Academic literature on the topic 'Authorized heritage discourse'
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Journal articles on the topic "Authorized heritage discourse"
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Skrede, Joar, and Herdis Hølleland. "Uses of Heritage and beyond: Heritage Studies viewed through the lens of Critical Discourse Analysis and Critical Realism." Journal of Social Archaeology 18, no. 1 (2018): 77–96. http://dx.doi.org/10.1177/1469605317749290.
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Uses of Heritage (2006) has been an important contribution to the development of Heritage Studies. Resting on a thorough ‘re-read’ of this modern classic, the article analyses the text applying some central concepts from Critical Discourse Analysis and Critical Realism in order to review the arguments put forward. One of the linguistic features from Critical Discourse Analysis we draw on is ‘nominalization’, which refers to replacing verb processes with a noun construction. Re-reading Uses of Heritage and other succeeding publications, it is apparent that the phrase ‘Authorized Heritage Discourse’ is nominalized and reified into an entity obscuring who does what to whom, thereby making the ‘Authorized Heritage Discourse’ a self-evident unit of explanation. Furthermore, the insistence on viewing heritage as a cultural process rather than as ‘things’ is not readably compatible with Critical Realism’s non-reductionist stance. Wrapping up, we nonetheless argue that really taking Critical Discourse Analysis and Critical Realism on board could provide a rule of conduct for the future developments of Heritage Studies, where multifarious conceptions of heritage can co-exist.
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Dewi, Cut, Izziah, Erna Meutia, and Julie Nichols. "Negotiating Authorized Heritage Discourse (AHD) in Banda Aceh after reconstruction." Journal of Architectural Conservation 25, no. 3 (2019): 211–27. http://dx.doi.org/10.1080/13556207.2019.1635768.
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Högberg, Anders. "The Voice of the Authorized Heritage Discourse: A Critical Analysis of Signs at Ancient Monuments in Skåne, Southern Sweden." Current Swedish Archaeology 20, no. 1 (2021): 131–67. http://dx.doi.org/10.37718/csa.2012.12.
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The study presents an investigation of a regional authorized heritage discourse, represented by the County Administrative Board on signs set up at an- cient monuments and sites in the province of Skåne in southern Sweden. The starting point is a critical analysis of layout, texts and illustrations to ascertain the narratives conveyed by the signs. The results show that slightly less than half of the studied signs work well according to the criteria set up for the study. The result also demonstrates that more than half of the studied signs do not work well according to these cri- teria. Those that work well give detailed information about the ancient monument or site. The signs that do not work well give inadequate information and risk excluding a majority of the people who read them. The latter signs confirm what so many other discourse analyses have shown, that the authorized heritage dis- course to a large extent still privileges the perspectives of a white, middle-class male. The former signs, that is, those that are judged to work well in terms of the criteria applied in this study, show that the authorized heritage discourse does not only offer something that privileges the perspectives of that white, middle class male, but also has the ability to offer narratives with other perspectives.
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Munjal, Parul G. "Construction of Heritage: Small and Medium Towns of Gurgaon District." Journal of Heritage Management 1, no. 2 (2016): 98–125. http://dx.doi.org/10.1177/2455929616682079.
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Global discourses around heritage are grappling with idea of including dissonant, non-compliant voices and expanding the definition of heritage from the physical to a cultural process, pushing beyond the authorized heritage discourse. The dialogical model of heritage is presented as a means to break down the divide between laypersons and experts, suggesting new models for decision-making in the future. It is problematic to contextualize this discourse in the Indian context, more so in small and medium towns where this intellectual debate has never been formalized. Yet, there are existing ways in which the local stakeholders maintain and use sites or structures from the past that they value. Identification of these ways of keeping and using could be a step towards demystifying the construct of heritage in the local community. The Gurgaon district has witnessed an unprecedented urban growth rate from 2001 to 2011 and the eight historic small and medium towns of the district are on the verge of being enveloped in the rapid urban development. This impending change calls for a need to examine the heritage sites of these towns. Studying the historic structures in six of these towns points to the role of history and religion as connectors to heritage. This role has been explored on ground and at an ideological level, as an attempt towards understanding the construct of heritage as a process in play.
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Linkola, Hannu. "Administration, Landscape and Authorized Heritage Discourse – Contextualising the Nationally Valuable Landscape Areas of Finland." Landscape Research 40, no. 8 (2015): 939–54. http://dx.doi.org/10.1080/01426397.2015.1074988.
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Lixinski, Lucas. "International Cultural Heritage Regimes, International Law, and the Politics of Expertise." International Journal of Cultural Property 20, no. 4 (2013): 407–29. http://dx.doi.org/10.1017/s0940739113000210.
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Abstract:The article examines the problematic politics of expertise in the formation of international legal rules in the field of heritage, looking specifically at international conventions made under the auspices of UNESCO. The article shows that, even within this seemingly small and cohesive universe, there is a lot of room for disagreement, and much of it can be traced back to what Laurajane Smith has called “the Authorized Heritage Discourse” (AHD). The AHD is responsible for the dichotomization of heritage between intangible and tangible, as heritage professionals strive to hold on to and expand their self-created professional legitimacy and importance. Heritage professionals, in striving to maintain their relevance, tend to create self-referential regimes that exclude heritage holders and communities. I argue that lawyers, because of their own professional tendencies, might be in a position to offer a counterpoint to rule by experts in international cultural heritage management.
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Su, Xiaoyan, Changqing Song, and Gary Sigley. "The Uses of Reconstructing Heritage in China: Tourism, Heritage Authorization, and Spatial Transformation of the Shaolin Temple." Sustainability 11, no. 2 (2019): 411. http://dx.doi.org/10.3390/su11020411.
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Recently, debates on authenticity in the West and China have attracted attention of critical heritage studies. This paper aims to better understand how Western Authorized Heritage Discourse (AHD) influences local heritage practice in China. This paper employs observation, semi-structured interviews and textual analysis to examine how authenticity criteria in Western AHD has shaped perceptions on the spatial consequences of what is “authentic” by different agents in regards to the cultural heritage of the Shaolin Temple. It is argued that the implementation of authenticity criteria found in Western AHD influences Shaolin heritage practice both in hegemonic and negotiated ways, in which a Chinese AHD is formed through the creation of a Western AHD with Chinese characteristics. The understandings on authenticity criteria derived from Western AHD by Chinese heritage experts dominates Shaolin heritage practice, whilst the perceptions on “authentic” Shaolin Temple cultural heritage attached closely to their emotions and experiences by local residents are neglected and excluded. The religiously based authenticity claims of the Shaolin monks which competes with those of the heritage experts and local residents are also considered. Furthermore, the managerial structure was changed in 2010 from a government-directed institution to a joint-venture partnership. The impacts of these managerial changes are also considered. The final outcome of these competing heritage claims was that local residents were relocated far from their original community. Without the residential community in situ, and in conjunction with the further commercialization of local culture, the Shaolin Temple heritage site takes on the features of a pseudo-classic theme park.
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Gapphimai, S., and S. Weerataweemas. "PHIMAI SANCTUARY (THAILAND) AND NOSTALGIA IN WORLD HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 637–44. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-637-2020.
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Abstract. This article aimed to examine the physical space management of Phimai town related to Phimai Sanctuary with a goal for improving of physical aspect that mainly focused on the conservation of the town and archaeological sites. The framework of this study was conducted during 1954-2017 by analysing through the concept of discourse analysis. It was found that a main factor at such time was happened from declaration of the government policy on "Boundary Line of Phimai Archaeological Site" in 2016 and Phimai Sanctuary had ever been in the "Tentative List" of world heritage in 2003. At that time, it was affected to the changing and improvement of the area from 2 main groups of representatives that had their duties to look after and manage that area as; a group from central administration as Fine Arts Department and another group from regional or local administrations. The study came from production of physical space i.e. construction of road networks, public spaces or other compositions. The cultural heritage of Phimai Sanctuary was applied to describe or manage the spaces for conservation and promotion of tourism activities. Those demands were managed by only one group or authorized group of representatives that did not answer or indicate problems of Phimai area development. On the other hand, it was emphasized on the space management without any local participation and effected to current residents in that area directly.
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Zhang, Mengke, and James H. Lenzer. "Mismatched canal conservation and the authorized heritage discourse in urban China: a case of the Hangzhou Section of the Grand Canal." International Journal of Heritage Studies 26, no. 2 (2019): 105–19. http://dx.doi.org/10.1080/13527258.2019.1608458.
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Exell, Karen. "Desiring the past and reimagining the present: contemporary collecting in Qatar." Museum and Society 14, no. 2 (2017): 259–74. http://dx.doi.org/10.29311/mas.v14i2.642.
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The collecting processes in Qatar at state level is intimately linked with the construction of a new Qatari identity for global consumption and national cohesion. At an individual level, collecting can be linked with the desire to preserve the disappearing present in the face of rapid development, as well as representing local traditions of authority and erudition. The national collections created for the first Qatar National Museum institutionalize this process and re-classify the objects as representing the newly constructed ‘Qatari’ identity. The Msheireb Arts Center holds the Echo Memory collection of found objects, collected to inspire a Qatari future but representing the lives of the South Asian community otherwise excluded from the Qatari national discourse. Using these examples, this paper situates the processes of collection, curation and display within, or in opposition to, the ongoing process of Qatari national identity construction, preservation and dissemination, and presents them as a facet of Qatar’s engagement with modernity and the reimagining of itself in the contemporary global age.Key words: Qatar, collections, modernity, national identity, authorized heritage
Dissertations / Theses on the topic "Authorized heritage discourse"
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Högberg, Anders. "The Voice of the Authorized Heritage Discourse : A critical analysis of signs at ancient monuments in SKåne, southern Sweden." Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24523.
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The study presents an investigation of a regionalauthorized heritage discourse, represented by theCounty Administrative Board on signs set up at ancientmonuments and sites in the province of Skånein southern Sweden. The starting point is a criticalanalysis of layout, texts and illustrations to ascertainthe narratives conveyed by the signs. The results showthat slightly less than half of the studied signs workwell according to the criteria set up for the study. Theresult also demonstrates that more than half of thestudied signs do not work well according to these criteria.Those that work well give detailed informationabout the ancient monument or site. The signs that donot work well give inadequate information and riskexcluding a majority of the people who read them.The latter signs confirm what so many other discourseanalyses have shown, that the authorized heritage discourseto a large extent still privileges the perspectivesof a white, middle-class male. The former signs, thatis, those that are judged to work well in terms of thecriteria applied in this study, show that the authorizedheritage discourse does not only offer something thatprivileges the perspectives of that white, middle classmale, but also has the ability to offer narratives withother perspectives.
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Eriksson, Nelly. "Normkritik och normkreativitet på Glimmingehus." Thesis, Högskolan Kristianstad, Fakulteten för naturvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-21518.
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Glimmingehus, i sydöstra Skåne, är en del av det skånska kulturarvet och ett betydande besöksmål. Som en del av det statligt förvaltade kulturarvet finns ett ansvar att historiebruket är inkluderande och främjar delaktighet. Uppsatsen undersöker vilken del av historien som lyfts fram på Glimmingehus, utifrån följande frågeställningar: Vilka och vems narrativ tillvaratas och förmedlas till den allmänhet som besöker Glimmingehus? och Vilka andra narrativ med anknytning till Glimmingehus skulle kunna föras fram? Agnidakis et al. (2018) utgår från statens förvaltning av vårt gemensamma kulturarv i sin metodutveckling. Metoden undersöker de narrativ som förmedlas på en plats och i vilken utsträckning de är bundna till normer som rör kultur, särskilda tider, klass eller kön. Resultatet visar på adeln som den mest återgivna sociala kategorin på Glimmingehus. Jens Holgersen Ulfstand och Margareta Arvidsdotter Trolle är genomgående de mest framträdande personerna och främst medeltid, men även andra perioder såsom 1600-tal, åskådliggörs. Rumsligt fokus ligger till största delen på borgens funktion som försvarsverk och bostad. Därtill tillkommer flera andra mindre framträdande narrativ, med den största variationen i utställningen Borgfolk. Flera av de historiska personer som presenteras är kvinnor. Utmaningen tycks inte ligga i att hitta inflytelserika kvinnor ur historien att berätta om, utan i att hitta och belysa de personer som möjliggjorde den svenska och danska högadelns livsvillkor, på Glimmingehus såväl som på andra kulturhistoriskt viktiga platser i Skåne. Med landskapet som arbetsplats har landskapsvetaren möjlighet att vara delaktig i en normkritisk och normkreativ kulturmiljövård och bidra till ett inkluderande och varierat kulturlandskap.
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Kjerrulf, Siri. "Att vara eller inte vara kulturarv : En komparativ analys av svensk världsarvsförvaltning i förhållande till debatten om auktoriserat kulturarv." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446863.
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This paper aims to increase knowledge about how discourse is represented in the evaluation and management of tangible cultural heritage by a comparative analysis of the management of two of UNESCO’s World Heritage Sites located in Sweden. By examining the motivations for inscription and the sites’ management plans through critical discourse analysis, this study approaches questions regarding how heritage is constructed and managed. Through a comparison of the case studies and a subsequent discussion of their relation to Laurajane Smith’s concept of Authorized Heritage Discourse, this paper highlights some issues that the cultural heritage sector is facing today regarding social and political dimensions of cultural heritage.
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Pumplun, Rikard. "Kampen om det förflutna : Kulturarvsdiskussioner i museidebatten 2016-2017." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-77620.
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This essay studies the Swedish museum debate during 2016–2017, regarding the display of history. The sources analysed here that represent the debate are the Swedish Govenment’s Proposition on Cultural Heritage Politics (Regeringens proposition 2016/17:116), the Museum Investigation (Ny Museipolitik 2015) and articles from Swedish daily newspapers. The essay uses Laurajane Smith’s work (Uses of Heritage 2006) on Authorized and Subaltern Heritage Discourses, as well as methods for argument analysis and construction of the Heritage node. The essay concludes that the Government’s Proposition is more closely tied to a Subaltern Heritage Discourse, while the Investigation lies somewhere in between both discourses, and the newspaper articles adhere to an Authorized Heritage Discourse. The Proposition construct the Heritage node in an open, multiculturalistic way that also focus on relevancy for today’s society and stresses the importance of the experience of the visit. The Investigation focus on the special role of the museum professionals, and also believes in a balance between traditional knowledge-based exhibitions and experience-based ones. The authors of the articles see the heritage as under threat from Government Politics, where knowledge and tradition is being replaced by norm criticism and multiculturalism.
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Matenga, Edward. "The Soapstone Birds of Great Zimbabwe : Archaeological Heritage, Religion and Politics in Postcolonial Zimbabwe and the Return of Cultural Property." Doctoral thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-160193.
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At least eight soapstone carvings of birds furnished a shrine, Great Zimbabwe, in the 19th century. This large stonewalled settlement, once a political and urban centre, had been much reduced for four centuries, although the shrine continued to operate as local traditions dictated. The Zimbabwe Birds were handed down from a past that has only been partially illuminated by archaeological inquiry and ethnography, as has the site as such. This thesis publishes the first detailed catalogue of the Birds and attempts to reconstruct their provenance at the site based on the earliest written accounts. A modern history of the Birds unfolds when the European settlers removed them from the site in dubious transactions, claiming them as rewards of imperial conquest. As the most treasured objects from Great Zimbabwe, the fate of the Birds has been intertwined with that of the site in a matrix of contested meanings and ownership. This thesis explores how the meanings of cultural objects have a tendency to shift and to be ephemeral, demonstrating the ability of those in power to appropriate and determine such meanings. In turn, this has a bearing on ownership claims, and gives rise to an “authorized heritage discourse” syndrome. The forced migrations of the Zimbabwe Birds within the African continent and to Europe and their subsequent return to their homeland decades later are characterised by melodramatic episodes of manoeuvring by traders, politicians and theologians, and of the return of stolen property cloaked as an amicable barter deal, or a return extolled as an act of generosity. International doctrines that urge the return of cultural property are influenced by Western hegemonic ideologies. Natural justice is perverted, as stolen property acquires a (superior) significance in its new context, which merits the extinction of the original provenance. This leaves “generosity” and goodwill as the promises of the future, holding the fate of one Zimbabwe Bird still kept in exile in South Africa.
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Rinaldo, Nina. "Hållbar kulturarvsturism i Visby : En diskursanalys av utvecklingsplaner för världsarvet." Thesis, Uppsala universitet, Institutionen för ABM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-376451.
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Introduction: This is a two years master's thesis in Museum and Cultural Heritage Studies. The purpose of this thesis was to critically examine discourses of sustainable cultural tourism, and how different sustainability dimensions and ideals can coexist and be applied in practice. The starting point was a case study of the World Heritage Site “The Hanseatic town of Visby”, where the relationship between the conservation and the availability of the world heritage site was investigated. The research questions that were formulated were which actors and agendas that cooperate in the production of sustainable heritage tourism, how global and national guidelines for sustainable cultural tourism correspond to the local development work of the Visby world heritage city, which are the prominent discourses in the documents on sustainable heritage tourism in the world heritage city of Visby and how they are described as well as whether there is opposition between the conservation and the availability of cultural heritage, and what potential solutions to such opposition can look like. Theory: Prior to the study, previous research on sustainability, sustainable heritage tourism and the world heritage site Visby has been studied and used as a springboard for the thesis research questions. The theoretical perspectives that were used in the analysis consisted of theories regarding sustainable tourism, posthumanism, system theory and authorized heritage discourse, AHD. Method: The method chosen for the study was Laclau & Mouffes discourse analysis. This enabled a closer examination of the development plans and documents on sustainable heritage tourism produced by local, national and global actors. This was complemented with short interviews with thirteen stakeholders. Results and analysis: The result and analysis showed that several different actors and agendas are involved in the production of sustainable heritage tourism. However, there are difficulties in letting all actors get their voices heard and being part of the decision-making process, such as the local population, which are often disregarded. In addition, interaction between different actors could get better with more clearly defined areas of responsibility. The result also showed that, in particular, the concepts of sustainability and sustainable develop-ment were used in the documents about the development of the world heritage city of Visby, but the concept of sustainable heritage tourism was rarely used. The Swedish National Heritage Board and the region of Gotland are currently working on developing sustainable tourism strategies. At present, however, there is unclear correspondence between global guidelines and local application, where it is up to the municipalities to interpret and apply Unesco’s guidelines themselves, which may be difficult since the guidelines are quite general and vague. The study also showed that there are three clear discourses in the documents about sustainable heritage tourism. Under the overall discourse of sustainable tourism in Visby there is an ecological discourse, an economic discourse and a social discourse. In all documents, sustainable tourism is described as consisting of three discourses, but there is great freedom of interpretation in the use of the term. The discourses are also prioritized and described differently in different documents. Conclusion: The study's conclusion is that there are both oppositions and solutions. Both documents and interviews show that there are oppositions between ecological, economic and social interests in a place like the world heritage site in Visby. At the same time, there are also various suggestions for how the different dimensions can coexist and the actors were generally optimistic. Basically, it is about finding a balance between conservation and accessibility, taking into account both contemporary and future interests. Suggested solutions are to work further with information and knowledge, improve interaction between different actors, work with conservation-based development, productize heritage, better interaction with the local society, develop creative industries in historical buildings, and include visitors in the conservation work. However, most voices agree that the issue is difficult and complex and requires more knowledge and research.
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Spangen, Marte. "Circling Concepts : A Critical Archaeological Analysis of the Notion of Stone Circles as Sami Offering Sites." Doctoral thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-133066.
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The thesis discusses a category of cultural heritage that has been labelled "Sami circular offering sites", aiming to establish some basic facts about their origin, distribution and use, as well as their cultural and socio-political context and influence. The stone enclosures in question have been interpreted as Sami offering sites since the mid-19th century, but a discourse analysis of the research history indicates that this may have been based on a scholarly hypothesis rather than ethnographic or archaeological evidence. Furthermore it is questioned if all the structures that are currently included in this category are in fact remains of the same cultural practice. This is investigated through surveys of 81 suggested circular offering sites in Norway, two excavations and analyses of the find material. The large stone enclosures in counties Finnmark and Troms that were first categorised in this way prove to have quite consistent builds and measurements and a find material mainly dating between the 13th and 17th centuries. These structures are here labelled type 1. In contrast, constructions that have later been added to the category, particularly in other areas, have other and less consistent characteristics and seem to include remains of a range of different activities. They are here divided into two generic types 2 and 3. The thesis further discusses alternative interpretations for the type 1 structures, concluding that their materiality, construction, location, topography and finds are consistent with archaeological, historical and ethnographic evidence for wolf traps. Their distribution indicates a regional Sami cultural practice related to inland winter habitation and travel routes, while also apparently coinciding with the Russian/Karelian taxation area in northern Norway in the Middle Ages. Thus the builds may have been inspired by the fur trade or other activities of the latter groups. It is uncertain when exactly the installations fell into disuse, as datings are calibrated to AD 1450-1650. The abandonment could be related to the decline of Novgorod as a fur trade centre, Russian loss of taxation rights in northern Norway, increased Swedish impact in the inland areas and Norwegian activity along the coasts, which all led to changes in administration, taxation, trade patterns and demand for furs. The contemporary decimation of the wild reindeer population, increased reindeer herding and introduction of new weapons like crossbows, guns and foothold traps, may all have made permanent trapping installations less useful. The sites may, however, have gone out of use at different times. Certain finds of marrow split bones, very recent coins and other objects suggest a later reconceptualisation of some structures as offering sites, whether as a local explanation or inspired by the later scholarly definition. Throughout the thesis, the construction and distribution of the archaeological category and the preference for the ritual or religious interpretation are discussed as results of specific socio-political contexts, where stereotypical notions about Sami identity and culture have had a strong impact. The thesis explores how academic and other narratives influence each other within certain discourses of power and indigenous "rights and rites", and the continuous mutual impact on individual actions and emotions through networks of people, power and things. The present reinterpretation challenges existing academic and local narratives. It is based on the materiality of the structures, but the offering site explanation is not positively refuted. Yet, as part of an authorised heritage discourse, the present statement is more likely to impact future categorisation and practices than other narratives within other discourses, expressing a persistent and inherent power inequality. This may be ethically problematic in the context of an indigenous minority, but it may also be argued that the role of the archaeologist expert is precisely to expose the insisting materiality of the past and the power/knowledge networks that promote specific narratives about it.
Book chapters on the topic "Authorized heritage discourse"
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Mochocki, Michał. "Narrative immersion/involvement and authorised heritage discourse." In Role-play as a Heritage Practice. Routledge, 2021. http://dx.doi.org/10.4324/9781003130956-101a.
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Cooper, Malcolm A. "Competition and the Development of Authorised Heritage Discourses in a Re-emergent Scottish Nation." In Training and Practice for Modern Day Archaeologists. Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5529-5_6.
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Preucel, Robert, and Regis Pecos. "Place: Cochiti Pueblo, Core Values, and Authorized Heritage Discourse." In Heritage Keywords: Rhetoric and Redescription in Cultural Heritage. University Press of Colorado, 2015. http://dx.doi.org/10.5876/9781607323846.c014.
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Matthews, Christopher N. "How History Controls the Past." In A Struggle for Heritage. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066684.003.0002.
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This chapter presents the principle historical and heritage narratives in Setauket, New York. It examines the idea of an authorized heritage discourse as well as the content of this discourse in Setauket. The chapter shows how people of color are marginalized by the dominant heritage narrative.
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Mitterhofer, Johanna. "Beyond the Nation." In Heritage at the Interface. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056579.003.0010.
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In this chapter the author explores the effects of the exclusive potential of heritage in culturally heterogeneous European societies and investigates initiatives that seek to make heritage more inclusive and pluralistic. How do minority groups negotiate heritage practices and discourses formulated by the dominant national population? From a war monument in South Tyrol, an Italian province inhabited by a large German-speaking minority, to the role of migrant memories in the making of national heritage discourses, the chapter focuses on processes that seek to include minority voices and contrasting heritage interpretations in what Laurajane Smith terms the “Authorized Heritage Discourse.”
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Cooper, Malcolm A. "Heritage Discourse: The Creation, Evolution, and Destruction of Authorized Heritage Discourses within British Cultural Resource Management." In Heritage Keywords: Rhetoric and Redescription in Cultural Heritage. University Press of Colorado, 2015. http://dx.doi.org/10.5876/9781607323846.c010.
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"Country matters: the rural-historic as an authorised heritage discourse in England." In Heritage and Tourism. Routledge, 2013. http://dx.doi.org/10.4324/9780203074619-15.
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Vergunst, Jo, and Helen Graham. "Introduction: heritage as community research." In Heritage as Community Research. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781447345299.003.0001.
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This introductory chapter provides an overview of heritage as community research. Many scholars have explored how discursive processes shape the past and how the past is understood in the present, deconstructing the ‘Authorised Heritage Discourse’ of professional museums and official heritage sites. From the point of view of the communities involved with heritage through research, it is not simply about discursively arguing against a mainstream interpretation of the past, but about making their own way into an exploration of the past. While the cases in this book function on the ‘local’ level in one sense, they are considerably more than just local history. Instead, they locate what may be much broader processes in specific situations of places and people. Framing this work as ‘inquiry’ draws attention to the ways in which ‘ways of knowing’ are also ways of acting in the world, ways of creating change and using the past for future-making.