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Dissertations / Theses on the topic 'Authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kesson, Andrew. "Early modern authorship." Thesis, University of Kent, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520914.

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2

Calarota, Gabriele. "On Authorship Attribution." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/22809/.

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Authorship attribution is the process of identifying the author of a given text and from the machine learning perspective, it can be seen as a classification problem. In the literature, there are a lot of classification methods for which feature extraction techniques are conducted. In this thesis, we explore information retrieval techniques such as Doc2Vec and other useful feature selection and extraction techniques for a given text with different classifiers. The main purpose of this work is to lay the foundations of feature extraction techniques in authorship attribution. At the end of

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3

Klapperich, T. J. "The authorship of Ecclesiastes." Theological Research Exchange Network (TREN), 2003. http://www.tren.com/search.cfm?p086-0040.

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4

May, Thomas Glen. "The authorship of Hebrews." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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5

Honaker, Randale J. "Novel topic authorship attribution." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5761.

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Approved for public release; distribution is unlimited<br>The practice of using statistical models in predicting authorship (so-called author-attribution models) is long established. Several recent authorship attribution studies have indicated that topic-specific cues impact author-attribution machine learning models. The arrival of new topics should be anticipated rather than ignored in an author attribution evaluation methodology; a model that relies heavily on topic cues will be problematic in deployment settings where novel topics are common. In order to effectively deal with novel top

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6

Simone, Daniela Teresa. "Copyright and collective authorship." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fba5022d-8647-4deb-91f3-8cd8c536bcfa.

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Many scholars have suggested that current copyright law is ill-equipped to the challenges of determining the authorship of collaborative work. This thesis analyses four case studies of large scale collaboration (Wikipedia, Indigenous art, scientific collaborations and film) in order to consider how best to determine the authorship of the creative works that they produce for the purposes of copyright law. Current scholarship and much of the case law has tended to favour a restrictive approach to the grant of joint authorship status, in order to minimise the number of potential authors of a work

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7

Lalla, Himal. "E-mail forensic authorship attribution." Thesis, University of Fort Hare, 2010. http://hdl.handle.net/10353/360.

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E-mails have become the standard for business as well as personal communication. The inherent security risks within e-mail communication present the problem of anonymity. If an author of an e-mail is not known, the digital forensic investigator needs to determine the authorship of the e-mail using a process that has not been standardised in the e-mail forensic field. This research project examines many problems associated with e-mail communication and the digital forensic domain; more specifically e-mail forensic investigations, and the recovery of legally admissible evidence to be presented i

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8

Gerritsen, Corey M. (Corey Metcalf) 1979. "Authorship attribution using lexical attraction." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/87414.

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Thesis (M.Eng. and S.B.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2003.<br>Includes bibliographical references (p. 56-57).<br>by Corey M. Gerritsen.<br>M.Eng.and S.B.

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9

Tennyson, Matthew Francis. "Authorship Attribution of Source Code." NSUWorks, 2013. http://nsuworks.nova.edu/gscis_etd/322.

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Authorship attribution of source code is the task of deciding who wrote a program, given its source code. Applications include software forensics, plagiarism detection, and determining software ownership. A number of methods for the authorship attribution of source code have been presented in the past. A review of those existing methods is presented, while focusing on the two state-of-the-art methods: SCAP and Burrows. The primary goal was to develop a new method for authorship attribution of source code that is even more effective than the current state-of-the-art methods. Toward that end, a

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10

Jones, Kailin J. (Kailin Jenifer). "After aura : authorship, automation, authenticity." Thesis, Massachusetts Institute of Technology, 2021. https://hdl.handle.net/1721.1/132752.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, February, 2021<br>Cataloged from the official pdf of thesis. Page 124 blank<br>Includes bibliographical references (page 123).<br>Walter Benjamin wrote in his seminal 1935 essay, "that which withers in the age of mechanical reproduction is the aura of the work of art"--an essay that narrowly defines art and the craft of art up until that moment as something that is rooted in site specificity, ritual, uniqueness and non-reproducibility. This conception of art and artistic production fails to acknowledge the net

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11

Young, Deborah E. "The Machinic Assemblage: Dismantling Authorship." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1336020877.

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12

Engleman, Eric Earle. "Reevaluating the authorship of Ecclesiastes." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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13

Mathes, Jordan Lewis. "Performing Paul Auster’s Authorship : Authorship and Authority as Cultural Performance in the New York Trilogy." Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30480.

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14

Brower, Matthew Francis. "Signature style, art, authenticity and authorship." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0021/MQ48566.pdf.

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15

Carter, Brandon E. "The authorship of the Pastoral Epistles." Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.

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16

Grant, T. D. "Authorship attribution in a forensic context." Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529439.

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This thesis develops a quantitative method for forensic authorship attribution. The principal constraint, that the method be scientific according to the Daubert criteria, necessitates that the conclusions drawn about authorship problems must be made to a known degree of certainty. In response, the theoretical part of the thesis establishes the criteria for a sound method in authorship attribution as relying on valid, reliable markers of authorship and the development of an explicit and specific sampling strategy. The main empirical part of the thesis draws potential markers of authorship from

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17

Cain, Lynn Fiona. "The fouled nest : Dickens, family, authorship." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313549.

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18

Toor, Kiran. "Coleridge's chrysopoetics : alchemy, authorship, and imagination." Thesis, Queen Mary, University of London, 2007. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1616.

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This thesis is an attempt to assess the creative potential of alchemy as a master trope in Coleridge's conception of authorship and imagination. It begins with a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of "originality" and "authorship" are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged "self', I posit that, for Coleridge, authorship occurs in a transformative or alchemical interspace between the desire

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19

Schonken, Philip Antoni. "Authorship and ownership of UShaka KaSenzangakhona." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80307.

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Thesis (MMus)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: UShaka KaSenzangakhona is a work of about sixty minutes for choir, soloists and orchestra, composed by Mzilikazi Khumalo, orchestrated in 1994 by Christopher James and revised in 1996 by Robert Maxym. The composition is a setting of a Zulu text by Themba Msimang. The racial and cultural differences between UShaka’s three authors bring binaries into play that define certain aspects of the composition. UShaka’s main developmental trajectory (1982-1996) places it within a volatile political space and time in South Africa‟s recent

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20

Pires, David Laranjo. "Authorship attribution using co-occurrence networks." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/30831.

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Atribuição de Autoria utlizando Redes de Co-Ocorrencia Nesta tese é abordada a tarefa de Atribuição de Autoria como uma tarefa de classificação. As metodologias utilizadas representam textos em grafos. Destes, várias medidas são extraídas, sendo utilizadas como amostras para o classificador. Já existem alguns trabalhos que também se focam nesta metodologia. Esta tese foca-se num método que divide o texto em várias partes e trata cada uma como um grafo. Deste, são extraídas as medidas, que são tratadas como uma série temporal, da qual são extraídos momentos. Assim, os momentos compõem o vetor f

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21

Gopalakrishnan, Sridharan. "Authorship Attribution based on Grammar Signatures." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368026620.

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22

Min, Kyung-Jin. "The Levitical authorship of Ezra-Nehemiah." Thesis, Durham University, 2002. http://etheses.dur.ac.uk/4230/.

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The study of Ezra-Nehemiah has been revolutionised in recent years by a growing rejection of the long-established belief that it was composed as part of the Chronicler's work. That shift in scholarly paradigms has re-opened many questions of origin and purpose, and this thesis attempts to establish an answer to the most important of these: the question of authorship. The first part deals with preliminary questions, reviewing the relationship with Chronicles and the unity of the work, and investigating current theories of origin. It affirms that Ezra-Nehemiah should be considered a single, inde

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23

Nini, Andrea. "Authorship profiling in a forensic context." Thesis, Aston University, 2015. http://publications.aston.ac.uk/25337/.

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There are several unresolved problems in forensic authorship profiling, including a lack of research focusing on the types of texts that are typically analysed in forensic linguistics (e.g. threatening letters, ransom demands) and a general disregard for the effect of register variation when testing linguistic variables for use in profiling. The aim of this dissertation is therefore to make a first step towards filling these gaps by testing whether established patterns of sociolinguistic variation appear in malicious forensic texts that are controlled for register. This dissertation begins wit

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24

Caver, Johnnie F. "Novel topic impact on authorship attribution." Thesis, Monterey, California : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Dec/09Dec%5FCaver.pdf.

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Thesis (M.S. in Computer Science)--Naval Postgraduate School, December 2009.<br>Thesis Advisor(s): Schein, Andrew I. ; Martell, Craig H. "December 2009." Description based on title screen as viewed on February 01, 2010. Author(s) subject terms: Authorship detection, topic detection, author-topic correlation, topic-author correlation, maximum entropy, New York Times Annotated Corpus. Includes bibliographical references (p. 61-63). Also available in print.

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25

Keeson, Andrew. "John Lyly and early modern authorship." Thesis, University of Kent, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520886.

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26

DeBrava, Valerie Ann. "Authorship and individualism in American literature." W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539623972.

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A look at the genre of American literary history, as well as at the careers of four nineteenth-century writers, this neo-Marxist study treats the lives and works of Walt Whitman, Emily Dickinson, and Elizabeth and Richard Stoddard through the productive circumstances of their writing, and through our expectations as consumers of their personalities and texts. Typically, Whitman and Dickinson are recognized as creative individualists who defied the literary and social conventions of their time, while the Stoddards---when they are recognized at all---are remembered in less daring terms. Many cri

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27

Lane, Keith H. "Kierkegaard and the concept of religious authorship." Tübingen Mohr Siebeck, 2010. http://d-nb.info/997693851/04.

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28

Gíslason, Kári. "Narratives of possession : reading for saga authorship /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17579.pdf.

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29

Freebury-Jones, Darren. "Kyd and Shakespeare : authorship, influence, and collaboration." Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/91745/.

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The aim of this thesis is to establish the canon of Thomas Kyd’s plays and to explore Shakespeare’s relationship with that oeuvre. Chapter One begins by examining Shakespeare’s verbal indebtedness to plays that have been attributed to Kyd for over two centuries, including The Spanish Tragedy (1587), Soliman and Perseda (1588), and The True Chronicle History of King Leir (1589). The first chapter argues that Shakespeare’s extensive knowledge of Kyd’s plays contributed towards the development of his dramatic language. The second chapter provides an overview of some of the complex methods for ide

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30

Zhao, Ying, and ying zhao@rmit edu au. "Effective Authorship Attribution in Large Document Collections." RMIT University. Computer Science and Information Technology, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080730.162501.

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Techniques that can effectively identify authors of texts are of great importance in scenarios such as detecting plagiarism, and identifying a source of information. A range of attribution approaches has been proposed in recent years, but none of these are particularly satisfactory; some of them are ad hoc and most have defects in terms of scalability, effectiveness, and computational cost. Good test collections are critical for evaluation of authorship attribution (AA) techniques. However, there are no standard benchmarks available in this area; it is almost always the case that research

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31

Harrison, H. "Gender, language and authorship in Boccaccio's Decameron." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603776.

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Women and their position in society are placed at the forefront of Giovanni Boccaccio’s <i>Decameron,</i> from the dedication of the work to women in love. While some scholars have focused on the narrators of the <i>brigata</i>, and others have studied individual <i>novelle</i>, the aim of this thesis is to present a global view of the issues and concerns debated by the author regarding female use of language. The thesis consists of five chapters; ‘Gender, Language and Authorship’ positions my work in relation to the wider field of Boccaccio studies. It addresses the difficult issue of the nar

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32

Elias, T. P. "Music and authorship in England, 1575-1632." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598807.

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This thesis participates in the study of the 'birth of the author', the positioning of the category of authorship as a historical and social construct. In particular, it examines how ideas of authorship are developed in the production and presentation of printed music books. Music is not just a different, but a distinct way of approaching this issue. Composers were professionals, for whom financial considerations and the importance of enhancing their reputations outweighed gentlemanly concerns with the 'stigma of print'. The difficulties of setting and proof-reading music also encouraged print

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33

Johnson, Russell Clark. "Authorship Attribution with Function Word N-Grams." NSUWorks, 2013. http://nsuworks.nova.edu/gscis_etd/188.

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Prior research has considered the sequential order of function words, after the contextual words of the text have been removed, as a stylistic indicator of authorship. This research describes an effort to enhance authorship attribution accuracy based on this same information source with alternate classifiers, alternate n-gram construction methods, and a genetically tuned configuration. The approach is original in that it is the first time that probabilistic versions of Burrows's Delta have been used. Instead of using z-scores as an input for a classifier, the z-scores were converted to probabi

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34

Baxter, Jeannette. "Spectacular authorship : historicising J.G. Ballard's surrealist imagination." Thesis, University of East Anglia, 2005. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426864.

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35

Ponchione, Cayenna R. "Tracking authorship and creativity in orchestral performance." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:038d450e-f009-4ab0-879f-71d8f77bd77b.

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This thesis takes as its starting point the observation that the authorship of the creative product of orchestral performances has been, and continues to be, over-attributed to the conductor. This is reflected both in popular perceptions and in the scholarly attention given to the conductor's leadership role, as well as in orchestral practices which privilege the conductor's artistically superior position within the orchestra through rehearsal and performance rituals and in remuneration and marketing. Although existing research has challenged the perception that the authority of the conductor

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36

Teixeira, Filipe. "Boosting compression-based classifiers for authorship attribution." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/18375.

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Mestrado em Engenharia de Computadores e Telemática<br>Atribuição de autoria é o ato de atribuir um autor a documento anónimo. Apesar de esta tarefa ser tradicionalmente feita por especialistas, muitos novos métodos foram apresentados desde o aparecimento de computadores, em meados do século XX, alguns deles recorrendo a compressores para encontrar padrões recorrentes nos dados. Neste trabalho vamos apresentar os resultados que podem ser alcançados ao utilizar mais do que um compressor, utilizando um meta-algoritmo conhecido como Boosting.<br>Authorship attribution is the task of assign

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37

Smith, Jennifer. "Theorizing Digital Narrative: Beginnings, Endings, and Authorship." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/316.

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Since its development, critics of electronic literature have touted all that is “new” about the field, commenting on how these works make revolutionary use of non-linear structure, hyperlinks, and user interaction. Scholars of digital narrative have most often focused their critiques within the paradigms of either the text-centric structuralist model of narrativity or post-structuralist models that implicate the text as fundamentally fluid and dependent upon its reader for meaning. But neither of these approaches can account completely for the unique modes in which digital narratives prompt re

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38

Raffan, Mary. "Joyce, philosophy and the drama of authorship." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10650.

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This thesis will examine the representation, consequence and transformation of the idea of authorship in the work of James Joyce and suggest a way of re-addressing the contentious question of authorship. While postmodern criticism has emphasised the “revolutionary” cultural and political ramifications of Joyce’s response and the ways that his work has helped to deconstruct this question for modernity and postmodernity, this thesis will trace the ideas and ideologies, individuals and characters, historical, cultural and biographical circumstances that contributed to both the prominence and the

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39

Mostyn, Alys Elizabeth. "Romantic bibliomania : authorship, identity, and the book." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7158/.

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This thesis explores Romantic authors’ representations of books and bookishness. It argues that bibliocentric writing from the early nineteenth century addressed anxieties associated with the profession of authorship in a rapidly changing landscape of publication, print culture, and technology. However, the contested and heterogeneous nature of Romantic cultural production meant that the book was inevitably an unstable object through which to construct authorial identity. Examining the work of Thomas Frognall Dibdin, Leigh Hunt, Samuel Taylor Coleridge, Charles Lamb, Thomas De Quincey, Walter

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40

Gislason, Kari. "Narratives of possession : reading for saga authorship." Thesis, University of Queensland, 2003. http://espace.library.uq.edu.au/eserv/UQ:106371/THE17579.pdf.

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The aim of this thesis is to show how character analysis can be used to approach conceptions of saga authorship in medieval Iceland. The idea of possession is a metaphor that is adopted early in the thesis, and is used to describe Icelandic sagas as works in which traditional material is subtly interpreted by medieval authors. For example, we can say that if authors claim greater possession of the sagas, they interpret, and not merely record, the sagas' historical information. On the other hand, tradition holds onto its possession of the narrative whenever it is not possible for an author to d

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41

Marasca, Serena <1995&gt. "Gaiman, Shakespeare and the Question of Authorship." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17434.

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This dissertation aims to analyse the question of authorship through one of the most popular works of Neil Gaiman, the fantasy graphic novel The Sandman. As Gaiman stated, the graphic novel mainly focuses on the act of storytelling and the relationship that springs between the reader and the author through the work itself. Throughout the graphic novel, numerous characters are portrayed, but this issue will mainly focus on Dream of the Endless, the protagonist, and on Shakespeare, which Gaiman adopts and adapts as a character. The first chapter serves as a theoretical introduction to the writer

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42

Maier, Gunther, and Jouke van Dijk. "Co-authorship in Regional Science. A Network Approach." Institut für Regional- und Umweltwirtschaft, WU Vienna University of Economics and Business, 2006. http://epub.wu.ac.at/514/1/document.pdf.

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43

Graham, Neil. "Automatic detection of authorship changes within single documents." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0017/MQ49736.pdf.

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44

Dunning, Stephen Mark. "Charles Williams : a Kierkegaardian reading of his authorship." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256751.

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45

Slater, Graeme Paul. "Authorship and authority in Hume's History of England." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314546.

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46

May, William. "The mechanics of authorship : Stevie Smith in context." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440432.

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47

Boutwell, Sarah R. "Authorship attribution of short messages using multimodal features." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5813.

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Approved for public release; distribution is unlimited<br>In this thesis, we develop a multimodal classifier for authorship attribution of short messages. Standard natural language processing authorship attribution techniques are applied to a Twitter text corpus. Using character n-gram features and a NaiÌ ve Bayes classifier, we build statistical models of the set of authors. The social network of the selected Twitter users is analyzed using the screen names referenced in their messages. The timestamps of the messages are used to generate a pattern-of-life model. We analyze the physic

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48

So, Augustine, and 蘇曉衡. "Auteur in 3 minutes: authorship in music video." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4684885X.

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49

Thirkell, Lawrence Alexander. "An artificial neural network approach to authorship determination." Thesis, Heriot-Watt University, 1993. http://hdl.handle.net/10399/1418.

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50

ANDRADE, DANIELA ROLIM DE. "TRANSLATION,TRANSFORMATION AND AUTHORSHIP: COPYRIGHTS AND TRANSLATION STUDIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20651@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>A presente dissertação busca analisar um conceito jurídico: o de que a tradução de uma obra literária, artística e científica envolve um ato de transformação do texto original, consistindo, assim, numa (re)escrita autoral. Apresenta, brevemente, a influência do Iluminismo e do Romantismo na consolidação do direito de autor, no século XIX, quando o conceito de obra original (ou originalidade) tornou-se central nas leis

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