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Journal articles on the topic 'Autobiographical novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Stepanova, Anna A., and Liudmyla S. Dushatska. "POETICS OF AUTOBIOGRAPHICAL MEMORY IN RAY BRADBURY’S NOVEL “DANDELION WINE”: ON THE WAY TO AN IMPRESSIONISTIC NOVEL." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 107–20. http://dx.doi.org/10.32342/2523-4463-2022-2-24-9.

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The focus of this article is on the peculiarities of autobiographical memory images representation in the literary piece. The purpose of this work is to research the poetics of autobiographical memory in Ray Bradbury`s novel Dandelion Wine. To conduct the research biographical, hermeneutic, historico-literary, and comparative-historical methods of analysis were applied. The poetics of autobiographical memory is represented by the set of artistic means used to render the author`s reminiscences and it combines the work`s autobiographical and autopsychological concepts seen as sort of eventual au

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2

NARLI, Mehmet. "Autobiography And Novel / Autobiographical Novel." Journal of Turkish Studies Volume 4 Issue 1-1, no. 4 (2009): 901–9. http://dx.doi.org/10.7827/turkishstudies.568.

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3

Хінкіладзе, Катерина Валеріївна. "ЭЛЕМЕНТЫ «РОМАНА О ПИСАТЕЛЕ» В РОМАНЕ В.П. КРЫМОВА «ФУГА»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 81 (2015): 203–14. https://doi.org/10.5281/zenodo.33007.

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The article deals with an element fiction novel “Fugue” by V.P. Krymov  as “a novel about a writer” who coexists with elements of other genre forms  such as the fraudulent novels, an autobiographical, a family and household, an  adventure, an utopia. The author is trying to create a character who capable of  writing reflection, the creativity suffering, a lack of inspiration and to reflect on  techniques of writing. The hero of the novel creates his own novel, which in principle of two themes in fusion is equal to the main storyline of the work.

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4

Zhilyakov, Nikita Alexandrovich, and Elena Georgievna Dotsenko. "Metatext of a beatnik “autobiographic text” (Jack Kerouac’s “Big Sur”)." Philology. Issues of Theory and Practice 16, no. 11 (2023): 4089–96. http://dx.doi.org/10.30853/phil20230622.

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The article considers Jack Kerouac’s “Big Sur” (1962) as an autobiographical novel that marks the transition of the beatnik writer’s work to postmodernism. The aim of the research is to determine the significance of metatext impact on the genre characteristics of the autobiographical novel. The article attempts to answer the question whether the structure and content integrity of autobiography as a genre remains in interaction with elements of postmodern poetics. For the first time in this study, both Kerouac’s novel and ‘autobiographic text’ (i.e., a work characterized by autobiographism) are

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5

김경석. "Rediscussion on ChuangZaoShe’s Autobiographical Novel." Journal of Chinese Language and Literature ll, no. 60 (2012): 229–51. http://dx.doi.org/10.15792/clsyn..60.201208.229.

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6

Herouvim, John, and Roger Milliss. "Serpent's Tooth. An Autobiographical Novel." Labour History, no. 49 (1985): 116. http://dx.doi.org/10.2307/27508758.

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7

Köhler, Cristiano A., André F. Carvalho, Gilberto S. Alves, Roger S. McIntyre, Thomas N. Hyphantis, and Martín Cammarota. "Autobiographical Memory Disturbances in Depression: A Novel Therapeutic Target?" Neural Plasticity 2015 (2015): 1–14. http://dx.doi.org/10.1155/2015/759139.

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Major depressive disorder (MDD) is characterized by a dysfunctional processing of autobiographical memories. We review the following core domains of deficit: systematic biases favoring materials of negative emotional valence; diminished access and response to positive memories; a recollection of overgeneral memories in detriment of specific autobiographical memories; and the role of ruminative processes and avoidance when dealing with autobiographical memories. Furthermore, we review evidence from functional neuroimaging studies of neural circuits activated by the recollection of autobiographi

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8

Onuoha, Onyekachi Peter, and Angela A. Ajimase. "The form and thematic content of #Lori Iro as social media autobiographical novel." International Journal of Humanities and Innovation (IJHI) 5, no. 3 (2022): 97–103. http://dx.doi.org/10.33750/ijhi.v5i3.152.

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The digital space expands our perception of the autobiographical Novel's form in the twenty-first century. Through the application of the concept of form and themes, this paper submits that #Lori Iro is a social media autobiographical novel and exists in multimodal forms across multi social media platforms. This paper observes that social media autobiographical novel is the contribution of Nigerian netizens in the further development of The African Novel. This study observes that the social media autobiographical novel like #Lori Iro is told by multiple narrators, which thrives on auto-fiction

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9

Panjesotoony, Mojtaba. "The “Road to Nowhere” and “Autobiographical Story” by A. S. Grin: a comparison of the “prison theme”." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 4 (2023): 85–97. http://dx.doi.org/10.15826/izv1.2023.29.4.068.

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This article conducts a comparative analysis of the so-called “prison theme” in two works by A.S. Grin, namely, the “Autobiographical Story” and the novel “The Road to Nowhere”. The “Autobiographical Story” is considered as an objectively unreliable but subjectively reliable source of many episodes in the writer’s life, including his time spent in the prisons of Sevastopol and Feodosia. These episodes were almost entirely reproduced in Grin’s latest novel, “The Road to Nowhere”. In the process of analysis, a series of fragments, details, and plot collisions of the “prison plot” were identified

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10

Lo Verde, Patrizia. "Nota aggiornata su Une femme m’apparut… di Renée Vivien." Studia Universitatis Babeș-Bolyai Philologia 67, no. 4 (2022): 379–93. http://dx.doi.org/10.24193/subbphilo.2022.4.19.

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"An Updated Note on Une Femme m’apparut… di Renée Vivien. The author reapproaches her pioneering reading of Renée Vivien's 1904 novel Une Femme m'apparut..., updating it in the light of the most recent theoretical-critical studies on the autobiographical novel as a hybrid genre between fact and fiction. Keywords: autobiographical novel, hybrid genre, fiction, fact and fiction, transposition "

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Mukherjee, Arnab. "Autobiographical Elements in Sons and Lovers." Integrated Journal for Research in Arts and Humanities 3, no. 2 (2023): 78–81. http://dx.doi.org/10.55544/ijrah.3.2.13.

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Lawrence had begun writing the novel Sons and Lovers as a tribute to his mother. The plot is firmly knit and the characters are well drawn. It contains some of Lawrence’s finest descriptions of life in the mining village. The first title given to it was ‘Paul Morel’. The novel is autobiographical, Paul Morel being Lawrence himself. However, whatever we receive in this novel is not pure autobiography but autobiography fictionalized. So, it is an adaptation from life and a work of art. Majority of the critics call this novel as ‘semi autobiographical’. Analyzing all the important events in the n

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12

Tsvetkova, Milena, Yuri Kolin, Yuliya Bakhnova, and Svetlana Salimova. "The importance of separating the author from the narrative in modern and classical literature." Ars & Humanitas 15, no. 2 (2021): 249–61. http://dx.doi.org/10.4312/ars.15.2.249-261.

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The purpose of the study is to analyse the autobiographical works by contemporary Kazakh, Russian and American writers of the late twentieth and early twenty-first centuries belonging to the post-colonial and post-totalitarian discourses in terms of the specificity of the author’s representation. Based on a literature analysis, it has been concluded that the development of post-colonial and post-totalitarian discourse is reflected in updating the genre of an autobiographical novel that gives the author some freedom to choose factual material and fictional elements as part of the artistic embod

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13

Åkerström, Ulla. "Collective Motherliness in Italy. Reception and Reformulation of Ellen Key’s feminist ideas in Sibilla Aleramo and Ada Negri (1905-1921)." Bergen Language and Linguistics Studies 10, no. 1 (2019): 10. http://dx.doi.org/10.15845/bells.v10i1.1389.

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This paper aims to explore how the Swedish writer Ellen Key’s ideas on collective motherliness and on the relationship between man and woman were received and reformulated in the articles, poetry and prose of Sibilla Aleramo and Ada Negri before and after the First World War. The ideas in Aleramo’s autobiographical novel Una donna (1906) were close to Key’s theories, but her autobiographical novel Il passaggio (1919) was quite different. Ada Negri’s idealistic view of motherhood, as expressed in her collection of poetry Maternità (1904), corresponded to parts of Key’s conception of motherhood,

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14

Morozova, Nataliia, and Andrii Savenko. "TRANSLATION CHALLENGES OF NIKOS KAZANTZAKIS' "AUTOBIOGRAPHICAL" NOVEL." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 31 (2022): 112–17. http://dx.doi.org/10.17721/1728-2659.2022.31.23.

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15

Jang, Ma Ri. "Writing a Short Autobiographical Novel : Case-oriented." Journal of Next-generation Convergence Technology Association 6, no. 12 (2022): 2364–75. http://dx.doi.org/10.33097/jncta.2022.06.12.2364.

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16

Pla, Xavier. "Josep Pla, una escriptura per als temps de la crisi de la ficció." Tripodos, no. 5 (April 20, 1998): 16–22. https://doi.org/10.51698/tripodos.1998.5.16-22.

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The European novel has been constructed, since the eighteenth century, around two opposite poles: a "biographical" model, which tries to explain the existence of the characters captured in their totality, and the "autobiographical" model, in which a character tells the story of his life. After World War II, the novel enters into a crisis which strengthens the "autobiographical" model, of which the literary work ofJosep Pla is a representative. fn the works ofPla, there is a search for individual truth and an interest in the different degrees of play between the identity and the "f". Neverthele

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17

Komiya, Michiko. "The Autobiographical Myth in Ju.K. Olesha’s Novel Envy." Studia Litterarum 3, no. 3 (2018): 162–75. http://dx.doi.org/10.22455/2500-4247-2018-3-3-162-175.

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18

Snider, Zachary. "The ‘Authorial Other’ in the Autobiographical Social Novel." New Writing 11, no. 2 (2014): 270–88. http://dx.doi.org/10.1080/14790726.2014.904893.

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19

Szegedy-Maszák, Mihály. "The life and times of the autobiographical novel." Neohelicon 13, no. 1 (1986): 83–104. http://dx.doi.org/10.1007/bf02118115.

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20

Kikhney, Lyubov G., and Olga I. Osipova. "The narrative structure in the N. Abgaryan trilogy “Manyunya”." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 607–15. http://dx.doi.org/10.22363/2312-9220-2019-24-4-607-615.

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The narrative structure of a modern autobiographical novel is being studied in the article based on the N. Abgaryan trilogy “Manyunya”. It is noted that in general the above autobiographical genre retains constant features. The latter include the techniques of creation of the chronotype, creation the embodiment of the image of the character, the prototype of whom is the author of the novel. But the transformation of genre is quite evident in the structure of the narration changes, which includes the implicit dialogue with reader. It is shown that the novel is characterized by the narrative exp

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21

Amiryan, T. N. "DANIEL PENNCAC: FROM DETECTIVE TO AUTOFICTION." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 98–118. http://dx.doi.org/10.31249/chel/2020.03.07.

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The article considers the evolution of autobiographical prose by Daniel Pennac, which is characterized by the transition from his earlier novels (1970-1990s) to the metanarrative essay «Reads like a novel» (1992), autobiographical novel «School Blues» (2007), and autofictional works such as «Le Journal d’un corps» (2012) and «La Loi du rêveur» (2020). The current article focuses on the literature and means of fictionalization of his own biography, which becomes the central figure and topic for multi-genre writings of the author.

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22

Khoma, Vasylyna I. "IDENTITY FORMATION OF THE CHILD MIGRANT IN MICHAEL ONDAATJE’S AUTOBIOGRAPHICAL NOVEL “THE CAT’S TABLE”." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 66–76. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-5.

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The current article examines the process of identity formation in the autobiographical novel “The Cat’s Table” by Michael Ondaatje, a Sri Lankan-born Canadian writer. The novel focuses on the childhood and youth stages, which are critical periods for transitioning into adulthood. The research aims to reconstruct the artistic depiction of the migrant character’s identity as they travel from East to West, taking into account the influence of location, environment, external factors, the experience of emigration and survival on the way to the formation of one’s own self. Research methods are subor

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23

Visser, Damian A., Indira Tendolkar, Aart H. Schene, Livia van de Kraats, Henricus G. Ruhe, and Janna N. Vrijsen. "A Pilot Study of Smartphone-Based Memory Bias Modification and Its Effect on Memory Bias and Depressive symptoms in an Unselected Population." Cognitive Therapy and Research 44, no. 1 (2019): 61–72. http://dx.doi.org/10.1007/s10608-019-10042-x.

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Abstract Memory bias modification (MBM) is a relatively new approach at targeting biased processing—a central cognitive factor causing and maintaining depression. In this pilot study we aimed to develop a smartphone-based autobiographical memory training, a novel form of MBM. A total of 153 unselected participants were randomly allocated to one of three experimental training conditions (positive, negative or sham memory training) conducted over a period of three days. Autobiographical memory bias and depressive scores were assessed pre- and post-training, whilst recent event recall and explici

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24

Premat, Christophe. "L’absence d’un frère dans Le Dicôlon de Yannis Kiourtsaki." Quêtes littéraires, no. 2 (December 30, 2012): 134–43. http://dx.doi.org/10.31743/ql.4634.

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Yannis Kiourtsakis wrote Le Dicôlon, an autobiographical novel which describes all the important events for the Kiourtsakis family throughout the twentieth century. The novel is written under the spell of the author’s brother’s absences as he committed suicide. The experience of an irremediable loss echoes the collective destiny of Greece. The article focuses on the conditions of the staging of this loss with an analysis of different types of narration. In which way is the autobiographical genre affected by the writing of the death?

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Iova, Horia. "Diplomatic gifts as expression of the colonial trauma. Stories of African wooden and ivory sculptures." University of Bucharest Review Literary and Cultural Studies Series 12, no. 2 (2022): 70–82. http://dx.doi.org/10.31178/ubr.12.2.6.

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Potts, Sister Mary Esther. "Steinbeck’s Self-Revelations in East of Eden." Steinbeck Review 19, no. 1 (2022): 18–32. http://dx.doi.org/10.5325/steinbeckreview.19.1.0018.

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Abstract Though many scholars have discussed the theme of dysfunctional family relationships in East of Eden, a fuller treatment of the autobiographical elements and intentions in the novel is still needed. A comparison of biographical documents with character developments in Steinbeck’s “big book” demonstrates correspondence between the relationships and emotional difficulties of both its fictional and nonfictional characters and those experienced by the author and his sons. Steinbeck’s maternal heritage unfolds in the nonfictional Hamilton narratives, while his paternal heritage unfolds in t

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27

Gurevich, Rimma. "H. Kant’s Autobiographical Novel «The Stay» («Der Aufenthalt», 1976): Fiction and Reality." Izvestia of Smolensk State University, no. 1 (53) (April 12, 2021): 117–27. http://dx.doi.org/10.35785/2072-9464-2021-53-1-117-127.

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The theme of Kant’s autobiographical novel «The Stay» (Der Aufenthalt, 1976) is the spiritual rebirth of German prisoner of war, a soldier of the Hitlerite ar-my. The article reveals the interaction of two components found in the novel: the fic-tional and the real ones in depicting this complex psychological process. The analysis of the chapters (X, XV, VI) shows various forms of artistic –aesthetic processing of authentic autobiographical material. In Chapter X the author «collects» his own emotional impressions, experienced by him in different periods of his life (such as cold, loneliness, h

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Ponomarev, Evgeny R. "“The Life of Bunin” and “The Life of Arseniev”: novel projections of biography and the mistakes they cause." Sibirskiy filologicheskiy zhurnal, no. 2 (2023): 124–38. http://dx.doi.org/10.17223/18137083/83/10.

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The paper offers a parallel reading of the book “Zhizn’ Bunina” (“The Life of Bunin”) by Vera Muromtseva-Bunina and the novel “Zhizn’ Arsenieva” (“The Life of Arseniev”) by Ivan Bunin. Numerous correspondences allow us to show the crucial role of the novel quotations in the biography composition. Detailed analysis of the text of the first chapter of “Zhizn’ Bunina” reveals all the sources of the biography: the autobiographical synopsis written by Bunin, sketches preserved in the archive after the writer’s death, oral stories by Bunin and his relatives, preserved in the memory of Muromtseva-Bun

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Gorelova, Olga Olegovna. "Literary-documental narrative in the fictional autobiographic novel “My Secret History” by Paul Theroux." Litera, no. 5 (May 2020): 39–49. http://dx.doi.org/10.25136/2409-8698.2020.5.32908.

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This article raises the problem of differentiation between authorial fiction and factual information in the fictional autobiographic prose that interfere with each other. The object of this research is the fictional autobiographic prose as a peculiar type of text with structure containing system codes of diverse narrative nature. The subject of this research is the characteristics and features of the literary-documental narrative in a fictional autobiographical text. The goal consists in demonstrating the dual nature of the fictional biographic prose on the example of literary-documental novel

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Othman, Amna A. "Autobiographical and Cultural Influences in F. Scott ‎Fitzgerald's ‘Tender is the Night’‎." Cihan University-Erbil Journal of Humanities and Social Sciences 6, no. 1 (2022): 83–86. http://dx.doi.org/10.24086/cuejhss.v6n1y2022.pp83-86.

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Like most of his contemporaries of the American men of letter who spent long years as expatriates in Europe, F. Scott Fitzgerald's most works are influenced by either autobiographical elements or some philosophical, scientific and historical sources, which are put together in terms of "cultural elements". The main sources and material of Fitzgerald's fictional works in general and in ‘‘Tender is the Night’’ in particular are those of autobiographical and cultural influences that played major roles in setting the environments, delineating the characters and suggesting the themes of his works. T

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Hovhannisyan, Mariam, Nadine Chau, Austin Deffner, Jessica R. Andrews-Hanna, and Matthew D. Grilli. "42 Age-Related Alterations in Representational Forms of Imagination: A Novel Scoring Protocol Applied to Autobiographical Memory." Journal of the International Neuropsychological Society 29, s1 (2023): 351–52. http://dx.doi.org/10.1017/s1355617723004782.

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Objective:Human imagination is a complex system that allows us to form images or concepts in the mind that are not present to the senses. Research on imagination has been heavily influenced by the idea that humans store two distinct types of long-term memory: episodic and semantic memory. This theoretical distinction is particularly important in the context of aging, where older adults show reduced episodic memory compared to semantic memory (Levine et al., 2002). However, recent work has shown that these two memories are not as distinct as once thought (Renoult et al., 2019; Irish & Vatan

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32

Cabeza, Roberto, Steve E. Prince, Sander M. Daselaar, et al. "Brain Activity during Episodic Retrieval of Autobiographical and Laboratory Events: An fMRI Study using a Novel Photo Paradigm." Journal of Cognitive Neuroscience 16, no. 9 (2004): 1583–94. http://dx.doi.org/10.1162/0898929042568578.

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Functional neuroimaging studies of episodic memory retrieval generally measure brain activity while participants remember items encountered in the laboratory (“controlled laboratory condition”) or events from their own life (“open autobiographical condition”). Differences in activation between these conditions may reflect differences in retrieval processes, memory remoteness, emotional content, retrieval success, self-referential processing, visual/spatial memory, and recollection. To clarify the nature of these differences, a functional MRI study was conducted using a novel “photo paradigm,”

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33

Saburova, Liudmila E. "Tommaso Landolfi: in Search of a Free Genre Form." Studia Litterarum 6, no. 1 (2021): 52–65. http://dx.doi.org/10.22455/2500-4247-2021-6-1-52-65.

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This article focuses on genre characteristics of Tommaso Landolfi’s works which the author himself called diaries: “La biere du pecheur,” “Rien va” and “Des mois.” Although formally these three texts are not related and moreover, considerably differ from each other in structure and in content, they are united by a common narrative strategy, due to their genre features. Preserving main characteristics inherent in autobiographical prose, these diaries are at the same time aesthetically organized texts that have an artistic structure and contain artistic imagery as well as, most importantly, elem

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Kjerkegaard, Stefan. "A Lyrical ‘I’ Beyond Fiction. Yahya Hassan and Autobiographical Poetry in Denmark After Karl Ove Knausgaard’s My Struggle." European Journal of Life Writing 10 (July 9, 2021): SV75—SV95. http://dx.doi.org/10.21827/ejlw.10.37640.

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This article focuses on contemporary autobiographical Danish poetry following the publication of Norwegian author Karl Ove Knausgaard’s novel Min kamp [My Struggle], originally published between 2009 and 2011 [My Struggle (2012–2018)]. Focusing on the 2013 poetry collection Yahya Hassan by the Danish-Palestinian poet Yahya Hassan, this article argues that the lyrical autobiographical voice escapes its narrative construction in fiction, illustrating a lyrical ‘I’ in contemporary autobiographical poetry that is ‘beyond fiction’. Paradoxically, this is due in part to Knausgaard’s novel, where mov

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Kim, Sayeong. "A Model and Case of English Literature Instruction Using Autobiographical Graphic Novels for Critical Multicultural Education." Korean Society for Teaching English Literature 26, no. 3 (2022): 35–70. http://dx.doi.org/10.19068/jtel.2022.26.3.02.

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Critical multiculturalism has recently been accepted as a pedagogical framework, which emphasizes diversity and social justice as a way of realizing praxis on the issue of race, gender, sexual orientation, religion, disability, migration, refugee, and so on. This frame is in line with rising of autobiographical graphic novels consisting of two different modes, image and text, which sheds light on the marginalized population’s voices. Based on the close potential connection between critical multiculturalism and autobiographical graphic novels, this paper proposes an instruction model and case w

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KURAKO, Yulia S. "Autobiographical motifs in Yan Lianke’s novel «Days, months, years»." Известия Восточного института, no. 2 (2017): 4–9. http://dx.doi.org/10.24866/2542-1611/2017-2/4-9.

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37

Burger, Bibi. "Travels with My Father. An Autobiographical Novel (Karen Jennings)." Tydskrif vir Letterkunde 54, no. 2 (2017): 172–74. http://dx.doi.org/10.17159/2309-9070/tvl.v.54i2.2977.

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38

Tselovalnikova, D. N. "Peculiarities of Autobiographical narration in F.M. Dostoyevsky’s novel «Idiot»." Izvestiya of Saratov University. Philology. Journalism 10, no. 2 (2010): 69–74. http://dx.doi.org/10.18500/1817-7115-2010-10-2-69-74.

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In memories-impressions of the main character of the novel «Idiot» on the Swiss nature, the tin cross and the condition before attacks of epilepsy the mechanism of mingling past with present based on the internal logic of hero’s subconsciousness is traced. External events are only a certain external impulse activating and provoking the work of thought, connecting the events of external life with those of spiritual life, which allows to estimate past events from the point of view of the present and actually is a way of mastering the reality.

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Maryna, RYZHENKO, ANISENKO Olena, and SEMENOVA Lyudmyla. "AUTOBIOGRAPHICAL FEATURES OF F.S. FITZGERALD’S NOVEL “THE GREAT GATSBY”." Humanities science current issues 3, no. 57 (2022): 149–52. http://dx.doi.org/10.24919/2308-4863/57-3-23.

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40

Erez, Jonathan, Marie-Eve Gagnon, and Adrian M. Owen. "Differentiating Real-World Autobiographical Experiences without Recourse to Behaviour." Brain Sciences 11, no. 4 (2021): 521. http://dx.doi.org/10.3390/brainsci11040521.

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Investigating human consciousness based on brain activity alone is a key challenge in cognitive neuroscience. One of its central facets, the ability to form autobiographical memories, has been investigated through several fMRI studies that have revealed a pattern of activity across a network of frontal, parietal, and medial temporal lobe regions when participants view personal photographs, as opposed to when they view photographs from someone else’s life. Here, our goal was to attempt to decode when participants were re-experiencing an entire event, captured on video from a first-person perspe

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Hermann, Lukas. "Autonom autobiografisch: Zu Thomas Manns Die Entstehung des Doktor Faustus." arcadia 55, no. 1 (2020): 83–99. http://dx.doi.org/10.1515/arcadia-2020-0003.

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AbstractIn its peritext, Thomas Mann’s Entstehung des Doktor Faustus is described as a “Roman eines Romans”. The essay reasons that this description of its genre as well as structural aspects of its composition mark it as an autobiographical text. Instead of following most studies on the Doktor Faustus, which regard the Entstehung simply as a documentary source for exposing autobiographical intricacies of Mann’s novel, textual evidence for the Entstehung’s autonomy is given. The analysis focuses first on the structural frame of the Entstehung in order to show Mann’s central techniques of autob

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Fenerci, Can, Bianca Adjei, and Signy Sheldon. "Remembering what we imagine: the role of event schemas in shaping how imagined autobiographical events are recalled." Learning & Memory 31, no. 4 (2024): a053993. http://dx.doi.org/10.1101/lm.053993.124.

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Much like recalling autobiographical memories, constructing imagined autobiographical events depends on episodic memory processes. The ability to imagine events contributes to several future-oriented behaviors (e.g., decision-making, problem solving), which relies, in part, on the ability to remember the imagined events. A factor affecting the memorability of such events is their adherence to event schemas—conceptualizations of how events generally unfold. In the current study, we examined how two aspects of event schemas—event expectancy and familiarity—affect the ability to recall imagined e

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Domsa, Zsófia. "Trauma og minne i Jon Fosses Stengd gitar." Scandinavistica Vilnensis 17, no. 2 (2023): 253–72. http://dx.doi.org/10.15388/scandinavisticavilnensis.2023.13.

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Jon Fosse’s writing is characterized by a constant return to turmoil that is often associated with traumatic events in the past. His literary figures seem to be trapped in their painful memories. The very cause or starting point of their trauma often remains hidden or unsaid. The novel Closed Guitar from 1985 is about Liv, a young single mother who locks herself out of her apartment where her one-year-old son is. In the novel, we follow the thoughts of a lonely person who is closed as much inside as outside. The main character in the novel undergoes a mental journey into the past and is tossed

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Smith, Sidonie, and Julia Watson. "Metalepsis in Autobiographical Narrative." European Journal of Life Writing 8 (April 9, 2019): 1–27. http://dx.doi.org/10.21827/ejlw.8.35479.

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How do fictional tactics operate in what is often simplistically termed the “factual” or referential world of autobiographical discourse? Many narratologists view the rhetorical figure of metalepsis as distinctive to metafictional texts and constitutive of “fictional” narration, which they posit in antithesis to “factual” narration. But regarding autobiographical narrative only within the realm of fact ignores its complexity. While some theorists of autobiographical narrative have read it through the rhetorical figure of prosopopeia, as elaborated by Paul de Man in characterizing its “de-facem

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Y. Gashi, Agron. "Fact and Fiction in Autoconfession: A Theoretical Confrontation." Journal of Educational and Social Research 11, no. 6 (2021): 105. http://dx.doi.org/10.36941/jesr-2021-0132.

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The formulation of the topic fact and fiction in auto-confession is a result of earlier research in which the greatest theoretical confrontation takes place in the area of autobiographical prose. This paper investigates and explores issues with which contemporary poetics is faced regarding the concepts in question, especially when they coexist within a work concerned either with genre codification or with undefined status (i.e. hybrid genre). Such discussions are often accompanied by great dilemmas on whether auto-confessional texts such as autobiography or autobiographical prose should be con

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Osiewicz, Bartosz. "Автобиографическое начало в романе Захара Прилепина Патологии". Acta Polono-Ruthenica 1, № XXIV (2019): 97–112. http://dx.doi.org/10.31648/apr.4402.

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This article is devoted to the analysis of the autobiographical element in the novel by Zachar Prilepin The Pathologies. It can be noticed that the contemporary Russian writer resigns from postmodernism poetics and turns to the tradition of realistic literature. What is more, he wants to overcome the crisis of authorship. The novel The Pathologies is also a response to the esthetic need of modern readers, who are interested in broadly understood autobiography and observation of life in all its dimensions. Prilepin – a veteran of The First and the Second Chechen Wars – shares his soldier’s expe

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Stanca, Nicoleta. "“From Baby Tackoo To Sunny Jim”: Joyce’s “A Portrait of the Artist as a Young Man” As Fictional Biography." Linguaculture 2, no. 1 (2011): 37–44. http://dx.doi.org/10.47743/lincu-2011-2-1-254.

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The reader must not identify Stephen Dedalus in A Portrait of the Artist as a Young Man with James Joyce in every respect. For instance, Stephen is represented at Clongowes as a timid boy, conscious of his smallness and weakness. Conversely, young Joyce was keen on hurdling and cricket, won cups in sports competitions and earned the nickname “Sunny Jim” due to his cheerful disposition. This paper will trace autobiographical elements in the novel with the purpose to prove that they are meant not as mere recordings of particular autobiographical experiences but as instances of universality. Henc

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Puzyreva, O. G. "GENRE DEFINITIONS OF THE AUTHOR'S EDUCATIONAL AND FICTIONAL TEXT OF A TEACHER FOR A FOREIGN AUDIENCE AT THE LEVEL OF PROFICIENCY IN RUSSIAN B1-C1." National Association of Scientists 3, no. 26(53) (2020): 4–27. http://dx.doi.org/10.31618/nas.2413-5291.2020.3.53.177.

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The article analyzes the genre originality of the author's educational fiction text for a foreign audience. The formal and substantial connection of the proposed text with the autobiographical narrative, autobiographical and lyrical-prose discourses, as well as with the representative definitions of the novel is investigated. It is suggested that the text of such a mixed type contributes to the successful implementation of the complex educational goals that the teacher has in mind, creating a similar artistic and methodological structure.

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Petrič, Jerneja. "Spomini Franka Javha Kerna: primer slovenske izseljenske avtobiografije v ZDA." Jezik in slovstvo 53, no. 3-4 (2024): 131–43. http://dx.doi.org/10.4312/jis.53.3-4.131-143.

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The paper is divided into three parts. In the Introduction, the author briefly speaks about the inconsistency in the use of literary terms autobiographymemoirdiaryjournal and autobiographical novel. The second part surveys the »golden era« of American Slovene/Slovene American autobiography, between 1891 and 1965, pointing to some general thematic and stylistic characteristics. The third part of the paper analyzes Frank Javh Kern's 1937 autobiographical book Spomini ob tridesetletnici prihoda v Ameriko, a hybrid text consisting mostly of autobiography, memoir and diary.

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Cariello, Marta. "Coming of Age in the Solitude of the Lost Land: Randa Jarrar’s A Map of Home." HAWWA 12, no. 2-3 (2014): 268–88. http://dx.doi.org/10.1163/15692086-12341266.

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This contribution analyzes Palestinian-American Randa Jarrar’s semi-autobiographical novelA Map of Home(2008). The novel is read through various, overlapping lenses: the use of the semi-autobiographical form and the related challenge, brought about by the woman migrant writer, to the genre itself of autobiography and its relevance to individual and collective identity formation, the deconstruction of fixed, universal subjectivity and the challenge that exile narratives bring to the narration of nations, the specific positionality of the author that brings into play not only Arab and Arab-Ameri

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