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Relevant bibliographies by topics / Avant-garde poetry

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Academic literature on the topic 'Avant-garde poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Avant-garde poetry"

1

Trusewicz, Szymon. "Zaangażowanie i autonomia poezji awangardowej." Białostockie Studia Literaturoznawcze, no. 20 (2022): 183–95. http://dx.doi.org/10.15290/bsl.2022.20.10.

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The article reviews in the context of contemporary avant-garde theories the book by Alina Świeściak Współczynnik sztuki. Polska poezja awangardowa i postawangardowa między autonomią i zaangażowaniem [The Art Factor. Polish Avant-garde and Post-avant-garde Poetry Between Autonomy and Commitment]. The reviewed monograph is a discussion of examples of poetry of the historical avant–garde, neo-avant-garde and post-avant-garde and demonstrates the intertwining tendencies that liberate literature and engage it socially. According to the author of the review, Świeściak remains sensitive to both histo

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Benthien, Claudia, and Wiebke Vorrath. "German sound poetry from the neo-avant-garde to the digital age." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 7, no. 1 (2017): 4–26. http://dx.doi.org/10.7146/se.v7i1.97176.

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This article gives insight into German-language sound poetry since the 1950s. The first section provides a brief historical introduction to the inventions of and theoretical reflections on sound poetry within the avant-garde movements of the early 20th century. The second section presents works by Ernst Jandl and Gerhard Rühm as examples of verbal poetry of the post-war neo-avant-garde. The following two sections investigate contemporary sound poetry relating to avant-garde achievements. Section three deals with two examples that may be classified as sound poetry in a broader sense: Thomas Kli

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김승희. "Revolution in Poetry and Poetic Revolution:Aesthetic Avant-garde and Full-bodied Avant-garde." Korean Poetics Studies ll, no. 20 (2007): 7–39. http://dx.doi.org/10.15705/kopoet..20.200712.001.

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Oblučar, Branislav. "Avangarda poslije avangarde u hrvatskoj poeziji." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 159–73. http://dx.doi.org/10.14746/pss.2020.18.9.

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The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.

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Pavlovets, Mikhail G. "Russian Poetic Neo-avant-garde of the 2nd Half of the 20th Century: On Issue of the Term’s Use Boundaries." Studia Litterarum 8, no. 2 (2023): 10–31. http://dx.doi.org/10.22455/2500-4247-2023-8-2-10-31.

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The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become conventional in European art and art studies, however it has not yet established in the Russian scientific vocabulary. Moreover, in the field of literary study a significant amount of research material has been collected, which allows us to indicate the existence of Russian poetic neo-avant-garde in the 2nd half of the 20th century. Its authors

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Dvoynishnikova, M. P., T. F. Semian, and E. A. Smyshlyaev. "Traditions of the Russian avant-garde in children’s poetry." Culture and Text, no. 51 (2022): 167–80. http://dx.doi.org/10.37386/2305-4077-2022-4-167-180.

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The article presents the experience of understanding the traditions of Russian avant-garde in children’s poetry. In poems for children poets, whose work is traditionally classified as avant-garde, focus on the techniques of minimalism and primitivism, guided by children’s perception. The article deals with the mechanisms of organization and specifics of children’s poetry by G. Sapgir, J. Grants, as well as artistic parallels between the works of representatives of the Russian avant-garde of the 20th century and contemporary poets of the Ural region.

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Abdulghafur, Hazhar Ahmed, and Hadar Safari Naqab. "'Rebellion as an Avant-Garde Spirit in Handren's Poetry." Journal of University of Raparin 10, no. 3 (2023): 713–37. http://dx.doi.org/10.26750/vol(10).no(3).paper31.

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The leadership of authors and artists has long been a significant issue, concerning the existence and nature of art and literature. Also, it has always been discussed that literature and art are concerning issues, inventing new things, and having perspectives that ordinary people are not capable to feel, know or do them. Thus, there has always been a sort of differentiation or specialty among artists. In the modern era, this has been known as being avant-garde. The present study is entitled 'Rebellion as an Avant-Garde Spirit in Handren's Poetry'. It is an attempt to explain and explore the av

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Kittlová, Markéta. "Changing the World Through Poetry: Confessions, Poems and Banners of Adam Borzič." Porównania 27, no. 2 (2020): 325–39. http://dx.doi.org/10.14746/por.2020.2.17.

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This study focuses on Adam Borzič, one of the most distinctive contemporary Czech poets. The study contextualises his work within current Czech poetry but also examines his other work that is not strictly classified as art as though it were cultural work with avant-garde features. It investigates four volumes of Borzič’s work in terms of the changes in the author’s creative gesture, which expands from his conviction that the world is at a turning point and the avant-garde longing to change the world by poetry. In the four volumes of Borzič’s poetry (written so far), this gesture is embodied th

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Van den Berg, Hubert. "Martin Puchner, Poetry of the Revolution. Marx, Manifestos, and the Avant-Gardes 2006." Nordlit 11, no. 1 (2007): 300. http://dx.doi.org/10.7557/13.1789.

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The genre of the manifesto belongs to the key elements of avant-garde textuality. As such, the manifesto has received considerable attention in recent avant-garde research. Many articles, chapters in general studies on the avant-garde, several collections of essays, monographs and annotated anthologies have been devoted to the manifesto in the past decades. Martin Puchner's book on the avant-garde manifesto is a latecomer in this context, published some ten years after a wave of Manifestantismus struck in particular continental European avant-garde research. As in the case of any late arrival,

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O'Neil, Mary Anne. "The Fortunes of Avant-Garde Poetry." Philosophy and Literature 25, no. 1 (2001): 142–54. http://dx.doi.org/10.1353/phl.2001.0017.

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Dissertations / Theses on the topic "Avant-garde poetry"

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Burkett, Matthew Luis. "The Body In Avant Garde Poetry." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1150.

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This thesis examines the use of the body in avant-garde poetics, relating it to both theory and contemporary culture. An outline of how the body has been depicted, represented, and formalized in modernism is made, and contemporary issues involving the body, from what Meredith M. Render calls the “alienability” of the body to posthuman hybridity and technological transcendence. Language poetry, including the works of M. SourbeSe Philip, Clark Coolidge, Steve McCaffery, Charles Bernstein, Karen Mac Cormack, Lyn Hejinian, and Bruce Andrews is then examined for the body’s fraught usage in a genera

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Racz, Imogen Anne. "Henri Laurens and the Parisien avant-garde." Thesis, University of Newcastle Upon Tyne, 2000. http://hdl.handle.net/10443/425.

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This dissertation examines the development of Henri Laurens' artistic work from 1915 to his death in 1954. It is divided into four sections: from 1915 to 1922, 1924 to 1929, 1930 to 1939 and 1939 to 1954. There are several threads that run through the dissertation. Where relevant, the influence of poetry on his work is discussed. His work is also analyzed in relation to that of the Parisian avant-garde. The first section discusses his early Cubist work. Initially it reflected the cosmopolitan influences in Paris. With the continuation of the war, his work showed the influence both of Leonce Ro

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Gardner, Calum. "Roland Barthes and English-language avant-garde poetry, 1970-1990." Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/94082/.

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This thesis looks at the engagement of English-language poets with the writing of Roland Barthes, and considers how a reading of Barthes may help understanding of a range of challenging experimental work. The introduction to the thesis lays a groundwork of how Barthes has been read in English since the first widely available translations of his work appeared in the 1960s, and thus establishes the intellectual context in which poets have written since. Beginning in the first chapter with Veronica Forrest-Thomson, the first of these poets to have looked at Barthes in detail, it looks both at poe

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Ledesma, Eduardo. "The Historic Avant-Garde, the Neo-Avant-Garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10286.

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My dissertation examines the experimental poetry of three periods, the historical avant-garde of the 1920s, the neo-avant-gardes of the 1950s, 60s, and 70s, and the digital avant-garde (from the 1990s until the present), drawing on the works of poets from the Luso-Hispanic world including the Iberian Peninsula and Latin America. Scholars such as Renato Poggioli and Peter Bürger define the avant-garde as radically new and unrepeatable, an "advanced" guard that exhausted its aesthetic and political possibilities. I challenge this view by establishing a continuity of avant-gardes that emerge dur

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Ma, Ming-Qian. "Poetry as re-reading : American Avant-garde poetry and the poetics of counter-method /." Evanston Illinois : Northwestern University Press, 2008. http://www.loc.gov/catdir/enhancements/fy0809/2008000308-t.html.

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Morris, Marianne. "Problems of the 'political' in British avant-garde poetry and poetics, 2003-2012." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/7772/.

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This investigation addresses formal and conceptual problems in poetry, identified through critical investigations of my own and my poetic peers’ work, and through theoretical and philosophical texts (Butler, 2000; Hegel, 1807; Owens, 1980; Rose, 1996; Kappeler, 1986). The notion of a ‘political’ poetry, as loosely posited by contemporary critics (Archambeau, 2009) is discussed, using Ancient Greek readings of polis (Arendt, 1958; Yunis, 1996). Subsequent related topics for discussion include critical irony, subjectivity, feminist theory, and fantasy. Source material for their identification in

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MacPhee, Graham. "Remembering the avant-garde : vision and time in the poetry of Frank O'Hara." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263158.

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Watkin, David Watkin. "In the process of poetry : the New York School and the avant-garde." Thesis, Queen's University Belfast, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287397.

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Nicholas, Tessa Joseph Harmon William. "Imagining community individual influence and group cohesion in American avant-garde poetry and poetics /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1563.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.

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Cooper, Michael T. "WELCOME TO THE PLANET: FORT LIVING ROOM O ROTTING SUN." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/192.

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O Rotting Sun is a pair of long narrative poems that leap, spanning over an epic-length manuscript—175 pages of prose block, lyrical verse, and projective verse. Its chief poetic-operational modes are: inclusion, fragmentation, textual destructions, intentional omissions, intentional misspelling, large narrative leaps; all of which engage a poetics of doubt and multiplicity. O Rotting Sun is a jarring and jangly poem of resistance, intended if possible, for being read aloud and argued with: a provocation of intense meditation, reflection, and when successful, disintegration of anger & agonism—

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Books on the topic "Avant-garde poetry"

1

Mayhew, Jonathan. The Twilight of the Avant-Garde. Liverpool University Press, 2009.

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Frost, Elisabeth A. The feminist avant-garde in American poetry. University of Iowa Press, 2002.

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Ward, Geoff. Language poetry and the American avant-garde. British Association for American Studies, 1993.

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Allegrezza, William, ed. From moria poetry (2008). 2nd ed. Art Recess 2, 2023.

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Ece, Ayhan, Berk İlhan 1916-2008, Cansever Edip 1928-1986, Cemal Süreya 1931-1990, and Uyar Turgut, eds. İkinci yeni: The Turkish avant-garde. Shearsman Books, 2009.

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David, Jackson K., Vos Eric, and Drucker Johanna 1952-, eds. Experimental, visual, concrete: Avant-garde poetry since the 1960s. Rodopi, 1996.

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Ponichtera, Sarah Elizabeth. Yiddish and the Avant-Garde in American Jewish Poetry. [publisher not identified], 2012.

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Goldstein, Laura. Laura Goldstein on Opera Bufa in moria poetry. Edited by William Allegrezza. moria poetry, 2008.

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Gatza, Geoffrey, ed. Cheltenham (poetry). Blazevox Books, 2012.

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Paz, Octavio. Children of the mire: Modern poetry from Romanticismto the avant-garde. Harvard University Press, 1991.

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Book chapters on the topic "Avant-garde poetry"

1

Levenson, Michael. "The European Avant-Garde." In A Companion to Modernist Poetry. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch13.

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Jaguścik, Justyna. "Avant-garde women's poetry from China." In China's Avant-Garde, 1978–2018. Routledge, 2022. http://dx.doi.org/10.4324/9780429325304-14.

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Perry, Paul. "Maurice Scully and the Avant-Garde." In The Portable Poetry Workshop. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_34.

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Sheppard, Robert. "Taking Form: Experimental and Avant-Garde Forms." In The Portable Poetry Workshop. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_11.

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Day, Michael. "Online Avant-Garde Poetry in China Today." In New Perspectives on Contemporary Chinese Poetry. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610149_12.

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Milne, Drew. "Neo-Modernism and Avant-Garde Orientations." In A Concise Companion to Postwar British and Irish Poetry. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310306.ch8.

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Golding, Alan. "“Isn’t the Avant-garde Always Pedagogical”: Experimental Poetics and/as Pedagogy." In Poetry & Pedagogy. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-11449-5_2.

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Ramey, Lauri. "Diaspora and the Avant-Garde in Contemporary Black British Poetry." In Diasporic Avant-Gardes. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1007/978-1-137-08751-5_10.

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White, John J. "Forms of restricted iconicity in modern avant-garde poetry." In Insistent Images. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/ill.5.14whi.

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Tarlo, Harriet. "‘A She Even Smaller Than a Me’: Gender Dramas of the Contemporary Avant-Garde." In Contemporary Women’s Poetry. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-137-15406-4_21.

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Conference papers on the topic "Avant-garde poetry"

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Liu, Xiaozhe. "Avant-Garde Poetry in Postmodernism Literature." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.045.

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Leskovar, Zalka, and Nace Pušnik. "Design of typeface with constructivistic properties and renovation of promotional material for memorial room." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p91.

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The diversity that occurs in the field of typography, more specifically in the planning and design of typefaces, plays an important role in our lives and in society more broadly. Therefore, purposeful product planning is important because it can facilitate our everyday communication and understanding of the environment. The goal of the collaborative project was to design a display typeface and use it in revised graphic products that, along with the typeface, fit the client, the Kosovel Memorial Room in Sežana, Slovenia. Srečko Kosovel is a well-known Slovenian poet whose work is representative

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Reports on the topic "Avant-garde poetry"

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book

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