Relevant bibliographies by topics / Authorship controversy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Authorship controversy'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Authorship controversy"

1

MERRIAM, THOMAS. "The Authorship Controversy of Sir Thomas More." Literary and Linguistic Computing 1, no. 2 (1986): 104–6. http://dx.doi.org/10.1093/llc/1.2.104.

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Walker, Robert G. "Boswell and the Graunt-Petty Authorship Controversy." Notes and Queries 66, no. 4 (2019): 581–84. http://dx.doi.org/10.1093/notesj/gjz139.

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Herrera, Chris. "The Controversy over Authorship in Medical Journals." Journal of Information Ethics 16, no. 2 (2007): 55–70. http://dx.doi.org/10.3172/jie.16.2.55.

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Klause, J. "A Controversy over Rhyme and Authorship in Pericles." Notes and Queries 59, no. 4 (2012): 538–44. http://dx.doi.org/10.1093/notesj/gjs158.

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Witczak, Krzysztof Tomasz. "Authorship controversy in three Greek epigrams: Phalaecus revived." Graeco-Latina Brunensia, no. 2 (2018): 171–78. http://dx.doi.org/10.5817/glb2018-2-12.

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CLARK, FRANCIS. "THE AUTHORSHIP OF THE GREGORIAN DIALOGUES: AN OLD CONTROVERSY RENEWED." Heythrop Journal 30, no. 3 (1989): 257–72. http://dx.doi.org/10.1111/j.1468-2265.1989.tb00118.x.

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Doyle, Tony. "Comments on Herrera's: "The Controversy over Authorship in Medical Journals"." Journal of Information Ethics 16, no. 2 (2007): 71–74. http://dx.doi.org/10.3172/jie.16.2.71.

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WESOŁOWSKA, WANDA. "Authorship of the generic name Pochytoides (Araneae, Salticidae)." Bionomina 18, no. 1 (2020): 56. http://dx.doi.org/10.11646/bionomina.18.1.3.

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I published recently (Wesołowska 2018) a revision of the African genus of jumping spider Pochytoides. The genus includes eight species now. However, as there is some controversy concerning the authorship of this generic name, this matter needs elucidation.
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WARNER, HELEN. "Ruffled feathers: Costume, gender and authorship in the Black Swan controversy." Film, Fashion & Consumption 1, no. 2 (2012): 169–86. http://dx.doi.org/10.1386/ffc.1.2.169_1.

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Hird, Alastair. "“What Does it Matter Who is Speaking,” Someone Said, “What Does It Matter Who is Speaking”: Beckett, Foucault, Barthes." Samuel Beckett Today / Aujourd'hui 22, no. 1 (2010): 289–99. http://dx.doi.org/10.1163/18757405-022001020.

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This paper examines the role played by Beckett's in the theoretical controversy concerning authorship that arose during the late 1960s. The implications of Foucault's quotation of in his “What Is an Author?” create a canonical position for Beckett in a literature of anti-authorship, whilst the inclusion of Barthes's “The Death of the Author” alongside a recording of in the avant-garde box magazine 5+6 facilitates a parallel reading which serves to underline certain submerged structures in Barthes's article, suggesting that the Barthesian author remains very much alive.
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Dissertations / Theses on the topic "Authorship controversy"

1

Thompson, Maley Holmes. "The Shakespearean additions to the 1602 Spanish tragedy." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3542.

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If Shakespeare contributed the additions to the 1602 edition of Thomas Kyd's The Spanish tragedy, he did so at the time he was writing Hamlet. The additions were written anonymously, but contemporary references to playwrights and their works, publication records, and documented theatrical transactions have provoked the authorship controversy for centuries. Recent studies have attempted "fingerprinting” and "DNA" analysis of verbal structures to solve the case once and for all, but this study moves beyond the (impossible) task of trying to "prove" that Shakespeare wrote the additions and instead seeks to recreate a hypothetical scenario to show why and how Shakespeare may have written them. Using the loose structure of a modern recreation of a cold-case crime, this study contextualizes the additions and the authorship controversy they have inspired, situating the case in its earlier manifestations and in present-day criticism. It will be shown why Shakespeare would have been the ideal candidate to revise The Spanish tragedy: he was familiar with Kyd's work, was known for revitalizing older works, knew the players, and was a writer for hire. It will be argued that the publisher of the additions, Thomas Pavier, followed Shakespeare throughout his career and saw a marketing opportunity to capitalize on three trends: title pages that advertised newness, nostalgia for old texts, and a market for Shakespearean language. This essay will trace the hypothetical steps to see how Shakespeare's additions might have been written, dispersed, rehearsed, acted, and printed. Ultimately, the additions will be situated as a hypothetical middle step between Kyd’s Ur-Hamlet, The Spanish tragedy, and Shakespeare's Hamlet.<br>text
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Books on the topic "Authorship controversy"

1

Merriam, Thomas. The authorship controversy of Sir Thomas More. Oxford University Press, 1986.

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2

1948-, Holston Kim R., ed. The Shakespeare controversy: An analysis of the authorship theories. 2nd ed. McFarland & Co., 2009.

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3

Hope, Warren. The Shakespeare controversy: An analysis of the claimants to authorship, and their champions and detractors. McFarland, 1992.

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4

1864-1930, Simonson Gustave, ed. Junius and his works: A history of the letters of Junius and the authorship controversy. Junius-Vaughn Press, 1986.

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5

Who were Shake-speare?: The ultimate who-dun-it. Silverado, 1998.

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6

Jonathan Swift's allies: The Wood's Halfpence controversy in Ireland, 1724/25. Maunsel & Co., 2004.

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7

Yanomami: The fierce controversy and what we might learn from it. University of California Press, 2004.

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8

An anatomy of the Marprelate controversy, 1588-1596: Retracing Shakespeare's identity and that of Martin Marprelate. Edwin Mellen Press, 2001.

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9

Appleton, Elizabeth. Edward de Vere and the war of words: A dramatic discovery in the field of sixteenth century writings raises questions about Shakespeare's authorship and reveals hitherto unknown motives and political values in the Age of Elizabeth I. Elizabethan Press, 1985.

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10

Ogburn, Charlton. The mysterious William Shakespeare: The myth and the reality. Pergamon, 1985.

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Book chapters on the topic "Authorship controversy"

1

Kathman, David. "Authorship Controversy." In The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316137062.110.

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Swift, Helen. "Courting Controversy?" In Machaut's Legacy. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813062419.003.0004.

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This chapter uses Machaut’s JRB and JRN as a launch-pad for reading the relationship of response between Martin Le Franc’s Champion des dames (c.1442) and Complainte du livre du Champion des dames a maistre Martin le Franc son acteur, with the aim of understanding better the stakes at play in the fifteenth-century false retraction. The Champion references explicitly to Machaut’s judgment poems, and both the Champion and Complainte entertain an analogous interaction of metatextuality, intertextuality, and historical reference. This results in a similarly enticing and subtle interlacing of poetry and court politics. Le Franc and Machaut contribute distinctively to a characteristically late-medieval reflection on authorship as a dialogic process concerned as much with book reception as with its production.
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"The American Scholar and the authorship controversy." In Shakespeare and the American Nation. Cambridge University Press, 2004. http://dx.doi.org/10.1017/cbo9781107416321.011.

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"Semonides or Simonides? A Century–Long Controversy over the Authorship of a Greek Elegiac Fragment." In Defining Authorship, Debating Authenticity. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110684629-002.

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"5 New Intimacies: Elizabeth in the Shakespeare Authorship Controversy." In Shakespeare and Elizabeth. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400830541-009.

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Hunnekuhl, Philipp. "Radical Self-education and First Authorship." In Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.003.0002.

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Chapter one argues that, between 1790–95, the teenage Robinson was the epitome of the British ‘juvenile enlightenment’ (Kathryn Gleadle). Barred from the English universities because of his Dissenting allegiance – orthodox Presbyterian turning liberal Unitarian – he became, with the help of Colchester Dissenters and their libraries, a self-taught polymath. In early 1795, he published his first article, entitled ‘On the Essential and Accidental Characteristics of Informers’, in the radical Norwich journal The Cabinet. In an original move based on David Hume’s logic and Jean-Jacques Rousseau’s approach to the law, Robinson here urges his readers to divert to the law the hatred with which informers (people passing information on to the authorities) are commonly met. This chapter analyses in detail Robinson’s unpublished manuscript diaries and earliest surviving correspondence, and explores the ingenious ways in which he engaged with the on-going ‘Revolution Controversy’ (Marilyn Butler).
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"The Novelist." In The Life of Sir Walter Scott by John Macrone, edited by Daniel Grader and Gillian Hughes. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748669912.003.0007.

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Macrone describes the great commercial success of Waverley, and comments on Guy Mannering, The Antiquary, The Heart of Mid-Lothian, and The Talisman, giving the highest praise to the last. He then discusses the controversy about the authorship of the Waverley Novels, mocking those who favoured the wrong candidates, and laments that one who earned as much money as Scott should have died in debt.
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"Who Wrote Shakespeare?" In Who Wrote That?, edited by Donald Ostrowski. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749704.003.0007.

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This chapter concentrates on the Shakespeare authorship controversy. It examines the correlation between the literary persona that is the author of the Shakespearean corpus with the historical persona that is William of Stratford. It also talks about the English schoolteacher named J. Thomas Looney, who created a profile of the author of the Shakespearean corpus based on the contents of the plays and poetry. The chapter looks into Looney's proposal that Edward de Vere is the author of the Shakespearean corpus. It also discusses the “New Criticism,” which is an approach to literature that intentionally ignores authorship or authorial intent as well as social and cultural context in favor of deep readings of the text and an aesthetic appreciation of its structure and perceived meaning.
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9

Foote, MaryAnn. "Review of current authorship guidelines and the controversy regarding publication of clinical trial data." In Biotechnology Annual Review. Elsevier, 2003. http://dx.doi.org/10.1016/s1387-2656(03)09009-4.

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10

"Did Mikhail Sholokhov Write The Quiet Don?" In Who Wrote That?, edited by Donald Ostrowski. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749704.003.0010.

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This chapter discusses the novel “The Quiet Don” and the controversy over its authorship. It briefly recounts some of the relevant events of World War I, the Russian Revolution of 1917, and the Russian Civil War. The chapter focuses on Soviet writer Mikhail Sholokhov who was awarded by the Nobel Committee in 1945 for the literature prize on his magnum opus, the four-volume The Quiet Don. It also looks into the initial claim that Sholokhov stole the book manuscript for The Quiet Don in a map case that belonged to a White Guard who had been killed in battle. It talks about an anonymous author known as Irina Medvedeva-Tomashevskaia, who wrote several historical studies and claimed that Sholokhov had plagiarized an unpublished manuscript of Fedor Dmitrievich Kriukov.
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