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Dissertations / Theses on the topic 'Author'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Govender, Dyalan. "The Author Figured in Film." Thesis, University of Sydney, 2009. https://hdl.handle.net/2123/23107.

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For all the critical attention paid to the author in literary theory and criticism, there has been no study of the film medium’s fascination with authors and authorship. Every year, Hollywood produces numerous films about poets, playwrights, novelists, and screenwriters. This thesis explores the narrative and cinematic potential of the author. In broad terms, it is an exercise in genre criticism, establishing the defining characteristics of films characterising authors. It is also a very specific type of genre criticism, taking a cognitivist approach that defines the author as a set of histor
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2

Grgorinic, Natalija. "Recounting the Author." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1333512288.

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3

Kennedy, Niall. "Deleuze and the author." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/38644/.

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This thesis argues that Gilles Deleuze, as philosopher, reader, and critic, recognised the central importance of a defined authorial subjectivity, closely associated with a philosophical or intellectual project, and that his analyses of philosophy, literature, visual art and cinema were shaped and determined by his recognition of that authority. In this respect, my reading challenges those critics who find in the work of Deleuze an assault on ‘author-centric’ interpretations of texts, and more generally on the concept of a unified self, and which uphold experimentation on the part of the reade
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4

Lee, Siyeon. "The author on the stage : Fielding's self-awareness as author and problems of authority." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/20627.

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This thesis advances a new perspective on Henry Fielding's self-awareness as author, as it appears in his writings of various genres from <I>The Author's Farce </I>to <I>The Covent-Garden Journal. </I>The principal argument is that Fielding's problematic self-awareness as author and idea of literary authority evolved through a series of ambivalent relationships with literary and political authorities of his age. At each stage of his career, Fielding found himself in tensioned relations to the Scriblerians, particularly Pope 'the great Poet', Robert Walpole 'the Great Man', and the great or 'Hi
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Bulcaen, Chris. "The dialogue of an author:." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-96426.

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In Swahili Forum III Elena Bertoncini-Zubkova (1996) discussed some of the political criticisms, expressed in the form of literary motifs and imagery, that emerged in the works of the Tanzanian Swahili writer Euphrase Kezilahabi since 1978 onwards. She situates this emergent critique in the new political discoursive context where critical reviews of the Ujamaa policy could now be publicly voiced since President Nyerere himself admitted the failure of Ujamaa in his delivery Azimio la Arusha baada ya Miaka Kumi (The Arusha Declaration Ten Years Later, 1977). According to Bertoncini this admissio
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Moran, Joseph Patrick. "The American author as celebrity." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283106.

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7

Berger, Karol. "The Text and Its Author." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36799.

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8

Wardak, Thomas. "Author functions, auteur fictions : understanding authorship in conglomerate Hollywood commerce, culture, and narrative." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/18293/.

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In 1990, Timothy Corrigan identified a rising trend in Hollywood film marketing wherein the director, or auteur, had become commercially galvanised as a brand icon. This thesis updates Corrigan’s treatise on the ‘commerce of auteurism’ to a specific 2017 perspective in order to dismantle the discursive mechanisms by which commodified author-brands create meaning and value in Conglomerate Hollywood’s promotional superstructure. By adopting a tripartite theoretical/industrial/textual analytical framework distinct from the humanistic and subjectivist excesses of traditional auteurism, by which co
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9

De, Luca Vincenzo. "Applicativo web per audioguide - HooRMI Author." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18444/.

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HooRMI Author è la parte da content creator del progetto HooRMI. La dissertazione si concentra sul funzionamento HooRMI Author, ovvero di come viene permesso all'utente di produrre contenuti video basati sulla propria posizione acquisita tramite tecnologia Plus code e caricarli sul proprio canale Youtube. I contenuti risulteranno pronti per essere selezionati e fruiti dai turisti, grazie alla profonda personalizzazione dei metadati associati ad ogni clip.
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10

Barry, Desmond. "The escape of the imaginary author." Thesis, University of South Wales, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591056.

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This creative/critical overview of the novels A Bloody Good Friday, The Chivalry o/Crime and Cressida's Bed by Desmond Barry, and Far South by David Enrique Spellman, will examine some of the literary influences in the composition of the novels, as well as the development of the author from naive dilettante, influenced by the Beats, to heteronymous voice of the Far South Project and the creation of an imaginary author. The overview examines some of the underlying psychological and philosophical matrices out of which the novels were born and the influence of writers such as William S. Burroughs
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11

Grady, Jody. "Author detection on a mobile phone." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5763.

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Approved for public release; distribution is unlimited<br>Traditional author detection is conducted on powerful computers using documents such as books and articles. With the explosion of mobile phone computing use, modern author detection needs to be lean enough to operate on a resource restrained mobile phone and robust enough to handle the terse and non-standard wording in text messages, Tweets, and e-mails. By testing natural language and machine learning techniques for size and speed, not just effectiveness, this thesis identifies feature and technique combinations appropriate for aut
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12

Curran, L. C. "Samuel Richardson : the author as correspondent." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1349011/.

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This thesis is a broadly chronological study of Samuel Richardson’s correspondence, from his early career as a novelist in the 1740s through to his death in 1761. It argues that Richardson’s sustained concern with the aesthetics and ethics of writing letters was central to his conception of authorship and its relation to publicity. It contends that the form and content of Richardson’s letters interact with his novels in ways that are more pervasive than has been previously acknowledged in Richardson studies; I read letters as an integral part of his literary oeuvre, not merely an adjunct to it
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13

Kaley, Heather L. "William Caxton: England's First Print Author." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1398275503.

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14

Mor, Shany Moshe. "Law's author, things personated, political representation." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:142e4065-de3c-47ff-a940-f85215fad920.

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This dissertation proposes a normative theory of political representation grounded in popular sovereignty and positive law, rather than in democracy and efficient labour allocation. The first three chapters assess the contributions to the idea of representation of three early modern thinkers. Hobbes proposes a formal model of authorised action at a distance, but, contrary to a long-standing consensus in political thought, not an actual theory of representation. Rousseau, a well-known opponent of representation, proposes ideas about government, sovereignty, and positive law, which, despite his
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15

Ribero, de Menezes Alison. "Juan Goytisolo : the author as dissident /." Woodbridge : Támesis, 2005. http://catalogue.bnf.fr/ark:/12148/cb39986994x.

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Dervos, Dimitris A., Nikolaos Samaras, Georgios Evangelidis, Jaakko Hyvärinen, and Ypatios Asmanidis. "The Universal Author Identifier System (UAI_Sys)." TEI of Pireaeus, Greece, and the University of Paisley, UK, 2006. http://hdl.handle.net/10150/105755.

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One common problem in the scientific research literature is that each one author cannot easily be identified uniquely. The problem arises when there are authors with identical names, authors who have changed their name(s) in the course of time, and authors whose names appear in alternative versions (for example: Jaakko Hyvärinen, and J. P. Hyvärinen) across the publications they have (co-) authored. The issue becomes more of a problem when data analysis utilizing author names is to be conducted, for example: in citation analysis. In this paper we introduce the Universal Author Identifier sy
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17

Krygielová, Magdaléna. "Author Disambiguation in the Domain of Scholarly Literature." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2013. http://www.nusl.cz/ntk/nusl-236217.

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Tato práce se zabývá desambiguací autorů v databázích odborné literatury. Z důvodu nejednoznačnosti jmen autorů se v těchto databázích vyskytují problémy s přisuzováním autorství publikací a tím spojenou analýzou citací, vlivu autorů apod.  Tato práce se zabývá otázkou odhadu správného počtu autorů a zkoumá možnosti použití již existujících služeb. Součástí této práce je návrh metody pro desambiguaci autorů. Tato metoda byla implementována a evaluována v rámci systému CORE.
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18

Marisova, Iana. "Intellectual Property Protection in innovation projects Author:." Thesis, KTH, Fastigheter och byggande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-102396.

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Intellectual products, scientific knowledge, information, professional, scientific, spiritual and cultural potential of the society today are the driving force behind economic growth, determine the competitiveness of production. This sets a strengthening of the role of intellectual property. The crucial role of intellectual assets in the global economy growth determined the choice of innovative strategy by Ukraine in the 21 stcentury. The important part of that strategy is the development of the national legal framework that includes adoption of the national laws and accession to international
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19

Lin, Jane. "Automatic author profiling of online chat logs." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion.exe/07Mar%5FLin.pdf.

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Thesis (M.S. in Computer Science)--Naval Postgraduate School, March 2007.<br>Thesis Advisor(s): Craig H. Martell. "March 2007." Includes bibliographical references (p. 261-264). Also available in print.
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20

Clissold, Bradley. "Author--Ulysses--readers : seduction in the gaps." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22575.

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The purpose of this study is to investigate how the prose style of James Joyce's Ulysses provides seductive gaps which by design prompt readers to become co-producers of the text. Joyce strategically creates opportunities for readers to engage actively with the text through response-inviting gaps in the prose. The various types of gaps in the text place demands on readers and, inevitably, upon the author. The more reader-friendly gaps are overdetermined gaps which, by definition, are obvious and point to their own completion. These gaps when filled are, more often than not, confirmed by relate
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21

Woodard, Scott Elliott. "Ilya Alexandrovich Musin: pedagogue, conductor, and author." Thesis, Boston University, 2014. https://hdl.handle.net/2144/12249.

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Thesis (D.M.A.)--Boston University<br>For sixty-seven years, beginning in 1932 and ending with his death in 1999, llya Alexandrovich Musin trained orchestral conductors at the Leningrad (later St. Petersburg) Conservatory in the techniques which have since come to be known as the Leningrad School of Orchestral Conducting. Due to matters both political and ethnic in nature, Musin failed in securing a podium of his own. As a result, he turned to the classroom, educating generations of conductors in a method of non-verbal communication which finds its roots in the commonplace gestures of everyday
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22

Bandler, Suri C. "Interpreting author intentions by analyzing story modulation." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/121661.

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This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2019<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (pages 75-76).<br>If we are to understand human intelligence, then we need to understand human story understanding competencies, including our ability to communicate. Communication can be thought of as an externalization of an inner
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23

Cifuente, Amanda. "Embates, nuances e desdobramentos: questões para pensar a autoria na obra de arte." Universidade do Estado de Santa Catarina, 2011. http://tede.udesc.br/handle/handle/667.

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Made available in DSpace on 2016-12-08T16:18:47Z (GMT). No. of bitstreams: 1 AMANDA.pdf: 1942655 bytes, checksum: f18329e12744520f1e7027c091132f6f (MD5) Previous issue date: 2011-11-17<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation approach the authorship in the work of visual art, taking as its starting point the analysis of some clashes, nuances and developments around it. Used as reference to structure the thought of this research is the text What is an author?, by Michel Foucault; and The death of the author, by Roland Barthes. Is considering the dial
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24

Crawford, Fiona. "Augmenting author-activism: An examination of how a continuing primary text and digital media inform contemporary non-fiction author-activism." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/101096/1/Fiona_Crawford_Thesis.pdf.

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Using a print magazine and associated digital media, this research focused on the intersection of existing writing practice, transmedia activism, and their interplay with old and new media. It identified and examined existing non-fiction author–activists' practices and considered innovative storytelling approaches that might enhance and extend contemporary author–activist practices to encourage social change.
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Goldman, Jonathan E. "The modernist author in the age of celebrity /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174610.

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26

Kostkevicius, Björn. "Visual Analysis of Author Impacts and Bibliometric Data." Thesis, Linnéuniversitetet, Institutionen för datavetenskap, fysik och matematik, DFM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18632.

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AbstractThis thesis is about the visual analysis of author impact and other bibliometric data such as an authorspublication history. It utilizes Publish or Perish as a data source, which is a search tool to find thisbibliometric data. Bibliometric data is a concept within Bibliometrics with which to find and definenotable publications, to draw a number of different conclusions, such as how much impact an authorhas had in a given field. To do this we use information visualization techniques. InformationVisualization is a field of science about increasing insight and understanding of raw data. I
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Davies, Annabel. "Little white lies : (in) authenticity and the author /." Title page, table of contents and introduction only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09ard2548.pdf.

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28

Ternar, Yeshim 1956. "The romantic between the lines : ethnographer as author." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63219.

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29

Spencer, Amy. "Author, reader, text : collaboration and the networked book." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/8040/.

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Written, edited and published in a networked environment, the networked book makes the process of collaboration between its authors and readers visible. This collaboration is recorded in the peripheries of the text through a record of interactions, shared ideas, conversations and annotations and becomes part of the book. The presence of this documentation of the collaborative process challenges the traditionally held positions of author and reader and produces a new form of collaborative work. The divisions between the author, reader and the text become blurred as the book in the networked env
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Thouaille, Marie-Alix. "The single woman author on film : screening postfeminism." Thesis, University of East Anglia, 2018. https://ueaeprints.uea.ac.uk/68982/.

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This thesis theorises the single woman author as a recurrent and distinctive character in Anglo-American film in the period 1994-2018. Tracking the figure across genres and industrial provenances through detailed textual analysis, I uncover the shared meanings and feeling rules embedded within, produced by, and circulating through, this figure. In doing so, I identify four key interrelated representational tropes. Firstly, authorship and singleness signify as mutually constitutive identities indicative of postfeminist agency. Secondly, authorship functions as an autobiographical outlet enablin
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31

FERREIRA, ELOISE PORTO. "24 HOURS AUTHOR: POSSIBLE INTERACTIONS THROUGH VIRTUAL CONTACTS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30023@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Navegar é preciso, viver não é preciso, evocava o poeta Fernando Pessoa. No início do século XXI, navegar também é o verbo. Porém, navegamos todos nas ondas da internet. Sites aparecem e somem na tela em questão de segundos - basta clicar uma vez. O presente trabalho pretende investigar como a autoria se configura na contemporaneidade, considerando o surgimento das chamadas novas mídias. Serão analisados dois fenômenos: o primeiro é o do descentramento da autoria, com a publicação de experiências de escrita compartilhada em blogs e interfer
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32

Selleri, Andrea. "The author as a critical category, 1850-1900." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/62040/.

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This thesis analyses the notion of "author" as a "critical category" in literary interpretation, i.e. the extent to which author-related knowledge is used to make claims about a literary work which exceed what could have been said of the text alone. Chapter 1 gives an account of the principal theorisations made about the critical category of the author in literary theory and analytical aesthetics. It is argued that ontology is a central dimension of these theories, and in particular that the notion of the “author” as a relevant element for interpretation is logically dependent on a "thick" ont
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Magnéli, Johan. "Write or Perish : How Screenwriters Author their Careers." Thesis, Stockholms universitet, Institutionen för mediestudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-123092.

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The aim of the present study was to investigate how the impermanence of contract work affects working lives, self-perceptions and the career strategies of Swedish screenwriters of finding and keeping work. Furthermore, it also explored how screenwriters experience their abilities to exercise authorial leverage over media content. Introducing the concept of “career authoring” to cover different aspects of the professional lives of screenwriters such as managing a career, establishing authorship and contractual negotiations, the study was able to embrace various mind-sets and strategies for care
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34

Hitchens, Daniel. "Samuel Johnson and the vocation of the author." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:6f8a432e-d34d-42b0-8db9-74cb957c2113.

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Much has been written about Samuel Johnson as a Christian, and much about him as an author; this study is about where the two meet, in the idea of the literary vocation. Though Johnson only uses the word ‘vocation' a handful of times, it holds both the quotidian sense of a job and the more exalted notion of a divine call, a tension which informs Johnson's thinking. I begin with Johnson's development as a religious writer, influenced by William Law's contention that any form of life can be devout and holy, and by Bernard Mandeville's unsentimental candour. Johnson's writing bears the marks o
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35

Schneider, Molly B. "Naming the Author: Incorporating Theory into Classroom Practice." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1177680826.

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36

Suetta, Zachary Thomas. "THE IMPASSIONED SELF: ANGER AND THE ROMANTIC AUTHOR." OpenSIUC, 2019. https://opensiuc.lib.siu.edu/dissertations/1669.

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The late eighteenth century marks an era where authors began forging identities that rebuffed the influences of the local communities to which they belonged. As literacy increased, so too did the notion of individuality, as members of the middle and lower orders soon saw themselves as separate, independent beings. The crowd, of course, helped simplify the management of complex emotions like anger through mutual demonstration; the greater number of participants in a protest, the more fitting the sense of indignation seemed to be. For cases of personal anger, however, the suitability and express
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Barros, Luciana Borges Alves Pinto e. "Autores velados e revelados: uma análise do discurso de alunos de letras." Universidade Federal de Uberlândia, 2006. https://repositorio.ufu.br/handle/123456789/15316.

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This paper presents the construction of a possible trajectory in the constitution of authorship by three students from the CAJ Modern Language course. To tread along the route of this reconstitution came from the analysis of these students essays, done in their last university year, as an obligatory inquiry in the Portuguese Teaching subject. The Modern Language student, who is about to graduate, seen in this work as a subjectauthor, is a reader who happens to read themselves, assuming texts in order to compose others. We know that writing exists after the subject s reading, who wishes a uniq
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Moreno, Andres Fatima. "Questions of authority : the emergence of the medieval author /." Diss., ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2000. http://www.lib.umn.edu/articles/proquest.phtml.

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Mayerchak, Justin Philip. "Kurt Vonnegut Jr. Confronts the Death of the Author." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2440.

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Kurt Vonnegut Jr.’s literary style transforms from his first novel, "Player’s Piano" (1952), to his final book, "Timequake" (1997). Most of his novels adhere to a similar style – the narrators face a puzzling societal fault that is exaggerated in their dystopian societies, which hides Vonnegut’s humanistic leanings. This thesis, however, focuses on Vonnegut’s authorial identity, his use of the alter ego, and eventual entrance into the novel. His authorial role challenges the literary theory expressed in “The Death of the Author”(1967) by Roland Barthes and further discussed in “What is an Auth
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ERIKSSON, LINDA. "Sequential Aggregation of Textual Features forDomain Independent Author Identication." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156304.

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In the area of Author Identication many approaches have been made to identify the author of a written text. By identifying the individual variation that can be found in texts, features can be calculated. These feature values are commonly calculated by normalizing the values to an average valueover the whole text. When using this kind of Simple features much of the variation that can be found in texts will not get captured. This project intends to use the sequential nature of the text to denie Sequential featuresat sentence level. The theory is that the Sequential features will be able to captu
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Chennawasin, Chiladda. "Developing a coherent framework for author co-citation analysis." Thesis, Brunel University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275876.

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Wakely, Alice Elizabeth. "Author and editor in the works of Samuel Richardson." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342761.

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Price, Amanda C. "Author(ity) figures : anxieties of authorship, freedom, and control." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/241.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English
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Reese, Ruth Ann. "Writing Jude : the reader, the text, and the author." Thesis, University of Sheffield, 1995. http://etheses.whiterose.ac.uk/3068/.

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This thesis is about the application of modern literary criticism to the epistle of Jude. One of the major questions it asks is "What happens to a text (Jude) when a reader reads it using one of these literary theories?" Or to put it a different way, "What does this way of reading emphasise which may have been neglected, ignored, or treated as irrelevant by other forms of reading?" The answers to these questions have been constructed around three loci: the reader, the text, and the author. Within the chapters constructed around those foci, the issues of power and desire, knowledge and language
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Larmour, Heather Elizabeth. "Anthologising the author in the eighteenth-century Beauties tradition." Thesis, University of Liverpool, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272831.

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Jin, Young-Jong. "Audience, author and theatrical authority in early modern theatre." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265026.

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Nsanja, Geoffrey Wisdom. "Becoming academic writers : author identity in a Malawian university." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/22373/.

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This project explores the dialectic between the identities which social essayist literacy traditions encourage and novice writers' view of such identities (Lillis, 2001) as novices transition to university education in a Malawian university. To do this, the study adopts the view of academic writing as social semiosis with identity implications (Ivanič, 1998). This position is predicated on the view that saying something is a performative act which hails a social being (Gee, 1996). Therefore, in asking novice writers to write in a certain way, the academy implicitly asks them to take on new di
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48

Madrinkian, Michael Alex. "Producing 'Piers Plowman' to 1475 : author, scribe, and reader." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:1d0f9bd5-04d8-4edd-bccb-2f95b403165e.

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My doctoral thesis, "Producing Piers Plowman to 1475: Author, Scribe, and Reader," charts a new material history of William Langland's fourteenth-century dream vision, Piers Plowman, from its earliest composition to the onset of print in England. The study is divided into three sections, which examine the production of Piers from three perspectives: textual history, manuscript circulation, and medieval reception. The first section of the thesis conducts a study of Langland's revisionary process, presenting a new theory of authorial revision from the A to B version that has important implicatio
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King, Heinz Peter. "A late medieval confession manual : its author and context." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16416.

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This thesis focuses on the Summa Angelica de casibus conscientie written by Angelo da Chivasso (d. 1495), first printed in 1486. Angelo belonged to the Observantine branch of the Franciscan Order and was its vicar general four times. Having documented Angelo's life and career, the thesis centres on the construction and purpose of his Summa. It assesses its originality within the tradition of confession manuals and the reasons for its popularity. It argues that the structure is very clear because Angelo intended it for the use of simplices confessores, by which he probably meant priests who did
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Yang, Ming. "Hierarchical Bayesian topic modeling with sentiment and author extension." Diss., Kansas State University, 2015. http://hdl.handle.net/2097/20598.

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Doctor of Philosophy<br>Computing and Information Sciences<br>William H. Hsu<br>While the Hierarchical Dirichlet Process (HDP) has recently been widely applied to topic modeling tasks, most current hybrid models for concurrent inference of topics and other factors are not based on HDP. In this dissertation, we present two new models that extend an HDP topic modeling framework to incorporate other learning factors. One model injects Latent Dirichlet Allocation (LDA) based sentiment learning into HDP. This model preserves the benefits of nonparametric Bayesian models for topic learning, whil
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