Academic literature on the topic 'Authors, Exiled'
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Journal articles on the topic "Authors, Exiled"
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Sedláčková, Lucie. "Two Enfants Terribles in Dutch Exile: The Exilic Posture of Jaroslav Hutka and Ivan Landsmann." AUC PHILOLOGICA 2021, no. 1 (2021): 83–99. http://dx.doi.org/10.14712/24646830.2021.14.
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This article addresses the topic of authorial posture (as defined by Jérôme Meizoz), in particular the exilic posture. Some exiled authors, listed as examples, or prototypes of that posture, were able to achieve a stable place in the Dutch literary or cultural field. This text shows, however, that some exiled authors or artists were not endowed with the crucial qualities and abilities, and it investigates what kind of qualities and abilities they missed. The Czechs Jaroslav Hutka and Ivan Landsmann spent a part of their lives in exile in the Netherlands, where they also created literary texts. The songwriter, poet and prosaist Hutka and the novelist Landsmann did acquire a firm position in the Czech cultural and literary field without really penetrating the Dutch one. This article examines the extent to which they represented the exilic posture, describes it in more detail, and provides more fitting designations. By doing so, it answers the question why these two authors did not or could not acquire an established position in the Dutch cultural field during their exile period
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Iglésias-Franch, Narcís. "The Space of Freedom in a Context of War, Exile and Endless Instability: A Sociolinguistic Approach to Autobiographical Narratives on Catalan Exile." Forum for Modern Language Studies 52, no. 3 (2016): 346–61. http://dx.doi.org/10.1093/fmls/cqw028.
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Abstract In the recent numerous publications on the autobiographies of Catalan writers who went into exile in 1939, themes such as memory, identity crisis or travel have been studied in depth. In this article, I propose a sociolinguistic interpretation of a series of autobiographical works by exiled authors such as Xavier Benguerel, Lluís Ferran de Pol and Antoni Rovira i Virgili. According to the theoretical framework of sociolinguistic studies, autobiographical narratives can be analysed using three different approaches: first, the way authors narrate how ‘things’ are or were; second, how ‘things’ or events were experienced; and, finally, the ways in which ‘things’ or events are narrated. Language is not only historical data or an individual experience which authors narrate in their autobiographical narratives. This sociolinguistic approach to the autobiographical narratives of Catalan exiles shows the close link between language and identity, and between language and morality.
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TORRES-BELTRAN, ANGIE. "Exiled Activists Mobilize Online." Political Science Today 3, no. 2 (2023): 32. http://dx.doi.org/10.1017/psj.2023.40.
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Exile—the banishment of individuals from their home country—is a commonly used form of repression against activists, dissidents, and other political opponents. The aftermath of exile usually limits opposition influence and weakens home-country networks. However, while banishment may keep exiles physically away from home, it does not keep political opponents from promoting their agendas from abroad. In a new article published in the American Political Science Review, authors Jane Esberg and Alexandra A. Siegel demonstrate how exile affects political opponents’ online activism. Their research highlights the importance of digital technologies and social media as an accessible and powerful political tool.
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Flower, Richard. "Witnesses for the Persecution." Studies in Late Antiquity 3, no. 3 (2019): 337–68. http://dx.doi.org/10.1525/sla.2019.3.3.337.
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During the reign of Constantius II (337–361), a number of Christian bishops were exiled from their sees, reportedly for their opposition to the emperor's “Homoian” theological position. Several of them (Athanasius of Alexandria, Hilary of Poitiers, Lucifer of Cagliari, Eusebius of Vercelli) responded to their institutional insecurity and geographical isolation by writing accounts of their experiences in a range of textual forms: letters to individuals or groups, historical narratives with quoted documents, or formal invectives. This article explores the variety of ways in which these examples of exilic literature construct different forms of communities in order to weave supportive narratives around the authors and their allies: Hilary and Lucifer emphasized their possession of parrhesia both within and through their texts; Athanasius constructed a network of opposition to heresy with himself as its focus; Eusebius presented himself as the lynchpin of a north Italian community which he could still lead from exile in Palestine. Through inscribing particular roles onto both their readers and other figures discussed within the texts, these exiled authors sought to foster their own reputations as leaders of these communities and arbiters of membership, thereby bolstering their positions at a time when their authority was under serious threat.
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Barry, Jennifer. "Damning Nicomedia." Studies in Late Antiquity 3, no. 3 (2019): 413–35. http://dx.doi.org/10.1525/sla.2019.3.3.413.
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All Christian flights were not created equal. With the aid of pro-Nicene authors, Athanasius of Alexandria's multiple flights quickly became the standard for an orthodox exile. The charge of cowardice, or worse, heresy, was not so easily dismissed, however. While the famed Athanasius would explain away such charges in his own writings, as did many of his later defenders, not all fleeing bishops could escape a damning verdict. In this article, I explore how the enemies of Nicaea, re-read as the enemies of Athanasius, also found themselves in exile. Their episcopal flights were no testament to their virtue but within pro-Nicene Christian memory of fifth-century ecclesiastical historians, the exiles of anti-Nicene bishops, such as Eusebius of Nicomedia, were remembered as evidence of guilt. To show how this memory-making exercise took place we will turn to the imperial landscape and assess how the space someone was exiled from greatly shaped how exile was deemed either orthodox or heretical.
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Claassen, J.-M. "'Living in a place called exile': The universals of the alienation caused by isolation." Literator 24, no. 3 (2003): 85–112. http://dx.doi.org/10.4102/lit.v24i3.302.
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Although various aspects of Ovid’s emotional reactions to exile have been researched, there has so far been no extended practical study that places the emotional content of his works into a new political context. In this respect Ovid’s voicing of his experiences can serve to illuminate the experiences of latter-day exiles. This article attempts to establish, by literary means, a picture of the alienation attendant upon exile and its sublimation. For this purpose the poetry of Ovid, as well as that of certain modern authors, is used as illustration. There are many parallels between the Rome of the turn of our era and the South Africa of previous decades: exile was a political weapon in both. Themes reflecting alienation in Ovid’s poems are universal, and still valid in situations of exile today. Ovid’s portrayal of his own exiled persona is used to draw a psychological profile of the experiences of alienation during such exile. This profile may be termed the “universals of alienation”, which is applied to the exile or imprisonment of the victims of contemporary political upheaval. The extent to which the verbalisation of such alienation serves to heal such a wounded soul is explored.
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Kurmann, Alexandra. "A Life in Exile Literature: Linda Lê and the English-Language Literary World." L'Esprit Créateur 63, no. 4 (2023): 22–34. http://dx.doi.org/10.1353/esp.2023.a919686.
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Abstract: Linda Lê is distinctive for her intertextual engagement with global authors. Here, I examine her connections with exiled and nomadic English-language writers in her essay collections Tu écriras sur le bonheur (1999), Le complexe de Caliban (2005), and Par ailleurs (Exils) (2014). The dialogues within reveal two parallel authorial purposes: they substantiate the attitude Lê takes towards writing in exile and offer a roadmap to navigating her supplementary home in literature. I argue that Lê's reflections on English-language writers' biographies and her interpretations of their works thus had a defining effect on the construction of her life in exile literature.
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Valente Neves, Liliana Andreia. "FROM PORTUGAL TO THE COLONIES: CHARACTERISTICS OF PORTUGUESE EXILES AT THE END OF THE 18TH CENTURY." CRATER, Arte e Historia, no. 1 (2021): 54–71. http://dx.doi.org/10.12795/crater.2021.i01.04.
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The exile penalty has been widely used by the portuguese justice over the past centuries. The exiled were forced to cross the Atlantic in the direction of Brazil, Africa and Asia, where they fulfilled the punishment. The constant sending of large human contingents to colonial territories demonstrates the interests that the Crown had in removing the criminals from the metropolis. However, it can be an indicator of other objectives, such as the population and effective possession of the places where they were destined. This reality caused variations in the fate of the exiles according to the times and the needs that the Crown had in different periods. Thus, several authors agree that the sending of exiles to the colonies was aimed at occupation, defence, settlement and contribution to miscegenation in these territories. Through this research work, we seek to carry out a comparative study where we highlight the differences between the sending of exiles to the South American and African colonial territories. We also seek to get to know these individuals seeking to know their social status, profession, crime, age, marital status, place of birth, destination of exile and time of sentence. It was also our intention to analyze how the process of sending these individuals overseas was carried out, the time between the condemnation and their departure, how they were shipped, who was in charge of taking them to their destination and who guaranteed their survival during the trip.
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Vitoshnova, Anna M. "UNDISCOVERED TEXTS OF EXILE LITERARURE (TRANSLINGUALISM AND INTERNAL TRANSLATION BASED ON THE NOVEL “CHILDREN OF VIENNA” BY ROBERT NEUMANN)." HUMANITIES AND SOCIAL STUDIES IN THE FAR EAST 20, no. 1 (2023): 92–100. http://dx.doi.org/10.31079/1992-2868-2023-20-192-100.
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In the era of scholars’ growing interest in the phenomenon of translingual literature and recently emerged theory of inner translation, unfairly little attention is paid to the phenomenon of German exile literature, which is literature created by exiled authors in 1933–1945. This article analyses the novel “Children of Vienna” by R. Neumann, one of a few Austrian authors who fled fascist Germany. He managed to win recognition among critics and readers during his lifetime. The article evaluates the author’s internal translation from his mother German language into English. In conclusion the author of the article claims the value of Exilliteratur for diverse linguistic investigations.
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Castillón, Verónica Azcue. "Cervantes, Don Quijote y Sancho Panza en el teatro del exilio." Cervantes 35, no. 2 (2015): 161–92. http://dx.doi.org/10.3138/cervantes.35.2.161.
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In the dramatic works produced by Spanish Republican exile authors beginning in 1939, it is possible to note the presence of a significant number of pieces inspired by the world of Cervantes, and in particular by Don Quijote. While this panorama offers great diversity regarding the themes and means of expression employed by these exiled authors, a comparative study of these works highlights the presence of a set of common connections, patterns, and features. It also reveals, in many cases, a similar appreciation of Cervantes's works, which are valued for both their popular, humanistic outlook and for the possibilities of experimentation which they offer, especially as regards the development of self-reflexive and metafictional techniques in drama.
Dissertations / Theses on the topic "Authors, Exiled"
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Fredericksen, Brooke. "At home in words: Exile, writing and twentieth century literature." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185798.
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The twentieth century is a time when the discourse of exile is prevalent in culture and literature as well as in political life. This study explores the nature of exile, its relation to Western culture, politics, and writing through the use of critical theory and specific literary works. The extended introductory chapter examines how stories of exile function as formative concepts in the Hebrew Bible. Foremost is the story of the flight from Egypt and the wandering in the wilderness as told in the Book of Exodus, but examples of separation as a type of exile are also examined, specifically in the laws in Exodus and Leviticus. The idea of exile as a paradox in Western culture and literature is developed in this chapter. While exile was already known as a punishment, the Hebrew Bible portrays exile as a positive idea that enables the formation of religious and cultural identity. An examination of exile as a sociopolitical concept also comprises this chapter. The relation of Karl Marx's definition of alienation (entfremdung) to exile is explored, and exile in its negative aspect, as punishment and estrangement from family and self, is discussed. As a counterweight to this negative aspect, the theories of Michel Foucault on power and knowledge are studied, and exile is proposed as a resistance to power. Finally, the relation of exile to discourses on writing and literature in the twentieth century is examined, specifically in the work of Jacques Derrida and Roland Barthes. The remaining three chapters of the work are devoted to three culturally diverse twentieth century authors. Chapter Two examines the work of Egyptian-born Jewish poet Edmond Jabes, whose poetry and meditations are interwoven with thoughts on Judaism, exile, and writing. Chapter Three takes up the work of Cristina Peri Rossi, an Uruguayan fiction writer and poet, who fled to Spain in 1973. Peri Rossi's work not only creates interesting fictional homes wherein characters and readers alike can dwell, but is also concerned with the issue of feminism and womens' particular relation to exile. Finally, the work of Modernist author Gertrude Stein is explored, raising and examining questions of exile in her work.
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Davidson, Elizabeth Macleod. "Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.
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Despite the recent increase in scholarship on the subject of the female experience in exile, there is still much to be done. Exile scholars now have at their disposal an abundance of broad, general overviews of the circumstances and fates of displaced women writers, but a dearth of scholarship that considers specific literary works in an individualised fashion still exists. This is especially true of those female writers who have only recently been 'rediscovered', such as the three under discussion in this thesis. This thesis explores in detail the exile writings of Veza Canetti, Anna Gmeyner, and Lili Korber, about which little scholarship exists, and uses them as case studies to illuminate the situation of exiled women writers in general The exile works of these three authors repay study both for their own literary merits and for what they can tell us about the individual experience of exile. In their broad similarities, these writers also provide us with case studies of the larger experience of authorial exile - particularly, but by no means exclusively, the gendered experience - that allow us to derive more general lessons about the influence of forced flight on literary art. By giving due consideration to work produced in exile, this thesis calls into question some of the generalisations commonly found in recent scholarship and demonstrates that, despite hardsrnps and setbacks and contrary to common scholarly contention, all three women continued to write well into their exile years and that in those years they took their writing in new, skilful, and creative directions.
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Rey, Catherine. "La nouvelle Babel : langage, identité et morale dans les oevres de Emil Cioran, Milan Kundera et Andréï Makine /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0051.
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Wilson, Wendy. "Heimat and memory in the city representations of New York City and Vienna in autobiographical works of exiled Viennese authors /." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/451004175/viewonline.
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McCauley, Christopher Michael. "Language, Memory, and Exile in the Writing of Milan Kundera." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3047.
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During the twentieth century, the former Czechoslovakia was at the forefront of Communist takeover and control. Soviet influence regulated all aspects of life in the country. As a result, many well-known political figures, writers, and artists were forced to flee the country in order to evade imprisonment or death. One of the more notable examples is the writer Milan Kundera, who fled to France in 1975. Once in France, the notion of exile became a prominent theme in his writing as he sought to expose the political situation of his country to the western world--one of the main reasons why he chose to publish his work in French rather than in Czech. This thesis analyzes the themes of language and memory in connection with exile in two of Kundera's novels, Le livre du rire et de l'oubli (1978) and L'Ignorance (2000). We contend that these concepts serve as anchors and tethers, stabilizing forces meant to help exiled characters recreate their identity outside of their homeland. By exploring notions of language and memory in these novels, Kundera demonstrates how the experience of exile affects the human condition during the latter half of the twentieth century.
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Arslan, Ahmet. "Das Exil vor dem Exil : Leben und Wirken deutscher Schriftsteller in der Schweiz während des Ersten Weltkrieges /." Marburg : Tectum-Verl, 2004. http://www.loc.gov/catdir/toc/fy0703/2006483986.html.
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Rey, Catherine. "La nouvelle Babel : langage, identite et morale dans les oevres de Emil Cioran, Milan Kundera et Andrei Makine." University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0051.
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The subject of this thesis is an examination of the acquisition in language of a new country for three Eastern European writers exiled in France. For such writers, art and life become inseparable: just as the experience of geographical displacement liberates the writer so it liberates his language. This new language becomes a field of experimentation, in which the conflicts that precipitated exile are resolved. Departure necessitates the abandonment of the mother tongue: for Cioran, Romanian; for Kundera, Czech; for Makine, Russian. For each of these three writers, studied in this thesis, the adoption of French as the language of literary expression was a decisive act. Geographically and spiritually he and his text are redefined. Separated from familiar landmarks, each finds a new terrain in the language of the creative text, a place, a private space, in which to express the realities of his new self. On the one hand this new paradigm is the expression of a rejection of a past and a tradition; on the other hand it is essential in the process of coming to self-understanding. For Cioran, Kundera and Makine the French language provides a foil to their own ruptured, fragmented, traumatised or guilt-ridden native identities. In each case the adoption of French with its concomitant stereotypical qualities and values constitutes a dialectical process of coming to a clearer sense of self.
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Tasis, Moratinos Eduardo. "El exilio en la poesía de Tomás Segovia y Angelina Muñiz Huberman." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1886.
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Tomás Segovia and Angelina Muñiz Huberman belong to a group of writers known as «Hispanomexicanos». Most approaches to this generation have been towards the role that exile plays in their early work, paying almost no attention to its role after that initial stage. These approaches have been limited to the first years of their work, in the belief that those writers subsequently moved on to deal with issues which are different from those in which their experience of exile is clearly the central topic. However, through an analysis of the poetry of Muñiz and Segovia, this thesis aims to show that exile continues to play a central role beyond that first stage. It argues that their exile is transformed into a series of symbols that come to constitute a shared style and, more importantly, it proposes that their experience of exile is transformed into a feeling of existential displacement which impels a search for meaning and belonging to the world. Consequently, the conclusion presented in this thesis is that exile plays a central role in their poetry, in the sense that it expresses the ways in which these two writers search and transmit meaning and attempt to feel part of the world. Ultimately, this thesis aims to set an example of approach which could be productively taken to study the work of other writers from this generation.
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Charbonneau, Caroline. "Exil et écriture migrante : les écrivains néo-québécois." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29486.pdf.
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Bones, Helen Katherine. "A Dual Exile? New Zealand and the Colonial Writing World, 1890-1945." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/5618.
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It is commonly thought that New Zealand writers before World War II suffered from a "dual exile". In New Zealand, they were exiled far from the publishing opportunities and cultural stimulus of metropolitan centres. To succeed as writers they were forced to go overseas, where they endured a second kind of spiritual exile, far from home. They were required to give up their "New Zealandness" in order to achieve literary success, yet never completely belonged in the metropolitan centres to which they had gone. They thus became permanent exiles.
This thesis aims to discover the true prevalence of "dual exile" amongst early twentieth-century New Zealand writers. Using both quantitative and qualitative analysis, it argues that the hypothesis of "dual exile" is a myth propagated since the 1930s by New Zealand‘s cultural nationalist tradition. New Zealand writers were not exiles because of the existence of the "colonial writing world"—a system of cultural diffusion, literary networks and personal interactions that gave writers access to all the cultural capital of Britain through lines of communication established by colonial expansion. Those who went to Britain remained connected to New Zealand through these same networks. The existence of the colonial writing world meant that the physical location of the writer, whether in New Zealand or overseas, had far less impact on literary success than the cultural nationalists assumed.
Books on the topic "Authors, Exiled"
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Ḥūrānī, Fayṣal. al- Ṣuʻūd ilá al-ṣafar: Durūb al-manfá : shahādah. Dār Sindbād, 1996.
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1962-, Robinson Marc, ed. Altogether elsewhere: Writers on exile. Faber and Faber, 1994.
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Ḥūrānī, Fayṣal. al- Jary ilá al-hazīmah: Shahādah. Mūwātin, al-Muʾassasah al-Filasṭīnīyah li-Dirāsat al-Dīmuqrāṭīyah, 2001.
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Marcel, Atze, Adler Jeremy D, Hirschfeld Gerhard, and Bibliothek für Zeitgeschichte (Germany), eds. Ortlose Botschaft: Der Freundeskreis H.G. Adler, Elias Canetti und Franz Baermann Steiner in englischen Exil. Deutsche Schillergesellschaft, 1998.
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Rājākr̥ṣṇan, Vi. Br̲aṣṭinṭe nānārttaṅṅaḷ: Sāhityavimarśanaṃ. Kar̲ant̲ Buks, 1998.
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Deborah, Keenan, and Lloyd Roseann, eds. Looking for home: Women writing about exile. Milkweed Editions, 1990.
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Cherry, Kelly. The exiled heart: A meditative autobiography. Louisiana State University Press, 1991.
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Díaz, Ana Suárez. Escapé de Cuba: El exilio neoyorquino de Pablo de la Torriente-Brau (marzo, 1935-agosto, 1936). Editorial de Ciencias Sociales, 2008.
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Omaren, Abdolrahman, and Julia Gerlach. "3. Amal, Berlin! Arab media, Berlin-style." In Arab Berlin. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839462638-004.
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Amal, Berlin! is a news platform providing local reporting about Berlin in three languages: Arabic, Dari/Farsi and Ukrainian. The two authors of the chapter Julia Gerlach and Abdolrahman Omaren are describing their experience from their two different perspectives. Julia Gerlach is co- founder of the project. She and her sister came up with the Idea and started it in 2016. Abdolrahman Omaren is editor in chief of the Arabic section, and in the chapter, he shares his thoughts on the journalistic experiment that writing in Arabic for the exiled Arab community offers.
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Vatansever, Asli. "15. Survival in Silence in Neoliberal Academia." In Migrant Academics’ Narratives of Precarity and Resilience in Europe. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0331.15.
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Looking back on a disturbing past experience, 'Survival in Silence' reflects upon gender inequality, rank hierarchy, precarity, and foreignness in European academia from the perspective of an exiled female researcher. In view of her own conflicting feelings and actions during and after the incident, the author confronts the predicaments of resistance on an individual basis as well as the discrepancies between the theory and practice of feminist solidarity.
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Milder, Robert. "The Broken Circle: Mardi and (Post-)Romanticism." In Exiled Royalties. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0002.
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Abstract In “The Figure in the Carpet,” Henry James’s parable of authors and readers, novelist Hugh Vereker tells a young critic of a buried intention or idea that infuses his work and is responsible at once for its materials and its form. As “the very string that my pearls are strung on,” Vereker’s figure in the carpet is discoverably present in his novels, and among James’s objects in the tale is the retrospectively announced one of rebuking a criticism that “is apt to stand off from the intended sense of things, from such finely-attested matters, on the author’s part, as a spirit and a form, a bias and a logic, of his own.” Like any writer, James would have the critic defer to the pressure of meaning objectified through structure and technique, with tactful reticence toward the private springs of art and the shaping influences of history and culture. “Intention,” however, is a double-edged idea that works both for and against authorial claims for interpretive control of texts. It may refer to conscious aesthetic design, as it does for James; to a forming principle (conscious or not) that is inferably operative in a work or body of work; or to the meaning of such work within what E. D. Hirsch calls the particular “horizon” of “the author’s mental and experiential world.’’ Beyond or beneath the immanent purpose that James, like Vereker, may have inscribed in his writing are the cognitive and emotional structures that inscribed James himself and of which he could have been only partially aware. It is a commonplace that authors repeat themselves, ring changes on a constellation of themes, reenact dramatic postures, rehearse core fantasies, and refract discourses and ideologies of their times. In this they are instruments as much as creators of their recurring myths, and it would be problematic in some cases to decide whether authors are constructing their characteristic fables or the fables are constructing them.
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Milder, Robert. "Alms for Oblivion." In Exiled Royalties. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0010.
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Abstract Shortly after Melville retired from the New York Custom House on December 31, 1885, his wife Lizzie wrote of a “great deal [of] unfinished work at his desk which will give him occupation.’’ A legacy from Lizzie’s brother Lemuel Shaw had eased the family situation and placed Melville in the happy predicament he later allegorized in the poem “The Rose Farmer”: whether to cultivate the rose (experience) for its yield of evanescent pleasure or laboriously to distill and crystallize its attar in a timeless but solitary art. Although “The Rose Farmer” ends inconclusively, a cozy epicureanism was at most a wishful fantasy for Melville, who had outlived his generational male relatives, nearly all of his friends, and his times, but not his longstanding obsessions, metaphysics and the taunting dream of reputation. At home, while generally calmer than before, Melville was still prey to “moods and occasional uncertain tempers,” surfacings of an emotional disquiet that hinted, as always with him, of an intellectual, spiritual, and vocational dis quiet. Toward the outward world he adopted the stance of a recluse, less from misanthropy than from a silent, self-protective pride. In the nearly ten years since Clare!his life had been collapsing inward toward a center of private musing, which in his physically and emotionally weakened state he nurtured carefully against inordinate hopes and the chance of real or imagined slights. Invited to join the Authors Club, a group of New York literati, in 1882, Melville accepted, then withdrew his acceptance on the ground that “he had become too much of a hermit” and that “his nerves could not stand large gatherings.” In most things having to do with society, he preferred not to.
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Faber, Sebastiaan. "Rethinking Spanish Civil War Exile: The Curious Case of the Catalans." In Transatlantic Studies. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0022.
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This essay considers the persistent exclusion from Spanish national literary histories of authors who were exiled after the Spanish Civil War of 1936-39, particularly those who wrote in languages other than Spanish. While Spain’s democratic transition presented an opportunity to abandon the artificial and oppressive castellanocentrismo that had dominated Spain’s official cultural histories in the Franco years, and to acknowledge the exiles’ literary production, revising those histories along Transatlantic lines, those opportunities were largely missed. On both accounts, institutional inertia won out, resisting pressures pushing for a multilingual Iberian and Trans-Atlantic approach. Perhaps no case illustrates this better than that of the Catalans who were exiled to Mexico.
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Traverso, Enzo. "Bohemia." In Left-Wing Melancholia. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231179423.003.0005.
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The fourth chapter explores the melancholic relationship between Bohemia and Revolution, analyzing the works of different authors and creators, from Marx to Benjamin, from the socialist painter Gustave Courbet to Léon Trotsky exiled in Vienna. Bohemia is the realm in which the attempt of “winning the energies of intoxication for revolution” (Benjamin on Surrealism) merged in a peculiar osmosis with the despair of defeat and the pariah existence of aesthetic and political outsiders.
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Vasanthakumar, Ashwini. "Exiles as Co-Authors." In The Ethics of Exile. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198828938.003.0005.
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This chapter explores shared identity as a basis for exile politics. It provides a dialogical account of individual and social or collective identities that conceives of these as a narrative. It then provides an overview of associative obligations and argues that shared identity generates special duties that can account for why exiles go beyond the minimal duty to assist. Shared identity can help address obstacles to collective action and make these more extensive efforts practicable and effective. Exile complicates identity, however. Exile engenders greater pluralism in exile and exile provides a site for identities suppressed back home to survive and flourish, ensuring that marginalized perspectives are given some expression. This pluralism, however, can hinder prospects for collective action, and lead to systematic divergences between the homeland and those in exile. Exile politics’ ameliorative function back home is in tension with, although not necessarily fatal to, its ability to perform a corrective function abroad.
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"Authors." In Echoes of Exile. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110290653.163.
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Ossa-Richardson, Anthony. "Solutions." In The Devil's Tabernacle. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691157115.003.0007.
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This chapter deals with the aftermath of the Fontenelle–Baltus exchange, and its eventual overcoming, via a series of new perspectives and scholarly disciplines, in the transformed intellectual world of the nineteenth century. In the new century we find the imposture thesis in all the authors and texts we would expect: in the English Deists, John Toland, Matthew Tindal, and Conyers Middleton; in the exiled Italians, Pietro Giannone and Alberto Radicati; in Louis de Jaucourt's entry on oracles in the Encyclopédie, and the French libertins Nicolas Fréret and César Chesneau du Marsais; in Bekker's German supporter Christian Thomasius; in the Spanish polymath Benito Feijóo; in the Traité des trois imposteurs; and much later in Thomas Paine's Rights of Man. But also in many more forgotten places, frequently but not always with reference to Van Dale and Fontenelle, and the dispute with Baltus.
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"Index Of Authors." In Enduring Exile. BRILL, 2011. http://dx.doi.org/10.1163/ej.9789004160972.i-230.30.
Full textConference papers on the topic "Authors, Exiled"
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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
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Kudryashov, Vasily. "The Role of Political Exiles in the Development of the Legal Press of the Yenisei Province in the Early 20th Century." In Irkutsk Historical and Economic Yearbook 2021. Baikal State University, 2021. http://dx.doi.org/10.17150/978-5-7253-3040-3.14.
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The article reveals the role of political exiles in the development of the periodical press of the Yenisei province in the period 1908–1917. The author considers the participation of representatives of various political parties in the subcensorship press of Krasnoyarsk and Minusinsk.
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Schoeffler, Fred, and Joy A. Collura. "What Fatality and "Prescott Way" Causal Factors Are Revealed in the July 23, 2013, Deployment Zone News Conference?" In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003555.
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This is a story that needs to be told - always remembered - truthfully. This semi-inclusive paper examines the alleged wildland fire human factors that existed, contributing to the fatal Granite Mountain Hot Shot (GMHS) tragedy on the June 30, 2013, Yarnell Hill (YH) Fire; derived from the July 24, 2013, GMHS Deployment Zone (DZ) News Conference videos by InvestigativeMEDIA Reporter and author John Dougherty (JD) with Prescott FD (PFD) Wildland Battalion Chief (WBC) Darrell Willis, along with numerous reporters. The videos were then transcribed from the spoken words into a written PDF format using the novel Otter app so you can truly read what WBC and various Reporters are discussing compared to the mostly unreliable "CC - Closed Caption" hit-and-miss versions in the two videos. Rather than use all the Otter-transcribed text, the authors selectively used those WBC ambiguities of established tried-and-true Rules Of Engagement, i.e. LCES, Fire Orders, etc. Being able to read what is said is more revealing and thought-provoking offering new perspectives on this divisive fatal event. Torn and tormented while aware of the real truth, WBC held these young men as Sons - on the annoying horns of a dilemma - feeing obliged to defend them, weakly attempting to share in his alleged illusory-recollected “truth” of why it happened.
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Virr, Michael J. "Combined Heat and Power Burning Coal Waste in ICFB." In 18th International Conference on Fluidized Bed Combustion. ASMEDC, 2005. http://dx.doi.org/10.1115/fbc2005-78095.
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The problem of burning coal waste to low emissions has existed for some time, although the larger boiler suppliers have installed successful designs for some years typically in the range of 40–80 MW’s. The author has been developing small automated fluid bed boiler plants for some 25 years, which can be successfully applied in the range of 10,000–140,000 lbs/hr of steam.
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Portnova, Tatiana Vasilievna. "MIXING OF ARCHITECTURAL STYLES IN THE PRACTICE OF RESTORATION OF HISTORICAL BUILDINGS." In Themed collection of papers from Foreign International Scientific Conference «Trends in the development of science and Global challenges» by HNRI «National development» in cooperation with AFP. December 2021. Crossref, 2022. http://dx.doi.org/10.37539/man1.2021.82.37.008.
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The article is devoted to the study of the features of mixing architectural styles in the practice of restoration of historical buildings. The author substantiates the relevance and significance of the research topic in the context of the problems of the history of the formation of eclecticism as a separate architectural direction - its peak period, various variations of terminology in connection with the vector of use of this technique and how architectural styles that already existed at a particular time were transformed with the help of eclecticism.
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Jin, J. Z., and J. T. Xing. "A Convergence Study on Mixed Mode Function: Boundary Element Method for Aircraft-VLFS-Water Interaction Systems Subject to Aircraft Landing Impacts." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-79090.
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A mixed mode function–boundary element method was developed by the authors to analyze the dynamic behaviour of an integrated aircraft – VLFS – water interaction system exited by aircraft landing impacts. In the mathematical model, the aircraft and VLFS are considered as two elastic structures. The landing gears of the aircraft are modeled by four support units, each of which consists of a linear spring and damper. The water is assumed to be incompressible, inviscid and satisfying a linear free surface wave condition and an undisturbed condition at infinity. The motions of the aircraft and VLFS are described by their respective natural modes. The fluid domain is modelled using a boundary element approach. The coupled fluid–structure equation is solved in the time domain with Newmark approximations. In this paper, the numerical stability of the developed method is investigated. To realize this aim, convergence study is performed in determining the size of retained fluid surface, the number of retained modes of VLFS and the time step used in the time integration scheme.
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Liu, Xianbo, Nicholas Vlajic, Xinhua Long, Guang Meng, and Balakumar Balachandran. "State-Dependent Delay Influenced Drill String Dynamics and Stability Analysis." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12904.
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In this paper, the authors present a discrete system model to study the coupled axial-torsional dynamics of a drill string. In this model, nonlinearities such as dry friction, loss of contact, and state-dependent time delay are taken into consideration. Simulations are carried out by using a 32-segment model with 128 states. Bit bounce is observed through time histories of axial vibrations, while stick-slip phenomenon is noted in the torsion response. The normal strain contours of this spatial-temporal system demonstrate the existence of strain wave propagation along the drill string. The shear strain wave shows the wave node and wave loop along the drill string, which indicates that the torsion motion has the properties of a standing wave. By varying the penetration rate, qualitative changes are observed in the system response, which includes chaotic and hyperchaotic behavior. Stability analysis shows a stable region for the degenerated one-segment model, while the stable region becomes infinitesimally small, as the resolution of spatial discretization is increased. This finding suggests the drill string motions are always likely to be self-exited in practical drilling operations.
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Torres, C. R., and A. P. Dean. "Quantifying the Severity of Mechanical Damage." In 2004 International Pipeline Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ipc2004-0186.
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Current industry standards used for incorporating in-line inspection (ILI) data in the quantification of mechanical damage defects are relatively narrow in scope. The primary reason for this is the industry standards evolved around ILI tool limitations that existed several years ago. In recent years, there have been new technological developments in areas such as ILI tool capacity, new applications of mathematical principles, and increases in the types of mechanical damage characteristics identified with ILI tools. It is the opinion of this paper’s authors that these new developments have created opportunities for better integrity decisions based on sound engineering principles, eventually leading to much broader industry standards as well as economic benefits for the pipeline industry. The primary purpose of this paper is to describe the results of a research and development project recently completed by Tuboscope Pipeline Services and the Battelle Institute, the objective of which was to develop an algorithm to quantify the severity of mechanical damage defects.
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Tomulet, Valentin. "The „privileged” in the social structure of Bessarabia (1812-1871)." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.14.
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In the present study, the author discusses the status of being privileged in Bessarabia after the annexation of this territory to the Russian Empire. Showcasing the boiernași, mazils and ruptasi, the author notes that belonging to the status of the “privileged” was of a hereditary nature. By their very name, the boiernași, as well as the mazils, preserved the “memory of being a boyar” and always opted for maintaining their ancestral privileges, as did the other privileged people. The imperial administration did not approve of these social and fiscal categories of society and granted them privileged status only temporarily, preserving, for a certain period of time, the particularities that existed in Moldova. The tendency to standardize the social structure and liquidate the social conditions specific to the Moldavian society was continuous in the sights of the imperial institutions. In accordance with the Regulation on the rights of belonging to the social estates of the inhabitants of Bessarabia of March 10, 1847, the Tsarist authorities made the Bessarabian boiernași equal in rights with the personal nobles of Russia (if the boiernași did not hold administrative positions, they were passed, compulsorily, in the category of mazils), calling them personal nobles from then on, and the mazils and ruptasi in the category of Russian odnodvortsy
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Škorić, Sanja, and Vladimir Jovanović. "COVID PASS – IMPACT ON TOURISM AND TOURISM WORKERS AND EMPLOYMENT IN TOURISM." In Tourism International Scientific Conference Vrnjačka Banja - TISC. FACULTY OF HOTEL MANAGEMENT AND TOURISM IN VRNJAČKA BANJA UNIVERSITY OF KRAGUJEVAC, 2022. http://dx.doi.org/10.52370/tisc22532ss.
Full textAbstract:
The pandemic in the past, more than two years, various reactions of the countries of the world to the protection of people from pandemics, etc., have had a huge impact on the life we have known so far. The introduction of covid passes a year ago, as another reaction to the suppression of the pandemic, has provoked a very large number of discussions that have remained without a clear epilogue so far. However, the introduction of covid passes has had the greatest impact on tourism and related activities (air and road transport, especially international) in every possible sense - restricting travel, and movement in general. This situation inevitably affected employment in the sector and introduced a number of difficulties, in addition to all those that already existed before the pandemic period. The authors of this paper draw a parallel between trends in tourism in general and employment in tourism and catering etc. before the pandemic and throughout, with special reference to the period after the introduction of covid passes.
Reports on the topic "Authors, Exiled"
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Bohuslavskyj, Oleh. UKRAINIAN-CANADIAN NEWSPAPER “NEW PATHWAY”: WINNIPEG PERIOD (1941-1977). Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11391.
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The subject of the study is the ideological, financial, economic and socio-social conditions of the publishing house and the editorial board of the magazine “New Pathway” Winnipeg period 1941-1977. The main objectives is to determine the peculiarities of the conditions of publishing a Ukrainian magazine in exile, which provides for the systematization and introduction into scientific circulation of factual material on creative and material activities of the “New Pathway” and socio-political environment that influenced the information and ideological and business policy of the publication. The basis of the research methodology is axiological, cultural, systemic approaches; methods of historicism, analysis, synthesis, generalization were used. The study provides not only a description of the historical path of the publication in this period, but also the reasons for miscalculations and successes, both financial and economic and socio-political, which allowed not only to stay in the information field and market for more than ninety years, technical circumstances of its existence, the political struggle in the new wave of emigration after World War II, changes in demographic and linguistic situation among the Ukrainian diaspora in Canada. The reasons for the situational increase and decrease in the activity of the publication’s subscribers were identified; the mechanisms of expanding the readership, attracting new readers and authors are analyzed; confirmed that the efforts of editors and directors of the publishing house at the initial stage of the Winnipeg period created and strengthened the material and technical base of the publishing house, conducted advertising campaigns and direct work to attract new subscribers and readers; The significance of the study is that for the first time in Ukraine the information about the Winnipeg period of the Ukrainian-Canadian weekly “New Pathway”, its financial and financial problems and creative and editorial successes was analyzed and summarized, thus filling another page in the history of Ukrainian diaspora periodicals.
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Tymoshyk, Mykola. LONDON MAGAZINE «LIBERATION WAY» AND ITS PLACE IN THE HISTORY OF UKRAINIAN JOURNALISM ABROAD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11057.
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One of the leading Western Ukrainian diaspora journals – London «Liberation Way», founded in January 1949, has become the subject of the study for the first time in journalism. Archival documents and materials of the Ukrainian Publishing Union in London and the British National Library (British Library) were also observed. The peculiarities of the magazine’s formation and the specifics of the editorial policy, founders and publishers are clarified. A group of OUN members who survived Hitler’s concentration camps and ended up in Great Britain after the end of World War II initiated the foundation of the magazine. Until April 1951, including issue 42, the Board of Foreign Parts of the Organization of Ukrainian Nationalists were the publishers of the magazine. From 1951 to the beginning of 2000 it was a socio-political monthly of the Ukrainian Publishing Union. From the mid-60’s of the twentieth century – a socio-political and scientific-literary monthly. In analyzing the programmatic principles of the magazine, the most acute issues of the Ukrainian national liberation movement, which have long separated the forces of Ukrainian emigration and from which the founders and publishers of the magazine from the beginning had clearly defined positions, namely: ideology of Ukrainian nationalism, the idea of unity of Ukraine and Ukrainians, internal inter-party struggle among Ukrainian emigrants have been singled out. The review and systematization of the thematic palette of the magazine’s publications makes it possible to distinguish the following main semantic accents: the formation of the nationalist movement in exile; historical Ukrainian themes; the situation in sub-Soviet Ukraine; the problem of the unity of Ukrainians in the Western diaspora; mission and tasks of Ukrainian emigration in the context of its responsibilities to the Motherland. It also particularizes the peculiarities of the formation of the author’s assets of the magazine and its place in the history of Ukrainian national journalism.