Relevant bibliographies by topics / Authors, French – 20th century – Correspondence

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Academic literature on the topic 'Authors, French – 20th century – Correspondence'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Authors, French – 20th century – Correspondence"

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Srebotnjak, Vanda. "Giuseppe Ungaretti Reading of the Correspondence with Pea, Prezzolini, Soffici and Papini from a New Perspective." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 1 (2021): 81–106. http://dx.doi.org/10.30958/ajha.8-1-4.

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Giuseppe Ungaretti is one of the major representatives of 20th century Italian poetry. He was born in Alexandria, Egypt in 1888, where he also pursued his first studies. Our claim, which is in contrast with what has been argued so far by literary critics, is that the Egyptian environment in which he grew up and formed his personality played a role in shaping the author’s ‘colonialist’ attitude. This emerges in a more detailed reading of his correspondence from the decade between 1909 and 1919. The main goal of this study is therefore to analyse a selection of these letters in order to highligh
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Srebotnjak, Vanda. "Giuseppe Ungaretti Reading of the Correspondence with Pea, Prezzolini, Soffici and Papini from a New Perspective." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 1 (2021): 81–106. http://dx.doi.org/10.30958/ajha.8-1-4.

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Giuseppe Ungaretti is one of the major representatives of 20th century Italian poetry. He was born in Alexandria, Egypt in 1888, where he also pursued his first studies. Our claim, which is in contrast with what has been argued so far by literary critics, is that the Egyptian environment in which he grew up and formed his personality played a role in shaping the author’s ‘colonialist’ attitude. This emerges in a more detailed reading of his correspondence from the decade between 1909 and 1919. The main goal of this study is therefore to analyse a selection of these letters in order to highligh
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Gorobets, Svetlana V. "Alexander Siloti and Jean Roger-Ducasse: About the Production of the Mimodrama “Orpheus” in Petrograd." Observatory of Culture 18, no. 2 (2021): 186–94. http://dx.doi.org/10.25281/2072-3156-2021-18-2-186-194.

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Based on archival data, memoirs and letters, the article describes the joint work of the pianist Alexander Ilyich Siloti (1863—1945) and the great creators of the Silver Age — choreographer Mikhail Fokin and artist Léon Bakst — on the production of the mimodrama “Orpheus” by the French composer Jean Jules Aimable Roger-Ducasse at the Mariinsky Theatre. The author notes the originality of this composition, new stage solutions, an innovative approach to the production that combines opera and ballet. There are described in detail the decorations and costumes made by Bakst for this production, whi
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Elbanowski, Adam. "„Jesteśmy wspólnikami”: Korespondencja João Guimarãesa Rosy z tłumaczami." Między Oryginałem a Przekładem 25, no. 44 (2019): 117–36. http://dx.doi.org/10.12797/moap.25.2019.44.06.

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“Yes, We Are Partners”: Correspondence of João Guimarães Rosa with his Translators
 In the article I present the correspondence of João Guimarães Rosa with his German, Spanish, Italian, French and American translators. The case of this most outstanding Brazilian novelist of the 20th century is special, because he was a polyglot and he actively participated in the process of translating his works. The main theme of the letters is the translation of his masterpiece, the writer’s only novel – Grande Sertão: veredas (The Devil to Pay in the Backlands). This correspondence provides an insight
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Shahab, Ali, Faruk Faruk, and Arif Rokhman. "French Literature: From Realism to Magical Realism." Jurnal Poetika 8, no. 2 (2020): 170. http://dx.doi.org/10.22146/poetika.v8i2.58651.

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The purpose of the article is to explore the evolution of French literature between the late 19th century and early 21st century. Although French literature has long been dominated by rationalistic ways of thinking, based on the thoughts of René Descartes and John Locke, authors have used different means to express their perceptions of society. The novel Madame Bovary (1856), including its depiction of conjugal relationships, can be considered to have pioneered realism in French literature. During the Second World War, existentialism and absurdism appeared as new ways of examining not only the
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Degos, Jean‐Guy, and Richard Mattessich. "Accounting Research in the French Language Area: The First Half of the 20th Century." Review of Accounting and Finance 2, no. 4 (2003): 110–28. http://dx.doi.org/10.1108/eb043394.

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This paper offers a general survey of accounting literature in the French language area of the first half of the 20th century: After a general Introduction, referring mainly to renowned French authors of past centuries, it deals first with historical accounting research (Dupont, de Roover, Gomberg, Vlaemminck, etc). Then come publications in financial accounting theory and its application (Faure, Dumarchey, Delaporte, Penglaou, de Fages de Latour, etc.), followed by a section on cost accounting and managerial control (Julhiet, de Fage de Latour, Detoeuf, Satet, Bournisien, Brunei, Sauvegrai, e
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Díaz, Daniel Carrasco, Esteban Hernández-Esteve, Maria Jesús Morales Caparrós, and Daniel Sánchez Toledano. "20TH CENTURY PUBLICATIONS ON COST ACCOUNTING BY SPANISH AUTHORS PREVIOUS TO THE STANDARDIZATION ACT (1900–1978)." Accounting Historians Journal 36, no. 2 (2009): 139–79. http://dx.doi.org/10.2308/0148-4184.36.2.139.

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This paper aims to describe and explain the beginning and evolution of cost accounting in Spain through the examination of accounting texts. In this evolution, three periods are distinguished: the late 19th century, the first half of the 20th century, and 1951–1978. In 1978, the official standardization of Spanish cost accounting occurred. Cost accounting first appeared in Spanish texts at the start of the 20th century. However, in 19th century accounting treatises can be found references to some aspects of cost accounting to which the paper refers. The traditional orientation of authors in th
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Cuevas, Manuel Bruña. "Comment présenter un phonème moribond." Historiographia Linguistica 30, no. 1-2 (2003): 45–98. http://dx.doi.org/10.1075/hl.30.1.03cue.

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Summary During the 19th century the old palatal l of French (in, e.g., travailler, travail, fille) definitively gave way to /j/. During about the same period Spanish underwent a similar evolution, but the process of substitution of /j/ for /ʎ/ found itself in a less advanced stage than in French; indeed, certain varieties of present-day Spanish still maintain these two phonemes. Taking all the works together which during the 19th and the first half of the 20th century were addressed to the teaching of French to speakers of Spanish, the author concentrates his attention on the difficulties that
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Coulangeon, Philippe. "Cultural Openness as an Emerging Form of Cultural Capital in Contemporary France." Cultural Sociology 11, no. 2 (2017): 145–64. http://dx.doi.org/10.1177/1749975516680518.

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This article explores the changing pattern of cultural privilege in contemporary France. Using French data on cultural practices, including variables on ‘highbrow’ culture, mass culture and cosmopolitan culture, we apply a multi-correspondence analysis (MCA). The findings first show that cultural privilege among French social and educational elites remains primarily a matter of cultural capital endowment, with a structuring contrast between ‘legitimate’ and ‘mass’ culture. The MCA also shows an additional divide between local and global culture underpinned by a strong age gradient. Yet the eme
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Franghiscos, Emmanuel N. "A Survey of Studies on Adamantios Korais During the Nineteenth Century." Historical Review/La Revue Historique 2 (January 20, 2006): 93. http://dx.doi.org/10.12681/hr.185.

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<p>With the exception of a biographical entry on Adamantios Korais (1748-1833) published in 1836 by the Hellenist G. R. L. de Sinner in Paris and of a university discourse by Professor Pericles Argyropoulos, published in 1850 in Athens, scholars and intellectuals in the newly founded kingdom of Greece had not included Korais among their research priorities. Eventually the academic foundations of research on Korais would be laid in the decade 1871-80. The Chiot merchants of Marseille in collaboration with a corresponding committee in Athens planned, among other manifestations honouring th
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Dissertations / Theses on the topic "Authors, French – 20th century – Correspondence"

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Potvin, Carole 1964. "L'autoportrait dans la correspondance de Sartre et de Beauvoir." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84539.

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This thesis analyses the self-portrait visible in the correspondence exchanged between Jean-Paul Sartre and Simone de Beauvoir during the Second World War. Particular attention is paid to the period between September 2 nd, 1939 and the end of March, 1940 because that is the time period in which the works of both letter writers are available.<br>We examine the two principal figures that emerge from the letters of each writer. Sartre appears as both an intellectual and an imperialist; Beauvoir appears as a earthy woman who is also respectful of Sartre.<br>The thesis is divided in two secti
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Molkou, Elizabeth. "Contributions d'ecrivains juifs a la problematique de l'autofiction." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37784.

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The present literary production in France indicates the return of the subject, which has been proclaimed dead since the New Novel. With the proliferation of autobiographical texts in the nineteen-eighties, a generalized movement towards an aesthetic genre valuing this particularity was noticed. This proliferation renders the scope of this literary form immense. It covers a range from strictly historical texts, including autobiographies, memoirs and intimate journals to semi-referential texts, qualified as autobiographical fictions, "autofictions" or again "factual fictions". Midway between the
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Ausoni, Alain. "En d'autres mots : l'écriture translingue de soi." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e06d8806-9bc2-4be1-ab9a-c1b63ba38541.

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For several reasons, translingual writers, defined here as authors who write in a language that is not their native one, have gained increased visibility in recent years. This is particularly true in the context of French literature where, more frequently than before, and with a more explicit recognition of their particular status, translingual writers have received important literary prizes and have been welcomed into the French Academy. Central to this recognition is their rich and diverse mobilisation of life writing, a corpus curiously neglected in the study of the phenomenon of literary t
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McCauley, Christopher Michael. "Language, Memory, and Exile in the Writing of Milan Kundera." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3047.

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During the twentieth century, the former Czechoslovakia was at the forefront of Communist takeover and control. Soviet influence regulated all aspects of life in the country. As a result, many well-known political figures, writers, and artists were forced to flee the country in order to evade imprisonment or death. One of the more notable examples is the writer Milan Kundera, who fled to France in 1975. Once in France, the notion of exile became a prominent theme in his writing as he sought to expose the political situation of his country to the western world--one of the main reasons why he ch
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Coupal, Sophie. "Discours métalinguistique et pratiques d'écriture féministes." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33278.

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During the seventies, a new discourse on language emerged and built up in Quebec. While the "querelle du joual" was almost finished, feminists became more and more aware of their so-called "mother tongue"'s inherent sexism. Believing in determinist linguistic theories, the vast majority of them came to the conclusion that language was a symbolic system that rejected women and women's experience.<br>While some American feminists were proposing an important reform of the language, in Quebec, a few women writers incorporated their preoccupations with language in their literary texts. These women
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Squires, Michele B. "Marcel Schwob Digital Collection." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1355.

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This project outlines the discovery and digitization of previously unpublished correspondence composed by late 19th century author and literary critic, Marcel Schwob. Inspired by the inquiry of Bibliothèque Nationale Librarian Bernard Gauthier, Professor Daryl Lee alerted me to the presence of Marcel Schwob materials at BYU. I found that former BYU Professor John Green established a Marcel Schwob Memorial Collection and successfully published two books using the materials he gathered: Chroniques and Correspondance Inédite. After thoroughly researching the catalogued Schwob materials at BYU and
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O'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.

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Hurlburt, Christopher. "Paul Claudel and World War One." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/HurlburtCG2005.pdf.

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Sghaier, Ezzedine. "Henri Pollès: recherches sur l'homme et l'oeuvre, une approche de la mélancolie." Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212991.

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Domareki, Mary. "La Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/DomarekiM2004.pdf.

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Books on the topic "Authors, French – 20th century – Correspondence"

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Pourrat, Henri. Correspondance Henri Pourrat-Lucien Gachon du 21 janvier 1934 au 15 décembre 1939. Bibliothèque municipale et interuniversitaire de Clermont-Ferrand, Centre Henri Pourrat, 1994.

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Hallier, Jean-Edern. Fax d'outre-tombe: Voltaire tous les jours, 1992-1996. Michalon, 2007.

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Pourrat, Henri. Correspondance Henri Pourrat-Lucien Gachon du 1er janvier 1940 au 18 septembre 1942. Bibliothèque municipale et interuniversitaire de Clermont-Ferrand, Centre Henri Pourrat, 1996.

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Pourrat, Henri. Correspondance Henri Pourrat-Lucien Gachon du 23 septembre 1942 au 29 décembre 1946. Bibliothèque municipale et interuniversitaire de Clermont-Ferrand, Centre Henri Pourrat, 1997.

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Augiéras, François. Lettres à Paul Placet. Fanlac, 2000.

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Aymé, Marcel. Lettres d'une vie. Belles lettres - Archimbaud, 2001.

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1864-1949, Strauss Richard, and Hülle-Keeding Maria, eds. Richard Strauss, Romain Rolland: Briefwechsel und Tagebuchnotizen. Henschel Verlag, 1994.

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de, Beauvoir Simone. Forc e of circumstance: The autobiography of Simone de Beauvoir. Paragon House, 1992.

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de, Beauvoir Simone. Force of circumstance: The autobiography of Simone de Beauvoir. Paragon House, 1992.

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Pierre, Bardel, and Martin du Gard Roger, eds. Eugene Dabit, Roger Martin Du Gard: Correspondance. Editions du Centre national de la recherche scientifique, 1986.

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Book chapters on the topic "Authors, French – 20th century – Correspondence"

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"What Forms Can Do: The Work of Form in 20th- and 21st-century French Literature and Thought." In What Forms Can Do, edited by Patrick Crowley and Shirley Jordan. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620658.003.0001.

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This introduction provides a context for the volume by opening up the question of the agency of form and the work it accomplishes in a range of texts — including fiction, life-writing, poetry and thought — that explore the everyday and the real. The chapter addresses the broad trajectory and some of the key articulations and tendencies of form in the period covered by the volume and argues that form is not simply about the nature of aesthetic objects but a term that can be linked to translation and to social and ideological constructs that work to pattern and shape the ways we act and think. Indeed, in engaging with the contents of the volume, the authors of the introduction argue that form is about the potential for transformation. As such, form transforms us and also serves to transform how we see and read the world. The introduction thus provides a set of key considerations to guide the reader through the book, and also beyond it.
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Conference papers on the topic "Authors, French – 20th century – Correspondence"

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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the
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