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1

Chakrabarti, Shubhayan. Authors and auteurs. Radiance, 2016.

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2

Burkhardt, Joachim. Ein film für Goethe: Eine Erinnerung. Daedalus, 1993.

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3

Graziella, Chiarcossi, ed. Il film dei miei ricordi. Archinto, 2010.

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4

Loewy, Hanno. Béla Balázs: Märchen, Ritual und Film. Vorwerk 8, 2003.

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5

Mukōda, Kuniko. Mukōda Kuniko, eiga no techō. Tokuma Shoten, 1996.

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6

Hussin, Hamzah Abdul Majid bin. Memoir Hamzah Hussin: Dari Keris Film ke Studio Merdeka. Penerbit Universiti Kebangsaan Malaysia, 1997.

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7

Kmecl, Matjaž. Poet: Scenarij za televizijski film o življenju in nehanju Franceta Prešerna. Prešernova Družba, 2000.

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8

Aichinger, Ilse. Film and fate: Camera flashes illuminating a life. Königshausen & Neumann, 2018.

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9

Traverso, Enzo. Siegfried Kracauer: Itinéraire d'un intellectuel nomade. La Découverte, 1994.

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10

Neuhoff, Eric. La séance du mercredi à 14 heures. Table ronde, 1998.

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11

Wiegand, Daniel. Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372.

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This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, a
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12

Mueller-Stahl, Armin. Rollenspiel: Ein Tagebuch während der Dreharbeiten für den Film Die Manns. 2nd ed. J. Strauss, 2002.

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13

Nemeskürty, István. Mi végre vagyok a világon. Akadémiai Kiadó, 2005.

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14

Noguez, Dominique. La colonisation douce: Feu la langue française? : carnets 1978-1990. Editions du Rocher, 1991.

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15

Nemeskürty, István. A gyökerektől a koronáig: Nemeskürty Istvánnal beszélget Molnár Pál. Kairosz, 2005.

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16

María, Herrera-Sobek, and Viramontes Helena María 1954-, eds. Chicana (w)rites: On word and film. Third Woman Press, 1995.

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17

Yann, Lardeau, France. Direction du livre et de la lecture., and Centre Georges Pompidou. Bibliothèque publique d'information., eds. Cinéma d'auteurs: Écriture, lecture : filmographie. Ministère de la culture et de la communication, Direction du livre et de la lecture, 1986.

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18

Green, Michelle Y. Oscar invincible: The life of film pioneer Oscar Micheaux. Dial Books, 2007.

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19

Edvige, Giunta, and McCormick Kathleen, eds. Teaching Italian American literature, film, and popular culture. Modern Language Association of America, 2010.

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20

Oleksy, Elżbieta H. Kobieta w krainie Dixie: Literatura i film. Wydawn. Uniwersytetu Łódzkiego, 1998.

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21

Kaisha, Bungei Shunjū Kabushiki, ed. Mukōda Kuniko futatabi. Bungei Shunjū, 1986.

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22

Isabella, Madia, ed. Un percorso di auto-educazione: Materiali per una bio-bibliografia di Mario Verdone = The lifelong learning of a self-made man : materials for a bio-bibliography of Mario Verdone : with an abstract in English. Aracne, 2003.

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23

Giunta, Edvige. Teaching Italian American literature, film, and popular culture. Modern Language Association of America, 2010.

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24

Roemer, Michael. Film Stories. Rowman & Littlefield Publishers, Incorporated, 2015.

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25

Roemer, Michael. Film Stories. University Press of America, Incorporated, 2009.

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26

The film club. Alexander Street Press, 2008.

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27

Wakeman, John. World Film Directors 1945-1985 (Wilson Authors). H. W. Wilson, 1988.

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28

Williams, James S. Jean Cocteau (French Film Directors). Manchester University Press, 2010.

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29

Out in the Dark: Interviews with Gay Horror Filmmakers, Actors and Authors. Lethe Press, 2013.

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30

Roemer, Michael. Film Stories: Screenplays as Story. The Scarecrow Press, Inc., 2002.

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31

Roemer, Michael. Film Stories: Screenplays as Story. The Scarecrow Press, Inc., 2002.

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32

My Salinger Year: Now a Major Film. Bloomsbury Publishing Plc, 2014.

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33

My Salinger Year: Now a Major Film. Bloomsbury Publishing Plc, 2015.

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34

Hogan, Patrick Colm. Narrative Discourse: Authors and Narrators in Literature, Film, and Art. Ohio State University Press, 2018.

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35

Clayton, Wickham, and Sarah Harman. Screening Twilight: Critical Approaches to a Cinematic Phenomenon. I. B. Tauris & Company, Limited, 2014.

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36

Film stories: Screenplays as story. Scarecrow Press, 2001.

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37

Byatt, A. S. Besessen. Der Roman zum Film. Heyne, 2003.

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38

Screening Twilight Critical Approaches To A Cinematic Phenomenon. I.B.Tauris & Co Ltd, 2013.

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39

Crying at the Movies: A Film Memoir. Graywolf Press, 2011.

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40

Crying at the movies: A film memoir. Graywolf Press, 2002.

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41

Sprengnether, Madelon. Crying at the Movies: A Film Memoir. Graywolf Press, 2001.

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42

Castellucci, Cecil. Girl on Film Original Graphic Novel. Boom! Studios, 2022.

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43

Neve, Brian. Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu. University of Wisconsin Press, 2015.

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44

Magic Moments: Life-Changing Encounters with Books, Film, Music. Profile Books Limited, 2015.

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45

Gilloch, Graeme. Siegfried Kracauer. Polity Press, 2015.

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46

Gilloch, Graeme. Siegfried Kracauer. Polity Press, 2015.

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47

Gilloch, Graeme. Siegfried Kracauer. Polity Press, 2015.

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48

Høeg, Peter. Miss Smilla's Feeling for Snow. Penguin Random House, 2014.

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49

Hogan, Patrick Colm. Narrative Discourse: Authors and Narrators in Literature, Film, and Art (THEORY INTERPRETATION NARRATIV). Ohio State University Press, 2013.

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50

Narrative Discourse: Authors and Narrators in Literature, Film, and Art (THEORY INTERPRETATION NARRATIV). Ohio State University Press, 2013.

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