing is that writing is now becoming more democratic: traditional publishers are no longer the sole gatekeepers of culture. The popularity of social writing platform Wattpad is a recent example of how a new generation of influential and innovative writers is entering the publishing arena. This also demonstrates that there is a demand for authorship without the intervention from publishers. Despite this, traditional notions of authorship, ownership and control are prevalent in contemporary publishing hindering the true potential of creativity. The disharmony between the rise of the amateur author and the control of the traditional publisher is confronted in the digital public sphere. Consequently, issues such as authority and influence are mediated during the activities and interactions that take place on social media and other online platforms. Established authority figures, such as famous authors or well-known publishers, that exert authority and influence in the traditional sphere, can shift this authority and influence to the digital world; however, this sphere is also occupied by emerging networks of influencers, such as emerging authors or micro-celebrities, who gain popularity as a result of specific trends, in specific domains, at specific times. This article will examine how new and established authors are using social platforms, and social media, to publish their writing, build communities and extend their dialogue with readers and other writers. A netnographic study of Wattpad will identify which authors are the influencers and innovators in social publishing. Consequently, this article will underscore the increasing importance of social networks and social relationships in 21st century publishing.
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Suber, Peter. "Balancing Author and Publisher Rights." Bilgi Dünyası 9, no. 1 (2008): 207–24. http://dx.doi.org/10.15612/bd.2008.334.

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As open access gains momentum, more and more scholarly authors are trying to retain the rights they need to authorize open access. At the same time, many publishers continue to demand transfer of copyright and resist author demands to retain key rights. This article explores the possibility of a balance which gives each side the rights it needs.
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Smart, P. "Copyright." Annals of The Royal College of Surgeons of England 98, no. 03 (2016): 162–64. http://dx.doi.org/10.1308/rcsann.2016.0096.

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‘Talent is always conscious of its own abundance, and does not object to sharing.’ Aleksandr Solzhenitsyn, The First Circle When authors submit an article for publication, most publishers will ask for a signature from the author on a copyright form. The relationship between an author and the publisher is then a partnership but one that many authors are reluctant to enter into. After all, why should a publisher take copyright from an author of an article when the author had the idea and has done all the hard work for the content of the article? In response to this question, publishers will generally claim that copyright transfer agreements protect authors from copyright infringements such as plagiarism, libel and unauthorised uses as well as protecting the integrity of the article. Copyright in the UK was originally concerned with preventing the unlawful copying of printed material in the 17th century in response to the then new technology of book printing. The first copyright act in the UK, the Statute of Anne in 1710, was subtitled ‘An Act for the Encouragement of Learning’, and granted privileges and monopolies to book printers. Since then, copyright law has evolved to incorporate many forms of communication, including photography, film, music, computers, engraving, designs on t-shirts and digital technology among other forms of media. The most recent act in the UK is the Copyright, Designs and Patents Act 1988. While copyright covers an author’s right to copy, distribute and revise the work, it does not protect ideas – just their fixation or expression. The moment that an idea is fixed or expressed physically, copyright starts and does not have to be registered. In this article, Pippa Smart provides an overview of the legal framework that protects authors and publishers. Jyoti Shah, Commissioning Editor
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Sapiro, Gisèle. "Faulkner in France." Journal of World Literature 1, no. 3 (2016): 391–411. http://dx.doi.org/10.1163/24056480-00103007.

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In the early 1930s, when he started being translated into French, Faulkner was an unknown author in the transnational literary field. Questioning the role of intermediaries—publishers, translators, critics, authors—in the circulation of literary works and in the making of world literature, this article focuses on the role of the French publisher Gallimard in the symbolic recognition of Faulkner. Based on the publisher’s archives, the study examines the editorial strategies implemented in order to introduce a foreign author in a country that occupied a central position in the transnational literary field, at a time American literature just began arising interest: selection and order of publication of the works, prefaces by famous French authors (Malraux), publication in literary journals. These prefaces as well as the first reviews of Faulkner’s novels also reveal different strategies of importation, from transfer of symbolic capital to subverting the local literary field (Sartre).
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Sukiasyan, Eduard. "New textbooks by «Professija» Publishers." Scientific and Technical Libraries, no. 3 (March 1, 2016): 92–94. http://dx.doi.org/10.33186/1027-3689-2016-3-92-94.

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The author presents new textbooks in the series “Bachelor of library and information work” published in fall 2015, - “Library reference and search apparatus” and “Library collections”, reviews and gives his opinion on the publications.
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Nariani, Rajiv, and Leila Fernandez. "Open Access Publishing: What Authors Want." College & Research Libraries 73, no. 2 (2012): 182–95. http://dx.doi.org/10.5860/crl-203.

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Campus-based open access author funds are being considered by many academic libraries as a way to support authors publishing in open access journals. Article processing fees for open access have been introduced recently by publishers and have not yet been widely accepted by authors. Few studies have surveyed authors on their reasons for publishing open access and their perceptions of open access journals. The present study was designed to gauge the uptake of library support for author funding and author satisfaction with open access publishing. Results indicate that York University authors are increasingly publishing in open access journals and are appreciative of library funding initiatives. The wider implications of open access are discussed along with specific recommendations for publishers.
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Dissertations / Theses on the topic "Author and publishers"

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Cecchin, Aline Brustulin. "Mapeamento e análise do cenário editorial e literário da Serra Gaúcha (2000-2016)." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3667.

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O foco desta tese centra-se na investigação do cenário editorial da Serra Gaúcha/RS/Brasil. Ao compreender a literatura como um sistema que se forma a partir de uma ampla e complexa rede de relações, tem-se como objetivo mapear e analisar os mecanismos de produção, publicação e circulação literária na região, sob o ponto de vista de seus escritores e editores. Inicialmente, parte-se de uma ampla pesquisa sobre escritores e obras que compõem a paisagem literária serrana do ano 2000 até 2016, com o propósito de estruturar o panorama de publicações e de produtores de ficção na região. Em seguida, realizam-se entrevistas pessoais com 25 escritores e 4 editores, com o intuito de verificar como eles percebem sua atuação no sistema literário em questão. Finalmente, as entrevistas são tabuladas e analisadas à luz da sociologia da literatura. Fatores sociais, históricos e culturais específicos da região, assim como as condições de produção, difusão, leitura e público literário, compõem os elementos investigativos desta pesquisa e colaboram para que se compreenda a vida literária na Serra Gaúcha, na atualidade.<br>This thesis focuses on the investigation of the editorial scenario of the Serra Gaúcha/RS/Brazil. Understanding literature as a system that is formed from a wide and complex network of relations, the objective is to map and analyze the literary mechanisms of production and publication in the region, from the perspective of its writers and editors. Initially, it is based on an extensive research on writers and works that compose the literary scenery from 2000 to 2016, with the purpose of structuring the panorama of publications and fiction producers in the region. Then personal interviews with 25 writers and 4 editors are carried out, in order to verify how they perceive their work in the literary system under discussion. Finally, the interviews are tabulated and analyzed according to the sociology of literature. Particular social, historical and cultural factors of the region, as well as the conditions of production, diffusion, reading and literary public, compose the investigative elements of this research and collaborate to understand the literary life in Serra Gaúcha, at the present time.
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Mogg, Thomas. "Die Kodifikation von Verlagsrecht und Verlagsvertrag in Deutschland : die Geschichte des Gesetzes über das Verlagsrecht vom 19. Juni 1901 und seine Vorgeschichte /." Aachen : Shaker, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014919489&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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White, Trena Rae. "Excavating the slush pile at McClelland & Stewart /." Burnaby, B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/648.

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Pugliese, Cristiana. "Author, publisher and Gikuyu nationalist : the life and writings of Gakaara wa Wanjau." Thesis, SOAS, University of London, 1992. http://eprints.soas.ac.uk/28460/.

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The dissertation presents the life and writings of a major and the most prolific writer and publisher in Gikuyu, Gakaara wa Wanjau, whose activity has never ceased in the last fifty years. The thesis is structured in two parts with appendices; Part One, "Gakaara and the History of Kenya" sketches a historical background to the activities of Gakaara from his childhood days at Tumutumu Church of Scotland mission station to the early nineties. It also outlines the early studies of the Gikuyu language and traditions and early writings in Gikuyu by other Gikuyu authors. Part Two, "Gakaara and His Writings", introduces Gakaara's linguistic and orthographic concerns. It also analyses his primers and his pamphlet on English linguistic interferences in Gikuyu. It examines the impact of the Bible on Gakaara in his formative years and the vernacular press which flourished in the forties; it assesses the influence of the short story correspondence course he received from Britain, while in detention, in the early fifties. Part Two goes on to examine the nature and structure of Gakaara's fictional writings. It singles out their most relevant stylistic features and suggests a possible framework which can be applied to Gakaara's narratives. It -3- also focuses on the presentation of characters and on those "human types" which recur most often in his works. The dissertation also includes three appendices: an extensive interview with Gakaara, English translations of selected writings by Gakaara and a bibliography of Gikuyu studies.
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Marching, Soe Tjen 1971. "Negotiating identity : Indonesian women's published autobiographies and unpublished diaries in the New Order." Monash University, Dept. of Asian Languages and Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/5825.

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Van, Wyk W. A. "Analysis of South African general trade book sales : exploring opportunites for SA publishers and authors." Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/85172.

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Thesis (MBA)--Stellenbosch University, 2006.<br>ENGLISH ABSTRACT: Mhlongo (2004) observes that the South African bestseller charts are dominated by imported titles and that it appears that the public prefer foreign titles above books published in South Africa (SA). By analysing data of South African general trade book sales, it has been possible to establish to what extent Mhlongho’s statement is true for all Nielsen BookScan South Africa (NBS-SA) Product Class genres. An analysis of the weekly Top 50 bestseller charts produced by NBS-SA proved that local authors face strong competition from frequently read foreign authors. The aim of this report is to assist South African authors to identify niche markets where, though South African published titles do not compete well against imported titles, there is a definite buyer interest. Only product classes that have the potential to yield relatively high returns for the author were considered. An investigation into the number of SA published books within each of the product classes revealed that South African authors and publishers are indeed under-servicing these identified product classes. Further analysis pointed out that South African titles that sell well are mainly on non-fiction topics; and in the young adult group SA title sales are mainly obtained through educational product. Most identified publishing opportunities were within genres requiring very specific or at least some prior knowledge about the subject matter, thereby restricting the possibilities to authors knowledgeable on those subjects. Fiction, however, is a generalist genre and most generalist areas were found to be completely dominated by imported titles. The analysis resulted in the extraction of the most viable publishing opportunities for South African authors in the general book trade market of South Africa. The findings of this research report empower the South African general trade book industry by exposing publishing opportunities in this country. By targeting these genres, local authors increase their probability of earning good returns and reclaiming market share from imported titles, provided that they are capable of producing competitive titles. It was concluded that poor book-buying figures are a consequence of the financial status of South African inhabitants. The outcome hereof is a very distinct buyer group that tends to buy books for application purposes and which focuses on acknowledged bestsellers when it comes to leisure reading. This is not very different from what is seen internationally. The small size of the South African market however does not create enough depth to ensure good sales on average titles.<br>AFRIKAANSE OPSOMMING: Mhlongho (2004) het beweer dat Suid-Afrikaanse beste verkopelyste gedomineer word deur ingevoerde publikasies en dat dit blyk dat die publiek ingevoerde titels verkies bo Suid-Afrikaans gepubliseerde boeke. Deur middel van ’n analise van algemene boekverkope in Suid-Afrika was dit moontlik om te bepaal hoe waar Mhlongho se bewering is ten opsigte van alle Nielsen BookScan-produkklasse. ’n Analise van die weeklikse Top 50 verkopelyste, gepubliseer deur Nielsen BookScan Suid-Afrika, het bevestig dat outeurs sterk kompetisie kry van welbekende internasionale outeurs. Die doel van hierdie verslag is om Suid-Afrikaanse outeurs te help om markte te identifiseer waarin Suid-Afrikaanse titels nie goed opweeg teen ingevoerde titels nie, maar waar daar nog steeds ’n besliste kopersaanvraag is. Slegs produkklasse wat ’n potensiaal vir relatiewe hoë opbrengste getoon het is oorweeg. ’n Studie na die hoeveelheid Suid-Afrikaans gepubliseerde boeke wat beskikbaar gemaak word in elk van hierdie produkklasse het getoon dat hierdie genres inderdaad nie deur Suid-Afrikaanse outeurs en uitgewers bedien word nie. ‘n Verdere analise het getoon dat Suid-Afrikaanse titels wat goed verkoop merendeels uit nie-fiksie bestaan. In die jong adolessente groep word SA-verkope gekenmerk deur studiemateriaal. Die meeste van die geïdentifiseerde gapings was in genres wat spesifieke kennis of insig tot ’n sekere vakgebied vereis en sodoende die gebruiklikheid daarvan beperk tot outeurs met hierdie vakkennis. Fiksie is egter ’n algemene genre en oor die algemeen word hierdie produkklasse geheel en al gedomineer deur ingevoerde publikasies. Die analise het moontlike geleenthede vir Suid-Afrikaanse outeurs in die algemene boeksektor bloot gelê. Die eindproduk van hierdie navorsingsprojek bemagtig die Suid-Afrikaanse algemene boekbedryf deur uitgeegeleenthede te identifiseer. Deur hierdie geleenthede op te neem staan opkomende outeurs die kans tot goeie verdienste en om markaandeel te wen ten midde van ingevoerde publikasies, mits hulle ’n meedingende produk kan lewer. Die verslag sluit af met die bevinding dat swak boekverkope die resultaat is van die finansiële beslag van Suid-Afrika se inwoners. Die netto effek is ’n baie eiesoortige kopersgroep wat geneig is tot boeke geskik vir toepassings. Verder spits hulle hulle toe op beste verkopers wanneer dit kom by aankope vir ontspanning. Dit is nie aansienlik verskillend van wat die internasionale tendens is nie, maar die grootte van die Suid-Afrikaanse mark laat egter nie genoeg diepte om goeie verkope vir gemiddelde titels te verseker nie.
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Cheung, Iva. "The editorial handbook: a comprehensive document to guide authors through the editorial process at Douglas & McIntyre Publishing Group /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2320.

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Ogechi, Nathan Oyori. "Athari za mabadiliko ya mitaala ya Kiswahili katika uandishi na uchapishaji." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-94943.

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The present article attempts to analyse the effects of Kiswahili curricula changes in Kenya on Kiswahili authorship and publishing since 1963. The bottomline of the argument is that any changes on the educational curriculum affecting Kiswahili has a corresponding effect on the way Kiswahili authors and publishers behave. The analysis is divided into several periods marked with the various commissions appointed by the government to investigate and make recommendations on education. Based on the foregoing, the paper shows how the authors and ublishers are compelled to adjust their attitude towards Kiswahili in order to keep abreast with the ever-changing millieu – at one time they cherish Kiswahili while discounting it at another. Finally, it is argued that at present there is a lot of good will towards Kiswahili. This can be enhanced if special incentives such as awarding higher entry salaries to applicants for jobs in the civil service who can fluently express themselves in Kiswahili.
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McLaughlan, Paul James. "Beyond the Ebook: Digital Ecologies and the Future of the Author-Publisher Relationship, and Bibliotek: A Novel." Thesis, Curtin University, 2013. http://hdl.handle.net/20.500.11937/70519.

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This thesis examines changes in book publishing arising from digital distribution and textual ecology, and how these affect the traditional publisher-author relationship. It considers how the inclusion of fan writers into the industry may help publishing develop in positive ways. The critical exegesis develops a model for a transformative, sharing readership to work with the industry, helping to revitalise the form; while the creative component, science fiction novel, Bibliotek, extrapolates how this model could function.
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Day, Kristi, and Elin Gunnarsson. "Book Cover Process - some Swedish publishers work with authors and designers in the creation of book covers." Thesis, Linköpings universitet, Institutionen för teknik och naturvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-93171.

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The market for book publishing has changed over the past years. Now the publishers has more pressure on them the to make a profit and every book must now be an economic investment. Meanwhile, more and more new publishers that start up their businesses and every year the competition gets tougher. This leeds to a higher demand on every individual book. The book cover is the face of the book and is supposed to entice the buyer while at the same time represent what's behind the cover. Them significance of the book cover is big and there are high demands that it should fill its function and at the same time help to sell the book.mSeven Swedish publishers has been interviewed for this research paper: Albert Bonniers Förlag, Berghs Förlag, Brombergs Bokförlag, En Bok För Alla (EBFA), Harlequin, Kabusa Böcker, and Opal bokförlag. They have been questioned about how their process in making their book covers in order to investigate if the processes differ from each other or if they are similar. Publishers today don't, for the most part, have a clearly structured process of how they proceed when important book covers are created and there is no time to conduct market analysis and target group analysis for each book. Publishers do, however, find their cover designers in a similar way and many of the publishers use a few regular designers who know the publishers' work process from previous experience. Although, the publishers' attitude toward the author's involvement is similar between publishers, with few exceptions, in the sense that the author himself or herself may determine their own level of involvement. The publishers adjust to what the author prefers. In general, Swedish authors have little authority in the final decision making stage, however they can give suggestions and participate in discussions. This thesis provides insight into how these publishers reason in regards to the bok cover design process and how decisions are made. What is clear is that publishers often rely on their experience, rather than an elaborate analysis of a particular book when a decision is made regarding the cover. However, this is probably due to time constraints which do not make it reasonable to perform a market analysis for each new title a publisher issues. Had there been a clearer working structure of the cover process, maybe more time could be spent on market response.<br>Då förlagsmarknaden har förändrats under de senaste åren och förlagen nu har mer press på sig att vara vinstdrivande, måste även varje utgiven bok vara en ekonomisk investering. Samtidigt startas flera nya förlag varje år och konkurrensen ökar enligt Christina Ahlinder. Detta kräver allt mer av varje enskild bok. Bokens omslag är dess fönster utåt som ska locka till köp och samtidigt representera inlagan. Omslagets betydelse är stort och höga krav ligger på att det ska fylla sin funktion som bokens säljande ansikte utåt. Sju förlag har intervjuats i detta arbete; Albert Bonniers Förlag, Berghs Förlag, Brombergs Bokförlag, En Bok För Alla (EBFA), Harlequin, Kabusa Böcker, samt Opal bokförlag. De har förfrågats om hur deras bokomslagsprocess går till för att kunna se hur olika förlag liknar och skiljer sig. Förlagen idag har i mångt och mycket ingen tydligt utarbetad process över hur de ska gå tillväga då dessa viktiga omslag skapas och tid finns inte att göra marknadsanalyser och målgruppsanalyser för varje bok. Förlagen hittar dock sina formgivare på liknande sätt och många av förlagen använder sig av ett fåtal återkommande formgivare som kan förlagens arbetsprocess. Även förlagens ställning till författarens involvering är liknande mellan förlagen, med ett fåtal undantag, i form av att författaren själv får bestämma sin nivå av involvering. Förlagen anpassar sig efter det. I regel har svenska författare dock ingen bestämmanderätt över hur omslaget blir i slutändan, utan kan endast komma med förslag och vara delaktig i diskussionerna. Arbetet ger en inblick i hur just dessa förlag resonerar kring processen och de beslut som tas. Något som framgår är att förläggaren många gånger förlitar sig på sin erfarenhet, snarare än utarbetade analyser för just den boken, när beslut om omslaget tas. Detta beror dock troligen på tidsbegränsningar vilket inte gör det rimligt att utföra dessa analyser för varje ny titel ett förlag ger ut. Hade det dock funnits en tydligare arbetsstruktur över hur omslagsarbetet ska gå till kanske mer tid hade funnits att stämma av marknaden.
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Books on the topic "Author and publishers"

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Campbell, P. J. 101 author tips: Creating a successful book campaign. LifeTips, 2009.

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Jezioro, Julian. Zawarcie umowy i formowanie stosunku wydawniczego w świetle ustawy o prawie autorskim z 1952 roku. Wydawn. Uniwersytetu Wrocławskiego, 1994.

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Hassan, Kamal Halili, and Kamal Halili Hassan. Penulis dan undang-undang. Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1990.

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Shawn, Welch, ed. APE, author, publisher, entrepreneur: [how to publish a book]. Nononina Press, 2013.

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Munsey, Terence. How to: Be a published author. Munsey Music, 2000.

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The house of Blackwood: Author-publisher relations in the Victorian era. Pennsylvania State University Press, 2002.

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From the author's hand to the printer's mind: Who is an author in early modern Europe? Department of Literature, University of California, San Diego, 2013.

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T, Vanderbilt Arthur. The making of a bestseller: From author to reader. McFarland & Co., 1999.

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Publishers, Association of American. Electronic Manuscript Project: Task two requirements definition for an industry standard and an outline for author guidelines. Association of American Publishers, 1985.

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British Columbia. Geological Survey Branch. NTS location & author index to publications of the British Columbia Geological Survey Branch. Ministry of Energy, Mines and Petroleum Resources, Mineral Resources Division, 1991.

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Book chapters on the topic "Author and publishers"

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Johnson, Miriam J., and Helen A. Simpson. "Author Brands." In Social Media Marketing for Book Publishers. Routledge, 2022. http://dx.doi.org/10.4324/9781003276012-2.

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Sommers, Sheldon C. "Author, Editor, Publisher." In Progress in Surgical Pathology. Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/978-3-662-12814-5_1.

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Renck Jalongo, Mary, and Olivia N. Saracho. "From Aspiring Author to Published Scholar." In Writing for Publication. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31650-5_1.

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Tüting, Axel. "Workflow: Vom Autor bis zum Publisher." In essentials. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17512-2_5.

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"Publishers and Distributors." In Author Title and Subject Guide. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110405279-007.

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"Publishers and Distributors." In Author Title and Subject Guide. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110405279-042.

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"The School for Publishers." In The Would-Be Author. Purdue University Press, 2015. http://dx.doi.org/10.2307/j.ctv15wxq94.9.

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"Index to Publishers and Distributors." In Author Title and Subject Guide. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110405354-008.

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"Index to Publishers and Distributors." In Author Title and Subject Guide. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110405354-022.

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"Index to Publishers and Distributors." In Author Title and Subject Guide. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110405279-043.

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Conference papers on the topic "Author and publishers"

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Sathyanarayana, N. V. "Rejuvenating Green OA for a Greener Pasture." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317201.

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This paper is a critical sequel to John Dove’s paper titled “Maximum Dissemination: A possible model for society journals in the humanities and social sciences to support Open while retaining their subscription revenue”, presented at the Charleston Conference 2019. Dove’s OA advocacy has included both gold and green. Dove’s innovative model, which makes full use of the green route to achieve maximum dissemination of authors’ works through open repositories, suggests a switch in the functional responsibility for depositing author’s manuscript from author to publisher. The model has publishers to act as agents of the authors as much through the green route as their subscription route. Dove has suggested this maximum use of the green path by the publisher for specific journals in specific disciplines. This paper looks to examine the feasibility of green OA model in this context, and then to consider other ways to expand on this idea to other green OA supporting publishers. It further looks at the possibilities of the model driving the re-emergence of green OA as a favoured option for facilitating immediate and parallel dissemination of authors’ papers through both green and subscription channels.
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Feather, Celeste, Sara Rouhi, Anneliese Taylor, and Kim Armstrong. "The Time Has Come…For Next-Generation Open Access Models." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317200.

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Libraries, consortia, and publishers are exploring new models to support Open Access (OA) content. Native OA journal publishers are facing a different set of challenges as there is no existing library subscription base to transform into support for OA. Author-pays OA models are challenging to the ecosystem for a variety of reasons. Large institutions with heavy scholarly output may pay more, small institutions that use the content but publish less are wondering what role they will play, and authors from the global south may not have funding to pay Article Processing Charges (APCs). What new models are under exploration to address the complexity of funder mandates, reduce administrative burden of complex APC models, and the need to be more inclusive of a diverse community?
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Scofield, Clarisse, Mariana O. Silva, and Mirella M. Moro. "What Makes a Book Successful? A Study on Portuguese-language Literature." In Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/webmedia_estendido.2022.227042.

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Analyzing the success of books is a matter of interest among publishers, professional book reviewers, expert writers, and even curious readers. Such a task has many influencing factors concerning the intrinsic content and quality of the book (e.g., interest, novelty, writing style, and engaging plot) and others regarding external factors such as social context, author relationships, and luck for publication. Faced with so many variables, recognizing a successful literary work is a challenging endeavor even for specialists in the publishing market. Our objective is: to explore a dataset of books in the Portuguese language created to obtain more knowledge about the different variables of success in the literary context; to understand and evaluate the metrics collected that indicate new perceptions about books using graphical views.
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Rathemacher, Andrée, Robert Heaton, Noah Levin, and Christine Stohn. "Six Impossible Things: Moving KBART into the Next Decade." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317173.

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KBART is one of the most successful NISO recommendations today. Formally supported by over 80 organizations across all stakeholder groups, it enables a standardized transfer of data between content providers and knowledge bases. Most recently KBART added an automated process to transfer holdings data to localize an institution’s knowledge base holdings. While KBART was originally built to focus on journal and book data, the world has moved on—the different flavors and nuances of open access, the increased use of audiovisual material, holdings at the chapter and article levels, and issues around translations, transliterations, and author names are just some of the challenges that are disrupting the flow. So what is next for KBART? How does it adapt to continue to solve the data flow problems that libraries, publishers, and knowledge base providers face today? The presenters in this session, all members of the NISO KBART Standing Committee and/or the KBART Automation Working Group, discuss the status and future of a “Phase III” revision of NISO KBART that aims not only to clarify the existing recommendations but also to expand them to address the new challenges, including the support of additional content types beyond serials and monographs and improvements to item-level discovery and access.
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Alinani, Karim, Guojun Wang, Annadil Alinani, Dua Hussain Narejo, and Mumbere Muyisa Forrest. "Aggregating Author Profiles from Multiple Publisher Networks to Build Author Knowledge Graph." In 2018 IEEE SmartWorld, Ubiquitous Intelligence & Computing, Advanced & Trusted Computing, Scalable Computing & Communications, Cloud & Big Data Computing, Internet of People and Smart City Innovation (SmartWorld/SCALCOM/UIC/ATC/CBDCom/IOP/SCI). IEEE, 2018. http://dx.doi.org/10.1109/smartworld.2018.00245.

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Hanson, Brooks, and Shelley Stall. "BEST PRACTICES FOR AUTHORS, DATA REPOSITORIES, EDITORS, AND PUBLISHERS TO ENABLE GEOINFORMATICS USING THE SCHOLARLY LITERATURE AND TO EMPOWER PUBLISHED DATA." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-300094.

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Haaz, Ignace. "Ambivalence comme pari créatif : réflexions sur un modèle d’édition académique lié au développement." In 2ème Colloque International de Recherche et Action sur l’Intégrité Académique. « Les nouvelles frontières de l’intégrité ». IRAFPA, 2022. http://dx.doi.org/10.56240/cmb9916.

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The role of an academic editor and publisher is not simple. It is even less so when providing guidance and support for authors from the countries of the majority world becomes a habitual condition of this activity. Editorial commitment in this context becomes ambivalent, as it has to be oriented towards meeting two distinct objectives: ensuring academic quality and providing support to authors. To meet this challenge the publisher hopes to make the most of online tools and networks. If some scholarly work fails to be published, it raises the question whether authors would benefit from mentorship to improve their texts and thereby meet with international academic standards. The publisher cannot entirely compensate for the weakness of the research work, but should seek to mitigate it.
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Chesler, Adam, Jim Dooley, David Parker, and Zac Rolnik. "DRM: A Publisher-Imposed Impediment to Progress, or a Legitimate Defense of Publisher/Author Intellectual Property Rights." In Charleston Conference. Against the Grain, 2015. http://dx.doi.org/10.5703/1288284315619.

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Ermakov, Alexey Viktorovitch. "Crossref reports for publishers and scientific publications." In 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-28.

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The paper deals with the issues of placing metadata of scientific publications in the Crossref bibliographic database. All information contained in the metadata is analyzed by Crossref and displayed in various reports. The reports give the publisher an idea of the completeness and correctness of the bibliographic data presented. The completeness and correctness of metadata directly or indirectly affect the number of views and citations of a publication, and, accordingly, the ratings of scientific publications, authors, and organizations.
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Maistrovskaya, Mariya, and Judy Hum-Delaney. "Simplifying OA Policy Compliance for Authors Through a Publisher-Repository Partnership." In 22nd International Conference on Electronic Publishing. OpenEdition Press, 2018. http://dx.doi.org/10.4000/proceedings.elpub.2018.7.

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Reports on the topic "Author and publishers"

1

Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.
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Melnyk, Yuriy. Academic Journal Website Model. KRPOCH, 2018. http://dx.doi.org/10.26697/preprint.melnyk.1.2018.

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Background: The tens of thousands of academic journal websites that are on the Internet today often do not have a clear organizational structure for their website. If most of them are convenient enough for readers (if the journal is open access), then many have problems informing authors about the conditions, the process of submitting and reviewing the manuscript. The Editorial Offices empirically populate the journal's website with content that can change dramatically (both in terms of website design and content) as the journal develops. Aim of Study: To develop a website model for an academic journal that takes into account the basic requirements for the preparation, publication, and archiving of high quality scientific manuscripts. Material and Methods: The academic journal website model is based on a structural-functional approach. The website content consists of text and integrated applications. This model takes into account the basic requirements for the preparation, publication, and archiving of high-quality open access scientific manuscripts, as well as the indexing of journal articles by leading indexing agencies. Results: The academic journal website model is structured with the following menu and submenu elements: 1. HOME: 1.1. Journal information; 1.2. From the editorial office; 1.3. Databases, Indexing; 2. EDITORIAL BOARD: 2.1. Editorial board; 2.2. Reviewers; 2.3. Editing and reviewing process; 3. EDITORIAL POLICIES: 3.1. Editorial policies; 3.2. Plagiarism policy; 3.3. Open access policy; 3.4. The ethics codex of scientific publications; 3.5. Disclaimer; 3.6. License terms; 3.7. Terms of publications (fee); 4. ARCHIV: 4.1. Previous issues; 4.2. Current issue; 4.3. Articles online first; 5. INSTRUCTIONS FOR AUTHORS: 5.1. General recommendations; 5.2. Manuscript templates; 5.3. Supplemental materials; 6. STATISTICS: 6.1. Publications; 6.2. Authors; 6.3. Readers; 7. CONTACTS: 7.1. Contact; 7.2. Subscriptions; 7.3. Search. Conclusions: This academic journal website model was implemented for the International Journal of Science Annals (IJSA). Authors and readers of IJSA noted the advantages of the model proposed by the author, including: a convenient and understandable website interface, the availability of the necessary hyperlinks to the pages of the journal's website and external media (sites of indexed agencies, library archives, etc.), convenient search for information on the website and published in the journal articles (by author, publication, text of the article), availability of integrated applications (online submission of manuscripts, filing appeals against the decision of reviewers and complaints about published articles, viewing the interactive printed version of the journal, etc.), availability of templates (for authors, reviewers), availability of multiple formats for archiving articles (PDF, DOAJ, XML, TXT), the ability to choose the style of citing the article and the website language (English, Ukrainian), etc. Keywords: journal, model, website, academic, indexing
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Melnyk, Olesia. MEDIA DISCOURSE AROUND THE FIGURE OF ORIANA FALLACHI AND HER JOURNALISM DURING 2017–2020. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11114.

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The article analyzes the media discourse around the figure of Oriana Fallachi and her journalistic work during 2017-2020. The actual media image of the figure of Fallachi is highlighted, examples of positive and negative statements are given. It is substantiated why her journalism should be researched in various ways, taking into account other aspects of her work that are not related to Islamophobia. The subject of the study is critical texts in modern foreign media dedicated to the author’s work. The objective of the study is to outline the media discourse around the figure of Oriana Fallaci and her journalism during 2017-2020. The methodology. The following methods have been used in the process of scientific research: historical, comparative, systems analysis, content synthesis, and others. The main results. In total, we have analyzed eight materials in foreign publications, published over the past 3 years, as well as the two most famous biographies of Oriana Fallaci. Some of the most recent reviewed texts have been published in the last few months, reflecting the interest in the author’s journalism, her writing, and reporting. Therefore, we see the need for further tracking and analysis of this body of texts. Conclusions. Critics of Fallaci express polar views that are not all negative. Authors re­commend quite cautiously her texts for reading, emphasizing their positive aspects. Both Fallaci’s biographies are also not entirely complementary: some aspects of her work are glorified, others are condemned. We managed to find general tendencies in the criticism of Oriana Fallaci’s journalism. These include accusations of xenophobia and Islamophobia, uncompromisingness, lack of political correctness, and moral value. The authors emphasize, at the same time, the openness and directness that bribe the reader, patriotism and honesty, strength of spirit and firmness of position. Significance of the research. The analysis of the latest criticism reveals what kind of media image Fallachi’s figure has today, and gives the possibility to research it for demonization and one-sided coverage. This is important not only for thorough research of the author’s work but also for understanding how the modern world perceives journalism, which is contrary to the generally accepted principles of political correctness, journalistic ethics, and humanity.
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Lozynskyi, Maryan. Main Features of Publishing Activities of the Ivan Franko National University of Lviv (end of the 1990s – first two decades of the 21st c.). Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11392.

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The article desribes the main features of the publishing activity of the Ivan Franko National University of Lviv from the end of the 1990s and in the first two decades of the 21st century. The aim of the author was to show this activity with the help of stages of formation of the Publishing Centre at the University. For this purpose, he used historical method, the methods of analysis, synthesis, content analysis etc. One of the important landmarks of the end of the 20th century in the publishing activity of the Ivan Franko National University of Lviv which has its traditions in the past was the foundation of the mentioned Publishing Centre on the basis of Editing and Publishing Department, Machine Offset and Polygraphic Laboratories. This process was favoured by the administration of the University which supported the transfer of printing base to another building of the University. Professionals with respective qualification level and experience in the sphere of publishing and printing were gathered there. Another stage of the development of the Publishing Centre of the Ivan Franko National University of Lviv was the creation in 2006 of the Publishing Board within the University which became a generator of ideas on the development of scientific book publishing and actively cooperated with printing enterprises of Ukraine (the author of the article was a member of this board). The administration of the Ivan Franko National University of Lviv provided a substantial financial support for publication of educational and scientific literature of different genres and on different topics for educational needs both of the University itself and Ukrainian educational sphere in general. As a result of active publishing activity, the Publishing Centre of the Ivan Franko National University of Lviv since 1996 has published more than 4.5 million copies of publications whose authors are members of the academic community of the University. Among the significant publications of the Publication Centre of the last two decades the article notes Ivan Franko (10 volumes, authors – R. Horak and Ya. Hnativ), Encyclopedia. The Ivan Franko National University of Lviv (2 volumes), Social Geography (2 books, author – Prof. O. Shabliy) and others. The results of the activities of the Publication Centre of the Ivan Franko National University of Lviv were demonstrated during participation at Book Forums and other events in the publication and printing sphere. This article permits researchers in Humanities to analyze and evaluate the achievements and at the same time problems of the scientific publication activity of the Ivan Franko National University of Lviv.
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Nair, Abhijit, and Hamed Humayid Mohammed Al Aamri. Enhanced recovery after surgery pathways for patients undergoing laparoscopic appendectomy- a systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.8.0005.

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Review question / Objective: Does implementing enhanced recovery after surgery pathways improve outcomes in adult patients undergoing laparoscopic appendectomy when compared to conventional pathways? Condition being studied: Adult patients (more than 18 years) with acute appendicitis undergoing laparoscopic appendicectomy. Information sources: We will search all electronic databases. In published articles were outcome details appear incomplete, the corresponding author will be contacted the details will be sought. If not available, that outcome will be excluded from analysis.
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Gutierrez-Arias, Ruvistay, Dawid Pieper, Carole Lunny, Rodrigo Torres-Castro, Raúl Aguilera-Eguía, and Pamela Seron. Strategies used to manage overlap of primary study data by exercise-related overviews authors. Protocol for a systematic methodological review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.5.0161.

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Review question / Objective: This methodological review aims to find out how often strategies for handling overlapping data from primary studies are used across the systematic reviews considered by overviews authors focused on exercise-related interventions in different health conditions. Secondarily, we aim to describe the overlap strategies used, the authors' acknowledgment of not using any management strategy as a methodological weakness, and the congruence between the protocol and the final published overview in terms of overlap management. Study designs to be included: We will include overviews that consider SRs with or without meta-analysis (MA), without distinction of the methodological design of the primary studies included. The definition of SR adopted by the authors of the overviews will not be considered as an eligibility criterion. Overviews that also include primary studies not considered in the selected SRs will not be excluded.An overview is defined as any study: 1) aimed at synthesising general information, methods, and outcome data from SRs, 2) that makes explicit the inclusion and exclusion criteria for SRs, 3) that includes an explicit sear.
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Hogenes, Annemiek, Christiaan Overduin, Cornelis Slump, et al. The Influence of Irreversible Electroporation Parameters on the Size of the Ablation Zone and Thermal Effects: a Systematic Review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.3.0161.

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Review question / Objective: The aim of this study was to review the effect of irreversible electroporation (IRE) parameter settings on the size of the ablation zone and occurrence of thermal effects. Information sources: A search was performed in PubMed (also including MEDLINE), Web of Science, Embase, Institute of Electrical and Electronics Engineers (IEEE) Xplore Digital Library and American Society of Mechanical Engineers (ASME) Digital Collection. Of all conference abstracts of which no full text article was present in the title and abstract search, a web-based search (Google Scholar, ResearchGate, author and co-author name(s) in Embase) was done to investigate whether a full text article was available. A manual search of the reference lists of relevant (included) articles was performed to find articles which were not found by the initial search. The corresponding author was approached by e-mail (in case the contact details were available) when the full text of a relevant abstract (e.g. conference abstract) could not be found to verify whether the results were published as full text. The study was excluded when the full text could not be found or provided.
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Birnbaum, David J., Ralph Cleminson, Sebastian Kempgen, and Kiril Ribarov. White Paper on Character Set Standardization for Early Cyrillic Writing after Unicode 5.1. Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49898.

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The White Paper on Character Set Standardization for Early Cyrillic Writing after Unicode 5.1 emerged from discussions among the authors at the "Slovo" conference in Sofia in 2008. It is partially a response to documents published by the Serbian Academy of Arts and Sciences. It has been written for the benefit of medieval Slavic philologists.
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Sklenar, Ihor. The newspaper «Christian Voice» (Munich) in the postwar period: history, thematic range of expression, leading authors and publicists. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11393.

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The article considers the history, thematic range of expression and a number of authors and publicists of the newspaper «Christian Voice» (with the frequency of a fortnightly). It has been published in Munich by nationally conscious groups of migrants since 1949 as a part of the «Ukrainian Christian Publishing House». The significance of this Ukrainian newspaper in post-Nazi Germany is only partly comprehended in the works of a number of diaspora press’s researchers. Therefore, the purpose of this article is to supplement the scientific information about the «Christian Voice» in the postwar period, in particular, the yearbook for 1957 was chosen as the principal subject of analysis. In the process of writing the article, we used such methods: analysis, synthesis, content analysis, generalization and others. Thus, the results of our study became the socio-political and religious context in which the «Christian Voice» was founded. The article is also a concise overview of the titles of Ukrainian magazines in post-Nazi Germany in the 1940s and 1950s. The thematic analysis of publications of 1957 showed the main trends of journalistic texts in the newspaper and the journalistic skills of it’s iconic authors and publicists (D. Buchynsky, M. Bradovych, S. Shah, etc.). The thematic range of the newspaper after 1959 was somewhat narrowed due to the change in the status of the «Christian Voice» when it became the official newspaper of the UGCC in Germany. It has been distinguished two main thematic blocks of the newspaper ‒ social and religious. Historians will find interesting factual material from the newspaper publications about the life of Ukrainians in the diaspora. Historians of journalism can supplement the bibliographic apparatus in the journalistic and publicistic works of the authors in the postwar period of the newspaper and in subsequent years of publishing. Based upon the publications of the «Christian Voice» in different years, not only since 1957, journalists can study the contents and a form of different genres, linguistic peculiarities in the newspaper articles, and so on.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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