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Books on the topic 'Avant-garde poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Mayhew, Jonathan. The Twilight of the Avant-Garde. Liverpool: Liverpool University Press, 2009.

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2

Frost, Elisabeth A. The feminist avant-garde in American poetry. Iowa City, IO: University of Iowa Press, 2002.

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3

Ward, Geoff. Language poetry and the American avant-garde. [England]: British Association for American Studies, 1993.

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4

Allegrezza, William, ed. From moria poetry (2008). 2nd ed. Chicago, Illinois/Plymouth Meeting, Pennsylvania: Art Recess 2, 2023.

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5

Ece, Ayhan, Berk İlhan 1916-2008, Cansever Edip 1928-1986, Cemal Süreya 1931-1990, and Uyar Turgut, eds. İkinci yeni: The Turkish avant-garde. Exeter: Shearsman Books, 2009.

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6

David, Jackson K., Vos Eric, and Drucker Johanna 1952-, eds. Experimental, visual, concrete: Avant-garde poetry since the 1960s. Amsterdam: Rodopi, 1996.

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7

Ponichtera, Sarah Elizabeth. Yiddish and the Avant-Garde in American Jewish Poetry. [New York, N.Y.?]: [publisher not identified], 2012.

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8

Goldstein, Laura. Laura Goldstein on Opera Bufa in moria poetry. Edited by William Allegrezza. Chicago, Ill: moria poetry, 2008.

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9

Gatza, Geoffrey, ed. Cheltenham (poetry). Buffalo, New York, USA: Blazevox Books, 2012.

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10

Paz, Octavio. Children of the mire: Modern poetry from Romanticismto the avant-garde. Cambridge, Mass: Harvard University Press, 1991.

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11

Mark, Wallace, and Marks Steven 1953-, eds. Telling it slant: Avant-garde poetics of the 1990s. Tuscaloosa: University of Alabama Press, 2002.

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12

CC, Perma, ed. 2 (poetry) pages in Perma CC: Saved in Perma CC archives. Cambridge, MA: Perma CC, 2018.

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13

Gilbert, Alan. Another future: Poetry and art in a postmodern twilight. Middletown, CT: Wesleyan University Press, 2005.

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14

Alan, Gilbert. Another future: Poetry and art in a postmodern twilight. Middletown, Conn: Wesleyan University Press, 2006.

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15

Grilikhes, Alexandra, ed. Icarus in New York. 2nd ed. Philadelphia, PA: American Writing: A Magazine (Nierika Editions), 2001.

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16

Mipoesias, Amy King, and Yudu, eds. Icarus in New York, Clean, Disappear on mp3 on Yudu: Mipoesias Stain Bar Reading Series. 3rd ed. Williamsburg, Brooklyn, NY: Mipoesias, 2007.

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17

Press, Funtime, ed. Answered Prayers and Willard Preachers. 2nd ed. Conshohocken, Pa-Plymouth Meeting, Pa: Funtime Press, 2016.

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18

Morpurgo, Dawn, and Vlad Pogorelov, eds. Clean. Philadelphia, PA: Siren's Silence, 1998.

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19

Bess, Marilyn, ed. On Love. Philadelphia, PA: Hinge Online, 2003.

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20

Freedman, Brian. Personal Mythologies reading at the Kelly Writers House (9-20-03) on mp3 on PennSound; includes (Ode) On Love. Edited by PennSound and KWH. 3rd ed. Philadelphia, PA: PennSound, 2003.

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21

Mipoesias, Amy King, and Internet Archive, eds. Icarus in New York, Clean, Disappear on mp3 on IA: Mipoesias Stain Bar Reading Series. 3rd ed. Williamsburg, Brooklyn, NY: Mipoesias, 2007.

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22

Freedman, Brian. This Charming Lab reading at Kelly Writers House (3-27-04) on PennSound on mp3 includes Ode On Jazz (2), Ode On Psyche. Edited by PennSound and KWH. 3rd ed. Philadelphia, PA: PennSound, 2018.

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23

PennSound and Live at the Writers House, eds. Icarus in New York, (Ode) On Jazz, taped at Live at the Writers House, on mp3, on PennSound. 3rd ed. Philadelphia, PA: PennSound, 2004.

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24

Fieled, Adam. American Tour. Edited by Funtime Press. Conshohocken, Pa: Funtime Press, 2018.

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25

Miscellaneous, Fieled's, ed. 4325 Baltimore Avenue. Conshohocken, Pa: Fieled's Miscellaneous, 2016.

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26

Blue & Yellow Dog Press. Book pdf: Equations (Dialectic Form). Edited by Raymond Farr. Conshohocken, Pa: Blue & Yellow Dog Press, 2017.

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27

Halle, Steve, ed. Ode On Jazz. 7th ed. Chicago, Illinois: Seven Corners Poetry, 2006.

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28

Bloom, Lora, Dawn Morpurgo, and Vlad Pogorelov, eds. Clean. 2nd ed. Philadelphia, PA: Siren's Silence, 1998.

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29

Fieled, Adam. 2 (poetry) pages in The Argotist Online in UK WA (British Library): Saved in UK WA. Edited by The Argotist Online and UK WA. London, UK: UK WA (British Library), 2017.

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30

Grilikhes, Alexandra, ed. American Writing 21. 2nd ed. Philadelphia Pa: Nierika Editions, 2001.

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31

Press, Funtime, ed. Early Poems 1995-2005. 2nd ed. Conshohocken, Pa-Plymouth Meeting, Pa: Funtime Press, 2013.

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32

1969-, Delville Michel. Food, poetry, and the aesthetics of consumption: Eating the avant-garde. United States: Routledge, 2008.

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33

Side, Jeffrey. Jacket #37: Book Review: Jeffrey Side on When You Bit... Edited by John Tranter. Australia: Jacket Magazine, 2009.

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34

Side, Jeffrey. Collected Poetry Reviews 2004-2013: Jeffrey Side, Argotist Online e-book '13 (includes reviews of Beams and When You Bit...). Edited by The Argotist Online and Jeffrey Side. London, UK: The Argotist Online, 2013.

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35

Halle, Steve. Galatea Resurrects #7, Fluid/Exchange: Steve Halle on Posit (2 editions). Edited by Steve Halle and Eileen Tabios. Palatine, Illinois-California: Fluid/Exchange, Galatea Resurrects 7, 2007.

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36

Blair, Stacy. Stacy Blair on Opera Bufa (term paper): English 271: "How Does This Sound?", week five, Ultramodern Metaphor, summer '08, Loyola Chicago, Prof. Laura Goldstein. Chicago, Ill: Stoning the Devil, 2008.

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37

Sweeney, Laura G. Avant Garde E-Chapbook. Primedia eLaunch LLC, 2013.

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38

Frost, Elisabeth A. Feminist Avant-Garde in American Poetry. University of Iowa Press, 2005.

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39

Frost, Elisabeth A. Feminist Avant-Garde in American Poetry. University of Iowa Press, 2005.

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40

Jackson, K. David. Experimental Visual Concrete. Avant-Garde Poetry Since the 1960s. (Avant Garde Critical Studies). Editions Rodopi, 1996.

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41

The feminist avant-garde in American poetry. Iowa City: University of Iowa Press, 2003.

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42

Ross, Stephen J. The Invisible Avant-Garde. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798385.003.0001.

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Abstract:

This chapter examines John Ashbery’s early work in the context of the French neo-avant-garde of the late 1950s and early 1960s. It argues that Ashbery’s reading of the cubist poet Pierre Reverdy and close proximity to the “New Realism” movement in France (Ashbery’s home for nearly a decade from the mid-1950s to 1965) inform the collage technique of his notorious second collection, The Tennis Court Oath, and the suave lyricism of his third collection, Rivers and Mountains. Ashbery responds to the aestheticized concept of “nature”—the idea that art creates a “second nature”—that underpins neo-avant-garde practices of the “New Realist,” as codified by their chief theorist Pierre Restany. In idealizing poetry that would be “like a natural landscape in a world of painted ones,” Ashbery subscribes to the long-standing avant-garde fantasy of turning art into nature—a fantasy that reaches a new level of sophistication and transparency in his early masterpiece, “The Skaters.”

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43

What it means to be avant-garde. New York: New Directions, 1993.

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44

Twentieth-century French avant-garde poetry, 1907-1990. Lexington, Ky: French Forum, 1992.

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45

Paratextual communities: American avant-garde poetry since 1950. Carbondale: Southern Illinois University Press, 2001.

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46

Andrews, Kimberly Quiogue. Academic Avant-Garde: Poetry and the American University. Johns Hopkins University Press, 2023.

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47

Andrews, Kimberly Quiogue. Academic Avant-Garde: Poetry and the American University. Johns Hopkins University Press, 2023.

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48

Andrews, Kimberly Quiogue. Academic Avant-Garde: Poetry and the American University. Johns Hopkins University Press, 2023.

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49

Haiku poetics in twentieth century avant-garde poetry. Lanham, MD: Lexington Books, 2011.

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50

Heuving, Jeanne. Transmutation of Love and Avant-Garde Poetics. University of Alabama Press, 2016.

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