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Journal articles on the topic 'Autobiography (Yeats, W. B.)'

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Published: 4 June 2021

Last updated: 29 July 2025

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1

Moran, Chris. "Becoming a Gordon Craig: Micheál mac Liammóir and Edward Gordon Craig’s Shared Beliefs and Performances of Self." Review of Irish Studies in Europe 4, no. 1 (2021): 27–42. http://dx.doi.org/10.32803/rise.v4i1.2637.

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Micheál mac Liammóir (1898-1978) and Edward Gordon Craig (1872-1966) shared many similarities: both were actors, designers, directors, and writers, and both rejected the realist tradition dominant in the theatre of their times. Craig’s developments in design throughout Europe laid a path for mac Liammóir to follow; indeed, mac Liammóir begins his autobiography All for Hecuba (1946) with the claim, ‘I would become [...] a Gordon Craig’. However, their affinities were not only in design and other aspects of theatre practice but in their shared artistic beliefs and performances of identity. This

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2

Nasi, Eleni. "W. B. Yeats." Translation and Translanguaging in Multilingual Contexts 10, no. 3 (2024): 371–87. http://dx.doi.org/10.1075/ttmc.00145.nas.

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Abstract The study analyzes three Greek versions of two of W. B. Yeats’ poems, ‘When You Are Old’ and ‘No Second Troy’, both related to the theme of unrequited love, merging feelings of bitterness and love. It examines how power distance manifests itself in the three versions of the poems. The study designed a questionnaire to evaluate potential variation in the type and intensity of feelings shaped in the three Greek versions of the two poems. Findings show that there is variation in the interpersonal distance between the poet and the beloved: some translators seem to emphasize bitterness and

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3

Genet, Jacqueline. "W. B. Yeats & George Yeats." Études irlandaises, no. 36-2 (December 30, 2011): 192–93. http://dx.doi.org/10.4000/etudesirlandaises.2521.

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4

Rhee, Young Suck. "Expressionism in W. B. Yeats and Jack Yeats." Yeats Journal of Korea 36 (December 30, 2010): 125–38. http://dx.doi.org/10.14354/yjk.2011.36.125.

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5

Sheils, B. "W. B. Yeats & George Yeats: The Letters." English 62, no. 236 (2012): 91–93. http://dx.doi.org/10.1093/english/efs029.

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6

Lee, Cheolhee. "W. B. Yeats as Imagist." Yeats Journal of Korea 47 (August 31, 2015): 247–60. http://dx.doi.org/10.14354/yjk.2015.47.247.

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7

MORRIS, BRUCE. "ARTHUR SYMONS/W. B. YEATS." Notes and Queries 32, no. 4 (1985): 506—c—506. http://dx.doi.org/10.1093/nq/32-4-506c.

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8

Abdul Ameer, Sahar. "Mythology in W. B. Yeast's Early Poetry." Kufa Journal of Arts 1, no. 6 (2010): 27–46. http://dx.doi.org/10.36317/kaj/2010/v1.i6.6110.

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Because Irish myth and folklore had been suppressed by church doctrine and British control of school system, W.B.Yeats used his poetry as a tool for re-educating the Irish population about their heritage and as a strategy for developing Irish nationalism. Thus the participation of Yeats in the Irish political system had its origins in his interest in Irish myth and folklore. Yeats retold entire folktales in epic poems and plays and used fragments of stories in shorter poems. Moreover, he presented poems which deal with subjects, images, and themes called from folklore. Most important, Yeats in

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9

Mohammed, Zeyad, and Kanubhai D. Patel. "W. B. Yeats and the Awakening of Irish Nationalism." Journal of Asian Multicultural Research for Social Sciences Study 6, no. 1 (2025): 52–59. https://doi.org/10.47616/jamrsss.v6i1.595.

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This paper explores the influential role of W. B. Yeats in the awakening of Irish nationalism during the late 19th and early 20th centuries. Yeats, a seminal figure in both literature and politics, utilized his poetry, plays, and public persona to rekindle a sense of Irish identity and pride among his compatriots. The study examines Yeats' involvement with the Irish Literary Revival, his association with key nationalist figures, and his contribution to the cultural and political movements that sought to resist British colonial rule. By analyzing Yeats' major works and their thematic focus on I

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10

Murray, Paul. "W. B. Yeats and Bram Stoker." Yeats Journal of Korea 12 (December 31, 1999): 285–97. http://dx.doi.org/10.14354/yjk.1999.12.285.

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11

Ko, Joon-Seog, and Dong-Yul Cho. "W. B. Yeats and the Upanishads." Yeats Journal of Korea 30 (June 30, 2008): 5–28. http://dx.doi.org/10.14354/yjk.2008.30.5.

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12

Albright, Daniel. "Introduction: W. B. Yeats: The Poems." Yeats Journal of Korea 41 (June 30, 2013): 11–48. http://dx.doi.org/10.14354/yjk.2013.41.11.

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13

Kim, Younghee. "W. B. Yeats and Walt Whitman." Yeats Journal of Korea 58 (April 30, 2019): 327–45. http://dx.doi.org/10.14354/yjk.2019.58.327.

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14

Macansantos, Monica. "My Father and W. B. Yeats." Hopkins Review 15, no. 3 (2022): 79–90. http://dx.doi.org/10.1353/thr.2022.0078.

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15

가와시마 다케시 and 권정희. "Oe Kenzaburo and W. B. Yeats." CONCEPT AND COMMUNICATION ll, no. 14 (2014): 137–71. http://dx.doi.org/10.15797/concom.2014..14.004.

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16

Baker, William. "W. B. Yeats: An Unpublished Letter." Style 58, no. 1 (2024): 93–95. http://dx.doi.org/10.5325/style.58.1.0093.

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ABSTRACT The discovery of a hitherto unknown unpublished late W. B. Yeats letter reveals sources for his critically neglected poem “Upon a Dying Lady” first published in 1917. The letter also shows Yeats’s fascination with hearing voices in a dream.

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17

Dampier, Graham. "W. B. Yeats and the Muses." Irish Studies Review 20, no. 1 (2012): 99–101. http://dx.doi.org/10.1080/09670882.2012.656225.

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18

Armstrong, Charles. "A Master’s Monument Shakespeare’s Sonnets in the Poetry of W. B. Yeats." Early Modern Culture Online 1, no. 1 (2010): 21. http://dx.doi.org/10.15845/emco.v1i1.1213.

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This article explores the reception of Shakespeare’s Sonnets by W.B. Yeats. In her recent study Our Secret Discipline: Yeats and Lyric Form (2007), Helen Vendler has stressed the importance of taking the formal structures of W. B. Yeats’ poetry seriously. If her analyses occasionally seem overwrought in all their technical detail, she nevertheless forcefully argues that “technique was never, for Yeats, without conceptual meaning” (153). But the actual conceptual meanings she brings forth are often less than convincing – particularly so in the case of Yeats’ appropriation of the Shakespearean s

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19

Armstrong, Charles. "A Master’s Monument Shakespeare’s Sonnets in the Poetry of W. B. Yeats." Early Modern Culture Online 1, no. 1 (2010): 21. http://dx.doi.org/10.15845/emco.v1i1.1243.

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This article explores the reception of Shakespeare’s Sonnets by W.B. Yeats. In her recent study Our Secret Discipline: Yeats and Lyric Form (2007), Helen Vendler has stressed the importance of taking the formal structures of W. B. Yeats’ poetry seriously. If her analyses occasionally seem overwrought in all their technical detail, she nevertheless forcefully argues that “technique was never, for Yeats, without conceptual meaning” (153). But the actual conceptual meanings she brings forth are often less than convincing – particularly so in the case of Yeats’ appropriation of the Shakespearean s

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20

Karmaker, Ritesh, and Shamoly Malaker. "Sherpur’s Students Perception of Yeats Themes Representing Ireland and Its’ Connection to Japan’s Noh." JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang 8, no. 1 (2023): 10–22. http://dx.doi.org/10.17509/japanedu.v8i1.57405.

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The article shows that W. B. Yeats' themes have drawn attention to how Ireland's history and culture have developed. Irish bard W. B. Yeats is a pioneer who is advancing his country's culture, society, and civilization. To maintain the political cacophony of his nation while maintaining the impression of Ireland's atmospheric layout in his literature, he is constantly seen upholding it. His philosophical thoughts and concepts soften the edge of Ireland's independence. He uses the themes to make a point about coming up with ideas. In his themes, he demonstrates his writing style and presentatio

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21

McNamee, Brendan. ""What then?": poststructuralism, authorial intention and W. B. Yeats." Revista Alicantina de Estudios Ingleses, no. 18 (November 15, 2005): 215. http://dx.doi.org/10.14198/raei.2005.18.10.

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Using aspects Yeats' s life and work (poems, philosophy, publishing episodes) as a lens, and focusing on the question of authorial intention, this paper explores certain conflicts and interrelations between traditional and poststructuralist theories of both textual and literary criticism. It will seek to show how Yeats himself embodies and mirrors this conflict in his work, both textually and thematically, and how the most important aspect of this conflict, for Yeats and for literature in general, is that it remains unresolved. Contrasting the ideas of E.D. Hirsch with those of Jerome McGann o

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22

Bryden, Mary, and Gordon S. Armstrong. "Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Words." Modern Language Review 87, no. 3 (1992): 728. http://dx.doi.org/10.2307/3732976.

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23

Dowling, Linda, W. B. Yeats, John Kelly, and Eric Domville. "The Collected Letters of W. B. Yeats." Modern Language Review 83, no. 1 (1988): 174. http://dx.doi.org/10.2307/3728583.

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24

Foster, Roy. "Writing a Life of W. B. Yeats." Irish Review (1986-), no. 21 (1997): 92. http://dx.doi.org/10.2307/29735864.

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25

Vladic Jovanov, Milena. "THE DOUBLE POETIC OF W. B. YEATS." Folia linguistica et litteraria XII, no. 35 (2021): 87–116. http://dx.doi.org/10.31902/fll.35.2021.5.

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In the double poetic of W. B. Yeats, a certain relation between poems is initiated; and this relation is not only interpreted by means of various approaches to the theories of intertextuality but rather the theory of deconstruction as well. Yeats makes it so his poems lean on one another, creating in his poetic practice a self-referentiality, owing to the fact that he uses his own poetry as a basis for further verse-creation. Reality is, in fact, art, which is why in the space between poems a narrative pointed toward diverse themes is formed. One of these themes is art and the poet’s experienc

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26

Rhee, Young Suck. "Denis Donoghue, ed. W. B. Yeats: Memoirs." Yeats Journal of Korea 15 (June 30, 2001): 185–86. http://dx.doi.org/10.14354/yjk.2001.15.185.

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27

Suh, Hye Sook. "W. B. Yeats and Irish Fairy Tales." Yeats Journal of Korea 18 (December 31, 2002): 25–54. http://dx.doi.org/10.14354/yjk.2002.18.25.

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28

Cho, Dong-Yul. "The Creative Mind of W. B. Yeats." Yeats Journal of Korea 5 (December 31, 1995): 93–119. http://dx.doi.org/10.14354/yjk.1995.5.93.

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29

Morin, Emilie. "W. B. Yeats and Broadcasting, 1924–1965." Historical Journal of Film, Radio and Television 35, no. 1 (2014): 145–75. http://dx.doi.org/10.1080/01439685.2013.847648.

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30

Allison, Jonathan. "W. B. Yeats, Space, and Cultural Nationalism." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 14, no. 4 (2001): 55–67. http://dx.doi.org/10.1080/08957690109598175.

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31

Hashim, Abdel Mohsen Ibrahim. "Exploring Contrasts: Depiction of Irish Rural Life in Yeats and Kavanagh." IAFOR Journal of Literature & Librarianship 13, no. 1 (2024): 97–111. http://dx.doi.org/10.22492/ijl.13.1.06.

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This paper aims to investigate the depiction of Irish rural life in selected poems by W. B. Yeats and Patrick Kavanagh. Modern Irish poetry presents two contrasting perspectives on the portrayal of rural Ireland. Some poets like W. B. Yeats, Derek Mahon, and Seamus Heaney, along with other leading Irish poets, romanticize the Irish countryside, portraying it as charming, magnificent, and idyllic. These poets prefer to live in tune with nature, tempted by its pastoral landscape and inspired by its idealized tranquility. In contrast, other modern Irish poets, including Patrick Kavanagh, Eavan Bo

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32

Rhee, Young Suck, та Lianggong Luo. "W. B. 예이츠와 비극". Yeats Journal of Korea 57 (31 грудня 2018): 65–80. http://dx.doi.org/10.14354/yjk.2018.57.65.

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33

Whitaker, Thomas R., Malati Ramratnam, and David Young. "W. B. Yeats and the Craft of Verse." Yearbook of English Studies 20 (1990): 317. http://dx.doi.org/10.2307/3507606.

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34

Anderson, Andrew A. "Was Garcia Lorca Dyslexic (Like W. B. Yeats)?" Modern Language Review 94, no. 3 (1999): 700. http://dx.doi.org/10.2307/3736996.

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35

Domville, Eric, K. P. S. Jochum, Eitel Timm, and Eric Wredenhagen. "W. B. Yeats: A Classified Bibliography of Criticism." Canadian Journal of Irish Studies 18, no. 2 (1992): 125. http://dx.doi.org/10.2307/25512934.

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36

Haslam, Richard. "W. B. Yeats : Snobbery as mood and mode." Études irlandaises 29, no. 1 (2004): 55–72. http://dx.doi.org/10.3406/irlan.2004.1699.

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37

McDonald, Russell. "The Reception of W. B. Yeats in Europe." Comparative Literature Studies 45, no. 3 (2008): 415–17. http://dx.doi.org/10.2307/complitstudies.45.3.0415.

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38

Ewart, Gavin. "Nearly There: W. B. Yeats and Maud Gonne." Grand Street 8, no. 4 (1989): 243. http://dx.doi.org/10.2307/25007290.

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39

Choe, Youngja. "A Portrait of W. B. Yeats: Last Poems." Yeats Journal of Korea 14 (December 31, 2000): 33–58. http://dx.doi.org/10.14354/yjk.2000.14.33.

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40

Yoon, Ilhwan. "W. B. Yeats and Absence of the Center." Yeats Journal of Korea 34 (December 30, 2009): 123–43. http://dx.doi.org/10.14354/yjk.2010.34.123.

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41

Rooksby, Rikky. "Smith, S., W. B. Yeats: A Critical Introduction." Notes and Queries 39, no. 1 (1992): 125–26. http://dx.doi.org/10.1093/nq/39.1.125.

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42

Hynd, Hazel. "Celtic Rivals: John Davidson and W. B. Yeats." Irish Studies Review 10, no. 3 (2002): 277–88. http://dx.doi.org/10.1080/0967088022000040257.

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43

Al-Douri, Hamdi H. "W. B. Yeats and the Quest for Order." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 53–58. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp53-58.

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This paper is an attempt to explore Yeats’s quest for order and how this quest found expression in his works. Throughout his life, Yeats was dissatisfied with the religious, artistic, political, anthropological and intellectual aspects of life, in both Ireland and England which have taken away from modern man the sense of order. His father's skepticism, his dissatisfaction with the spiritless religion of his time, a religion which seems dead and his sense of alienation at school among British students were behind his ceaseless search for alternative orders which became the preoccupation of all

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44

Rhee, Young Suck. "W. B. Yeats, Yeats Studies, and Bibliography: An Interview with Klaus Peter Jochum." Yeats Journal of Korea 39 (June 30, 2012): 13–19. http://dx.doi.org/10.14354/yjk.2012.39.13.

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45

Zhou, Dan. "W. B. 예이츠와 민속문화". Yeats Journal of Korea 58 (30 квітня 2019): 105–17. http://dx.doi.org/10.14354/yjk.2019.58.105.

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46

Tao, Shilong. "Being Towards Death: Tragic Aesthetics and Stoicism in W. B. Yeats’s Men Improve With The Years." Advances in Language and Literary Studies 11, no. 4 (2020): 1. http://dx.doi.org/10.7575/aiac.alls.v.11n.4p.1.

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Men Improve With The Years was written by W. B. Yeats in 1916 by the time he had turned 50 years old. This paper argues that in this poem, Yeats presents his philosophical thoughts of the tragic life among human beings, highlighting that the joy in tragedy is “the way to survive” while the sorrow in tragedy is “being towards death”. Influenced by Nietzsche’s aesthetic notions of the Apollonian and Dionysian art, Yeats holds a kind of tragic aesthetic view towards death—“the unity of being” of individual life and nature, and aims to seek the joy of growing old and the freedom to create life out

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47

Smith, Stan, Kathleen Raine, and W. B. Yeats. "Yeats the Initiate: Essays on Certain Themes in the Work of W. B. Yeats." Modern Language Review 88, no. 1 (1993): 168. http://dx.doi.org/10.2307/3730815.

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48

Elliott, Maurice, and Ann Saddlemyer. "Becoming George. The Life of Mrs W. B. Yeats." Canadian Journal of Irish Studies 28/29 (2002): 202. http://dx.doi.org/10.2307/25515438.

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49

Cosgrove, Brian, and Roy Foster. "W. B. Yeats: A Life. II: The Arch-Poet." Canadian Journal of Irish Studies 30, no. 2 (2004): 79. http://dx.doi.org/10.2307/25515543.

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50

McDowell, Colin, and Timothy Materer. "Gyre and Vortex: W. B. Yeats and Ezra Pound." Twentieth Century Literature 31, no. 4 (1985): 343. http://dx.doi.org/10.2307/441459.

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