Relevant bibliographies by topics / Avarice – drama

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  1. Dissertations / Theses
  2. Books
  3. Book chapters

Academic literature on the topic 'Avarice – drama'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Dissertations / Theses on the topic "Avarice – drama"

1

Burtin, Tatiana. "Figures de l’avarice et de l’usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L’Avare de Molière." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100136/document.

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L’émergence d’un « ‘esprit’ capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l’usure et de l’intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l’époque, et plus particulièrement chez les grands dramaturges qui ont marqué l’imaginaire collectif en mettant en scène des personnages avares. À partir d’un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l’Occide
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Burtin, Tatiana. "Figures de l'avarice et de l'usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L'Avare de Molière." Thèse, 2011. http://hdl.handle.net/1866/6178.

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Abstract:
L'émergence d'un « 'esprit' capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l'usure et de l'intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l'époque, plus particulièrement chez les dramaturges qui ont marqué l'imaginaire collectif en mettant en scène des personnages avares. À partir d'un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l'Occident chrétie
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Books on the topic "Avarice – drama"

1

Tripāṭhī, Bakula. Līlā: [dhanalālasānī bhavāi]. Āra. Āra. Śeṭha enḍa Kampanī, 2013.

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1682-1738, Mouret Jean-Joseph, and Poirson Martial, eds. Le triomphe de l'intérêt (1730). Espaces 34, 2007.

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Eugene, O'Neill. Desire under the elms. D'Arts Pub., 2010.

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Eugene, O'Neill. Desire under the elms: A play in three parts. [CreateSpace Independent Publishing Platform], 2014.

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O'Neill, Eugene. Desire under the elms. Players Press, 2008.

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6

Jonson, Ben. Volpone. Oxford University Press, 2012.

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7

Theatre, Chichester Festival, Headlong Theatre, and Royal Court Theatre, eds. Enron. Methuen Drama, 2009.

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Prebble, Lucy. Enron. Methuen Drama, 2009.

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Molière. L' Avare. Presses Pocket, 1998.

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10

Georges, Couton, ed. L' avare. Gallimard, 1999.

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Book chapters on the topic "Avarice – drama"

1

Schulman, Bruce J. "Missiles and Magnolias." In From Cotton Belt To Sunbelt. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195057034.003.0006.

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Abstract “Our economy is no longer agricultural,” William Faulkner observed in 1956. “Our economy is the Federal Government.” In characteristic fashion, Faulkner likened the South’s surrender of its pastoral heritage to the Edenic Fall. The South, he contended, had “sold state’s rights” during the Depression in return for the fruits of the New Deal. In Faulkner’s conception, the historical experience of his native land after 1945 recapitulated the path of his characters, the denizens of fictional Yoknapatawpha County. Southern leaders, motivated by pride and avarice, reenacted the drama of the
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Wilkerson, Margaret B. "Political Radicalism and Artistic Innovation in the Works of Lorraine Hansberry." In African American Performance and Theater History. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195127249.003.0003.

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Abstract Lorraine Hansberry (figure 2.1) was a visionary playwright whose belief in humankind’s potential to overcome its own excesses of avarice, oppression, and inhumanity compelled her to raise provocative questionson the American stage. Ironically, her success with A Raisin in the Sun, which won the 1959 New York Drama Critics Circle Award and which won acclaim from white as well as black audiences during its Broadway production, led some critics to view her work as integrationist and accommodationist. A virile, confrontational Black Arts Movement in the 1960s, which challenged its parent,
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