Relevant bibliographies by topics / Authorial Philology

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Authorial Philology'

Author: Grafiati
Published: 10 March 2023
Last updated: 25 July 2025

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Journal articles on the topic "Authorial Philology"

1

Bem, Paweł. "“Authorial Intention”: Some Thoughts on a Noble Lie of Scholarly Editing." Tekstualia 1, no. 8 (2022): 171–81. http://dx.doi.org/10.5604/01.3001.0015.9916.

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The article adresses the practice of critical editing in Poland. The author, Paweł Bem, calls for an evaluation of theoretical thought underlying the practice of establishing critical editions meant to refl ect an author’s intention, and promotes the New Philology paradigm for scholarly editing. The New Philology perspective provides a methodological background for handling each text as a unique artifact. Bem also advocates for respecting original spellings and opposes standard modernization practices in scholarly editing.
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Bem, Paweł. "„Authorial Intention”: A Few Remarks On a Noble Lie in Scholarly Editing." Tekstualia 1, no. 48 (2017): 66–76. http://dx.doi.org/10.5604/01.3001.0013.3089.

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The article addresses the practice of critical editing in Poland. It establishes a framework for the evaluation of the theoretical underpinnings of this practice as a refl ection of the author’s intention. Bem advocates a „new philology” paradigm in scholarly editing. The perspective of „new philology” enables the handling of every text as a unique artifact. Bem is in favor of retaining old forms of spelling and questions the common practices of modenization.
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Scarpati, Vincenzo. "Editing Calvino. Per l'edizione critico-genetica di «Palomar»." Aura V, no. 1 (2024): 125–38. https://doi.org/10.5281/zenodo.13903094.

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This paper seeks to lay the foundation for the development of a critical-genetic edition of <em>Palomar</em> by the Italian writer Italo Calvino. After a brief overview about the discipline &ndash; authorial philology &ndash; the study presents an initial survey of the materials concerning the work and an outline of its compositional history. Subsequently, the paper moves toward the textual analysis of the published text and its early stages, trying to point out the emerging variants, in order to elaborate a methodology for the edition of the text and the pretext. In the end, the paper points
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Maeir, Noam. "Material philology and Syriac excerpting practices: A computational-quantitative study of the digitized catalog of the Syriac manuscripts in the British Library." PLOS ONE 20, no. 3 (2025): e0320265. https://doi.org/10.1371/journal.pone.0320265.

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This study explores the literary practice of excerpting in Syriac manuscripts through a computational-quantitative analysis, contributing to the emerging field of Syriac material philology. The primary objective is to offer a “big picture” charting of Syriac excerpting as a non-authorial literary practice. Using digitized data from the British Library’s Syriac manuscript collection, the study analyzes nearly 20,000 excerpts, introducing the Excerpts Per Manuscript (EPM) metric to quantify and compare excerpting practices across manuscripts. The results reveal that most manuscripts contain fewe
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Alexandre, M. Roberts. "Hierotechnicians by Name and Their Middle Byzantine Fame." Journal of Late Antique, Islamic and Byzantine Studies 1, no. 1-2 (2022): 167–99. https://doi.org/10.3366/jlaibs.2022.0009.

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This article examines the names of authors appearing in the front matter of our single most important witness to the Greek Alchemical Corpus, Marcianus graecus 299 (ca. tenth century). The names appear in the table of contents and in a list of authors, both original to the manuscript. The aim is to understand how these authorial attributions would have resonated with readers. What was the portrait of the textual tradition of the Sacred Art that the authorial collectivity implied? The answer, in short: philosophical, imperial, and linked not only with Egypt but also with Persia and the Levant.
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Lehman, Iga Maria, Adam Bednarek, and Łukasz Sułkowski. "The role of reader-inclusive authorial voice in the process of academic socialization of Management and English Philology students." Ibérica, no. 47 (June 5, 2024): 275–300. http://dx.doi.org/10.17398/2340-2784.47.275.

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Our purpose in this paper is to throw light on the tension, or even internal conflict, tertiary-level students experience when they struggle to negotiate the rhetorical norms of disciplinary writing and the changes in their authorial voice that necessarily occur in this socialization process. With this goal in mind, we designed and conducted the study to gain insights into the perceptions Management and English Philology students have as to what constitutes a convincing authorial voice and the discourse-level features employed to realize this. Twenty-six study participants created a diverse gr
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Mukhin, M. Yu, and M. Yu Mukhin. "Authorial compatibility of words in I.A. Goncharov’s novels: comparative stylometry." Vestnik of Samara University. History, pedagogics, philology 26, no. 4 (2020): 95–100. http://dx.doi.org/10.18287/2542-0445-2020-26-4-95-100.

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The following article deals with peculiarities of unique lexical compatibility in classical prose of the XIX century and contains preliminary results of the cross-disciplinary corpus research performed by group of scientists of the Ural Federal University. This project suggests creation of individual syntagmatic profiles for the famous Russian writers. With works of I.A. Goncharov as an example and compared to the texts of other authors special context surrounding for words zhizn (life) and zhit (live) is systematized. Initial material is extracted through comparative statistical analysis of b
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Kolyada, O. "''The Old Tune'': Samuel Beckett’s Poetics of the Author Translation (on the Example of Adaptation of a Play for Radio ''La Manivelle'' by Robert Pinget)." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(87) (May 13, 2018): 85–91. http://dx.doi.org/10.35433/philology.1(87).2018.85-91.

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The article examines peculiarities of the author translation and adaptation within the frames of tradition and studies possibilities of the Irish idiomaticity in the context of Beckettian poetics offering an alternative perspective at his own dramaturgy. The article correlates textual and contextual features of a play for radio as genre, showing development of the Irish dramatic tradition from the point of view of Modernist parody and Postmodernist pastiche to study tragicomedy as a leading type of play in the Irish theatre of the 20 th century. Based on Robert Pinget’s ''la Manivelle'' play t
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Chemodurova, Zinaida M. "The mechanisms of representing transcultural authorial modality in 20th–21st century translingual fiction." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 92 (2024): 133–58. https://doi.org/10.17223/19986645/92/7.

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The article addresses the issue of constructing and interpreting fiction created by bilingual writers in what is known as "postmonolingual era". The translingual turn in modern philology accounts for the fast growing interest in literary translingualism as an interdisciplinary area of research carried out by cognitive linguists, sociolinguists, narratologists, literary scholars, and stylisticians all over the world. The article hypothesizes transcultural authorial modality as a constituent textual property of translingual fiction and offers its definition as a special kind of authorial modalit
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Zhulidov, Sergey B., Marina V. Zolotova, and Sergey S. Ivanov. "Representation of the literary protagonist’s figure and its authorial characterization in translation (exemplified by American prose)." Socialʹnye i gumanitarnye znania 8, no. 4 (2022): 424. http://dx.doi.org/10.18255/2412-6519-2022-4-424-441.

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Interrelation of literary and linguistic aspects in translating prosaic literary works - a contemporary American novel - into Russian is dealt with. Paramount attention is focused on the most significant literary aspect - the protagonist’s figure and its characterization formulated by the author of the original as well as her peculiarities recreated and represented in the translated text. The protagonist’s main features are defined concretely on the basis of the authorial description and characterization of her appearance, behavioral, psychological and some other personal individual traits rep
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Dissertations / Theses on the topic "Authorial Philology"

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Laine, M. (Maarit). "It’s not that we’re using force:constructing authority in The Dog Whisperer." Master's thesis, University of Oulu, 2014. http://urn.fi/URN:NBN:fi:oulu-201405221457.

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During the past decade, there has been an ongoing debate in the dog training circles about dominance based dog training. Much of the debate has been brought on by the popularity of Cesar Millan’s reality television show, The Dog Whisperer. The dog training professionals have expressed their concern over the show spreading ineffective and inhumane training methods based on outdated notions about the dog. The purpose of this study was to investigate the methods used in the show to construct Millan as a dog training authority. The theoretical framework of this work in based on the general princip
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Haywood, Jan Liam Thomas. "Intertext and allusion in Herodotus' Histories : authority, proof, polemic." Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/12277/.

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This study considers anew the central question of Herodotus’ relationship with literary and textual sources. It examines how Herodotus comes to define his own work in a context where many artists (both narrative and visual) are seeking to accumulate, delineate, and ultimately dictate cultural memory. Rather than applying traditional Quellenforschung, my analysis centres on examining significant intertextual and allusive relationships in his work. In each chapter, I address the nature of Herodotus’ engagement with certain textual rivals/genres, namely early prose writers, inscriptions, poets (e
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Miller, Marta Agnieszka. "Negotiating the past in medieval Iceland, c. 1250-1500 : cultural memory and royal authority in the Icelandic legal tradition." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16474.

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This thesis examines the memorial meaning attributed to royal power in the Icelandic legal tradition, as it is textually negotiated in sources extant from the period c. 1250-1500. It discusses the significance and functions of the Norwegian king's legal authority as part of the Icelanders' collective remembrance of their country's legal past (spanning the years c. 870-1302), and as a defining element in the creation of the Icelandic identity as a community of law. The scope of analysis covers thirteenth- to fifteenth-century legal sources (sections of law-books and legal texts preserving legal
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Gaber, Goran. "Histoire et logique de la raison critique. : de la philologie classique à la réflexion transcendantale (XVIe-XVIIIe siècle)." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0009.

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Depuis les Lumières, la notion de « critique » occupe une place centrale dans les réflexions que les sociétés occidentales conduisent à propos de leur caractère proprement moderne. C’est en étant « critiques » que nous nous distinguons de nos prédécesseurs, ainsi que des sociétés avec lesquelles nous continuons de coexister. En suivant Reinhart Koselleck, on pourrait dire que la « critique » représente ainsi l’un des « Grundbegriffe » de la modernité, c’est-à-dire, un concept fondamental qui non seulement guide, mais rend effectivement possible notre compréhension et notre interprétation des p
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CUTRI', MAICOL. "Leggere il «libro aperto». Un’introduzione al «Cannocchiale aristotelico»." Doctoral thesis, Università Cattolica del Sacro Cuore, 2022. http://hdl.handle.net/10280/111138.

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Il lavoro consiste in un’introduzione al "Cannocchiale aristotelico" di Emanuele Tesauro, che ne affronta le principali questioni testuali e interpretative proponendo dati aggiornati e nuovi approcci critici. Il primo capitolo tratta l’aspetto filologico. Sono ricostruiti la storia del testo e l’ambiente in cui esso prende forma; sono studiate le varianti delle edizioni riviste dall’autore; è proposta una nuova guida alla struttura definitiva dell’opera. Il secondo capitolo tratta i meccanismi compositivi del testo. Si studia, innanzi tutto, la fitta rete intertestuale, individuando le fonti e
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Norkevičiūtė, Kornelija. "AUTORITETO FIGŪRA GROŽIO PRIEMONIŲ REKLAMOJE." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100902_225332-09202.

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Autoriteto sąvoka yra seniai įsigalėjusi ir veikianti visuomenėje, kaip įtakos, galios, absoliutaus pasitikėjimo ir pranašumo prieš kitus simbolis. Autoritetas yra patraukiantis pavyzdys, kuriuo žavimasi, o kartu sąmoningai ar ne norima jam prilygti – įgauti autoriteto turimą pagarbą, mėgautis jo sėkme. Dabartinėje visuomenėje tradicinio religinio autoriteto formos yra tik vienos iš daugelio dominuojančių autoritetų, kurie egzistuoja nebe kaip viską apimantys, viską žinantys ir teigiantys, o atvirkščiai specializuojasi į tam tikras skirtingai apibrėžiamas, vertinamas ir suprantamas sritis. Aut
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Stout, Julien. "L’auteur au temps du recueil : repenser l’autorité et la singularité poétiques dans les premiers manuscrits à collections auctoriales de langue d’oïl (1100-1340)." Thesis, 2020. http://hdl.handle.net/1866/25398.

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Cette thèse entend proposer une analyse originale du phénomène connu mais polémique que constitue l’introduction de la notion d’auteur dans la littérature de langue française au Moyen Âge. Il s’agira d’essayer de contribuer à repenser la signification poétique, culturelle et historique de ce moment particulier où l’auteur – c’est-à-dire l’attribution d’un texte ou d’une série de textes à un nom propre donné – s’est imposé pour la première fois comme un critère structurant et primordial dans la production et surtout la transmission des textes de langue française dans les manuscrits médiévaux. U
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Books on the topic "Authorial Philology"

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Maire, Reynolds Joyce, Mackenzie Mary Margaret, and Roueché Charlotte 1946-, eds. Images of authority: Papers presented to Joyce Reynolds on the occasion of her seventieth birthday. Cambridge Philological Society, 1989.

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Di Salvo, Maria Giovanna, Giovanna Moracci, and Giovanna Siedina, eds. Nel mondo degli Slavi. Incontri e dialoghi tra culture. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-868-0.

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This book is a tribute to Giovanna Brogi Bercoff, Full Professor of History of Russian at the State University of Milan and a leading authority on Polish studies, mediaeval Russian literature and Ukrainian studies, both in Italy and abroad. Former Chairman of the Associazione Italiana degli Slavisti, she contributed to project Italian Slavic studies into an international dimension. Among the most significant aspects of her intense academic and teaching career we should mention the pioneering studies on historiography and the Baroque culture in the Slavic area, as well as the introduction of Uk
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al-ʻArabī, Ibn. al-Mabādiʼ wa-al-ghāyāt: Fīmā taḥwī ʻalayhi ḥurūf al-muʻjam min al-ʻajāʼib wa-al-āyāt : wa-maʻahu Risālat al-ʻiqd al-manẓūm fī khawāṣṣ al-ḥurūf. Muʼassasat Ibn al-ʻArabī lil-Buḥūth wa-al-Nashr, 2021.

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Italia, Paola, and Giulia Raboni, eds. What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.

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Italia, Paola, and Giulia Raboni. What is Authorial Philology? Open Book Publishers, 2021.

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Giulia, Raboni, Presotto Marco, Boadas Sònia, et al., eds. What is Authorial Philology? Open Book Publishers, 2021.

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Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. University of Cambridge ESOL Examinations, 2021.

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Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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Miert, Dirk van. The Janus Face of Scaliger’s Philological Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806837.003.0005.

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Daniel Heinsius and Hugo Grotius worked on the New Testament in the same decade, 1630–1640, and within the same genre of a selective annotation, but they ended up publishing two contrasting types of commentary, with diverging consequences for the authority of God’s Word. Two factors shaped these different outcomes. First, the instrument of philology was subjugated to different philosophical agendas: Heinsius aimed at highlighting the existence of a Hellenistic language, while Grotius was driven by the wish for Christian reunification. Secondly, as an exile Grotius enjoyed greater freedom than
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Book chapters on the topic "Authorial Philology"

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Italia, Paola. "1.2.7. Italian traditions." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.13ita.

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The history of genetic criticism in the Italian tradition starts with Humanism, and from Francesco Petrarch’s “Codice degli Abbozzi” (fourteenth century). This chapter traces the framework of this tradition, highlighting how, with the simple but revolutionary gesture of leaving even the ugliest copies of his own masterpieces – the so-called “scartafacci” – to posterity, Petrarch created a model of an intellectual, a champion of classicism, the “style to be imitated”. Petrarch’s model left a trace of the toil of writing, the labor limae, which is considered the secret of style. From Machiavelli
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Italia, Paola. "1.2.7. Italian traditions." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.13ita.

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The history of genetic criticism in the Italian tradition starts with Humanism, and from Francesco Petrarch’s “Codice degli Abbozzi” (fourteenth century). This chapter traces the framework of this tradition, highlighting how, with the simple but revolutionary gesture of leaving even the ugliest copies of his own masterpieces – the so-called “scartafacci” – to posterity, Petrarch created a model of an intellectual, a champion of classicism, the “style to be imitated”. Petrarch’s model left a trace of the toil of writing, the labor limae, which is considered the secret of style. From Machiavelli
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Baumann, Uwe. "Thomas More, Erasmus of Rotterdam, Humanist Erudition, Bible Philology and the Authority of the Classical Tradition." In Lectio. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.lectio-eb.5.121277.

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Italia, Paola, and Giulia Raboni. "1. History." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.01.

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Presotto, Marco, and Sònia Boadas. "4.1 Lope de Vega’s La Dama Boba." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.04.

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Italia, Paola, and Giulia Raboni. "3. Italian Examples." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.03.

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Italia, Paola, and Giulia Raboni. "Introduction." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.09.

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Marranchino, Carmela. "4.4 Marcel Proust’s À la recherche du temps perdu." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.07.

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Italia, Paola. "2. Methods." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.02.

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Centenari, Margherita. "4.2 Percy Bysshe Shelley’s Poems." In What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.05.

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