Relevant bibliographies by topics / Avast Foundation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Avast Foundation'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Avast Foundation"

1

Puzyrkova, A. "Features of the avant-garde directions of European modernism during 1900–1910 in the Ukrainian avant-garde." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 208–14. http://dx.doi.org/10.33838/naoma.27.2018.208-214.

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During 1900–1910, there was a process of intensive cooperation and mutual enrichment between artists in Western European artistic centers and representatives of the Ukrainian and Russian avant-garde. At the same time, the avant-garde, both in Europe and in the territory of the Russian Empire, forms its own face and features that are reflected in the specificity of the artistic expression of specific groups and trends. The art of the 1900–1910 became a turning point in the history of avant-garde in Europe and in the Ukrainian lands, finally affirming the irreversibility of the phenomenon of ava
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2

Apuzzo, Jason Alexander. "Metropolis: The Foundation of the Avant-garde." Neurosurgery 49, no. 4 (2001): 992–95. http://dx.doi.org/10.1097/00006123-200110000-00039.

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Apuzzo, Jason Alexander. "Metropolis: The Foundation of the Avant-garde." Neurosurgery 49, no. 4 (2001): 992–95. http://dx.doi.org/10.1227/00006123-200110000-00039.

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Sell, Mike. "Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)." Theatre Journal 59, no. 1 (2007): 145–46. http://dx.doi.org/10.1353/tj.2007.0072.

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Solga, Kim. "Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)." Modern Drama 50, no. 1 (2007): 120–22. http://dx.doi.org/10.1353/mdr.2007.0025.

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Pedrabissi, Dario. "Contemporary Architectural Education and the Radical Experiments in 1960s in Florence." Advanced Materials Research 671-674 (March 2013): 2180–84. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.2180.

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Today's architectural pedagogy follows a very conventional curriculum, which doesn't account for contemporary challenges. Therefore architectural schools need to reconsider the foundations of their design programs, focusing on experiments in architectural education, which are essential to raise new questions in relation to the contemporary world. During the 1960's, experimentation brought the creation of the Radical Movement in which all around the world, different academic groups have tried to redefine the foundation of architectural pedagogy, by eradicating the Modernist historical and forma
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Kalic, Jovanka. "Raska kraljevina." Zbornik radova Vizantoloskog instituta, no. 41 (2004): 183–89. http://dx.doi.org/10.2298/zrvi0441183k.

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(francuski) La d?signation de l'ancien l'Etat serbe m?di?val comme le Regnum Rasciae, Regnum Rasse, remonte au couronnement royal du grand joupan Stefan Nemanjic en 1217, lorsque ce souverain coiffa la couronne envoy?e par le pape Honorius III. Elle appara?t donc au lendemain de l'effondrement de l'Empire byzantin ? la suite de la prise de Constantinople par les participants de la Quatri?me croisade (1204). Le couronnement du premier roi serbe eut lieu dans l'?glise des Saints-Ap?tres-Pierre-et-Paul ? Ras (sis aux abords de Novi Pazar, ce sanctuaire est aujourd'hui connu sous le nom de Petrova
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Prokopchuk, Inna. "Художня освіта та мистецтво аванґарду в Україні у контексті радянської соціалістичної програми". Studia Ucrainica Varsoviensia 5, № 5 (2017): 0. http://dx.doi.org/10.5604/01.3001.0009.9116.

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The study presents retrospectives of the early periods of the so-called “Soviet culture”, through the prism of historical and political events which occurred after 1917 when Soviet ideologists assigned to avant-garde art, in particular, to futurism and constructivism, to carry out their destructive work. The attention is drawn to historical preconditions of the formation and development of the new forms of the Ukrainian art education. The artistic works of 1920 designated out of passion of the prospects opened by cubofuturism, suprematism, and constructivism are analyzed. The unique features o
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Borko, T. "Theoretical Foundations and Collective Programme of Constructivism in Russian Avant-garde Painting." KnE Social Sciences 3, no. 7 (2018): 100. http://dx.doi.org/10.18502/kss.v3i7.2468.

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Omid and Patricia A. Nodoushani. "Second thoughts on the entrepreneurial myth." International Journal of Entrepreneurship and Innovation 1, no. 1 (2000): 7–12. http://dx.doi.org/10.1177/146575030000100102.

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Conventional wisdom often reduces entrepreneurship to the art of small business by formulating an ideological spirit rather than a scientific foundation for the field. Debunking the entrepreneurial myth, the focus must be on the political ideology behind the entrepreneurial explosion of the 1980s. Acting as the ideology of business avant-gardism, the entrepreneurial myth has become the context within which conventional wisdom about entrepreneurship has been influenced.
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Dissertations / Theses on the topic "Avast Foundation"

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Beckett, Jane. "Colour theory and foundations of the Dutch avant-garde 1990-1926." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267253.

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Dabin, Margaux. "Le processus de (re)fondation des bâtiments sacrés en Mésopotamie du Sud : de la technique aux rituels (IVe – IIIe millénaires avant notre ère)." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAG032.

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L’existence de rituels lors de la (re)construction des temples dans le Sud mésopotamien ne fait aucun doute au regard de nombreuses sources épigraphiques connues. Ces derniers se font pourtant plus silencieux pour les IVe et IIIe millénaires avant notre ère, une période de changement majeur dans la région. Au cœur de ces villes, le temple possédait une place centrale et son acte de fondation n’était pas anodin, formant l’une des principales prérogatives de la sphère royale. Malgré les nombreuses études déjà réalisées sur le sujet, la réflexion s’est axée sur un paramètre jusqu’alors délaissé e
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Joyeux, Hélène. "Un certain "esprit de collection" : les collectionneurs d'art français du monde de la mode (XXe-XXIe siècles)." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H040.

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Depuis l’invention de la haute couture à la fin du XIXème siècle, jusqu’à aujourd’hui, le milieu de la mode est l’un des secteurs professionnels qui concentre le plus de collectionneurs. Dès lors, on peut se demander s’il existe un collectionnisme propre aux collectionneurs du milieu de la mode, et si tel est le cas, comment il s’est structuré et de quelle façon il a évolué. Si celui-ci est le premier axe choisi pour rendre compte de ces relations, il n’est pas le seul car il ne peut se comprendre sans aborder, plus largement, d’autres formes de collaborations entre les acteurs de ces milieux.
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Kovaříková, Julie. "Implementace paliativní péče do nemocnic." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-383894.

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This thesis deals with the implementation of palliative care in hospitals and perceives the topic in context of change management in health facilities. In the Czech Republic, this type of care is still at its beginning in hospitals and its implementation is a big challenge. The aim of the thesis is to find out what factors influence the implementation of palliative care in hospitals. In the first part of the text, the theoretical bases concerning palliative care and change management are outlined. The empirical part introduces a qualitative survey identifying barriers that had to be overcome d
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Šerých, Anna. "Sociální práce v paliativní péči v nemocnici." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388950.

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The topic of this work - social work in palliative care - is very up-to-date because in the last three years, thanks to the "Together until the end" program of the Avast Foundation Fund, specialized palliative care has been introduced in eighteen Czech hospitals, which is a response to the fact that 78% of the citizens of the Czech Republic die in healthcare facilities. The goal of the thesis was to answer the research question: "How do social workers at the Central Military Hospital in Prague who have experience with clients in the terminal stage of illness describe the means to achieve the g
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Books on the topic "Avast Foundation"

1

Russell, Donn. Avant-guardian, 1965-1990: A theater foundation director's 25 years off Broadway. Dorrance Pub. Co., 1996.

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2

Rüsselsheim, Opelvillen, Museum Bochum, and Kunstmuseum Dieselkraftwerk Cottbus, eds. Wir müssen den Schleier von unseren Augen reissen: Fotografie und Zeichnung der russischen Avantgarde aus der Sammlung der Sepherot Foundation. Kunst- und Kulturstiftung Opelvillen, 2014.

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Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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1929-, Randall J. K., ed. Meta-variations: Studies in the foundations of musical thought. Open Space, 1995.

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8

Lavrentʹev, A. N. (Aleksandr Nikolaevich), author, Sepherot Foundation (Liechtenstein), Felix-Nussbaum-Haus (Osnabrück Germany), and Museum de Fundatie, eds. Für den neuen Menschen: Russisches Avantgarde-Design : Ideen, Entwürfe, Gestaltung : aus der Sammlung der Sepherot Foundation (Liechtenstein). Buchhandlung Walther König, 2014.

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9

Heugten, Sjraar Van. Avant-Gardes, 1870 to the Present: The Collection of the Triton Foundation. Yale University Press, 2013.

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(Editor), James M. Harding, and John Rouse (Editor), eds. Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (Theater: Theory/Text/Performance). University of Michigan Press, 2006.

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Book chapters on the topic "Avast Foundation"

1

Purkis, Charlotte. "The Other Gates: Anglo-American Influences on and from Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_5.

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Abstract An important influence on the foundation of the Dublin Gate Theatre in 1928 was the London Gate Theatre Studio. This chapter offers a historiographical survey concerning how the range of connections between these theatres have been treated by theatre commentators up to the present. Alongside this re-examination is a discussion of two other theatres that were also inspired by the London Gate, but established independently by the two London co-directors, Peter Godfrey and Velona Pilcher. Godfrey revived the early programming from London in 1943 at his ‘transplanted’ theatre in Hollywood, which also connected Los Angeles emigré culture back to Ireland. In London, Pilcher worked with a group of women associates to found a ‘new Gate’, the Watergate Theatre Club in 1949, which, with its avant-garde artistic ethos, had a cultural impact on the post-war London scene similar to the achievements of the earlier Gate theatres.
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"Theories and foundations." In American Avant-Garde Theatre. Routledge, 2014. http://dx.doi.org/10.4324/9781315011578-9.

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3

"The lost avant-garde." In Zionism and the Foundations of Israeli Diplomacy. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9780511583247.010.

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Conde, Maite. "Modernismo’s Literary Engagements with Film." In Foundational Films. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290983.003.0009.

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By the 1920s, new ideas regarding film as the seventh art disseminated in Europe had a profound effect on Brazilian literature, specifically the emergence of an avant-garde literary movement known as modernismo, or “modernism.” Charting the new theories regarding cinema as an art form, this chapter examines how they were appropriated and elaborated by modernist writers in Brazil in the 1920s, most notably in the novels of Oswald de Andrade, the poetry of Mário de Andrade, and an urban chronicle by Antônio de Alcântara Machado called Pathé Baby. In examining this experimental literature, the chapter shows how new international ideas regarding film form and aesthetics provided the modernist writers with a tool for critiquing the official trajectory of national modernity in Brazil.
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Conde, Maite. "The Cine-Poetry of Mário Peixoto’s Limite." In Foundational Films. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290983.003.0010.

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This chapter undertakes a close reading of the Brazilian experimental silent film Limite, made in 1930 by Mário Peixoto. It pays close attention to the context of the film’s production: Peixoto’s contact with the world of cinephilia in Brazil and his links to the European avant-garde. In doing so, it analyzes the film’s style in the light of Germaine Dulac’s emphasis on cinema’s visual rhythms. Rather than providing us with a story or even presenting us with the psychological state of mind among its characters, it shows how Peixoto’s film “thinks” in pictures, movements, and angles, trying to intertwine diverse visual fields by using certain symbolic themes and variations. The chapter this shows how Limite accomplishes what Dulac had demanded in 1927: the “real” filmmaker should “divest cinema of all elements not particular to it, to seek its true essence in the consciousness of movement and visual rhythms.”
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Conde, Maite. "Fabricating Discipline and Progress in São Paulo, Symphony of a Metropolis." In Foundational Films. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290983.003.0011.

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A common focus of the international cinematic avant-garde during the 1920s was the power and excitement of cities, something that gave rise in both Europe and the United States to a genre of films known as "city symphonies." Charles Sheeler and Paul Strand's Manhatta (1921), André Sauvage's Études sur Paris (1928), Dziga Vertov's Man with a Movie Camera (1929), and Walter Ruttmann’s Berlin: Die Sinfonie Der Großstadt (1927) were examples of this genre. Such films inspired São Paulo: A sinfonia da metrópole, which is analyzed here. Made by Hungarian filmmakers, Rodolfo Lustig and Adalberto Kemeny, the Brazilian film typically documents a day in the life of São Paulo, exalting its urban dynamic as a sign of the city’s and country’s modernity. In examining São Paulo: A sinfonia da metrópole, this chapter shows that while it expresses the city’s speed brought by the experience of modernity, it also departs from its international inspirations to triumphantly project the discipline of labor, projected as a sign of order and progress, which is ultimately projected by the state.
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Belikova, Maria. "Weimar Art: Between Tradition and Avant-Garde." In Taking and Denying Challenging Canons in Arts and Philosophy. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-462-2/010.

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This study aims to analyse two art movements in Germany: Dada and New Objectivity, identifying their distinctive features in the context of the anti-modernist mood in the interwar period. A ‘call to order’, or return to tradition and classics, can even be found in some texts of the Berlin Dadaists. The aesthetic positions of New Objectivity representatives were also ambiguous. On the one hand, they shattered avant-garde foundations through an appeal to the national pictorial tradition. On the other hand, modernist means of expression can be traced in their works.
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Kornienko, Nelli. "20 Les Kurbas and the Spiritual Foundations of the Ukrainian Avant-garde." In Modernism in Kyiv. University of Toronto Press, 2010. http://dx.doi.org/10.3138/9781442686373-025.

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Iverson, Jennifer. "Reclaiming Technology." In Electronic Inspirations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.003.0005.

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In the transition from World War II to the Cold War, military innovations were domesticated and repurposed for civilian, scientific, and cultural advancement. Information theory is one such discourse—birthed from Shannon’s wartime cryptography work at Bell Labs—that burgeoned outward in a series of connected, interdisciplinary spirals in the 1950s. The WDR studio was a locale where wartime “technology” (defined broadly to include ideas) was reclaimed for cultural gain. After the initial experiments of the early 1950s, composers found themselves hemmed in by technological limits and unhappy with the serial, pointillist music they had so far made. Enter Meyer-Eppler, a former Nazi communications researcher turned phonetics scientist and electronic music expert, whose information-theoretic teachings helped composers solve their problems in several ways: to understand when their music had been too information dense; to incorporate gestures, approximations, and perceptible shapes; and to circumvent the technological limitations of the studio. The core concepts of information theory—perception, sampling and continuity, and probability—became the foundation for much mid-1950’s music from a range of composers in the studio and beyond. Working cooperatively, scientists, technicians, and composers participated in a process of culturally reclaiming information theory from its wartime origin, making it the conceptual foundation for 1950’s avant-garde music.
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Keaveney, Christopher T. "Game On: Encounters with the Magic of Baseball in Japanese Postmodern Fiction." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0006.

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Chapter 5 builds upon the foundation established in Chapter 4 by examining a particular approach to literature, Postmodernism, and describing how the postmodern literature that emerged in the 1980s and 1990s in Japan, indebted to postmodern baseball fiction in the United States, exemplifies the continuing appeal of baseball as a literary subject and of baseball’s capacity to adapt to cultural shifts. The chapter provides analyses of four baseball-themed works including fiction by the well-know postmodern novelists Murakami Haruki and Takahashi Genichirō, and more recent works by Nagao Seio and Enjō Tō, to demonstrate the possibilities that baseball fiction offers for avant-garde literary experimentation, possibilities exploited in American literature by writers from Philip Roth to Bernard Malamud. This chapter also charts how, ironically, Nagao Seio in his novel Shiki and Sōseki’s Big Game, achieves a remarkable pastiche in which one of the protagonists is none other than Masaoka Shiki with whom this survey of cultural representations of baseball in Japan begins.
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