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Relevant bibliographies by topics / Avant-garde (Aesthetics) Art criticism / Books

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Books on the topic 'Avant-garde (Aesthetics) Art criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Seurat and the avant-garde. New Haven: Yale University Press, 1997.

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2

Maruja, Mallo, ed. Maruja Mallo and the Spanish avant-garde. Farnham, Surrey, England: Ashgate, 2010.

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3

Apollinaire on the edge: Modern art, popular culture, and the avant-garde. Amsterdam: Rodopi, 2010.

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4

Hawkins, Joan. Cutting edge: Art-horror and the horrific avant-garde. Minneapolis: University of Minnesota Press, 2000.

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5

Art attack: A short cultural history of the avant-garde. New York: Clarion Books, 1998.

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6

Moffitt, John F. Occultism in avant-garde art: The case of Joseph Beuys. Ann Arbor, Mich: UMI Research Press, 1988.

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7

Children of Marx and Coca-Cola: Chinese avant-garde art and independent cinema. Honolulu: University of Hawai'i Press, 2009.

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8

Oliva, Achille Bonito. Superarte. Milano: G. Politi, 1988.

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9

Abanggarŭdŭ. Sŏul Tʼŭkpyŏlsi: Chʼaek Sesang, 2008.

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10

A l'avant-garde!: Art et politique dans les années 1960 et 1970. Bruxelles: PIE Peter Lang, 2013.

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11

Foster, Hal. The return of the real: The avant-garde at the end of the century. Cambridge, Mass: MIT Press, 1996.

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12

Voiceless vanguard: The infantilist aesthetic of the Russian avant-garde. Evanston, Illinois: Northwestern University Press, 2014.

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13

Adrichem, Jan van. De ontvangst van de moderne kunst in Nederland, 1910-2000: Picasso als pars pro toto. Amsterdam: Prometheus, 2001.

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14

Sorace, Marco A. Avantgarde nach ihrem Ende: Von der Transformation der avantgardistischen Kunst des 20. Jahrhunderts : ein Beitrag zur theologischen Kunstkritik. Freiburg: Alber, 2007.

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15

Domecq, Jean-Philippe. Misère de l'art: Essai sur le dernier demi-siècle de création. Paris: Calmann-Lévy, 1999.

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16

Russian modernism between East and West: Natal'ia Goncharova and the Moscow avant-garde. New York: Cambridge University Press, 2005.

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17

Multimedia modernism: Literature and the Anglo-American avant-garde. New York: Cambridge University Press, 2009.

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18

Puppo, Alessandro Del. "Lacerba" 1913-1915: Arte e critica d'arte. Bergamo: Lubrina, 2000.

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19

The unsung hero of the Russian avant-garde: The life and times of Nikolay Punin. Leiden: Brill, 2012.

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20

Oliva, Achille Bonita. Superart. Milan: G. Politi, 1989.

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21

Russian avant-garde and radical modernism: An introductory reader. Boston: Academic Studies Press, 2012.

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22

Varvara Stepanova. Moskva: Russkiĭ avangard, 2009.

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23

1889-1924, Popova Li︠u︡bovʹ Sergeevna, ed. Li︠u︡bovʹ Popova. Moskva: S.Ė. Gordeev, 2011.

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24

Children's stories and "child-time" in the works of Joseph Cornell and the transatlantic avant-garde. Farnham, Surrey: Ashgate, 2011.

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25

Children's culture and the avant-garde: Painting in Paris, 1890-1915. New York: Routledge, 2012.

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26

A voyage on the North Sea: Art in the age of post-medium condition. London: Thames & Hudson, 2000.

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27

Pissarro, Neo-impressionism, and the spaces of the avant-garde. Chicago: University of Chicago Press, 1996.

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28

Krauss, Rosalind E. A voyage on the North Sea: Art in the age of the post-medium condition. New York, N.Y: Thames & Hudson, 2000.

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29

Fast forward: The aesthetics and ideology of speed in Russian avant-garde culture, 1910-1930. Madison, Wis: University of Wisconsin Press, 2009.

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30

Nakov, Andrei B. Malévitch: Aux avant-gardes de l'art moderne. [Paris]: Gallimard, 2003.

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31

The avant-garde and American postmodernity: Small incisive shocks. Jackson: University Press of Mississippi, 2002.

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32

The popular culture of modern art: Picasso, Duchamp, and avant-gardism. New Haven: Yale University Press, 1994.

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33

Kovalev, Andreĭ. Imennoĭ ukazatelʹ: Ocherki vizualʹnosti. Moskva: Novoe literaturnoe obozrenie, 2005.

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34

Imennoĭ ukazatelʹ. Moskva: Novoe literaturnoe obozrenie, 2005.

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35

Petrović, Margarita. Abjektno kao simptom avangarde. Beograd: Orion Art, 2010.

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36

Lennep, Jacques. L' alchimie du sens: Ouvrage comportant une contribution à la défense de l'esthétique relationnelle. Bruxelles: La Part de l'Oeil, 1999.

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37

Fear of music: Why people get Rothko but don't get Stockhausen. Winchester, UK: O Books, 2009.

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38

Nel, Philip. The avant-garde and American postmodernity: Small incisive shocks. Jackson: University Press of Mississippi, 2002.

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39

Latin American vanguards: The art of contentious encounters. Berkeley: University of California Press, 1994.

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40

Komplizenschaften: Zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin: Frank & Timme, 2006.

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41

1890-1941, Lissitzky El, and Evropeĭskiĭ universitet v. Sankt-Peterburge, eds. "Klinom krasnym beĭ belykh": Geometricheskai︠a︡ simvolika v iskusstve avangarda. Sankt-Peterburg: Izdatelʹstvo Evropeĭskogo universiteta v Sankt-Peterburge, 2014.

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42

Indiana, Gary. Andy Warhol and the can that sold the world. New York: Basic Books, 2010.

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43

Kazimir Malevich. Moskva: S.Ė. Gordeev, 2010.

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44

Indiana, Gary. Andy Warhol and the can that sold the world. New York: Basic Books, 2010.

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45

Scandal & success: Picasso, Dalí y Miró en Estados Unidos : el Instituto Carnegie y otros relatos americanos. Madrid: Eutelequia Editorial, 2012.

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46

On innovative performance(s): Three decades of recollections on alternative theater. Jefferson, N.C: McFarland & Co., 1994.

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47

The wild, wild East: An American art critic's adventures in China. [Hong Kong]: Timezone 8, 2010.

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48

The stridentist movement in Mexico: The avant-garde and cultural change in the 1920s. Lanham, Md: Lexington Books, 2009.

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49

Savage sight, constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. Chapel Hill: U.N.C. Dept. of Romance Languages, 2003.

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50

Sweet, David LeHardy. Savage sight/constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. Chapel Hill, NC: University of North Carolina Press, 2003.

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