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Journal articles on the topic 'Authors in film'

Author: Grafiati

Published: 20 February 2023

Last updated: 31 July 2025

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1

Editors. "RECOMMENDATIONS AUTHORS." Journal of Flm Arts and Film Studies 10, no. 2 (2018): 158–60. http://dx.doi.org/10.17816/vgik102158-160.

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The academic peer-reviewed journal "Vestnik VGIK" (Journal of Film Arts and Film Studies) is the leading scientific periodical of the All-Russian State Institute of cinematography named after S. A. Gerasimov. The decision of the Presidium of the Higher Attestation Commission of Russian Ministry of education "Vestnik VGIK" is included in the List of leading reviewed scientific journals and publications to publish basic scientific results of dissertations on competition of scientific degrees of doctor and candidate of Sciences to meet the requirements of WAC on the scientific field of "Art histo

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Shestak, Viktor, and Yulia Plutalovskaya. "History of international legal regulation of genetics." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-2 (2020): 118–23. http://dx.doi.org/10.31166/voprosyistorii202012statyi38.

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The authors analyze in retrospect the impact of the film industry on society. Crimes «inspired» by cinematography are considered, as well as crimes that became the basis for popular films. Both recently released films and other products of the film industry are analyzed, as well as works that are internationally recognized as “masterpieces” of cinema. The authors study the impact of the film industry on ordinary people, especially young people and people with an unstable psyche, and also consider such a phenomenon as «copycat crimes» and identify its possible causes.

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Verevis, Constantine. "Remaking Film." Film Studies 4, no. 1 (2004): 87–103. http://dx.doi.org/10.7227/fs.4.6.

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What is film remaking? Which films are remakes of other films? How does remaking differ from other types of repetition, such as quotation, allusion, adaptation? How is remaking different from the cinemas ability to repeat and replay the same film through reissue, redistribution and re-viewing? These are questions which have seldom been asked, let alone satisfactorily answered. This article refers to books and essays dealing directly with ‘film remakes’ and the concept of ‘remaking film’, from Michael B. Druxman‘s Make It Again, Sam (1975) to Horton and McDougal‘s Play It Again, Sam (1998) and

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Armando, Ade, Nina Mutmainnah, and Hendar Putranto. "Class Bias in Indonesian’s Post-Reformation Film Revival." Jurnal Komunikasi: Malaysian Journal of Communication 40, no. 2 (2024): 43–60. http://dx.doi.org/10.17576/jkmjc-2024-4002-03.

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This paper describes how the Indonesian film industry has experienced a revival to counter Hollywood dominance since the beginning of the Reformation Era in the 2000s. However, conditions that hinder the growth of the Indonesian film industry are mainly due to the concentration of movie theatres and film screens in big cities. Indonesian films are predominantly consumed by groups from the upper socioeconomic levels and ignored by the middle and lower economic strata. This article seeks to portray whether the movement against Hollywood dominance would be effective if Indonesian films were only

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Kijaszek, Wojciech, Waldemar Oleszkiewicz, Adrian Zakrzewski, Sergiusz Patela, and Marek Tłaczała. "Investigation of optical properties of silicon oxynitride films deposited by RF PECVD method." Materials Science-Poland 34, no. 4 (2016): 868–71. http://dx.doi.org/10.1515/msp-2016-0111.

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AbstractIn this study, the authors deposited silicon oxynitride films by Radio Frequency Plasma Enhanced Chemical Vapour Deposition (RF PECVD) method. The research explores the relationship between the deposition process parameters and the optical properties of the deposited SiOxNy films. The optical constants of SiOxNy films were measured and calculated by spectroscopic ellipsometry method. Additionally, the authors investigated the possibility of controlling the deposited film composition by the flow ratio of different gaseous precursors: ammonia (NH3), diluted silane (2%SiH4/98%N2), nitrous

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Sarafanova, A. G., and A. A. Sarafanov. "The cinematic tourist as an industry of creating attractive images of destinations." Service and Tourism: Current Challenges 17, no. 3 (2023): 20–28. https://doi.org/10.5281/zenodo.10076625.

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<i>In recent years, there has been an increase in interest in films that can affect the image of territories and result in tourist expectations. In addition, it is specific destination marketing. The purpose of this article is to systematize the theoretical information of film tourism and review historical films that create attractive images of destinations. The authors present various forms and directions of cinematographic tourism. Two questions were studied regarding historical films and the film industry. The authors analyze the relationship between cinema and literary tourism. On the one

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Klejsa, Konrad, and Krzysztof Jajko. "Film Canon – Film History – Film Education: Remarks on the Polish Film Museum’s Anniversary Poll." Panoptikum, no. 18 (December 29, 2017): 191–214. http://dx.doi.org/10.26881/pan.2017.18.12.

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In 2015, the Film Museum in Lodz, Department of History and Theory of Film at the University of Lodz and the Polish Filmmakers Association worked together on a project “12 films for 120 years of cinema”. Filmmakers and people professionally involved in film culture were asked to compile their 12 best films ever and their 12 best Polish films. The organisers received 279 responses which mentioned 1,348 films in total. After analysing the results, the lists of best movies were published as well as variant lists according to the respondents’ profession and age. The first part of the paper raises

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Broad, Terence, and Mick Grierson. "Autoencoding Blade Runner: Reconstructing Films with Artificial Neural Networks." Leonardo 50, no. 4 (2017): 376–83. http://dx.doi.org/10.1162/leon_a_01455.

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In this paper, the authors explain how they created Blade Runner—Autoencoded, a film made by training an autoencoder—a type of generative neural network—to recreate frames from the film Blade Runner. The autoencoder is made to reinterpret every individual frame, reconstructing it based on its memory of the film. The result is a hazy, dreamlike version of the original film. The authors discuss how the project explores the aesthetic qualities of the disembodied gaze of the neural network and describe how the autoencoder is also capable of reinterpreting films it has not been trained on, transfer

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Kopbayeva, G. K., B. K. Nurpeis, N. R. Eskendirov, and K. A. Gabdrashitova. "Trends in Film Studies in the Context of Modern World Cinematography." International Journal of Criminology and Sociology 9 (April 5, 2022): 1876–83. http://dx.doi.org/10.6000/1929-4409.2020.09.216.

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This article is devoted to the questions of the history of the Kazakh film studies development and further prospects in comparison with the dynamics of world film studies. The authors have analyzed the typical issues of film studies development in the Central Asia region, studied the specifics of film schools in five countries: Kazakhstan, Kyrgyzstan, Uzbekistan, Turkmenistan and Tajikistan. Conclusions have been drawn on the development of film studies in this region. Overall, the evaluation of development prospects, given in the conclusion of the study, can certainly have a beneficial

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Permana, Rangga Saptya Mohamad, Lilis Puspitasari, Sri Seti Indriani, and Hanny Hafiar. "STRATEGI KOMUNIKASI PEMASARAN FILM INDIE: MODEL PEMASARAN DAN DISTRIBUSI FILM INDIE INDONESIA." Journal of Urban Society's Arts 5, no. 2 (2019): 74–86. http://dx.doi.org/10.24821/jousa.v5i2.2120.

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AbstrakFilm independent atau yang lebih akrab disebut dengan film indie secara umum adalah film yang diproduksi di luar major label atau perusahaan/production house (PH) film besar. Karena tidak dipasarkan melalui jalur distributor komersial, maka para sineas film indie harus cerdas dan intuitif dalam mencari peluang-peluang untuk memasarkan karya mereka kepada khalayak luas. Hal inilah yang menarik minat penulis untuk melakukan riset mengenai strategi komunikasi pemasaran film indie Indonesia. Berdasarkan uraian tersebut, maka tujuan dari penelitian ini adalah untuk mengetahui strategi komuni

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Hołobut, Agata, Maciej Rapacz, and Miłosz Stelmach. "Working Titles. Computational Analysis of Film Titling Practices: A Polish Case Study." Kwartalnik Filmowy, no. 127 (October 1, 2024): 133–62. http://dx.doi.org/10.36744/kf.3047.

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This article traces historical trends in film titling practices in Poland, based on quantitative analysis of film metadata. The authors analyse a corpus of 2,519 films produced in Poland until 2023, looking at regularities in the naming of Polish original films: the average length of titles, title duplication, the most frequent content words typical of successive phases in the history of Polish cinematography, lexical diversity, and the presence of proper names and foreignisms. Then they replicate some of the tests on the corpus of foreign films translated into Polish, which includes 5,585 for

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Maron, Marcin. "Filmowa neoawangarda i początki sztuki video." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 15, no. 2 (2018): 37. http://dx.doi.org/10.17951/l.2017.15.2.37.

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<p>Artykuł w syntetyczny sposób omawia najważniejsze zjawiska filmu eksperymentalnego w kontekście pojęcia i praktyki sztuki neoawangardowej od II połowy lat 60. do połowy lat 70. XX wieku. Na początku przypomniana została pierwsza i druga faza rozwoju filmu eksperymentalnego w związku z istnieniem tzw. Wielkiej Awangardy oraz z działalnością jej kontynuatorów po Ii wojnie światowej w USA. Nastepnie zdefiniowane zostało pojęcie neoawangardy w odniesieniu do ujęcia, które zparoponował Frank Popper. W dalszej części artykułu jego autor omawia zasady oraz najważniejsze przykłady filmów neoa

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Sun, Yi. "Adaptation and Adaptability: Multiple Authors and Studio Authorship in SoulMate." Adaptation 13, no. 1 (2019): 113–28. http://dx.doi.org/10.1093/adaptation/apz025.

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Abstract This article examines a China-Hong Kong co-produced film adaptation, SoulMate, within sociocultural, industrial, and organizational contexts. It argues that, first, the film adaptation’s authors are not limited to the agents who adapt the source material. The production company explores and exploits a variety of authors, including extrinsic names to the work, as symbolic resources to serve the discourse surrounding the film; and the adaptation status makes a special contribution to that process by multiplying authors and by generating cross-references. Second, film adaptation has a sp

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ÇIKI, Kartal Doğukan, Ramazan İNAN, and Çilem BULŞU. "Research trends in film tourism: A bibliometric analysis using the WoS database." Prace i Studia Geograficzne 68, no. 1 (2023): 83–98. http://dx.doi.org/10.48128/pisg/2023-68.1-05.

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Although the film tourism literature has grown significantly, no scientific landscape review of the subject has yet been conducted. The current article aims to fill this gap by providing an overview of the film tourism literature through the utilization of bibliometric analysis. To accomplish this objective, the authors utilized a publication dataset on film tourism obtained from the Web of Science database, without applying any publication year criterion. During the compilation of this dataset, certain inclusion criteria were established, such as considering articles published in English and

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Blinnikov, A. V., and T. P. Mansurova. "Methodology for analytical accounting and classification of film copies in the long-term storage fund." Modern Innovations, Systems and Technologies 2, no. 1 (2022): 30–40. http://dx.doi.org/10.47813/2782-2818-2022-2-1-30-40.

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The article considers the method of analytical accounting and classification of film copies in the fund of long-term storage on the example of "Yenisei Kino". The authors propose to organize an analytical accounting of film copies by types of films in accordance with their classification. The classification of film copies is carried out in accordance with their characteristics according to constant and variable attributes. The constant attributes of a film copy are the color and format of the film on which the film copy was made, the original length of the film, the type and title of the film,

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Šošková, Eva. "The Reincarnation of Animated Film." Slovenske divadlo /The Slovak Theatre 65, no. 4 (2017): 331–44. http://dx.doi.org/10.1515/sd-2017-0019.

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Abstract Throughout its entire history, Slovak animated film has had the form of figurative narrative art or craft. For this reason, the author of this study examines its post-1989 development through the prism of the body. Since the most visible change that has affected contemporary film aesthetics is the feminization of animated film in terms of authorship, the study primarily focuses on the ability of an animated body to represent gender and gender roles. It attempts to capture the most significant changes in the depiction of the body in authorial animated film before and after 1989, in mor

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Danilaev, M. P., V. A. Kuklin, and I. N. Sidorov. "PLASMOCHEMICAL METHOD OF POLYANILINE FILM OBTAINED." Journal of Physics: Conference Series 2270, no. 1 (2022): 012018. http://dx.doi.org/10.1088/1742-6596/2270/1/012018.

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Abstract The results of the polymer film investigation are considered in that paper. These films are obtained in atmospheric pressure barrier discharge from aniline with simultaneous generation of carbon particles in the films. It is demonstrated that the structure of these films corresponds to one of the amorphous polymers. Carbon particles produce agglomerates with a concentration that slightly depends on the discharge energy density. The authors show that the conductivity of aniline films with carbon particles mainly depends on water saturation.

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Kushizaki, Yoshiyuki, Masayoshi Tokihisa, Hideki Tomiyama, and Toshiro Yamada. "The Sequential Analysis of Film Deformation Behavior during Successive Biaxial Stretching Process." Advanced Materials Research 747 (August 2013): 611–14. http://dx.doi.org/10.4028/www.scientific.net/amr.747.611.

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The deformation behavior of Polypropylene (PP) film during successive biaxial stretching process which consists of machine direction (MD) stretching process with a roll drawing and transverse direction (TD) stretching with a tentering was analyzed sequentially by using a finite element method (FEM). In order to analyze it, stress-strain curves of casted PP film and uni-axially oriented PP film in MD were measured and fitted into the constitutive equation that the authors developed previously, respectively, and then, material constants for both films were obtained. Deformation behavior during s

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Farmer, Richard. "Death in Filmland: British Film Studios and 1930s Detective Fiction." Journal of British Cinema and Television 22, no. 3 (2025): 342–63. https://doi.org/10.3366/jbctv.2025.0776.

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British film studios enjoyed unusually high prominence in the 1930s, both as places where popular culture was produced and as elements of popular culture in their own right. It is unsurprising, then, that authors of crime fiction chose to set murder mysteries in film studios, exploiting these facilities’ position in the popular imaginary to appeal to fans of both films and detective stories. This article explores a number of studio-set detective novels published in the 1930s, and shows that because the spaces of film production enjoyed ambiguous connotations – at once glamourous and dangerous,

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POGREBNІAK, Galyna. "VISUAL CULTURE OF DIRECTING AN AUTHORʾS FILM". ART Space 1, № 4 (2024): 265–89. http://dx.doi.org/10.28925/2519-4135.2024.415.

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The purpose of the article is to define the director's toolkit of frame design in the visual culture of the author's film. A comprehensive approach was used in the development of the topic, methods of systematization, comparison, verification, comparative and textual analysis were used. The analytical method and the method of figurative and stylistic analysis in their unity were directed to the consideration of the art history aspect of the problem. The articles and monographs of scientists who studied the peculiarities of the visual culture of screen arts were analyzed. The articles and monog

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Gordon, Marsha, and Dino Everett. "Dusting Off that Old Projector: Preservation through Projection." American Archivist 84, no. 1 (2021): 139–64. http://dx.doi.org/10.17723/0360-9081-84.1.139.

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ABSTRACT “Dusting Off that Old Projector: Preservation through Projection” makes the case that institutions that hold film prints and projectors—especially rarities, one-offs, and nonstandard gauges—should consider projecting films in an effort to preserve and perpetuate knowledge about the history of film technology. The authors use the success of Home Movie Day as a model for considering preservation through projection and to question absolutist protective strategies. Their aim is to expand the way that archivists, scholars, and the general public think about the significance of unusual film

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Schröder, Stephan Michael. "How to film an author: Portrait films of authors in the silent age in Scandinavia and elsewhere." Journal of Scandinavian Cinema 3, no. 2 (2013): 161–81. http://dx.doi.org/10.1386/jsca.3.2.161_1.

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Ivanov, Oleg Valentinovich, Nadezhda Viktorovna Astakhova, and Danila Olegovich Ivanov. "Movie Distribution Categories in Russia: Sample of Statistical Analysis." Journal of Flm Arts and Film Studies 7, no. 1 (2015): 112–27. http://dx.doi.org/10.17816/vgik71112-127.

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The article analyzes the statistical distribution dynamics of domestic film attendance within the territory of the Russian Federation covering a five-year period (from 2009 to 2013). The authors point out four distribution categories and six subcategories for films in accordance with their attendance at cinemas. Comprehensive analysis of the films grouped into each category allows to make conclusions concerning a progression of absolute measure of domestic film attendance and increase its relative share in the total amount of distribution.

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Pogrebniak, Galyna P., Iryna A. Gavran, Serhii M. Honcharuk, Volodymyr Ya Mykhalov, and Halyna M. Kot. "Author's cinematograph of new Hollywood." Linguistics and Culture Review 5, S4 (2021): 1098–113. http://dx.doi.org/10.21744/lingcure.v5ns4.1739.

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The paper is devoted to the problems of director's self-fulfilment in the cinematograph of New Hollywood. The study examines such a unique phenomenon of the artistic culture of the 20th century as American author's cinematograph. The relevance of this study is determined by the trends in the development of New Hollywood, which have radically changed the essence of modern cinematograph. The purpose of the study is to identify the specifics of New Hollywood cinema, which resonated in the work of modern Hollywood directors as an influential and competitive area. The main emphasis in this study is

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Zaharieva, Maia, Matthias Zeppelzauer, Dalibor Mitrovic, and Christian Breiteneder. "Archive Film Comparison." International Journal of Multimedia Data Engineering and Management 1, no. 3 (2010): 41–56. http://dx.doi.org/10.4018/jmdem.2010070103.

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In this paper, the authors present an approach for video comparison, in which an instantiated framework allows for the easy comparison of different methods that are required at each step of the comparison process. The authors’ approach is evaluated based on a real world scenario of challenging video data of archive documentaries. In this paper, the performed experiments aim at the evaluation of the performance of established shot boundary detection algorithms, the influence of keyframe selection, and feature representation.

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Mager, Mary. "Improving the Resolution of Sputter-coated Films." Microscopy Today 8, no. 2 (2000): 16–17. http://dx.doi.org/10.1017/s1551929500057448.

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After an inquiry from the Microscopy Listserver, I went back to my 1980 copy of Scanning Electron Microscopy, volume I. Several authors had investigated the structure of thin metal films by depositing the films onto carbon-film-covered TEM grids and imaging the films at high magnification. There were several proposals for new devices that have since become standards for high-resolution coaters, but the Listserver inquiry was for a fine conducting film suitabie for high-resolution SEM from an existing sputter coater.There were several factors studied that influenced the fine structure of the fi

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Silbey, Jessica. "Judges As Film Critics: New Approaches To Filmic Evidence Authors." University of Michigan Journal of Law Reform, no. 37.2 (2025): 493. https://doi.org/10.36646/mjlr.37.2.judges.

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This Article exposes internal contradictions in case law concerning the use and admissibility of film as evidence. Based on a review of more than ninety state and federal cases dating from 1923 to the present, the Article explains how the source of these contradictions is the frequent miscategorization of film as "demonstrative evidence, "evidence that purports to illustrate other evidence, rather than to be directly probative of some fact at issue. The Article further demonstrates how these contradictions are based on two venerable jurisprudential anxieties. One is the concern about the growi

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GOLOVNEVA, ELENA V., and IVAN A. GOLOVNEV. "SOVIET ANTI-RELIGIOUS FILM. “SECTARIANS” BY VLADIMIR KOROLEVICH (1930)." Study of Religion, no. 3 (2021): 151–59. http://dx.doi.org/10.22250/2072-8662.2021.3.151-159.

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The article examines a unique phenomenon of Soviet cinema - the anti-religious film of the 1920s-1930s - a question insufficiently explored in humanitarian historiography so far. Being an organic part of the “cultural revolution”, on the one hand, anti-religious films of this period acted as an effective tool for the propaganda of the Soviet state in the fight against both the official church and manifestations of everyday religiosity. On the other hand, their creation was accompanied by detailed theoretical and methodological recommendations on the forms of interaction of party propagandists

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Britvina, Irina B., Alexey M. Britvin, and Irina V. Cheparukhina. "FILM TOURISM AS A CULTURAL FACTOR IN PROMOTING OF THE TERRITORY." Sign problematic field in mediaeducation 55, no. 1 (2025): 99–105. https://doi.org/10.47475/2070-0695-2025-55-1-99-105.

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The article contains the reasoning for the relevance of promoting of the territory through such a tool as film tourism. Based on the theory of archetypes by K. G. Jung and on the approach of S. Anholt, the authors substantiate the relevance of the application of film tourism in the branding of the Sverdlovsk region and Yekaterinburg. The authors used the following methods of collecting and analyzing information: case analysis, included observation, document analysis, and survey. Based on the experience of New Zealand, the tools for promoting of this territory are identified after the filming o

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Dabrovolskas, Audrius, and Renate Cane. "Film Policy and Film Production: The Potential of Baltic Co-Productions and New Film Fund." Economics and Culture 21, no. 2 (2024): 138–49. https://doi.org/10.2478/jec-2024-0024.

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Abstract The film industry can be considered the most important in creative industries since it possesses the characteristics of industrial organization, a high degree of demand uncertainty, contractual agreements, and business practices. What is more, the film industry strongly influences the other sub-sectors, because of the broad-based advantages that it delivers in terms of employment and economic growth. On the other hand, the economic value of creative industries does not arise from their relative contribution to economic value, but from the co-ordination of new ideas and technologies th

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TOVMASYAN, Nune, and Ruzan GHAZARYAN. "A PLAN OF A FILM-BASED LESSON FOR EFL STUDENTS OF INTERMEDIATE LEVEL." Foreign Languages in Higher Education 19, no. 2 (19) (2022): 112–18. http://dx.doi.org/10.46991/flhe/2015.19.2.112.

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Language teachers have been using films in their classes for decades, and there are a number of reasons why film is an excellent teaching and learning tool. They provide students with examples of authentic English. Films can bring variety and flexibility to the language classroom by extending the range of teaching techniques and resources, helping students to develop all four communicative skills. A whole film or sequence can be used to practise listening and reading skills, and can serve as a model for speaking and writing. Films can also act as a tool for follow-up tasks such as discussions,

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Golovnev, Ivan A. "Traditional ethnocultural communities in Soviet cinema: «Hunting and reindeer breeding in the Komi region»." Finno-Ugric World 11, no. 2 (2019): 143–51. http://dx.doi.org/10.15507/2076-2577.011.2019.02.143-151.

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Introduction. Visually-anthropological experiments in Russia have more than a century of history, reflected, in particular, in the corpora of Soviet ethnographic films in the 1920s – 1930s. This article, based on textual and visual materials, introduces information about the ethno-film «Hunting and Reindeer Breeding in the Komi Region» (1927) as a multi-layered visual-anthropological document. The paper considers the specific features of film history on the evolution among Komi hunters and reindeer herders during the period of cultural and economic transformations in the USSR in the second hal

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Ногина, Анна, Anna Nogina, Сергей Тихонов, Sergey Tikhonov, Наталья Тихонова, and Nataliya Tikhonova. "The Influence of Biodegradable Food Films on Freshness Indices of Semi-Finished Meat Products." Food Processing: Techniques and Technology 48, no. 4 (2019): 73–78. http://dx.doi.org/10.21603/2074-9414-2018-4-73-78.

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Barrier storage technologies are a promising means of increasing the shelf life of meat products, in particular, food wrap. The authors developed an edible food film with antioxidant and antibacterial properties and tested its efficiency in storage of semi-finished meat products. The formula includes nutrients available for industrial production: structure-forming polysaccharide nature-agar-agar, thickener, stabilizer, antioxidant-arabinogalactan, plasticizer-food glycerin, and universal solvent-distilled water. The food film was produced by extrusion dosing of bulk components and distilled wa

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Bezenkova, Maria V. "The canons of capturing reality in the documentary cinema of the 1960s." Journal of Flm Arts and Film Studies 11, no. 3 (2019): 30–41. http://dx.doi.org/10.17816/vgik11330-41.

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The essay deals with the problems of new expressive means that appeared in Soviet documentaries in the late 1950s 1960s. It analyzes the main expressive means of capturing the new screen reality on examples of Castles in the Sand (dir. Yakov Bronstein and Algimantas Vidugiris), Katyusha (dir. Viktor Lisakovich), Marinas Life (dir. Leonid Kvinikhidze), Look at the Face (dir. Pavel Kogan), and Nikolai Amosov (dir. Taimuraz Zoloev). Its main interests are plastic solutions, the frame structure, the designation of the object of shooting and the author's presence in the interframe space or inside t

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OOTEN, MELISSA, and SARAH TREMBANIS. "Filming Eugenics: Teaching the History of Eugenics Through Film." Public Historian 29, no. 3 (2007): 145–55. http://dx.doi.org/10.1525/tph.2007.29.3.145.

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In teaching eugenics to undergraduate students and general public audiences, film should be considered as a provocative and fruitful medium that can generate important discussions about the intersections among eugenics, gender, class, race, and sexuality. This paper considers the use of two films, A Bill of Divorcement and The Lynchburg Story, as pedagogical tools for the history of eugenics. The authors provide background information on the films and suggestions for using the films to foster an active engagement with the historical eugenics movement.

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Shiman, O., V. Gerbreder, E. Sledevsky, and A. Bulanov. "ELECTRIC CONDUCTIVITY OF Sb/Se THIN FILM MICRO-SCALE STRUCTURES." Latvian Journal of Physics and Technical Sciences 48, no. 1 (2011): 62–68. http://dx.doi.org/10.2478/v10047-011-0006-9.

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ELECTRIC CONDUCTIVITY OF Sb/Se THIN FILM MICRO-SCALE STRUCTURESResearch into the phase change transition (PCT) from amorphous to crystalline state in chalcogenide glass semiconductors is often more associated with large-scale samples. The authors present a micro-scale structural model of the Sb/Se thin films. They have also extended the investigations of photo- and thermo-stimulated inter-diffusion and PCT effects between two adjacent layers. The results show that the optical and electrical characteristics of such a film change simultaneously. It has been found that the electric conductivity o

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ANISIMOV, V. E. "Cognitive-heuristic model of translation application in the localization of the film title (based on the material of the French- and Russian-language film discourse)." Issues of Applied Linguistics, no. 54 (2024): 7–31. http://dx.doi.org/10.25076/vpl.54.01.

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The article examines the applicability of the cognitive heuristic translation model proposed by the Russian linguist A.G. Minchenkov in the process of the titles of French films localization of in the Russian-speaking linguistic and cultural space. An important role in the film title competent localization as a film discourse small-format text in another culture is devoted to the preservation or transformation of concepts functioning in the original film title. The subject of the study is the linguistic and cultural concepts that function in the film titles of French films. The main objectives

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Liguori, Eric, Jeff Muldoon, and Josh Bendickson. "Experiential entrepreneurship education via US films: why and how." Journal of Small Business and Enterprise Development 27, no. 6 (2020): 927–41. http://dx.doi.org/10.1108/jsbed-04-2019-0135.

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PurposeExperiential education is key if the authors as scholar-educators are to empower the next generation of students to recognize opportunities, exploit them and succeed in entrepreneurship. Experiences facilitate the bridge between theory and practice; experiencing something serves as the linking process between action and thought. Capitalizing on technological advances of the last two decades, this paper depicts how film can be (and why it should be) incorporated into entrepreneurship classrooms.Design/methodology/approachThe authors analyze the learning literature, broadly defined, to as

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Spitz, Andreas, and Emőke-Ágnes Horvát. "A Cookbook of Cinematic Delicacies That Do Not Expire." Leonardo 47, no. 3 (2014): 271. http://dx.doi.org/10.1162/leon_a_00774.

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Despite the increasing number of film rankings that are created on the basis of economic considerations, critical acclaim, or personal taste, cinema lacks the means to quantify the long-term success of films. The authors therefore propose a novel approach to the analysis of cinematic influences which is based on a film citation network that is extracted from a large data base. The resulting top list of films is more diverse in terms of the main creators, genre, actors, and technical specifications than a representative selection of personal favorite lists, voting lists, lists of individual exp

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Nikolskaya, Tatiana, and Svetlana Pavlina. "Ethno-Cultural Influences on Multimodal Text Perception." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 1 (April 2019): 132–45. http://dx.doi.org/10.15688/jvolsu2.2019.1.11.

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The article investigates inter-cultural artistic communication which occurs through multimodal texts in general and feature films in particular. Artistic communication faces a challenge when its source and target belong to different ethnic and/or generational cohorts. The similarity or difference of communication codes depends on the level of adequacy of the sender's and the recipient's discursive competences. Discursive competences imply the ability to provide an adequate interpretation of situations depicted in the film, it is based on the knowledge and understanding of cultural, social and

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Olarescu, Dumitru. "The docudrama of a destiny: Bogdan Petriceicu Hasdeu." Arta 30, no. 2 (2021): 89–93. http://dx.doi.org/10.52603/arta.2021.30-2.13.

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First, a brief excursion is made in the evolution of the historical-biographical film in the Republic of Moldova by highlighting the stages and personalities from the history of this category of non-fiction films. The research focuses on the televised historical-biographical film Evocare. Bogdan Petriceicu Hașdeu/Evocation. Bogdan Petriceicu Hașdeu – a co-production of Romanian filmmakers (Romanian Television Film Studio) and the Republic of Moldova (State Company Teleradio Moldova) – dedicated to the eminent personality of the history of our culture – Bogdan Petriceicu Hașdeu. The authors of

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Rentschler, Eric. "An Elegy for German Cinema: Dominik Graf’s Doomed Loves and Open Wounds." New German Critique 46, no. 3 (2019): 207–33. http://dx.doi.org/10.1215/0094033x-7727497.

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Abstract The film essays Verfluchte Liebe deutscher Film (2016) and Offene Wunde deutscher Film (2017), coscripted and codirected by Dominik Graf and Johannes F. Sievert, survey the postwar history of genre cinema in the Federal Republic of Germany and take stock of the present situation. Their diagnosis is grim, for in their assessment the state of the nation’s film culture is altogether dire and depleted. Why, they wonder, are German films so unpopular? Why does Germany produce so few compelling genre films, and why do German films in general seem so averse to representing German bodies? In

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Suppia, Alfredo, and Ewa Mazierska. "Aliens in an Alien World: The Portrayal of the Aliens and Humans in the Man Who Fell to Earth by Nicholas Roeg and Under the Skin by Jonathan Glazer." Open Cultural Studies 2, no. 1 (2018): 285–95. http://dx.doi.org/10.1515/culture-2018-0026.

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Abstract The article examines The Man Who Fell to Earth by Nicholas Roeg and Under the Skin by Jonathan Glazer, comparing them with each other and their respective literary originals (hypotexts), in order to establish how aliens and humans are represented in these films and how these representations reflect their respective ideologies. The authors argue that while Roeg’s film, in common with its original, uses the story of Newton to criticise corporate capitalism, Glazer’s film plays down the political aspect of the film, concerning industrial farming and exploitation of the underclass by the

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Tomaev, V. V., T. V. Stoyanova, Yu V. Petrov, and V. Yu Mikhailovsky. "Study on the Photosensitivity of a Composite Based on Lead Selenide and Selenite." Физика и химия стекла 49, no. 5 (2023): 512–21. http://dx.doi.org/10.31857/s0132665122600923.

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This paper discusses the technology of formation of photoresistive structures based on a composite of lead selenide and lead selenite. The structures are formed by the oxidation of n-PbSe polycrystalline films. Film The surface modification mechanism of n-PbSe films in the oxidation process is analyzed by a Zeiss Merlin scanning electron microscope (SEM). The new results of the authors on the oxidation mechanism of n-PbSe, together with their earlier publications, are summarized and their consistency with each other is examined. A theoretical model (hypothesis) of the potential profile of a ph

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Kuznetsov, Igor I., and Artemiy A. Atamanenko. "Representation of political ideas in modern western comics-movies." Izvestiya of Saratov University. Sociology. Politology 24, no. 3 (2024): 336–42. http://dx.doi.org/10.18500/1818-9601-2024-24-3-336-342.

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The article offers a view at modern Western comics-based movies as an element of mass political communication. Using the methodology of studying political languages and social fields, artistic features of the comic book film are examined, allowing politically charged messages to be conveyed in this genre. The main formats within which a comic book film becomes a conductor of political views of its authors and sponsors are identified. The study identified two main approaches to the politicization of the comic book film: by including political metaphors directly into the plot and through the imp

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Zernov, Dmitry Vasilievich, and Nadezhda Vladimirovna Shalyutina. "Young people's attitudes towards films about the Great Patriotic War: viewing expectations and genre preferences." Semiotic studies 3, no. 3 (2023): 77–87. http://dx.doi.org/10.18287/2782-2966-2023-3-3-77-87.

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The article presents the results of two author's researches of young people's attitude towards films about the Great Patriotic War: "History in cinema: the problems of remediation" (10 focus groups) and "The Memory of the War in the Soviet and Post-Soviet Cinematography: the Young Audience View" (questionnaire survey, n = 2003).The authors identified the main narratives of interest to young audiences. It was noted that the films popular among young people are multi-genre works which combine historical accuracy and autobiographical, melodramatic and action-film elements.The viewing motivation a

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Malicka, Joanna, Ignacy Gryczynski, Zygmunt Gryczynski, and Joseph R. Lakowicz. "Use of Surface Plasmon-Coupled Emission to Measure DNA Hybridization." Journal of Biomolecular Screening 9, no. 3 (2004): 208–15. http://dx.doi.org/10.1177/1087057103262363.

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The authors describe a new approach to measuring DNA hybridization based on surface plasmon-coupled emission (SPCE). SPCE is the resonance coupling of excited fluorophores with electron motions in thin metal films, resulting in efficient transfer of energy through the film and radiation into the glass substrate. The authors evaluated the use of SPCE for detection of DNA hybridization. An unlabeled capture biotinylated oligonucleotide was attached near the surface of a thin (50 nm) silver film using streptavidin. The authors then measured the emission intensity of single-stranded Cy5-labeled DN

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Alam, Pandu Watu, Rangga Saptya Mohamad Permana, and Sri Seti Indriani. "Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film." ProTVF 7, no. 2 (2023): 165. http://dx.doi.org/10.24198/ptvf.v7i2.47281.

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Background: This research examines the 2017 film Pengabdi Setan scoring function. Joko Anwar wrote and directed the film Pengabdi Setan, released on September 28, 2017. This film is a remake of a 1980 film of the same name. In this film, the score is essential for visually confirming symbols or incomplete messages. There are two types of sound: diegetic sound and non-diegetic sound. Purpose: This research aims to determine how diegetic and non-diegetic sound were used to create a horror atmosphere in the film Pengabdi Setan. Methods: The authors described the audio analysis results in the form

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Kemachadakorn, Ngamnis, and Sarawuth Pintong. "Thai Film and The Soft Power Concept in the International Film Industry." Asian Creative Architecture, Art and Design 37, no. 2 (2024): 1–26. https://doi.org/10.55003/acaad.2024.272308.

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Currently, films play a significant role as a result of soft power. Consequently, many countries have turned to utilizing soft power to enhance their appeal and persuasive power through films. This academic article focuses on studying soft power policies in the economic dimension, concerning the high-standard international film industry. It is an industry that is robust and self-reliant. The authors have compiled information from related documents and interviews with personnel in the film industry to extract lessons on the main principles, the role of films, resources, and cultural norms in fi

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Niizuma, Kiyozumi, Takahiro Hayakawa, and Yoshio Utsushikawa. "Electrical Property of TiO₂ Thin Film Deposited by RF Sputtering." Solid State Phenomena 127 (September 2007): 221–26. http://dx.doi.org/10.4028/www.scientific.net/ssp.127.221.

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The authors investigated on the electrical property and the photo-catalytic activity of TiO2 thin films deposited in Ar+O2 atmosphere by RF magnetron sputtering. From the result of x-ray diffraction, the anatase phase was formed in TiO2 thin films. In TiO2 thin film deposited under a gas pressure of 3.0Pa, the contact angle of water showed 9 ﾟ, and the decomposition rate of Methylene Blue (measuring the absorbance of the reference light) showed -0.067 with UV light irradiation. Moreover, it revealed that the electric resistivity of TiO2 thin film deposited under the same conditions decreased f

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