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Books on the topic 'Authorial voice'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Booher, Dianna Daniels. The Voice of Authority. McGraw-Hill, 2007.

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2

Denmark) International Conference on Authorial and Editorial Voices in Translation (2011 Copenhagen. Authorial and editorial voices in translation. Éditions québécoises de l'oeuvre, 2013.

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3

Workshop on Greco-Roman Scientific and Medical Writing (2007 Humanities Institute of Ireland). Authorial voices in Greco-Roman technical writing. Wissenschaftlicher Verlag, 2009.

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4

1954-, Taub Liba Chaia, and Doody Aude 1977-, eds. Authorial voices in Greco-Roman technical writing. Wissenschaftlicher Verlag, 2009.

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5

Lanser, Susan Sniader. Fictions of authority: Women writers and narrative voice. Cornell University Press, 1992.

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6

Taylor, Richard Shelley. Hearing God's voice: Biblical authority and Christian faith. Schmul, 2000.

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7

Lynda, Prescott, ed. The voices and texts of authority. Open University, 2010.

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8

Monica, Heller, and Martin-Jones Marilyn, eds. Voices of authority: Education and linguistic difference. Ablex, 2001.

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9

Unger, Margaret. Voices from the Snowy. New South Wales University Press, 1989.

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10

Echevarría, Roberto González. The voice of the masters: Writing and authority in modern Latin American literature. University of Texas Press, 1985.

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11

Manganaro, Marc. Myth, rhetoric, and the voice of authority: A critique of Frazer, Eliot, Frye & Campbell. Yale University Press, 1992.

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12

Rees, Henry Maynard. The voice of authority: Taken from the minutes of the conferences of the Rees family. Homer McK. Rees], 1994.

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13

Yili, Xin, ed. Lao da de quan wei lai zi gou tong de ji qiao: The voice of authority. Mei shang Maigeluo Xi'er guo ji gu fen you xian gong si Taiwan fen gong si, 2007.

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14

Kinsey, Karyl A. In a taxing voice: Gender and enforcement style in tax audits. American Bar Foundation, 1996.

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15

Joyce, James B. Aesthetics of Film Production: A Hands-On Guide to Authorial Voice. Routledge, 2022.

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16

Joyce, James B. Aesthetics of Film Production: A Hands-On Guide to Authorial Voice. Taylor & Francis Group, 2022.

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17

Joyce, James B. Aesthetics of Film Production: A Hands-On Guide to Authorial Voice. Routledge, 2022.

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18

Joyce, James B. Aesthetics of Film Production: A Hands-On Guide to Authorial Voice. Taylor & Francis Group, 2022.

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19

Joyce, James B. Aesthetics of Film Production: A Hands-On Guide to Authorial Voice. Taylor & Francis Group, 2022.

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20

Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. University of Cambridge ESOL Examinations, 2021.

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21

Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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22

Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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23

The voices of African American women: The use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker. P. Lang, 1998.

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24

Li, Wai-Yee. Concepts of Authorship. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.24.

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What are the words and phrases used to designate authorship in classical Chinese literature? What are the anecdotes and stories told to emblematize or dramatize the contexts and meanings of authorship? How does the attribution to or the invention of an author define or control the meanings of a text? How do markers of authorial presence function in a text? How does genre shape authorial voice? How do anonymous texts generate authors? How do images of authors (as distinct from historical actors) produce texts? Many scholars believe that authorship becomes increasingly individualistic and self-c

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25

The Voices of African American Women: The Use of Narrative and Authorial Voice in the Works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker (American ... Studies Xxiv: American Literature). Peter Lang Publishing, 1999.

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26

Johnson, Yvonne. The Voices of African American Women: The Use of Narrative and Authorial Voice in the Works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker (American ... Studies Series Xxiv, American Literature). Peter Lang Publishing, 1999.

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27

The voice of authority. McGraw-Hill, 2007.

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28

Coleman, Bishop Allen. The Voice of Authority. Independently published, 2019.

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29

Clarke, Katherine. Depth and Resonance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820437.003.0004.

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In this chapter Herodotus’ world is explored as a resonant landscape in three main ways. First, through the human emotions of admiration and wonder generated by Herodotus both in his authorial voice and through characters in the narrative in response to both natural and man-made marvels. Here the multiple focalizations bring complexity through their range of responses. Secondly, depth is brought by the dimension of time, as mythological associations of the landscape are revealed, particularly by the progress of the Persian army through locations famous from myth and epic. Finally, additional r

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30

Lash, Nicholas. Voices Of Authority. Wipf & Stock Publishers, 2005.

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31

Martin-Jones, Marilyn, and Monica Heller, eds. Voices of Authority. Praeger, 2001. http://dx.doi.org/10.5040/9798216032854.

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This collection of case studies from around the world examines how struggles for equality unfold in policies, programs, and practices in educational settings in multilingual contexts. Using sociolinguistic, interactional and discourse analysis, Heller and Martin-Jones examine the complex ways in which dominant ideologies of education, pedagogy, language and identity intersect in a wide variety of educational settings. They focus in particular on how those ideologies are reproduced or challenged, and on the consequences of such processes for changing or maintaining social relations of differenc

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32

Phillips, Tom. Polyphony, Event, Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805823.003.0009.

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This chapter argues that Pindar’s Paean 9 creates a complex relationship between enunciative and performative situations. This complexity is pragmatic, but is also informed by the poem’s intertextuality, its construction of voice, and its self-consciousness about its status as an aesthetic artefact. Paean 9 positions itself in a tradition of poems about eclipses; doing so reinforces its control over the event it memorializes. Its opening utterance is meant to be understood simultaneously as a spontaneous response to the eclipse and a crafted authorial utterance, and attunes audiences both to t

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33

Goyder, Caroline. Gravitas: Communicate with Confidence, Influence and Authority. Ebury Publishing, 2014.

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34

Kwame Harrison, Anthony. Writing Up Research Findings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371785.003.0004.

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Chapter 4 considers the different sensibilities that inform current conventions of ethnographic authorship. The author juxtaposes the “renegade practices” of contemporary ethnographic writing with the more disciplined traditions of standard research reporting. The rest of the chapter elaborates on the ethnographic writing process through two orienting frameworks. The first, organizational approach, emphasizes a need to communicate research results with a measure of empirical precision. This includes discussions of how to develop and organize themes, select useful illustrations, and decide on r

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35

Winkler, Kevin. Rhythm of Life. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0006.

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This chapter describes Bob Fosse’s film Sweet Charity, which opened at the top of 1966 and was a compendium of then-current styles and sexual attitudes. Fosse conceived this American adaptation of Federico Fellini’s film Nights of Cabiria (1957) as a vehicle for Gwen Verdon, changing the title character from Roman prostitute to New York City dance hall hostess. He wrote several drafts of the show’s book before relinquishing those duties to Neil Simon. Nonetheless, in Sweet Charity, Fosse’s authorial voice was much in evidence. His staging exhibited a new fluidity, as well as a dark, ambivalent

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36

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2016.

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37

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2017.

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38

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority, and the Object Voice. Taylor & Francis Group, 2016.

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39

Durgin, Bessie L. Voice of Authority: The Real Issues in Life. Newman Springs Publishing, Inc., 2020.

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40

Neyrey, Jerome H. By What Authority?: Luke Gives Jesus Public Voice. Wipf & Stock Publishers, 2021.

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41

Lanser, Susan Sniader. Fictions of Authority: Women Writers and Narrative Voice. Cornell University Press, 2018.

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42

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2016.

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43

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2016.

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44

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority, and the Object Voice. Taylor & Francis Group, 2016.

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45

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2016.

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46

Neyrey, Jerome H. By What Authority?: Luke Gives Jesus Public Voice. Wipf & Stock Publishers, 2021.

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47

Neyrey, Jerome H. By What Authority?: Luke Gives Jesus Public Voice. Wipf & Stock Publishers, 2021.

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48

Shelley's Music: Fantasy, Authority and the Object Voice. Taylor & Francis Group, 2015.

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49

Fictions of Authority: Women Writers and Narrative Voice. Cornell University Press, 2018.

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50

Shelley's music: Fantasy, authority, and the object voice. Ashgate, 2009.

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