Relevant bibliographies by topics / Autochrome process

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Academic literature on the topic 'Autochrome process'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Autochrome process"

1

Lavédrine, Bertrand, and Jean-Paul Gandolfo. "The autochrome process." History of Photography 18, no. 2 (June 1994): 120–28. http://dx.doi.org/10.1080/03087298.1994.10442337.

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2

Blackman, Cally. "The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923." Costume 56, no. 1 (March 2022): 51–73. http://dx.doi.org/10.3366/cost.2022.0218.

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This article investigates the use of the Autochrome, an important photographic process invented by the Lumière brothers that produced the most accurate representation of colour between 1907 and the early 1930s, in a government-backed exhibition of French luxury commodities, the Salon du Goût Français. Between 1921 and 1923 the exhibition showed in Paris and undertook two international tours, first to North America and then to Australasia, China, Vietnam, Japan and India. Thousands of objects were displayed, from automobiles to umbrellas, including couture, ready to wear, lingerie, menswear, children's wear and accessories. By reducing the objects to two dimensions on the glass Autochrome plates, the exhibition could be shown in a relatively small venue in Paris, transported to America in a trunk and voyage on a decommissioned battle cruiser to the Far East. Using the trope of Western fashion as a form of soft power mediated by the global reach afforded by the Autochromes, the article proposes that the Salon du Goût Français offered a kind of roving virtual art gallery, a vividly colourful encyclopaedic display of over 2,000 images of luxury manufacturing deployed to restore France's imperial and cultural hegemony as supreme arbiter of taste after the trauma of the First World War.
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3

Blackman, Cally. "Colouring the Claddagh: A Distorted View?" Costume 48, no. 2 (June 1, 2014): 213–35. http://dx.doi.org/10.1179/0590887614z.00000000051.

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This article examines the dress worn in a selection of Marguerite Mespoulet’s autochromes taken of the inhabitants of the Claddagh and in the vicinity of Galway City, western Ireland in 1913. They belong to the Archives de la Planète, an ambitious project launched by French financier Albert Kahn in 1908 to record the culture of ordinary people in fifty countries in order to promote peace through mutual understanding. The Lumière brothers’ autochrome was the first viable photographic process to reproduce authentic colours, unmitigated by intervention or manipulation, and was used for commercial and private purposes between 1907 and the early 1930s. Mespoulet’s images are thought to be the first colour photographs ever taken in Ireland, and so are invaluable records of the folk dress of a region where the last vestiges of Gaelic culture survived into the twentieth century. Along with her diary notes, they provide a platform from which to explore the slippery nexus between myth and reality, and to question the veracity of some commonly held assumptions about Irish folk dress.
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4

Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (February 2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharmaceutical and medical domain will be presented in this work: a picture of the pharmacist Martin (Gamas), of the physician Charles Abadie and of the physician Gustave Adolphe Raichon. The description of the daguerreotypes will include some other particular examples of empirical restoration from the collection of the author. Another type of photography, important for the history of photography, is the autochrome, one of the first colour photographic process available to the public. It was invented by the Lumière brothers. An example of medical photography from colonial France (Morocco), portraying a case of leprosy, will be presented as well. In the end, some examples from the European and Romanian photography will illustrate the role of the pharmacy and of the pharmacist in the 19th century-early 20th century, as a snapshot of the health professional of that period. In conclusion, the picture speaks for itself and somehow, it can be a vivid time machine for the reconstruction of the past, not only in the fields of pharmacy and medicine, but in any other field as well. Keywords: Daguerreotype, autochrome, pharmacy, medicine, old photography, photography collection. "
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5

Rajashekhar, Kasturi, Challa Gangu Naidu, Chebolu Naga Sesha Sai Pavan Kumar, Bondigalla Ramachandra, and Raju Padiya. "Analytical quality by design aided stability indicating a robust ultra‐performance liquid chromatographic technique for the quantification of sonidegib and its organic impurities in bulk drug substance." SEPARATION SCIENCE PLUS, January 11, 2024. http://dx.doi.org/10.1002/sscp.202300181.

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AbstractA simple quality by design aided stability indicating method was developed for quantification of sonidegib (SONI) and its process related impurities using on ultra‐performance liquid chromatography in bulk drug substance. AutoChrom and Design‐Expert software were used to predict physicochemical properties, draw Ionization graphs, and generate analytical target profile. SONI was subjected to forced degradation conditions, such as oxidative, acid hydrolysis, base hydrolysis, hydrolytic, thermal, and photolytic hydrolysis. All degradation products and process contaminants were separated using an Acquity Ethylene Bridged Hybrid C18 column in gradient elution mode with a mobile phase containing 0.02 M ammonium acetate buffer and acetonitrile: methanol (80:20 v/v). The predicted physicochemical properties are accurate and they facilitated for selection of robust conditions in development of chromatographic method with minimal trials. The developed method can be used for quantification of drug and its process related impurities in bulk drugs.
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Books on the topic "Autochrome process"

1

John, Wood. The art of the autochrome: The birth of color photography. Iowa City: University of Iowa Press, 1993.

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2

Rząca, Tadeusz. Autochromy Małopolska. Olszanica: BOSZ, 2008.

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3

Jean-Paul, Gandolfo, Capderou Christine, and Guinée Ronan, eds. L'autochrome Lumière: Secrets d'atelier et défis industriels. Paris: CTHS, 2009.

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4

Centre de la Vieille Charité., Musées de Marseille. Département Images et anthropologie., and Société française de photographie, eds. La couleur sensible: Photographies autochromes, 1907-1935 : [exposition] Centre de la Vieille Charité, 19 décembre 1996-16 février 1997. Marseille: Musées de Marseille, 1996.

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5

Centre national de la photographie (France), ed. Early color photography. New York: Pantheon Books, 1986.

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6

Borgé, Guy. Les Lumière, Antoine, Auguste, Louis et les autres: L'invention du cinéma, les autochromes. Lyon: Editions lyonnaises d'art et d'histoire, 2004.

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7

Victor, Gray, ed. The colours of another age: The Rothschild autochromes, 1908-1912. London: Rotschild Archive, 2007.

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8

Bjorli, Trond. Norge i farger, 1910: Bilder fra Albert Kahns verdensarkiv. Oslo: Forlaget Press, 2011.

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9

Ernaelsteen, Céline. En couleurs et en lumière: Dans le sillage de l'impressionnisme, la photographie autochrome 1903-1931. Paris: Skira Flammarion, 2013.

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10

Isles, Marie-Isabelle Merle des. Couleurs sensibles: Photographies autochromes de Gustave Gain. Saint-Lô: Archives départementales de la Manche, 2007.

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