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Dissertations / Theses on the topic 'Auto sacramental'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Consult the top 19 dissertations / theses for your research on the topic 'Auto sacramental.'

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1

King, Errol LeRoy. "Production of Meaning: Spectacle as Visual Rhetoric in the Auto Sacramental." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242434.

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Few would refute the didactic nature of stained glass windows, paintings, and sculptures used in Spanish cathedrals during the Counter-Reformation. For hundreds of years the artistic renderings of biblical narratives and of Catholic dogmata had aided both the literate and illiterate alike to internalize the teachings of the Church. In contrast, the seemingly complex web of semiotic signs that form part of the aural and visual spectacle of the auto sacramental has understandably led some to question if such productions could have truly held much meaning for commoners with little formal educatio
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2

Kraus, Dorothea [Verfasser]. "Das «auto sacramental» Calderóns zwischen Tridentinum und Theatralität / Dorothea Kraus." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/1191648508/34.

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3

Ayensu, Tumanyi Amos. "Una edición modernizada y anotada de Escanderbech, auto sacramental de Juan Pérez de Montalbán." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6723.

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This M.A. thesis offers the first modern annotated edition of Juan Perez de Montalban's auto sacramental Escanderbech. It consists of: (A) An Introductory study which consists of the following sections: (1) a brief history of the life and works of Juan Perez de Montalban; (2) general survey of the development of the auto sacramental, (the Spanish sacramental play or mystery play in honour of the Eucharist), as a literary genre; (3) the composition, performance and sources of the auto Escanderbech; (4) an analysis of the auto sacramental Escanderbech with special emphasis on its allegorical nat
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4

Mérique, Cyril. "L'évolution de la théâtralité dans les drames eucharistiques espagnols du XVIe siècle." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00652671.

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Si l'auto sacramental baroque du XVIIe siècle est aujourd'hui amplement étudié, moins fréquentes sont les études consacrées aux drames eucharistiques espagnols du XVIe siècle, et plus rares encore celles qui ont pris comme objet la théâtralité spécifique de ces modestes pièces de la Renaissance. Travailler sur les pièces eucharistiques du XVIe siècle demandait une réflexion préalable sur l'origine d'un genre dramatique qui s'est développé dans la péninsule ibérique tout au long de la Renaissance, époque à laquelle la question religieuse a fréquemment occupé le devant de la scène (crypto-judaïs
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5

Brooke, Alice. "Between two worlds : Baroque spectacle and enlightenment thought in the autos sacramentales by Sor Juana Inés de la Cruz (1648-1695)." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:2b29ce13-f9e4-4578-8bbe-10c359029245.

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This thesis is the first book-length study of the three autos sacramentales by Sor Juana Inés de la Cruz. Sor Juana’s religious drama has received little attention, despite her status as one of the greatest figures of Mexican literature. She was also writing during a particularly significant period in Hispanic literary history: at the end of the Spanish Golden Age, and at the rise of a new class of intellectual élites in the New World, the criollos. I contend that Sor Juana’s autos sacramentales are crucial to understanding how she contributed to the formation of a criollo identity. In doing s
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6

Martín, Rafael. "La inmunidad del sagrado : estudio, edición y anotación de un auto sacramental de Calderón de la Barca." Thesis, University of Ottawa (Canada), 1995. http://hdl.handle.net/10393/9708.

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This M.A. thesis offers for the first time a edition with a critical study and a annotation of Calderon's auto sacramental La inmunidad del sagrado. The thesis consists of: (A) an Introductory study, composed of the following sections: (1) general survey of the dramatic genre known as the auto sacramental play, mystery plays in honour of the Holy Eucharist; (2) critical analysis of the auto, with special emphasis on its allegorical nature, its metrical structure and its staging. (B) The edited text of the auto, whose spelling and punctuation have been modernized and regularized except where al
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7

Hopkins, Rodríguez Eduardo. "La definición de auto sacramental y su función metadiscursiva en el teatro de Pedro Calderón de la Barca." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113935.

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8

Quackenbush, Claudia Linares. "Emilio Carballido: Invocando dos obras para una regeneración humana." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6280.

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Emilio Carballido (1925-2008) es uno de los dramaturgos más destacados de México y de más prestigio del teatro occidental. Ha escrito una gran cantidad de obras teatrales, novelas, cuentos, obras infantiles y pedagógicas—dirigidas para docentes—, guiones teatrales y ha tanto formado como patrocinado una multitud de jóvenes dramaturgos en el país. Dos de sus primeras piezas, La zona intermedia: auto sacramental y La triple porfía, que datan de 1948, no han sido estudiadas con interés o en detalle por los críticos literarios, pese al prestigio con el que fueron recibidas en el momento de su pres
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9

Mangueira, Simone Rebello Rocha. "As múltiplas vozes de Sóror Juana Inés de La Cruz : um estudo de sua obra na leitura do auto sacramental El divino Narciso." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16123.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2014.<br>Submitted by Flávia Renata Santos Gasparotto (flavia.gasparotto@gmail.com) on 2014-08-19T19:15:02Z No. of bitstreams: 1 2014_SimoneRebelloRochaMangueira.pdf: 1037736 bytes, checksum: f3666196c545d81f67e2b0d9d8616fd5 (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-08-20T13:36:41Z (GMT) No. of bitstreams: 1 2014_SimoneRebelloRochaMangueira.pdf: 1037736 bytes, checksum: f366
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10

Guibovich, Pérez Pedro M. "Espinosa Medrano, Juan de. El robo de Proserpina y sueño de Endimión. Auto sacramental en quechua. Edición, traducción y estudio preliminar de César Itier." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/102900.

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11

Faúndez, Carreño Rodrigo. "Edición crítica y anotación filológica del auto sacramental La Araucana, atribuido hasta la fecha a Lope de Vega, con una nueva propuesta autorial a nombre de Andrés de Claramonte." Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/124222.

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La presente tesis doctoral, “Edición crítica y anotación folológica del auto sacramental La Araucana” es una edición crítica a partir del manuscrito del auto, con un estudio preliminar que a borda el problema de su atribución a Lope de Vega y presenta una nueva propuesta autorial para el nombre de Andrés de Claramonte. Fuera de presentar estas coincidencias, se propone un estudio y clasificación de los autos sacramentales de la primera mitad del Siglo de Oro, como un estudio literario a las diversas fuentes del auto La Araucana. Como marco de anotación filológica nuestra edición ofrece una v
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12

Calderón, de la Barca Pedro Arellano Ignacio Plata Parga Fernando Armendáriz Aramendía Ana Antonucci Fausta Suárez Ana Ruano de la Haza José M. Galván Luis Pérez Ibáñez Ignacio Pacheco Alejandra Illescas Salinas Eva. "Autos sacramentales completos /." Pamplona : Univ. de Navarra, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016609279&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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13

King, Errol LeRoy. "Resurrecting Lope's Autos." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/815.

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By the turn of the seventeenth century, the auto sacramental quickly became the most elaborate dramatic genre in Spain. Shortly after the Council of Trent, professional playwrights replaced clerics who had previously written autos for the Corpus Christi celebrations held each year, but none were more influential than Lope de Vega in refining thematic, literary, and staging elements and techniques. At the middle of the nineteenth century, critics began to study the genre that a royal decree had banned almost a century earlier; however, few have dedicated much time to Lope's autos. As a result,
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14

Marti, Laurent. "Le théâtre de Gonzalo Torrente Ballester : des avant-gardes à Aristore." Thesis, Dijon, 2010. http://www.theses.fr/2010DIJOL012.

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Gonzalo Torrente Ballester (1910-1999), une des figures de proue de la littérature espagnole du XXème siècle, est surtout connu pour ses narrations. Le théâtre constitue pourtant sa grande passion –la première aussi– car il y consacre les vingt premières années de sa carrière littéraire. L’activité théâtrale de l’auteur galicien au cours des décennies 1930 et 1940, intense et soutenue, nous livre un témoignage de choix sur la situation de la scène espagnole pendant la Seconde République : la coexistence d’un théâtre bourgeois et commercial qui jouit de la faveur du public depuis la fin du XXèm
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15

Fuller, Amy. "The autos sacramentales of Sor Juana de la Cruz." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528517.

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16

Alonso, Rey Maria Dolores. "Emblèmes et iconographie dans la dramaturgie caldéronienne : les autos sacramentales." Tours, 2002. http://www.theses.fr/2002TOUR2029.

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Dans les autos sacramentales de Pedro Calderón de la Barca, la terminologie emblématique est amplement employée et fonctionne comme attribut linguistique des personnages incarnant le Mal. Nous retrouvons l'empreinte de l'emblématique à différents niveaux : au niveau de l'expression verbale apparaissent des références à des motifs qui coi͏̈ncident avec ceux des livres d'emblèmes. Mais le dramaturge détourne leur sens traditionnel. On retrouve l'emblème dans la genèse, dans la structure globale, dans certaines scènes et dans le décor des autos. Calderón crée des formulations visuelles complexes
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17

King, Errol L. "Resurrecting Lope's autos /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1587.pdf.

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18

Hidalgo, Campos Jesús Juan Pablo. "La consolidación del poder y el poder de la consolidación : Felipe IV y la comunidad católica española en tres autos sacramentales calderonianos." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2010. http://tesis.pucp.edu.pe/repositorio/handle/123456789/666.

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19

Price, Todd Arthur. "The stage in the streets : Calderoʹn de la Barca's autos sacramentales in the urban landscape of Madrid /". 2004. http://wwwlib.umi.com/dissertations/fullcit/3118396.

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