Relevant bibliographies by topics / Autobiographical novel

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Autobiographical novel'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Autobiographical novel"

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Stepanova, Anna A., and Liudmyla S. Dushatska. "POETICS OF AUTOBIOGRAPHICAL MEMORY IN RAY BRADBURY’S NOVEL “DANDELION WINE”: ON THE WAY TO AN IMPRESSIONISTIC NOVEL." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 107–20. http://dx.doi.org/10.32342/2523-4463-2022-2-24-9.

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The focus of this article is on the peculiarities of autobiographical memory images representation in the literary piece. The purpose of this work is to research the poetics of autobiographical memory in Ray Bradbury`s novel Dandelion Wine. To conduct the research biographical, hermeneutic, historico-literary, and comparative-historical methods of analysis were applied. The poetics of autobiographical memory is represented by the set of artistic means used to render the author`s reminiscences and it combines the work`s autobiographical and autopsychological concepts seen as sort of eventual au
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NARLI, Mehmet. "Autobiography And Novel / Autobiographical Novel." Journal of Turkish Studies Volume 4 Issue 1-1, no. 4 (2009): 901–9. http://dx.doi.org/10.7827/turkishstudies.568.

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Хінкіладзе, Катерина Валеріївна. "ЭЛЕМЕНТЫ «РОМАНА О ПИСАТЕЛЕ» В РОМАНЕ В.П. КРЫМОВА «ФУГА»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 81 (2015): 203–14. https://doi.org/10.5281/zenodo.33007.

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The article deals with an element fiction novel “Fugue” by V.P. Krymov  as “a novel about a writer” who coexists with elements of other genre forms  such as the fraudulent novels, an autobiographical, a family and household, an  adventure, an utopia. The author is trying to create a character who capable of  writing reflection, the creativity suffering, a lack of inspiration and to reflect on  techniques of writing. The hero of the novel creates his own novel, which in principle of two themes in fusion is equal to the main storyline of the work.
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Zhilyakov, Nikita Alexandrovich, and Elena Georgievna Dotsenko. "Metatext of a beatnik “autobiographic text” (Jack Kerouac’s “Big Sur”)." Philology. Issues of Theory and Practice 16, no. 11 (2023): 4089–96. http://dx.doi.org/10.30853/phil20230622.

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The article considers Jack Kerouac’s “Big Sur” (1962) as an autobiographical novel that marks the transition of the beatnik writer’s work to postmodernism. The aim of the research is to determine the significance of metatext impact on the genre characteristics of the autobiographical novel. The article attempts to answer the question whether the structure and content integrity of autobiography as a genre remains in interaction with elements of postmodern poetics. For the first time in this study, both Kerouac’s novel and ‘autobiographic text’ (i.e., a work characterized by autobiographism) are
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김경석. "Rediscussion on ChuangZaoShe’s Autobiographical Novel." Journal of Chinese Language and Literature ll, no. 60 (2012): 229–51. http://dx.doi.org/10.15792/clsyn..60.201208.229.

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Herouvim, John, and Roger Milliss. "Serpent's Tooth. An Autobiographical Novel." Labour History, no. 49 (1985): 116. http://dx.doi.org/10.2307/27508758.

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Köhler, Cristiano A., André F. Carvalho, Gilberto S. Alves, Roger S. McIntyre, Thomas N. Hyphantis, and Martín Cammarota. "Autobiographical Memory Disturbances in Depression: A Novel Therapeutic Target?" Neural Plasticity 2015 (2015): 1–14. http://dx.doi.org/10.1155/2015/759139.

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Major depressive disorder (MDD) is characterized by a dysfunctional processing of autobiographical memories. We review the following core domains of deficit: systematic biases favoring materials of negative emotional valence; diminished access and response to positive memories; a recollection of overgeneral memories in detriment of specific autobiographical memories; and the role of ruminative processes and avoidance when dealing with autobiographical memories. Furthermore, we review evidence from functional neuroimaging studies of neural circuits activated by the recollection of autobiographi
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Onuoha, Onyekachi Peter, and Angela A. Ajimase. "The form and thematic content of #Lori Iro as social media autobiographical novel." International Journal of Humanities and Innovation (IJHI) 5, no. 3 (2022): 97–103. http://dx.doi.org/10.33750/ijhi.v5i3.152.

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The digital space expands our perception of the autobiographical Novel's form in the twenty-first century. Through the application of the concept of form and themes, this paper submits that #Lori Iro is a social media autobiographical novel and exists in multimodal forms across multi social media platforms. This paper observes that social media autobiographical novel is the contribution of Nigerian netizens in the further development of The African Novel. This study observes that the social media autobiographical novel like #Lori Iro is told by multiple narrators, which thrives on auto-fiction
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Panjesotoony, Mojtaba. "The “Road to Nowhere” and “Autobiographical Story” by A. S. Grin: a comparison of the “prison theme”." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 4 (2023): 85–97. http://dx.doi.org/10.15826/izv1.2023.29.4.068.

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This article conducts a comparative analysis of the so-called “prison theme” in two works by A.S. Grin, namely, the “Autobiographical Story” and the novel “The Road to Nowhere”. The “Autobiographical Story” is considered as an objectively unreliable but subjectively reliable source of many episodes in the writer’s life, including his time spent in the prisons of Sevastopol and Feodosia. These episodes were almost entirely reproduced in Grin’s latest novel, “The Road to Nowhere”. In the process of analysis, a series of fragments, details, and plot collisions of the “prison plot” were identified
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Lo Verde, Patrizia. "Nota aggiornata su Une femme m’apparut… di Renée Vivien." Studia Universitatis Babeș-Bolyai Philologia 67, no. 4 (2022): 379–93. http://dx.doi.org/10.24193/subbphilo.2022.4.19.

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"An Updated Note on Une Femme m’apparut… di Renée Vivien. The author reapproaches her pioneering reading of Renée Vivien's 1904 novel Une Femme m'apparut..., updating it in the light of the most recent theoretical-critical studies on the autobiographical novel as a hybrid genre between fact and fiction. Keywords: autobiographical novel, hybrid genre, fiction, fact and fiction, transposition "
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Dissertations / Theses on the topic "Autobiographical novel"

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Bigna, Daniel Humanities &amp Social Sciences Australian Defence Force Academy UNSW. "Life on the margins : the autobiographical fiction of Charles Bukowski." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38717.

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Charles Bukowski devoted his writing career to turning his own life into poetry and prose. In poems and stories about his experiences as one of the working poor in post war America, and in those depicting his experiences as a writer of the American underground, Bukowski represents himself as both a literary and social outsider. Bukowski expresses an alternative literary aesthetic through his fictional persona, Henry Chinaski, who struggles to overcome his suffering in a world he finds absurd, and who embarks on a quest for freedom in his youth to which he remains committed all his life. This t
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Elliott, Gemma Louise. "'Once more she was part of a novel' : Dorothy Richardson's doubly autobiographical Pilgrimage." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30742/.

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This thesis examines Dorothy Richardson's thirteen-volume novel sequence Pilgrimage (1915-1967) as a doubly autobiographical text. Pilgrimage is widely considered to be a fictionalised retelling of Richardson's own life, and many critics have found little difference between the lives of Dorothy Richardson and her protagonist Miriam Henderson. Following the Künstlerroman tradition, Richardson's novel sequence concerns itself exclusively with the life and coming to adulthood of Miriam Henderson who, like her creator, has an interest in documenting her own life. Thus, as Pilgrimage is the produc
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Macabela, Monwabisi Victor. "Country and city: a study of autobiographical tropes in Ncumisa Vapi's novel Litshona limpume." Doctoral thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11945.

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Includes bibliographical references.<br>The title of this thesis, Country and City - Autobiographical tropes in Ncumisa Vapi's Litshona Liphume arises out of a complex understanding of the author's narrative and literary intentions. Country refers to the fact that the story is set in a specifically named rural area in the Eastern Cape in the late 1960s and early 1970s. City on the other hand does not refer to any particular city, but is rather a symbol of changed and challenge, of opportunity and wealth but also of a world view deficient in tradition and spiritual connection with the land and
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Rhodes, Emma. "A novel measure for the evaluation of autobiographical memory and mentalization in different social contexts." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4621/.

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Background: The theories used to explain autobiographical memory and mentalization cite complementary mechanisms, and positive associations have been demonstrated between these functions. These cognitive operations may vary in different social contexts, dependent upon the prevailing social mentality (Gilbert, 1989, 2005). Aim: This study evaluated a new method for assessing autobiographical memory retrieval, and reflective-functioning, in response to cues consistent with different social mentalities. Methods: A sample consisting of participants with either schizophrenia-spectrum disorders or c
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Eburne, Andrew. "Frederick Rolfe : The Desire and Pursuit of the Whole, 1908-1912; an examination of the autobiographical and fantastic narratives within the novel; with a new text of a novel." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260714.

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Pereira, Alice de Araujo Nascimento. "A (her)story of ones own: fiction and autobiography in Julia Alvarezs novels." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3447.

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Escritoras migrantes frequentemente publicam romances autobiográficos que mesclam ficção com suas histórias pessoais. Essas escritoras usam suas experiências pessoais para discutir questões coletivas relacionadas aos diversos tipos de deslocamento associados ao processo diaspórico. As migrações em massa das ex-colônias para as metrópoles dos países desenvolvidos cresceram significantemente após a Segunda Guerra Mundial, gerando ao mesmo tempo contato mais próximos e conflitos entre culturas. Essa dissertação pretende analisar os romances autobiográficos How the García Girls Lost their Accents
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Silva, Vivian Bezerra da. "A vida como produto de invenção: o caráter autobiográfico da escrita de Fernando Sabino." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8911.

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Com base na relevância que se dá hoje aos estudos das escritas de si, foi investigado o teor autobiográfico que permeia a obra do escritor Fernando Sabino em três dos seus livros: O encontro marcado (1956), O menino no espelho (1982) e O tabuleiro de damas (1988). Cada uma dessas obras foi analisada a partir de perspectivas distintas do gênero autobiográfico: romance autobiográfico, autoficção e autobiografia, respectivamente. O trabalho também aborda a construção da imagem do escritor Fernando Sabino na cena literária, analisando o modo como o escritor se apresenta em seus textos e investigan
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Torstensson, Matilda. "Fiktionen som verklighet, verkligheten som fiktion : En analys av gränsupplösningen mellan verklighet och fiktion i Carina Rydbergs Djävulsformeln." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-66230.

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The way we socialize today is radically different from how it was only twenty years ago. Since the arrival of the Internet more and more of what we know about the lives of our friends comes from text-based social networks, or blogs. This means that we all, more or less, have become authors of our own life stories and that the reality we live in have become fictionalized. In this paper I explore what effects this postmodern process of dissolving boundaries has had on the autobiographical genre, where the line between fiction and reality is traditionally stressed. By analysing Carina Rydberg’s (
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Ferreira, Quézia Fideles. "O divórcio e a reconciliação da mesquita com estado: a constituição discursiva do sujeito mulher iraniana na escrita autobiográfica." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9168.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2017-07-31T11:57:53Z No. of bitstreams: 1 arquivototal.pdf: 928533 bytes, checksum: 50c7a01860e44bc1dcc59f2057924f81 (MD5)<br>Made available in DSpace on 2017-07-31T11:57:53Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 928533 bytes, checksum: 50c7a01860e44bc1dcc59f2057924f81 (MD5) Previous issue date: 2016-08-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The constitution of the subject in all societies is closely linked to power relations established in a given historical moment. These relationships perva
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Nyberg, Johanna. "Berätta då : En narratologisk och tematisk analys av alla vilda och Kärlek i Europa." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-136239.

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The focus of this study is on how the identity narrative is constructed and how the narrative effects the reader’s perception of the protagonist’s identity in the autobiographical novels Kärlek i Europa and alla vilda by Birgitta Stenberg. The discourse of autobiographical writing is used to analyse the novels with the perspective that an autobiographical text communicates with it’s readers. By close-reading the pattern of the narrative becomes visible. The analys of the narrative show that the narrator changes positions throughout the novels. In effect, this means that the narrator and the pr
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Books on the topic "Autobiographical novel"

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Kenneth, Rexroth. An autobiographical novel. New Directions, 1991.

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Burrows, Gloria P. Bittersweet: An autobiographical novel. Media Pub., 2005.

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Ale, Liubinas, Liubinas Ale, and Liubinas Ale, eds. Homeland lost: An autobiographical novel. Sid Harta, 2003.

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Liubinas, Ale. Under Eucalypts: An autobiographical novel. Fosbee, 2001.

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Cary, Nelson, ed. Another hill: An autobiographical novel. University of Illinois Press, 1994.

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Zweig, Stefanie. Nowhere in Africa: An autobiographical novel. Wilhelm Heyne, 2003.

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Vali, Gyenge. The promise: A fictional-autobiographical novel. Outgoing Press, 2005.

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Fudge, Calvin Louis. Under foreign skies: An autobiographical novel. Prestige Pub., 2004.

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Labaki, Joseph M. A riffian's tune: An autobiographical novel. Clunett Press, 2013.

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Lewitt, Maria. No snow in December: An autobiographical novel. Heinemann, 1985.

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Book chapters on the topic "Autobiographical novel"

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Santos, Filipe Delfim. "José Régio and the Portuguese Autobiographical School Novel." In Education and the Boarding School Novel. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-741-2_5.

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Wagner-Egelhaaf, Martina. "Of Strange Loops and Real Effects: Five Theses on Autofiction/the Autofictional." In Palgrave Studies in Life Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_2.

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AbstractThis chapter explores the advantages of understanding the autofictional as a flexible matrix with scalable parameters. It puts forward five theses: (1) The fact that so many scholars have tried to work with the term “autofiction” indicates an obvious need for the “autofictional” to grasp what is vibrant between life and text. (2) The autofictional is a scalable and latent dimension in all autobiographical writing. Therefore, autofiction is not a separate genre in addition to autobiography and the novel. (3) Imagination and the use of the supernatural may support autobiographical refere
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Graczyk, Agnieszka. "Images of Destruction in the Autobiographical Novel of Iraqi Writer Haifa Zangana." In Travel and Identity: Studies in Literature, Culture and Language. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74021-8_7.

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Wood, Madeleine. "Charles Dickens—Lost Children and ‘Primal Scenes’: The ‘Autobiographical Fragment’, Dombey and Son and Great Expectations." In Parents and Children in the Mid-Victorian Novel. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45469-2_4.

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Englund, Lena. "Representing Migration." In Storying Contemporary Migration. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-62003-4_2.

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AbstractRepresentation is a central theme of this book, addressed in all chapters in multiple ways, and introduced here in relation to a novel which received significant backlash upon publication: Jeanine Cummins’s American Dirt (2019). Central questions concern who can and should write stories of migration and in what contexts, and the controversy surrounding the novel also raises concerns about biases of the publishing industry and the limited representation of authors from various ethnic and racial backgrounds, in this case, writers who define themselves as Latin American/Latinx. The recept
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Bonasia, Mattia. "Per uno studio delle transizioni narrative in Il dispatrio." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0565-8.12.

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The article presents a narratological study of Il dispatrio, structured by two key critical axes: the connection between autobiography and point of view. Il dispatrio is presented as a distinctly autobiographical novel, written in first person, with a rhapsodic and discontinuous development. We demonstrate how Meneghello’s transcultural identity produces a dialectic of perspectives which identifies the self in different ways through space and time. Finally, the methods by which the narrator links various situations are examined, as the narrative transitions between fragments. We aim to demonst
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Nisini, Giorgio. "Posizionamenti storiografici. Luigi Meneghello nei più recenti manuali di letteratura italiana del Novecento." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0565-8.46.

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Luigi Meneghello is a firmly established author in the 20th century Italian literary canon. His critical profile, however, is less stable: on the one hand, he is mainly remembered as one of the main writers of the Resistance, especially thanks to his autobiographical novel I piccoli maestri (1964); on the other hand, he is fully framed in the field of linguistic experimentalism of the 1960s-1970s, with the attention of critics focused in particular on his debut work Libera nos a malo (1963). By analysing the main literary histories adopted in Italian universities in the last three years, this
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Bartolini, Stefano. "Sudate carte. Uno sguardo alla letteratura del lavoro." In Idee di lavoro e di ozio per la nostra civiltà. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0319-7.174.

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The text examines some social and labourist fiction books released between 2006 and 2022, from the historical novel to autobiographical writing together with a collective writing workshop. The analysis traces the characterizing and salient themes trying to understand what type of work is described in these books, what is the spirit of the time they express and the characteristic recurring themes. What emerges is a vision of labour that strongly claims the historicity and existence of the working classes, in a society where their presence and their imagination is mostly denied, marked by the th
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"3.5 Autobiographical Novel." In Handbook of Autobiography / Autofiction. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110279818-061.

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"The Autobiographical Novel." In Design and Truth in Autobiography. Routledge, 2015. http://dx.doi.org/10.4324/9781315674605-11.

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Conference papers on the topic "Autobiographical novel"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Štěpánek, Václav. "Čeští dobrovolníci v srbské armádě jako básníci a spisovatelé. Příspěvek k 110. výročí začátku Velké války." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-4.

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The paper is dedicated to the 110th anniversary of the outbreak of the Great War, which, as is well known, began with the very unsuccessful attacks of the Austro-Hungarian army on Serbia. The literature of the Czech participants in the Great War is very colourful, both those who wrote about their war journey within the Austrian army and those who, for various reasons, switched to the side of the Triple Entente who fought against their "wider homeland" and returned home, unlike the former, crowned with the glory of heroes. Much has been written about this literature, and it would seem that ther
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"The Author's "Psychological Autobiography"-"Martin Eden" Is an Autobiographical Novel of Appreciation." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.11.

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Kramar, Olga. "Reception of Production Ideas of V. Meyerhold in the Autobiographical Novel "Tyapkatan" by T. Churilin." In Proceedings of the International Conference "Topical Problems of Philology and Didactics: Interdisciplinary Approach in Humanities and Social Sciences" (TPHD 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/tphd-18.2019.41.

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Romanova, K. "THE MANIFESTATIONS OF TRANSCULTURALITY IN ELCHIN SAFARLI’S NOVEL THE “SWEET SAULT OF THE BOSPHORUS”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3734.rus_lit_20-21/234-238.

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The article analyses how transculturality manifests itself in a Russian-language novel the Sweet Salt of the Bosphorus by Azerbaijani writer Elchin Safarli. Despite the author’s allusions to the Constantinopolitan text of the 20th century Russian literature, a range of specifics prevents one from referring this novel to the Russian literary tradition. Due to the symbiosis of two mentalities in Safarli’s perception of the world, this literary piece incorporates the following transliterary features of writing: the author’s specific bilingual consciousness, which unlike monolingual, particularly
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Perevalova, S. "TRADITIONS OF THE NOVEL “IN THE TRENCHES OF STALINGRAD” BY V.P. NEKRASOV IN THE RUSSIAN “LIEUTENANT’S” PROSE OF THE LAST THIRD OF THE XX CENTURY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3740.rus_lit_20-21/257-260.

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The article is devoted to the influence of the novel “In the trenches of Stalingrad” by V.P. Nekrasov on the Russian “lieutenant” prose of the last third of the XX century, authors of which during the great Patriotic war fought on the front line as soldiers or young commanders of the Red Army. Because autobiographical heroes of analyzed artworks are young as their authors in their front youth, today books of veterans of the Great Patriotic war and talented authors, including in educational literary programs at school and at universities, have the big value in patriotic education of the young,
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Othman, Amna. "The Journey to Salvation in Jamaica Kincaid's The Autobiography of My Mother." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.943.

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The current research paper discusses the hardships women are enduring to maintain a powerful character that could resist the oppressive forces. Two segments are going to be examined throughout this study: the price children have to pay when parents are unfitted to their roles and the invasion of a homeland. The infestation of a native land and the people's subsequent loss of identity are comparable to the absence of a true mother. In this novel, The Autobiography of My Mother, the protagonist explores her journey from the abused childhood to the independent adulthood. The novelist, Jamaica Kin
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8

Prelovšek, Anita. "Music in the Life and Works of Boris Leonidovich Pasternak." In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.i30.

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Abstract: This article describes how the life and works of Boris Pasternak were strongly connected with music. Pasternak began his artistic career as a musician, namely a pianist and student of composition. His interest in music was contributed by his acquaintance with the composer Alexander Scriabin, who made a strong impression on the young Pasternak and inspired him to music. Pasternak devoted several chapters to Scriabin in his short prose Safe Conduct and Essay in Autobiography. A few years later, when Pasternak gave up music, his sense of the musicality of the verse remained in his poetr
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9

Moseshvili, Tinatini. "Soviet Ideologemes and their Critique in Givi Margvelashvili's Fluchtästhetische Novelle." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8955.

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German-speaking Georgian writer and philosopher Givi Margvelashvili (1927-2020), whose life was determined by the violent regime of the Soviet Union, criticizes the ideology of the Soviet Union in his metafictional works. The paper discusses his novel Fluchtästhetische Novelle (2012), in which a migrant author, along with the critique of the ideology, attempts to process a traumatic past and tries to selfmedicate. Fluchtästhetische Novelle is an auto-intertextual work. The pretext of the novel is Givi Margvelashvili's autobiographical work Captain Vakush (Kapitän Wakusch, 1991/1992) volumes I
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10

Modi, Amishal. "IRONIC HUMOUR IN ART SPIEGELMAN’S MAUS: A BAKHTINIAN READING AND A THEORY OF HUMOUR." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.188m.

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Mikhail Bakhtin views the novel as the most democratic of genres containing a variety of voices none of which are subsumed within the voice of the author. Each voice has its own viewpoint and narrative prominence. While most narratives contain dialogic elements, few texts are truly polyphonic. Art Spiegelman’s 1992 Pulitzer Prize winning work of creative nonfiction Maus, which is in graphic form, offers to the reader a double consciousness and the reader is able to see the world through two different lenses: through the eyes of Vladek Spiegelman, Spiegelman’s father and the narrator of the mai
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