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1

Paddy, Stitt, ed. Stitt: Autobiographics. Hardie Grant Books, 2011.

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2

Hathaway, Henry. Ace: A war memoir written as an autobiographical novel. Spanish Moss Printing, 2003.

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3

Ernst, Max. Max Ernst: Life and work : an autobiographical collage. Thames & Hudson in association with DuMont, 2006.

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4

Bern, Kunstmuseum, ed. Ego Documents: Das Autobiographische in der Gegenwartskunst = The autobiographical in contemporary art. Kehrer, 2008.

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5

Ujma, Monika, Agnieszka Chodysz, Alicja Gołyźniak, Jarosław Fejdych, and Piotr Klimowicz. Dzień jest za krótki: Kilka opowieści autobiograficznych = The day is not enough : a few autobiographical stories. Edited by Ośrodek Kultury i Sztuki we Wrocławiu, Muzeum Współczesne Wrocław, Galeria Miejska Arsenał (Poznań, Poland), Galeria Sztuki BWA w Jeleniej Górze, and Galeria BWA Sokół (Nowy Sącz, Poland). Ośrodek Kultury i Sztuki. Instytucja Kultury Samorządu Województwa Dolnośląskiego, 2013.

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6

editor, Bond Greg 1963, ed. Memories of a paper streamer 1952-2052: An autobiographical montage = Aus dem Leben einer Luftschlange 1952-2052. Verlag der Buchhandlung Walther König, 2016.

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7

Gibbons, Joan. Contemporary art and memory: Images of recollection and remembrance. I. B. Tauris, 2007.

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8

Gibbons, Joan. Contemporary art and memory: Images of recollection and remembrance. I. B. Tauris, 2007.

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9

Köhler, Henning. Der menschliche Lebenslauf als Kunstwerk: Zwei Vorträge anlässlich des Beuys-Symposions in Achberg am 1. und 2. Mai 2003. FIU-Verlag, 2010.

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10

Śmiechowska, Teresa. Suvenirim: Zikaron hisṭori ṿe-ishi mudḥak be-ʻavodotehem shel omanim Yiśreʼelim ṿe-Polanim. Universiṭat Ben-Guryon ba-Negev, ha-maḥlaḳah le-omanuyot, 2008.

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11

illustrator, Schroeder Keri Miki-Lani, and Flying Fish Press, eds. Bitter chocolate. Flying Fish Press, 2016.

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12

Yun-suk, Cho. Esei manhwa. K'ŏmyunik'eisyŏn Puksŭ, 2018.

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13

Zebrowski, Ewa Monika. Lydia's porcelain. Ewa Monika Zebrowski, 2013.

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14

Zebrowski, Ewa Monika. For Jadwiga. Ewa Monika Zebrowski, 2012.

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15

Martin, Emily. Out there in here. Naughty Dog Press, 2012.

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16

Eugene, Richards, ed. Exploding into life. Aperture in association with Many Voices Press, 1986.

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17

McCarthy, Steven J. Unbroken record: Electronic communication, forever undigitized. Steven McCarthy, 2014.

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18

1944-, Kaltenbeck Franz, Weibel Peter, and Neue Galerie am Landesmuseum Joanneum., eds. Trauma und Erinnerung =: Trauma and memory : cross-cultural perspectives. Passagen Verlag, 1998.

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19

author, Daur Jörg, Forster, Peter (Art historian), author, Klar Alexander author, et al., eds. Kazuo Katase: Katazuke = Autobiografische Formung : Erinnerung an meine Jugend, Kontemplation über die Gegenwart : Schöpfung und Erleben "Das Leben", Werden, geworden, "Werdegang" = Autobiographical forming : memories of my youth. Contemplations of the present : creating and experiencing "life". Developing, having developed, "development". Museum Wiesbaden, 2018.

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20

Hulme, Keri. The silences between: (Moeraki conversations). The Janus Press, 2016.

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21

Barazani, Nava T. Kan ya makan: Hebeṭ u-mabaṭ bi-temunat zikhron ha-yaldut bi-teḳufat ha-Shoʼah ṿeha-milḥamah be-Luv = Kan ya makan : images of childhood memories of WW2 and the Holocaust in Libya : perspectives and glances. Resling, 2017.

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22

Mace, John H. Act of Remembering: Toward an Understanding of How We Recall the Past. Wiley & Sons, Limited, John, 2010.

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23

Mace, John H. Act of Remembering: Toward an Understanding of How We Recall the Past. Wiley & Sons, Incorporated, John, 2011.

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24

Mace, John H. Act of Remembering: Toward an Understanding of How We Recall the Past. Wiley & Sons, Incorporated, John, 2010.

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25

Mace, John H. Act of Remembering: Toward an Understanding of How We Recall the Past. Wiley & Sons, Incorporated, John, 2011.

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26

Louise Bourgeois - Autobiographical Prints. Hayward Gallery Publishing, 2016.

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27

Alcott, Louisa May. Little Women (one-Act Version). Stage Partners, 2019.

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28

Hodgkin, Kate. Autobiographical Writings. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.12.

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Emerging out of the traditions of exemplary lives and self-analysis at the beginning of the seventeenth century, the genre of spiritual autobiography writing is fluid and unstable both textually and generically. The individualism that has often been taken to define the autobiographical project is problematized in these accounts, which tend to foreground self-transcendence over self-assertion, collective over individual identities, and exemplarity over uniqueness. The spiritual framework provides a language of self-narrative and self-analysis, structured around affliction and redemption, and pr
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29

Clark, Vicky A. Robert Qualters: Autobiographical Mythologies. University of Pittsburgh Press, 2014.

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30

Laurent, Constance de Saint, and Tania Zittoun. Memory in Life Transitions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190230814.003.0010.

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This chapter explores the transformation of autobiographical memory in life transitions. To do so, it proposes a model of autobiographical memory as an oriented sociocultural act, whereby the person imaginatively distances herself from past experiences to produce a meaningful discourse on her past. This model is applied to the development of autobiographical memory during adolescence, a crucial period in this regard, and is used to analyze a series of longitudinal documentaries on teenagers in Switzerland. Based on two case studies, it is argued that adolescents learn to make sense of their pa
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31

Refaie, Elisabeth El. Autobiographical Comics: Life Writing in Pictures. University Press of Mississippi, 2012.

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32

Refaie, Elisabeth El. Autobiographical Comics: Life Writing in Pictures. University Press of Mississippi, 2012.

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33

Refaie, Elisabeth El. Autobiographical Comics: Life Writing in Pictures. University Press of Mississippi, 2015.

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34

Refaie, Elisabeth El. Autobiographical Comics: Life Writing in Pictures. University Press of Mississippi, 2012.

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35

Refaie, Elisabeth El. Autobiographical Comics: Life Writing in Pictures. University Press of Mississippi, 2012.

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36

Cannon, Sarita. Black-Native Autobiographical Acts. The Rowman & Littlefield Publishing Group, Inc., 2021. https://doi.org/10.5040/9781978740327.

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In 2012, an exhibition at the National Museum of the American Indian entitled “IndiVisible: African-Native American Lives in the Americas” illuminated the experiences and history of a frequently overlooked multiracial group. This book redresses that erasure and contributes to the growing body of scholarship about people of mixed African and Indigenous ancestry in the United States. Yoking considerations of authenticity in Life Writing with questions of authenticity in relationship to mixed-race subjectivity, Cannon analyzes how Black Native Americans navigate narratives of racial and ethnic au
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37

The Autobiographical Lectures of Some Prominent Art Educators. Nation Art Association, 2001.

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38

Serial Selves: Identity and Representation in Autobiographical Comics. Rutgers University Press, 2019.

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39

Køhlert, Frederik Byrn. Serial Selves: Identity and Representation in Autobiographical Comics. Rutgers University Press, 2019.

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40

Serial Selves: Identity and Representation in Autobiographical Comics. Rutgers University Press, 2019.

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41

Elizabeth Lincoln D. 1914 Gould and Louisa May Alcott. Little Women Play; a Two-Act, Forty-five Minute Play. Creative Media Partners, LLC, 2018.

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42

Elizabeth Lincoln D. 1914 Gould and Louisa May Alcott. Little Women Play: A Two-Act, Forty-five Minute Play. Creative Media Partners, LLC, 2022.

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43

Mace, John, ed. The organization and structure of autobiographical memory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198784845.001.0001.

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The topic of autobiographical memory has held a prominent role in memory research for the past 30 years, as it has proven indispensable to the understanding of human memory and cognition. An important focus of autobiographical memory research is uncovering the basic structure, nature, and organization of the autobiographical memory system. This edited volume addresses the organization and structure of autobiographical memory. Based on over 30 years of research, and the latest empirical findings, this volume presents the major theories and problems in the science of autobiographical memory orga
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44

Alcott, Louisa May. The Little Women Play: A Two-Act, Forty-Five Minute Play. Wentworth Press, 2016.

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45

McWilliams, Christine. My Art Book: An Autobiographic Collection by Christine Mcwilliams. McWilliams, Christine, 2023.

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46

Pooler, Mhairi. Writing Life: Early Twentieth-Century Autobiographies of the Artist-Hero. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781781381977.001.0001.

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Writing Life offers a revisionary exploration of the relationship between an author’s life and art. By examining the self-representation of authors across the schism between Victorianism and Modernism via the First World War, this study offers a new way of evaluating biographical context and experience in the individual creative process at a critical point in world and literary history. Writing Life is also the story of four literarily and personally interconnected writers – Edmund Gosse, Henry James, Siegfried Sassoon and Dorothy Richardson – and how and why they variously adapted the model o
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47

Tatiana Trouv On The Occasion Of The Exhibition Tatiana Trouv A Stay Between Enclosure And Space November 21 2009 To February 21 2010 At The Migrosmuseum Fr Gegenwartskunst Zrich. Walther Konig, Cologne, 2011.

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48

Brown, Steven D., and Paula Reavey. Contextualizing Autobiographical Remembering: An Expanded View of Memory. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737865.003.0011.

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Contemporary reformulations of the nature of “the psychological” call out for different approaches to autobiographical memory. If epistemic and methodological differences are set aside, debate can be focused on four key themes—function, accessibility, accuracy, and life story. What persons do with memory needs to be indexed to the interactional contexts where the past is invoked, where the accessibility of autobiographical memories is a collaborative accomplishment. While the accuracy of memory is nearly always at issue, the criterion and procedures through which it is established vary across
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49

Camino Road. Primary Information, 2021.

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50

Marcus, Laura. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199669240.003.0001.

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Autobiography continues to be one of the most popular forms of writing, produced by authors from across the social and professional spectrum. It is also central to the work of literary critics, philosophers, historians, and psychologists, who have found in autobiographies not only an understanding of the ways in which lives have been lived, but the most fundamental accounts of what it means to be a self in the world. The Introduction describes what autobiography means and compares it to other forms of ‘life-writing’. Autobiographical writing is seen to act as a window on to concepts of self, i
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