Log in

Relevant bibliographies by topics / Avant-garde (music) / Books

To see the other types of publications on this topic, follow the link: Avant-garde (music).

Books on the topic 'Avant-garde (music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Avant-garde (music).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Duteurtre, Benoît. Requiem pour une avant-garde. Paris: R. Laffont, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Robert, Adlington, ed. Otherwise engaged: Avant-garde music and the sixties. New York: Oxford University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Duteurtre, Benoît. Requiem pour une avant-garde: Essai. Paris: Les Belles Lettres, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Larry, Austin, and Kahn Douglas 1951-, eds. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Larry, Austin, and Kahn Douglas 1951-, eds. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

The new music: The avant-garde since 1945. 2nd ed. Oxford [Oxfordshire]: Oxford University Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sitsky, Larry. Music of the repressed Russian avant-garde, 1900-1929. Westport, Conn: Greenwood Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Cohen, Brigid Maureen. Stefan Wolpe, music and the twentieth-century avant-garde. New York: Cambridge University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Mayer, Günter. Musik-Avantgarde: Zur Dialektik von Vorhut und Nachhut ; eine Gedankensammlung für Günter Mayer zum 75. Geburtstag. Oldenburg: Bis-Verlag der Carl von Ossietzky Universität Oldenburg, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Gallo, Guadalupe. Gestionar, mezclar, habitar: Claves en los emprendimientos musicales contemporáneos. Ciudad Autónoma de Buenos Aires: Gorla, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Anderson, Virginia DeVere. British experimental music: Cornelius Cardew and his contemporaries : facsimile of a M.A. thesis. [S.l.]: Experimental Music Catalogue, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Piekut, Benjamin. Experimentalism otherwise: The New York avant-garde and its limits. Berkeley: University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Experimentalism otherwise: The New York avant-garde and its limits. Berkeley: University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

1951-, Kahn Douglas, and Whitehead Gregory, eds. Wireless imagination: Sound, radio and the avant-garde. Cambridge, MA: MIT Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Klemm, Eberhardt. Spuren der Avantgarde: Schriften 1955-1991. Köln: MusikTexte, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

A, Bonfantini Massimo, and Vitali Marco, eds. Dissonanzen: Note dall'avanguardia. Napoli: Edizioni scientifiche italiane, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Alwes, Chester Lee. A history of Western choral music: Romanticism through the avant-garde. New York, NY: Oxford University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Pelé, Gérard. Inesthétiques musicales au XXe siècle. Paris: Harmattan, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Ludger, Brümmer, and Tutschku Hans 1966-, eds. Aventures d'écoute: Adventures of listening = Abenteuer des Hörens. Wien: Verlag Der Apfel, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Landy, Leigh. Experimental music notebooks. Chur, Switzerland: Harwood Academic Publishers, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Guttmann, Clegg &. Decomposition <=> reconstitution, Berlin 1918: Anti-capitalism, avant-garde art, atonal music. Köln: Galerie Christian Nagel, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Maconie, Robin. Avant Garde. Scarecrow Press, Incorporated, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

May. Avant Garde Choral Music. Rowman & Littlefield Publishers, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Dickinson, Kay, Thomas Burkhalter, and Benjamin J. Harbert. Arab Avant-Garde: Music, Politics, Modernity. Wesleyan University Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Dickinson, Kay, Thomas Burkhalter, and Benjamin J. Harbert. Arab Avant-Garde: Music, Politics, Modernity. Wesleyan Methodist Church in Australia, The, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

SCHECHNER, Richa. DECLINE & FALL OF THE AVANT GARDE. Routledge, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Lysaker, John T. Music for Airports and the Avant-Garde. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497293.003.0003.

Full text

Abstract:

Chapter 2 places Music for Airports within the context of a “sonic turn” that occurs among various avant-garde trends in twentieth-century Euro-American music. A brief history begins with Debussy, accelerates with musique concrète and John Cage’s regard for the activity of sounds, and closes with consideration of La Monte Young and Terry Riley. The chapter insists that this history, in its technological and compositional advances, makes the experiments on Music for Airports possible. Ongoing references to chapter 1’s observations concretize the album’s relation to the Euro-American avant-garde.

APA, Harvard, Vancouver, ISO, and other styles

28

Sitsky, Larry. Music of the Twentieth-Century Avant-Garde. Greenwood Publishing Group, Inc., 2002. http://dx.doi.org/10.5040/9798400688782.

Full text

Abstract:

Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.

APA, Harvard, Vancouver, ISO, and other styles

29

LEI JIN NA DE ?SHI MI SI ?BU LIN DE ER. new music: The avant-garde since 1945. Unknown, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

The Arab Avant-Garde: Music, Politics, Modernity (Music / Culture). Wesleyan University Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Adlington, Robert. Sound Commitments: Avant-Garde Music and the Sixties. Oxford University Press, Incorporated, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Adlington, Robert. Sound Commitments: Avant-Garde Music and the Sixties. Oxford University Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Lucier, Alvin. Music 109: Notes on Experimental Music. Wesleyan University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Tobias, James. An Educational Avant-Garde. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0004.

Full text

Abstract:

This chapter looks at the role of music and voice-over in constructing and deconstructing highly political messages in the experimental documentary format. It argues that Julien Bryan’s films on Latin America for the Office of Inter-American Affairs do not operate as US wartime propaganda, as is often believed, but are rather highly musical pedagogical essays challenging prevailing tendencies in US wartime communications by presenting progressive reforms proceeding in Latin America as more advanced than was politically feasible in the United States. These claims are dramatised and softened by complex synchronised scores. The films demonstrated the very problem of middle-class development as a highly gendered negotiation of national development. Bryan’s constructionist film education of often xenophobic US audiences on Latin America reframed the role of the spoken voice-over familiar from early cinema’s film lecturer, while deploying the newer, through-composed musical synchronisation of the sound film.

APA, Harvard, Vancouver, ISO, and other styles

35

Kahn, Douglas, Nilendra Gurusinghe, and Larry Austin. Source: Music of the Avant-Garde, 1966 1973. University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Kahn, Douglas, Nilendra Gurusinghe, and Larry Austin. Source: Music of the Avant-Garde, 1966-1973. University of California Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Barthel-Calvet, Anne-Sylvie, and Christopher Brent Murray. Revisiting the Historiography of Postwar Avant-Garde Music. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Barthel-Calvet, Anne-Sylvie, and Christopher Brent Murray. Revisiting the Historiography of Postwar Avant-Garde Music. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Revisiting the Historiography of Postwar Avant-Garde Music. Routledge, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Revisiting the Historiography of Postwar Avant-Garde Music. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Barthel-Calvet, Anne-Sylvie, and Christopher Brent Murray. Revisiting the Historiography of Postwar Avant-Garde Music. Routledge, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Adlington, Robert. Composing Dissent: Avant-Garde Music in 1960s Amsterdam. Oxford University Press, Incorporated, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Barthel-Calvet, Anne-Sylvie, and Christopher Brent Murray. Revisiting the Historiography of Postwar Avant-Garde Music. Taylor & Francis Group, 2022.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Composing Dissent: Avant-Garde Music in 1960s Amsterdam. Oxford University Press, Incorporated, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Echtzeitmusik Berlin: Selbstbestimmung einer Szene = self-defining a scene. Hofheim: Wolke, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Music 109: Notes on experimental music. Middletown, Connecticut: Wesleyan University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Cohen, Brigid. Stefan Wolpe and the Avant-Garde Diaspora. Cambridge University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Cohen, Brigid. Stefan Wolpe and the Avant-Garde Diaspora. Cambridge University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Cohen, Brigid. Stefan Wolpe and the Avant-Garde Diaspora. Cambridge University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Three Apostles of Russian Music: The Soviet Avant-Garde. Lexington Books/Fortress Academic, 2023.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!