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Relevant bibliographies by topics / Authoritarian high modernism

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Academic literature on the topic 'Authoritarian high modernism'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Authoritarian high modernism"

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Merrill, Jessica E. "High Modernism in Theory and Practice: Karel Teige and Tomáš Bat'a." Slavic Review 76, no. 2 (2017): 428–54. http://dx.doi.org/10.1017/slr.2017.85.

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This article compares Tomáš Bata's development of Zlín as a company town with the architectural theory of Karel Teige. Despite political differences— Bat’a was a champion of “American” capitalism, Teige a leader of the leftist avant-garde—they had unexpectedly similar ideas about architectural design and city planning. The article uses James C. Scott's definition of high modernism as a starting point to explain these commonalities, historically contextualizing the two men's thinking as a specific iteration of this ideology. Both, for instance, paradoxically sought to incorporate liberal, democ

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Hashim, S. Mohsin. "“High modernism” and its limits – Assessing state incapacity in Putin’s Russia, 2000–2008." Communist and Post-Communist Studies 50, no. 3 (2017): 195–205. http://dx.doi.org/10.1016/j.postcomstud.2017.06.005.

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This paper uses an analytical framework developed from James C. Scott’s concept of state-sponsored “high modernism” to understand the scope and limits of Putin’s attempt to reconfigure state-society relations under the guise of “managed democracy.” It argues that Kremlin, under Putin’s first two presidential terms (2000–2008), attempted to treat society as a reified object separate from the state and as an object of management. The paper analyzes the Russian state’s weak regulatory capacity that coexists with its relatively strong coercive and extractive capacities. It is argued that, in spite

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Hepokoski, James. "Framing Till Eulenspiegel." 19th-Century Music 30, no. 1 (2006): 004–43. http://dx.doi.org/10.1525/ncm.2006.30.1.004.

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Strauss's Till Eulenspiegels lustige Streiche (1895) may be read as the composer's credo of a new, antimetaphysical musical modernism that resonated with aspects of Nietzschean philosophy. In the immediately preceding years Strauss had taken a decisive philosophical-aesthetic turn away from the metaphysical assertions of Schopenhauer and Wagner and toward a more individualistic, palpably material conception of music. As was recognized by some writers of that period, the provocations and unstoppable laughter apparent in the tone poem could be understood as brash dismissals of one "sacred" tenet

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Markowska, Anna. "Around 1948: The “Gentle Revolution” and Art History." Artium Quaestiones, no. 30 (December 20, 2019): 137–60. http://dx.doi.org/10.14746/aq.2019.30.7.

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Just like after World War I Italy experienced a transition from modernism to fascism, after World II Poland experienced a passage from modernism to quasi-communism. The symbol of the first stage of the communist revolution in Poland right after the war, the so-called “gentle revolution,” was Pablo Picasso, whose work was popularized not so much because of its artistic value, but because of his membership in the communist party. The second, repressive stage of the continued came in 1949–1955, to return after the so-called thaw to Picasso and the exemplars of the École de Paris. However, the ima

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Markowska, Anna. "Wokół roku 1948: „rewolucja łagodna” i historia sztuki." Artium Quaestiones, no. 30 (December 20, 2019): 367–91. http://dx.doi.org/10.14746/aq.2019.30.22.

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Just like after World War I Italy experienced a transition from modernism to fascism, after World War II Poland experienced a passage from modernism to quasi-communism. The symbol of the first stage of the communist revolution in Poland right after the war, the so-called “gentle revolution,” was Pablo Picasso, whose work was popularized not so much because of its artistic value, but because of his membership in the communist party. The second, repressive stage of the continued came in 1949–1955, to return after the so-called thaw to Picasso and the exemplars of the École de Paris. However, the

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Aidulsyah, Fachri. "Berebut Ruang Publik Sekolah Pasca Orde Baru: Studi Kasus Pertarungan Politik Ideologi di Kerohanian Islam (ROHIS)." Jurnal Studi Pemuda 5, no. 1 (2018): 370. http://dx.doi.org/10.22146/studipemudaugm.37117.

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The Burgeoning of the Islamic Movements in Indonesia –especially originated from the Middle East- that growing up since authoritarian era have been influencing various institutions in Indonesia, including educational institution in Ex Karesidenan Surakarta region. In this research, I exhibit that Ex-Karesidenan Surakarta region has become a centre of Islamic movement turbulence in Indonesia. Since pre-Independence era, various Islamic ideologies actualize and compete with each other –from traditionalist, modernist, and radical movement- for gaining influence in these regions. This research dis

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ULASIUK, Mikalai, and Carola NEUGEBAUER. "SHIFTS IN URBAN PLANNING IN BELARUS? EXPERIENCE FROM BREST." Ekonomichna ta Sotsialna Geografiya, no. 85 (2021): 49–61. http://dx.doi.org/10.17721/2413-7154/2021.85.49-61.

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For long urban planning in post-Soviet Europe has missed scholarly attention in international urban studies, though it has changed fundamentally in the last three decades. The systemic upheaval in the early 1990s questioned the basics of the Soviet mode of modernist urban planning. The latter relied on the quantification and predictability of people’s needs, a strong state power and law enforcement through centralized planning, control and resources management (e.g. property). The latest since the 2010s, urban planning revives in the non-EU Eastern European states: ‘New’ urban planning instrum

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Gao, Xiang. "‘Staying in the Nationalist Bubble’." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2745.

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Introduction The highly contagious COVID-19 virus has presented particularly difficult public policy challenges. The relatively late emergence of an effective treatments and vaccines, the structural stresses on health care systems, the lockdowns and the economic dislocations, the evident structural inequalities in effected societies, as well as the difficulty of prevention have tested social and political cohesion. Moreover, the intrusive nature of many prophylactic measures have led to individual liberty and human rights concerns. As noted by the Victorian (Australia) Ombudsman Report on the

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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi

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Dissertations / Theses on the topic "Authoritarian high modernism"

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Woldegebrael, Edegilign Hailu. "The politics and materiality of a developmental state in the EPRDF's Ethiopia : a view from the Gibe III hydropower development project." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100107.

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Depuis le début du millénaire, le régime dirigé par le Front démocratique révolutionnaire du peuple éthiopien -FDRPE- (The Etiopian People’s Revolutionary Democratic Front -EPRDF-) a mené une série d’opérations visant à atteindre un objectif clé du gouvernement : l’État de développement démocratique autoproclamé du régime. Cette thèse, inspirée par des idéologies politiques particulières, tente de comprendre la notion et la matérialisation du développementalisme démocratique dans le contexte d’un modèle de gouvernance ethno-fédéral, en utilisant le projet hydroélectrique Gibe III comme cas d’é

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Book chapters on the topic "Authoritarian high modernism"

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Scott, James C. "Authoritarian High Modernism." In Readings in Planning Theory. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119084679.ch3.

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Dekker, Sidney. "Authoritarian high modernism." In The Safety Anarchist. Routledge, 2017. http://dx.doi.org/10.4324/9780203733455-3.

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Loh, Kah Seng. "Albert Winsemius and the Transnational Origins of High Modernist Governance in Singapore." In The Limits of Authoritarian Governance in Singapore's Developmental State. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1556-5_4.

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"Authoritarian High Modernism." In Seeing Like a State. Yale University Press, 2020. http://dx.doi.org/10.2307/j.ctvxkn7ds.7.

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Rademacher, Nicholas K. "Coming of Age in the Archdiocese of Boston." In Paul Hanly Furfey. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823276769.003.0002.

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Paul Hanly Furfey’s childhood and young adulthood in the Archdiocese of Boston introduced him in direct and indirect ways to broader developments with in the Roman Catholic Church. He attended parochial school, and attended Jesuit run Boston College High School and Boston College. The Jesuits introduced Furfey to Ignatian spirituality, in particular the Spiritual Exercises of St. Ignatius. Fufey’s early years were influenced by broader developments in the church concerning centralization of ecclesiastical operations and a rise in authoritarian governance. Debates surrounding Americanism and Modernism were a factor during this era. As he matured, Furfey wrestled with intellectual and spiritual doubt. He resolved to remain committed to Catholicism. Upon graduation from college, Furfey served as a lay evangelist with the Catholic Truth Guild before departing to Washington, DC to attend graduate school at The Catholic University of America.

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Snelders, Stephen. "Developing modern leprosy politics, 1900–1950." In Leprosy and Colonialism. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526112996.003.0008.

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This chapter discusses 20<sup>th</sup>-century leprosy politics in Suriname in the context of a modernizing colonial state and in an era of ‘authoritarian high modernism’. Modern leprosy politics were a Janus head. On the one side, the politics were based on the latest developments and fashion in medical views on leprosy: sufferers should be treated as patients, not as criminals; medical treatment in asylums and in outpatient clinics should be encouraged; and a humane organization of life in the asylums should be promoted. However, unlike in other colonies, the idea of compulsory segregation was never abandoned. Sufferers with non-European backgrounds, especially the Afro-Surinamese and the British Indians, were still stigmatized and seen as unwilling or unable to cooperate. They had to be forced into segregation. On the other side of the Janus head, policies of surveillance, detection, and compulsory segregation were therefore intensified. A new edict of 1929 inaugurated a renewed era of increased detection and segregation of sufferers. By the 1940s, the colonial state claimed that leprosy was finally under control. However, this claim is doubtful.

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Olivares, Rommy Morales. "Inconsistencies between Social-democratic Discourses and Neo-liberal Institutional Development in Chile and South Africa: a Comparative Analysis of the Post-authoritarian Periods1." In African, American and European Trajectories of Modernity. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474400404.003.0007.

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This chapter examines how economic policies in post-authoritarian societies are influenced by policies formulated during previous authoritarian periods, as well as the mechanisms that lead to the continuity of an economic policy framework that allows the perpetuation of social inequality. The discussion centers on the relatively high degree of continuity in economic policy-making in Chile and South Africa, which have been examples of the neo-liberal reforms of the capitalist periphery and offer an additional complexity, and on the discursive level at which the economic and institutional development of both countries has been formulated. After a brief overview of both nations' historical contexts, the chapter offers a socioeconomic analysis of Chile's post-authoritarian period and compares it with South Africa's post-authoritarian period. It highlights five mechanisms of institutional continuity, which may serve as hypotheses to explain the neo-liberal trajectories of both countries.

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Waddell, Nathan. "The Politics of Value." In Moonlighting. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198816706.003.0005.

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This chapter discusses the music of Beethoven’s so-called ‘late’ period and its representation in the work of Aldous Huxley, among others. Beethoven’s music may or may not embody values over which the politics of authoritarianism arguably can never fully or finally triumph, but it is hard to see what that music can do, practically speaking, when faced with the violent realities of authoritarianism ‘on the ground’: vitriol, fists, weapons, bombs, and tanks. Huxley managed to bring these emphases into a distinctive dialogue with the idea of Beethovenian conventionality. This chapter considers how his most modernist novel, Point Counter Point (1928), affirms the value of Beethoven’s late music; questions the terms of the inter-war musicological consensus which did so much to put that music on a high-cultural pedestal; and uses the implied background of the Beethoven centenary celebrations to dispute the redemptive power of Beethovenolatry in an age of authoritarian entrenchment.

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