Academic literature on the topic 'Autosegmental metrical'

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Journal articles on the topic "Autosegmental metrical"

1

Rice, Keren, and John A. Goldsmith. "Autosegmental and Metrical Phonology." Language 68, no. 1 (1992): 149. http://dx.doi.org/10.2307/416372.

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2

Pierrehumbert, Janet. "Autosegmental and metrical phonology." Journal of Phonetics 21, no. 3 (1993): 357–62. http://dx.doi.org/10.1016/s0095-4470(19)31335-x.

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3

Major, Roy C., and John A. Goldsmith. "Autosegmental and Metrical Phonology: An Introduction." Modern Language Journal 76, no. 2 (1992): 259. http://dx.doi.org/10.2307/329811.

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4

Abu-Salim, Issam M. "Vowel harmony in Palestinian Arabic: a metrical perspective." Journal of Linguistics 23, no. 1 (1987): 1–24. http://dx.doi.org/10.1017/s0022226700011014.

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Previous work on vowel harmony (VH) in Palestinian Arabic (PA), particularly Kenstowicz (1981), has shown that this process is more adequately expressed in autosegmental than in linear terms, since the former permits the two otherwise uncollapsible regressive and progressive harmony processes to be stated in a single unified rule. The present study complements that autosegmental analysis. It shows that the autosegmental rule of VH in PA is constrained simultaneously by metrical and segmental boundaries. That is, high front vowels acquire the feature [+round] only if they are dominated by a foo
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5

PRIETO, PILAR, ANA ESTRELLA, JILL THORSON, and MARIA DEL MAR VANRELL. "Is prosodic development correlated with grammatical and lexical development? Evidence from emerging intonation in Catalan and Spanish." Journal of Child Language 39, no. 2 (2011): 221–57. http://dx.doi.org/10.1017/s030500091100002x.

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ABSTRACTThis investigation focuses on the development of intonation patterns in four Catalan-speaking children and two Spanish-speaking children between 0 ; 11 and 2 ; 4. Pitch contours were prosodically analyzed within the Autosegmental Metrical framework in all meaningful utterances, for a total of 6558 utterances. The pragmatic meaning and communicative function were also assessed. Three main conclusions arise from the results. First, the study shows that the Autosegmental Metrical model can be successfully used to transcribe early intonation contours. Second, results reveal that children's
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Rice, Keren. "Autosegmental and metrical phonology By John A. Goldsmith." Language 68, no. 1 (1992): 149–56. http://dx.doi.org/10.1353/lan.1992.0068.

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7

Doty, Christopher S., and Susan G. Guion. "Tolowa Peak Pitch Alignment: Perspectives from an Autosegmental-Metrical Framework." Annual Meeting of the Berkeley Linguistics Society 33, no. 1 (2007): 106. http://dx.doi.org/10.3765/bls.v33i1.3521.

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8

Mennen, Ineke, Felix Schaeffler, Niall Watt, and Nick Miller. "An Autosegmental-Metrical Investigation of Intonation in People with Parkinson's Disease." Asia Pacific Journal of Speech, Language and Hearing 11, no. 4 (2008): 205–19. http://dx.doi.org/10.1179/136132808805335545.

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9

Schwartz, Richard G. "Clinical Applications of Recent Advances in Phonological Theory." Language, Speech, and Hearing Services in Schools 23, no. 3 (1992): 269–76. http://dx.doi.org/10.1044/0161-1461.2303.269.

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Historically, the behavioral theory of articulation that was applied to clinical assessment was consistent with the behavioral theory of developmental change that was applied to intervention. However, more recent applications of cognitively oriented linguistic theories have not been accompanied by novel intervention approaches. This article reviews some recent advances in phonological theories, including autosegmental, metrical, and lexical phonology, and their potential applications. A new theory of developmental change that also is cognitive in its orientation is presented, along with some p
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10

Köhnlein, Björn. "Contrastive foot structure in Franconian tone-accent dialects." Phonology 33, no. 1 (2016): 87–123. http://dx.doi.org/10.1017/s095267571600004x.

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Franconian has a contrast between two tone accents, commonly referred to as Accent 1 and Accent 2. Traditional autosegmental analyses of the phenomenon suggest that this opposition derives from the presence of lexical tone. In contrast to this ‘tonal approach’, I argue that the Franconian accent contrast is based on contrastive foot structure – there is no tone in the lexicon. This ‘metrical approach’ not only accounts for the tonal differences between the accents, but also captures a variety of facts that are hard to incorporate into a synchronic tonal analysis, involving morphological altern
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