Dissertations / Theses on the topic 'AutoCAD 2006'

The thesis is presenting and considerating CAD programs, that can help to project hydrotechnique pales. The thesis is analyzing spillway concrete gravitation dam (SCGD) on the ground substructure, spillway design automation, calculations of stresses under spillway and spillway stability. This work supposes two CAD programs – AutoCad and MathCad - to automate spillway design. Manually mould and draw the spillway profile take a lot of time. Spillway is the main part of the SCGD, so it must be done high precision. There are all automate stages of spillway profile in this article. All automate stages are programming in MathCad program. All results from MathCad program are transporting to AutoCad program. All results are transporting with help of AutoLISP.AutoCad program can draw spillway profile, set its area, center of gravity. All these parameters are using to calculate the stability of spillway. The thesis consist of 4 chapters, conclusions and references. It covers 50 pages without appendixes, 5 tables and 22 pictures are included. Number of references – 25. There are 3 appendixes in the end of thesis.

Many architects is working with AutoCAD system. But it is very time consuming work when it is needed to do such a work like drawing 3D models of walls with openings. This can be solved because of AutoCAD open architecture. Advantages of this would be less of errors in drawings and more time for other work for architects. Created software is able from 2D draft of lines make 3D walls and, if was chossed, openings. The user describes dimensions of wall and / or opening and the program will change selected line by set of planes with the opening inside. There are a few aviable options for user choise: openings may have a form of triangle or rectangular, walls maybe be like surfaces or lines, it is possible to create a wall with an array of rectangular openings, and delete already created walls leaving primary lines. For software creation was choosen Visual Basic for Aplication programing language because of it is object – oriented and easy comunication with standart AutoCAD’s classes and graphical objects. User‘s dialog’s form was choosen nearly these, what apear in such software like Architectural Desktop because of its logical simplicity. Supposing created software will be developed further in these ways: o Adding more opening’s shapes o Creating library of opening’s o Supporting all standarts needed for professional.

AutoCAD sistemos papildymas sukurtas tam, kad būtų lengviau ir paprasčiau dirbti su AutoCAD grafine sistema. Funkcijos sukurtos naudojant AutoLisp ir VisualLISP programavimo kalbas. Sistemos papildymą galima įdiegti į bet kurią AutoCAD versiją. Sukurtas papildymas lankstus naujų funkcijų prijungimui, lengvai eksploatuojamas. Funkcijos suskirstytos į keletą grupių pagal jų formatą.
AutoCAD system complement is created to make more easy working with AutoCAD graphic system. Functions are created using AutoLisp and VisualLISP programming languages. System complement can be implement to whatever release of AutoCAD. Developed complement is flexible for adding new function, maintenance is simple. Functions are divided into some parts by format.

Šiame darbe nagrinėjamas linijų tipų, brūkšniavimų ir formų kūrimo priemonių tyrimas ir realizacija AutoCAD sistemai. Šiuo metu vartotojų netenkina siūlomos priemonės - redaguojant failus susiduriama su sintaksės taisyklėmis, joms išsiaiškinti reikalingas papildomas laikas ir įgūdžiai. Šiuo metu nėra programos ar AutoCAD papildymo, kuris apimtų tris dalykus - linijų tipus, brūkšniavimus ir formų kūrimą. Šio darbo tikslas yra išanalizuoti ir suprojektuoti linijų tipų, brūkšniavimų ir formų kūrimo priemones ir suprojektuoti ir sukurti šiuolaikinę linijų tipų, brūkšniavimų ir formų kūrimo priemonę.
Analysis and realization of tools for creating linetypes, hatch patterns and shapes for AutoCAD system are considered in this paper. AutoCAD users are not satisfied of the tools suggested by AutoCAD. The specific knowledge of creating files of linetypes, hatch patterns and shapes is required and there is not any application or add-in for AutoCAD for creating these objects in visual manner in one. Purpose of this paper is to design and create an application what would create linetypes, hatch patterns and shapes for AutoCAD system in visual manner.

The created learning program is given for students to develop their general practical skills for the use of graphical system AutoCAD 2002. The learning program is given for leraning and teaching using computer. The man van use it anywhere, where is the possibility to work with computer and learn the learning program. There are practical exercises for drawing graphical primitives; hatch and dimension commands; tools for editing graphical objestc it the AutoCAD 2002 learning system. The learning system is divided into different parts by AutoCAD 2002 themes. The requirements: personal computer, Windows 95/98/Me/NT/2000/XP operating system and AutoCAD 2002. The learning system is created using VisualLISP progamming language.

Com a análise histórica da chamada propriedade intelectual, em especial das patentes, copyright e direitos autorais, esta tese trata da crise do capitalismo contemporâneo, e analisa a tendência dissimulada de ascensão de Estados, que com o uso da tecnologia informática e o recrudescimento das legislações, se tornam cada vez mais autoritários e avançam sobre direitos e liberdades civis. Para isso é reconstituída a história dos computadores, da Internet, do Movimento do Software Livre, dos Partidos Piratas, do movimento do Software Livre no Brasil, das legislações de propriedade intelectual no mundo ocidental e da globalização do comércio e das finanças
Through the historical analysis of the \"intellectual property\", in particular patents, copyright and authors rights, this thesis deals with the crisis of contemporary capitalism, and analyzes the covert increasing trend of states, that with the use of computer technology and the intensification of laws, become increasingly authoritarian, eroding civil rights and liberties secured by populations long ago. To reach this objective the history of computers, the Internet, the Free Software Movement, the Pirate Parties, the Free Software movement in Brazil, the intellectual property laws in the Western world and the globalization of trade and finance are reconstituted

CUNHA, André Victor Cavalcanti Seal da. A invenção da imagem autoral de Chico Xavier: uma análise histórica sobre como o jovem desconhecido de Minas Gerais se transformou no médium espírita mais famoso do Brasil (1931-1938). 2015. 302f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em História Social, Fortaleza (CE), 2015.
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The common thread throughout this research is an analysis of Chico Xavier as the carrier of an invented authorial image, built on the complex dynamics involving his representation as a psychographic writer in the production, receptivity and ownership of his works. We have approached Spiritism both as a cultural and editorial phenomenon. We have thus investigated the creation of an authorial image of Xavier, conceived as a collective construct from multiple individuals, including an intellectual elite linked to the Spiritism movement, as well as editors and readers. The chronological period of interest for this research ranges from the end of 1931 to the beginning of 1938. The analysis revealed that the literary work of Xavier was conceived according to the workings of the FEB, having flourished, from the end of the XIX century, within the internal power struggles among religious and scientific spiritualists, as well as within the disputes among different interlocutors in a time of criminalization by the first republican penal code. An overview of the spiritualist literature during the rising of Xavier allowed us to detect evidence of cultural bases for his psycographic writings. As far as his writings are concerned, we identified seductive and convincing strategies in the prefatory texts signed by the medium, involving the use of a large range of textual devices geared towards denying authorship. Yet another analytical movement was developed with a focus on the construction of the authorial image of the young medium from Minas Gerais, on the basis of the receptivity his works, of what was said about him by the first generation of his readers. We noted his rising in the spiritualist literature scenario, as part of a collective project, conceived and lead by frontrunners in the FEB. The editorial inner circle of the FEB, based on the criticism that attempted to disqualify the poetry book written mediunically, promoted transformations in the authorial image of Xavier in an effort to increase the authorship denial, in order to support the spiritual authenticity of the poems. Thus, the evidence of intellectual qualities of Xavier started to fade away. At the same time, his mediunic abilities showed a marked increase. Along with those, his virtuous behavior eventually granted him a reputation of an above-average medium. From such a remarkable position, Chico Xavier inserted different elements into the literary matrix of the current Spiritism of the FEB. This investigation allowed us to understand two strategies for the constitution of author-spirits. In Emmanuel, the editorial success of the character can be directly linked to his overflow that includes acting in paratextual and mostly paraliterary roles. This exercise was based on the fusion between representations of Emmanuel as both a spiritual author and as a guide to the medium. This position allowed the character to assume distinct roles, significantly increasing the possible courses of action of Xavier himself. In the peculiar case of Humberto de Campos, there was an appropriation of the already well-known literary character in order to transform him into an author-spirit. An effort was made to establish a continuous link between the conventional literary production of the chronicler from Maranhão and the psycographed production by Xavier. In this sense, we found, within the mediunic chronicles, the use of literary procedures that attempted to drain the authorial image from the literary to the psycographed text. Those bets turned out to be successful, allowing Chico Xavier to achieve a more prominent role as author-actor in the spiritualist literary scenario and within the setting of the large national press.
Esta pesquisa tem por fio condutor uma análise de Chico Xavier como portador de uma imagem autoral inventada, construída pela complexa dinâmica que constituiu sua representação de escritor psicógrafo na inter-relação produção, recepção e apropriação de suas obras. O Espiritismo nela foi abordado como fenômeno cultural e editorial. Investigou-se, pois, a criação da imagem autoral de Xavier, concebendo esta como uma elaboração coletiva da qual participaram vários sujeitos, dentre eles intelectuais ligados ao movimento espírita, editores e leitores. O período do recorte cronológico propriamente dito foi do final de 1931 até o início de 1938. As análises revelaram que a obra literária de Xavier foi produzida dentro do funcionamento de uma matriz febiana, engendrada, no final do século XIX, no bojo das disputas intestinas entre espíritas religiosos e científicos, bem como nos enfrentamentos com interlocutores em tempos de criminalização pelo primeiro código penal republicano. Um sobrevoo na literatura espírita do período da chegada de Xavier permitiu detectar-se indícios de bases culturais para sua escrita psicográfica. Quanto a sua escrita de si, pôde ser identificadas nos textos prefaciais assinados pelo medium estratégias de sedução e convencimento, com o uso de um amplo espectro de dispositivos textuais voltados à denegação autoral. Um segundo movimento analítico foi desenvolvido enfocando-se a criação da imagem autoral do jovem médium de Minas Gerais através da recepção de sua obra, do que dele disse a primeira geração de seus leitores. Pôde-se compreender seu surgimento na cena literária espiritista, integrando um projeto coletivo elaborado e capitaneado por lideranças da Federação Espírita Brasileira. O núcleo editorial febiano, respondendo as críticas que procuravam desqualificar o livro de poesias escritas mediunicamente, promoveu transformações na imagem autoral de Xavier, visando a intensificar a denegação autoral para sustentar a autenticidade espiritual dos poemas. Assim, foram se diluindo os vestígios de suas qualificações intelectuais. Concomitantemente, potencializaram-se suas qualidades mediúnicas. Em adição, se passou a ressaltar seu comportamento virtuoso, acabando-se por conferir-lhe uma representação de medium acima da média. Nesta destacada posição, Chico Xavier inseriu elementos diferentes na matriz literária vigente no Espiritismo febiano de seu tempo. A investigação permitiu compreender duas estratégias para a constituição de seus espíritos-autores. Em Emmanuel, o sucesso editorial do personagem pode ser diretamente relacionado ao seu transbordamento com atuações em funções paratextuais e, principalmente, paraliterárias. Este exercício estava fundamentado na fusão entre as representações de Emmanuel, tanto como autor espiritual, quanto como guia do medium. Esta posição permitirá ao personagem desempenhar múltiplas atividades, ampliando-se significativamente as possibilidades de ação do próprio Xavier. No caso peculiar de Humberto de Campos, houve a apropriação de um já consagrado personagem literário para transformá-lo em um espírito-autor. Houve uma busca por estabelecer uma continuidade entre a produção literária convencional do Cronista maranhense e a psicografada por Xavier. Neste sentido, encontrou-se nas crônicas mediúnicas uma utilização de procedimentos literários que visavam a drenar a imagem autoral do literato para o texto psicografado. Estas apostas representaram estratégias bem-sucedidas, permitindo a Chico Xavier maior atuação como autor-ator na cena literária espiritista e no cenário da grande impressa nacional.

Publicación a texto completo no autorizada por el autor
Intuir tantas cualidades en la escritora Blanca Varela, hace percibir tres estilos como el de César Vallejo, el del surrealismo y el de Charles Baudelaire. El estilo de poética de Blanca Varela permite descubrir angustia, desencanto, dolor, fastidio, belleza, novedad, misterio, decadencia, rebeldía, placer. Poemas como “Vals del ángelus”, “Historia”, “Cruci-ficción”, “Secreto de familia” o “Casa de cuervos” conmueven y dejan enigmas. Uno de los textos de Varela que hace un tratamiento de la estética de lo grotesco resalta en extremo la poética; como es Ejercicios materiales (EM). Muchos críticos consideran que EM representa un clímax con respecto a alguna etapa, ya sea por su referencialidad corporal, por su corporeidad femenina, por su retórica del horror o por su nivel de desengaño. Al indagar la poética de Varela se observa que no sólo recogía simbolismos de antaño, sino que también los iba actualizando, los invertía, los asimilaba a su época, a su espíritu crítico e incluso generaba sus propia simbología, pero usando la misma operación. Estas estrategias escriturales evidentemente ocultaban una finalidad.
Tesis

The following diploma thesis deals with the management of asynchronous motor revolutions by a frequency converter MICROMASTER 440 via the programmable controller S7-200. At the beginning, I researched the company documentation of Siemens, which is the producer of the frequency converter and the programmable controller mentioned above. As my work proceeded, I also started to study the company documentation of Mitsubishi Electric, which produces the operating pannel. The first part of my thesis provides a general description of the stated devices and the second part deals with the solution of the task itself. My task was to design a way of communication between the converter and the controller. I chose a USS protocol via serial port RS-485. The operation of the controller was performed by using an operating terminal type GOT1000 which was connected to the controller. In summary, my diploma thesis primarily deals with the construction of an operating programme for the controller and with creating of a graphical control on the terminal. In the end, I evaluated the knowledge gained during the work on this subject and suggested further procedures.

Architecture and music share intrinsic meanings generated by a constant stream of metaphors which are forms of poetic transformations. This thesis sought to challenge the present way an architect-musician makes drawings through the exploration of multimedia possibilities at hand. The drawings are composed using Macromedia Flash MX. OPEN HOMEPAGE.EXE To download flash player, click here: Download flash Player
Master of Architecture

The aim of this research is to bridge the gap between CAD modeling and kinematic analysis packages by extracting kinematic information directly from part genometries. It will relieve the designers from the tedious task of specifying assembly constraints and specifying redundant information for creating kinematic models. Automatic generation of kinematic assembly models is achieved by characterizing the lower kinematic pairs: cylindrical, spherical, prismatic, planar and revolute; from the geometries point of view. Based on characterization, the algorithms are developed to recognize these kinematic pairs from a pair of part genometries. The combinations of primitive genometric entities: vertices, edges and faces; forming point, line, arc and surface contacts are studied. The signature geometry is found to be associated with each type of joint. The contacts are analysed for restraining the relative motion between a pair of parts. Based on this, the form closure conditions are derived for surface, line, arc and point contacts for each type of joint. The algorithms are developed to automatically recognize these joints and to assemble them into a kinematic assembly model represented as a graph. The strength and novelty of the present procedure is that kinematic pairs can be recognized for conforming as well as non conforming genometries. A Visual Basic for Application (VBA) for Solid Works has been developed using Application Programming Interface (API) for user interaction. The part genometries can be in any 3D solid modeling neutral file format (.sat, .igs, etc) or some of the native formats of CAD softwares supported by Solid Works. The regions of interest can be directly identified through mouse pick on parts using Solid Works Graphical User Interface (GUI). The transformation matrices are derived automatically to position the parts relative to each other. The local interference between part geometries is also considered for checking the validity of the kinematic pair in the assembly. Assembly model is created and represented as a directed graph. The present implementation, built on the ACIS geometry kernel, imports the parts into SolidWorks, specifies the mating regions using a visual Basic interfaces and finally generates the kinematic assembly model as an ADAMS input file complete with part genometries, their mass properties, kinematic joints and their locations.

Durante o Renascimento assistiu-se em Itália ao surgimento de um novo fenómeno: o da mulher letrada, fruto de um entendimento do ethos que considerava o desenvolvimento intelectual e emocional imprescindível para criar o homem – e a mulher – perfeitos, e que produziu toda uma nova geração de mulheres cultas, sofisticadas e determinadas, oriundas das classes superiores. No entanto, as poderosas famílias italianas que prezavam a cultura antiga e que providenciavam para que as suas filhas, tal como os seus filhos, recebessem uma cuidada instrução literária e até mesmo filosófica, não esperavam que estas tivessem uma vida académica e literária ativa, mas que fossem poetisas, que conseguissem expressar de forma sublime os seus sentimentos, influenciando os varões das suas famílias ou até mesmo moderando a agressividade dos seus impulsos masculinos. Em suma, não se esperava que estas mulheres “pensassem em público”. Neste estudo propomo-nos analisar a vida e obra de Isotta Nogarola, a qual, segundo Maria José Bertolomeu Masiá, foi considerada a primeira mulher realmente culta do Renascimento e que tentou seguir uma carreira académica no meio exclusivamente masculino dos primórdios do Humanismo. Numa época pouco favorável às mulheres que tentavam escrever algo mais do que versos, esta humanista italiana conta-se entre esse escasso número de mulheres que, transgredindo as regras do silêncio imposto ao seu género, enfrentaram a solidão e o desprezo de uma sociedade que não lhes queria dar voz. A fim de melhor compreender a importância da sua produção literária e partindo da leitura crítica da sua obra, propomo-nos contextualizá-la como uma autora feminina que esteve ativa no período formativo dos studia humanitatis, transmitindo simultaneamente os conceitos, referências e estilo da sua obra e traçando a trajetória da sua carreira através de dados biográficos e históricos, com o objetivo de a enquadrar na produção cultural do Quattrocento.
During the Renaissance, Italy witnessed the emergence of a new phenomenon: the learned woman, as a result of an understanding of ethos that considered intellectual and emotional development essential to create the perfect man and woman which produced a whole new generation of educated, sophisticated and strong-minded women, coming from the upper classes. However, the powerful Italian families who prized ancient culture and who arranged for their daughters, as well as their sons, to receive a thorough literary and even philosophical instruction, had not anticipated such an active academic and literary life for their daughters, who were expected to be poets, so that they could express their feelings in sublime ways, thus influencing their family men or even moderating the aggressiveness of their male urges. In short, it was not expected that these women could "think in public." In this study, we will analyse the life and works of Isotta Nogarola who, according to Maria José Bertolomeu Masiá, was considered the first truly educated woman of the Renaissance and attempted to follow an academic career in the circles of the exclusively male beginnings of Humanism. In an unfavourable time to women who tried to write something more than verses, this Italian humanist is among the small number of women who, breaking the rules of silence imposed on her gender, faced loneliness and despair in a society that did not want to give them a voice. In order to better understand the importance of her literary production and starting from the critical reading of her work, we propose to contextualize her as a female author who was active in the formative period of studia humanitatis, and simultaneously provide the concepts, references and style of her work, tracing the path of her career through biographical and historical data, for the purpose of outlining her in the cultural production of Quattrocento.